Undergraduate Theses / Dissertations & Special Studies Collection
The Music Library holds a collection of Faculty of Music undergraduate theses and research papers including honours essays, masters preliminary research, and other materials which are available for reading within the Music Library only.
Undergraduate Theses and Special Studies are listed on the Library's catalogue and can be searched by title, or keyword options. Each work has a call number beginning with SS.
The Music Library does not lend these materials and copying restrictions apply.
- Undergraduate Theses and Special Studies - Listed by author name
Undergraduate Theses and Special Studies - Listed broadly by year completed
FENN,
Elaine.
The Music of Claude Debussy. Special Study, The University
of Melbourne.
UniM Music SS-1
PRIOR,
Glen.
The Development of Brass Ensemble Writing. Special
Study, The University of Melbourne.
UniM Music SS-2
COOPER,
Ian.
The Blind Music Teacher in the Community. Special Study,
The University of Melbourne.
UniM Music SS-3
POMROY,
Wendy.
A Brief History of Jazz and its influence on classical
composers. Special Study, The University of Melbourne.
UniM Music SS-4
CHAPPEL,
Elizabeth.
Oratorio and Passion. Special Study, The University
of Melbourne.
UniM Music SS-5
CHOY,
Frances Low.
Twentieth Century English Church Music. Special
Study, The University of Melbourne.
UniM Music SS-6
SNEKKER,
Nicola.
Memory. Special Study, The University of Melbourne,
n.d.
UniM Music SS-7
JONES,
Alwyn.
The Place of Music in the Australian Aboriginal's
Way of Life. Special Study, The University of Melbourne,
n.d.
UniM Music SS-8
STAPLES,
Patricia.
French Harpsichord Music. Special Study, The University
of Melbourne, n.d.
UniM Music SS-9
LACZOFY,
Monika.
Mozart and the Keyboard. Special Study, The University
of Melbourne, n.d.
UniM Music SS-10
GRAHAM,
Eleanor.
Tudor Church Music. Special Study, The University
of Melbourne, n.d.
UniM Music SS-11
MULCAHY,
Clare.
Plainsong. Special Study, The University of Melbourne,
n.d.
UniM Music SS-12
SPANNEY,
Ken. D.
The Problem of Form in Music. Special Study, The University
of Melbourne, n.d.
UniM Music SS-13
JOHN,
Malcolm.
A Study of the Life and Music of William Walton,
and a critical evaluation of his contribution to art. Special
Study, The University of Melbourne, n.d.
UniM Music SS-14
MULCAHY,
Denise.
Ornamentation. Special Study, The University of Melbourne,
n.d.
UniM Music SS-15
WION,
John.
The Orchestral technique of Jean Sibelius. Special
Study, The University of Melbourne, n.d.
UniM Music SS-16
GILLESPIE,
Diane.
The Seven Symphonies of Sibelius : a synthesis of
the harmonic, formal and orchestral aspects, with an introduction
describing influences which may have affected their compositon.
Special Study, The University of Melbourne, n.d.
UniM Music SS-17
SCARLETT,
Elizabeth.
Russia's
contribution to 19th century music, with
particular reference to Tschaikowsky. Special Study, The
University of Melbourne, n.d.
UniM Music SS-18
O'HALLORAN,
Maureen.
Aesthetics. Special Study, The University of Melbourne,
n.d.
UniM Music SS-19
MUIRDEN,
Patricia.
Significant
20th century English composers and their development of the violin concerto. Special Study,
The University of Melbourne, n.d.
UniM Music SS-20
KNIGHT,
Lindsay.
A
survey of the growth of violin technique from the creation of the instrument
to the present day. Special
Study, The University of Melbourne, n.d.
UniM Music SS-21
SEELIGSON,
Rita.
The social background to the French Romantics. Special
Study, The University of Melbourne, n.d.
UniM Music SS-22
COOCH,
Fiona.
Bach
: interpretation of the keyboard. Special Study,
The University of Melbourne, n.d.
UniM Music SS-23
COOGAN,
Brian.
The
Trumpet : its development and use. Special Study,
The University of Melbourne, n.d.
UniM Music SS-24
ZEELANDER,
Juliette.
Contemporary
Dutch Composers. Special Study, The
University of Melbourne, n.d.
UniM Music SS-25
GODSIL,
Ian.
English
Church Music in the twentieth century. Special
Study, The University of Melbourne, n.d.
UniM Music SS-26
MCSWINEY,
Carolyn.
A
study of the development of violoncello playing from 1750-1900. Special Study, The University of Melbourne,
n.d.
UniM Music SS-27
QUONG,
Judith.
Schubert
and Song. Special Study, The University
of Melbourne, n.d.
UniM Music SS-28
ABRAMS, Eva.
Nationalism
in Music. Special Study, The University
of Melbourne, n.d.
UniM Music SS-29
GEORGE,
Vanessa.
The Nineteenth-Century
Australian and His Music.
Special Study, The University of Melbourne, 1962.
UniM Music SS-30
PLAIN,
Patricia.
The
Symphonies of Sibelius. Special Study, The
University of Melbourne, n.d.
UniM Music SS-31
VOLKOVS,
Zane.
The
Piano Music of Debussy and Ravel. Special Study,
The University of Melbourne, n.d.
UniM Music SS-32
BROWN,
Helen.
The
Influence of Finnish Folk Heritage and Music of Sibelius. The Englishness
of Vaughan Williams. Special Study,
The University of Melbourne, n.d.
UniM Music SS-33
BONWICK,
Beverley.
The
Importance of active music participation in a child's education. Special Study, The University of Melbourne,
n.d.
UniM Music SS-34
BLOMFIELD,
Graham.
The
Instrumental Ensemble within the School. Special
Study, The University of Melbourne, 1961.
UniM Music SS-35
CLIFFORD,
John K.
Mikrokosmos
: Bela Bartok. Special Study, The University
of Melbourne, 1957.
UniM Music SS-36
LICEN,
Xenia.
Piano
Technique : the history of "Clavier" playing. Special Study, The University of
Melbourne, 1957.
UniM Music SS-37
RUSSELL,
Glenda.
Spanish
Music. Special Study, The University of Melbourne,
n.d.
UniM Music SS-38
DIX,
Roma.
Music
in the Primary School. Special Study, The University
of Melbourne, 1957.
UniM Music SS-39
SEYMOUR,
Peter.
Compare the views of Plato and Aristotle on the place
of music in education and society. Special Study, The University
of Melbourne, n.d.
UniM Music SS-40
EDDY,
Alison D.
Patronage
in the golden age of English Music. Special
Study, The University of Melbourne, 1956.
UniM Music SS-41
GIFFORD,
Helen. Ravel. Special Study, The University of Melbourne,
n.d.
UniM Music SS-42
CHANDLER,
Elizabeth M.
The
technical development of keyboard instruments.
Special Study, The University of Melbourne, 1957.
UniM Music SS-43
JONES,
Trevor.
English Folk Song. Special Study, The University
of Melbourne, 1957.
UniM Music SS-44
JONES,
Olwen.
Stravinsky
: his development with particular regard to orchestration, as seen in his
works for the stage. Special
Study, The University of Melbourne, n.d.
UniM Music SS-45
HO,
Lillian.
Ralph
Vaughan Williams : the English Nationalist.
Special Study, The University of Melbourne, n.d.
UniM Music SS-46
DEUTSCHER,
Phyll.
Frederick
Delius and his place in English Music. Special
Study, The University of Melbourne, n.d.
UniM Music SS-47
L'ARMAND,
Adrian.
Musical
life of New England 1620-1770 'Society and Music'. Special Study, The University of Melbourne, n.d.
UniM Music SS-48
FALK,
Jeanette.
Music
in secondary education. Special Study, The
University of Melbourne, 1960.
UniM Music SS-49
JENKINS,
Margaret A.
The
growth and development of the orchestra from J.S. Bach to the present day. Special Study, The University
of Melbourne, n.d.
UniM Music SS-50
FULLARD,
Jennifer.
The
form and instrumentation of the canatas of J.S. Bach. Special Study, The University of Melbourne, n.d.
UniM Music SS-51
ALLEN, William A.
An
historical survey of the art of conducting.
Special Study, The University of Melbourne, 1960.
UniM Music SS-52
CASH,
Francesca T.
The
importance of music education in primary and secondary schools. Special Study, The University of Melbourne,
1960.
UniM Music SS-53
NEWTON,
Elaine.
The
String Quartets of Bela Bartok. Special Study,
The University of Melbourne, n.d.
UniM Music SS-54
WILLIAMS,
Barbara C.
Psychology
of hearing. Special Study, The University
of Melbourne, 1964.
UniM Music SS-55
MACKENZIE,
Joan M.
Music
and the educational system of Plato and Aristotle.
Special Study, The University of Melbourne, n.d.
UniM Music SS-56
DONOGHUE,
M.
The
history of the keyboard and keyboard music. Special
Study, The University of Melbourne, n.d.
UniM Music SS-57
WILSON,
Lilian.
Liszt
is the father of modern music. Special Study,
The University of Melbourne, n.d.
UniM Music SS-58
SANTAMARIA,
Mary Helen.
La
Nuova Italia. Special Study, The University
of Melbourne, 1963.
UniM Music SS-59
HEAGNEY,
Roger.
A
survey of the evolution of the organ and organ music.
Special Study, The University of Melbourne, n.d.
UniM Music SS-60
RICE,
Carmel.
The
Italian madrigal of the Cinquecento. Special
Study, The University of Melbourne, 1963.
UniM Music SS-61
TREVARE,
R. J.
On
conducting and some allied questions. Special Study,
The University of Melbourne, n.d.
UniM Music SS-62
BYRNE,
Patricia.
The
history of the transverse flute and its repertoire.
Special Study, The University of Melbourne, 1963.
UniM Music SS-63
MCMILLAN,
Rosalind.
Everyman
and his music : a study of the music of the English Everyman from 1650-1900. Special Study, The University
of Melbourne, n.d.
UniM Music SS-64
MIECHEL,
Phillip.
The
Clarinet : its history and repertoire. Special
Study, The University of Melbourne, 1963.
UniM Music SS-65
MERCER,
David Stuart.
Electronic
Music : an introduction. Special
Study, The University of Melbourne, n.d.
UniM Music SS-66
FISKE,
Barbara.
The
Choral music of Ralph Vaughan Williams 1872-1958.
Special Study, The University of Melbourne, 1964
UniM Music SS-67
COLLISHAW,
A. Noel.
Mozart
sonatas for piano and violin. Special Study,
The University of Melbourne, n.d.
UniM Music SS-68
WORTLEY,
Rosalyn.
Physics
and contemporary music. Special Study, The
University of Melbourne, 1964.
UniM Music SS-69
DURRAND,
John.
That
the music of Johann Sebastian Bach expresses the religious. Special Study, The University of Melbourne, 1964.
UniM Music SS-71
PERKINS,
Janet.
A
study of some of the main trends in the English art-song during the years
1900-1930. Special Study, The University
of Melbourne, 1964.
UniM Music SS-72
HAIR,
Graham.
Some
aspects of the work of Benjamin Britten. Special
Study, The University of Melbourne, n.d.
UniM Music SS-73
BISSET,
Marjorie.
Music
of the English Restoration Period. Special
Study, The University of Melbourne, n.d.
UniM Music SS-74
HARRISON,
Berenice F. M.
Music
and film. Special Study, The University
of Melbourne, 1964.
UniM Music SS-75.
QUIRK,
Gwen.
Beethoven's
spiritual development. Special Study, The
University of Melbourne, 1964.
UniM Music SS-76
STOPS,
Jennifer.
A
Century of Music in Hobart 1804-1904. Special
Study, The University of Melbourne, n.d.
UniM Music SS-77
ELLIS,
Ian.
The
evolution of the organ in England, with details of influences from abroad. Special Study, The University
of Melbourne, n.d.
UniM Music SS-78
CAUGHIE,
Catherine.
Aboriginal
Music. Special Study, The University
of Melbourne, n.d.
UniM Music SS-79
RIGHETTI,
Pauline Veronica.
Thesis
on the First Fifty Years of Music in Ballarat. Special Study, The University of Melbourne,
n.d.
UniM Music SS-80
THWAITES,
Penelope.
Some
aspects of Hindusthani music. Special Study,
The University of Melbourne, 1965.
UniM Music SS-81
PHILLIPS,
Roslyn.
The
Role of music in the life of the adolescent.
Special Study, The University of Melbourne, n.d.
UniM Music SS-82
PELL,
Margaret.
The
development of sonata form as seen in the Beethoven violin sonatas. Special Study, The University of Melbourne,
1965.
UniM Music SS-83
MCDONOUGH,
Ian R.
Violin
technique : an historical survey... . Special Study, The University of
Melbourne, 1965.
UniM Music SS-84
LANGDON,
Alison.
Literature
of the flute. Special Study, The University
of Melbourne, n.d.
UniM Music SS-85
SCHULER,
Sylvia Lilian.
Vocal
and chamber music in the court of Frederick the Great. Special Study, The University of Melbourne, 1965.
UniM Music SS-86
NIXON,
H. June.
The
Latin Motets of William Byrd. Special Study,
The University of Melbourne, n.d.
UniM Music SS-87
KENT,
Prudence.
Music
and Worship. Special Study, The University
of Melbourne, n.d.
UniM Music SS-88
O'DONOGHUE,
Helen.
Nineteenth
century Spanish piano music. Special Study,
The University of Melbourne, n.d.
UniM Music SS-89
REEDER,
Haydn.
The
interpretation of Bach's keyboard works on the piano. Special Study, The University of Melbourne, n.d.
UniM Music SS-90
MACKAY,
Max L.
Music:
Its Place in the Australian System of Education.
MusB thesis, The University of Melbourne, 1958.
UniM Music SS-91
BONIGHTON,
Ian.
Claudio
Monteverdi : L'Orfeo - favola in musica / orchestrated
by Ian Bonighton. Special Study, The University of Melbourne,
1966.
UniM Music SS-92
STONE,
Laura Diane.
Schulwerk
of Carl Orff. Special Study, The University
of Melbourne, 1966.
UniM Music SS-93
RULE,
Graham F.
The
aims and principles of music education in government and non-government
schools. Special Study, The University
of Melbourne, 1966.
UniM Music SS-94
MCALLISTER,
Alison.
Keyboard
music of the 17th and 18th centuries, with special emphasis on harpsichord
music. Special Study, The
University of Melbourne, 1966.
UniM Music SS-95
KEE,
Diana Rosemary.
Schubert
Songs. Special Study, The University
of Melbourne, 1966.
UniM Music SS-96
KLAVINS,
Erik.
Latvian
Music. Special Study, The University of Melbourne,
1966.
UniM Music SS-97
DEWAR,
Catherine.
Mozart's
piano concertos. Special Study, The University
of Melbourne, n.d.
UniM Music SS-98
WOODS,
Alan.
Tudor
Church Music : the Work of Byrd and Gibbons.
Special Study, The University of Melbourne, 1966.
UniM Music SS-99
VERRALL,
Judith.
Music
in New Guinea. Special Study, The University
of Melbourne, n.d.
UniM Music SS-100
HEYWOOD,
John.
Emergence
of bowed instruments : violinists - violin music to 18th century : The violin
virtuosi of 18th-19th centuries. Special Study, The University of Melbourne, n.d.
UniM Music SS-101.
THOMLINSON,
Geoffrey.
Psychology
in the music classroom. Special Study,
The University of Melbourne, 1967.
UniM Music SS-102
MORGAN,
Ian M.
The
Clarinet : a short account of its history and development. Special Study, The University of Melbourne,
n.d.
UniM Music SS-103
MISSO,
Diane.
Music
in China. Special Study, The University of Melbourne,
n.d.
UniM Music SS-104
WILLIAMS,
Robert J.
Symphonic
poem : its origin and development through programme music. Special Study, The University of Melbourne,
n.d.
UniM Music SS-105
BONE,
Ruth.
The
influence of Calvin and Calvinism on the music of French Protestantism,
and the consequential influence on music of protestantism in Switzerland,
Scotland, England and Holland. Special Study, The University of Melbourne,
1967.
UniM Music SS-106
PYKE,
Margaret.
Mendelssohn
as a personality and musician of the early 19th century. Special Study, The University of Melbourne,
1967.
UniM Music SS-107
JAMESON,
Julianne.
A
comparison of the St. John and St. Matthew passions of J.S. Bach. Special Study, The University of Melbourne,
1967.
UniM Music SS-108
ABBOTT,
Graham S.
A
technical appraisal of the work of Webern.
Special Study, The University of Melbourne, 1967.
UniM Music SS-109
GROCKE,
Denise. Music Therapy. Special Study, The University of Melbourne,
1967.
UniM Music SS-110
CHALLENDER,
Stuart.
The
liberation of sound : a study of life and music of Edgar Varese. Special Study, The University of Melbourne,
n.d.
UniM Music SS-111
MILNE,
Elizabeth.
The
teaching of piano technique from the early 18th century. Special Study, The University of Melbourne,
1967.
UniM Music SS-112
CONOLAN,
Anthony E.
A
History of Music in Bendigo. Special Study,
The University of Melbourne, 1966.
UniM Music SS-113
CHINNAPPA,
A.N.
The
music and song of South India and Ceylon. Special
Study, The University of Melbourne, 1968.
UniM Music SS-114
CRANE,
Rosalyn.
The
development of Arabian music and its influence in Europe until 1400. Special Study, The University of Melbourne,
n.d.
UniM Music SS-115
HANSCOMBE,
G.
Edgar Varese ; Arnold Schoenberg. Special Study, The University
of Melbourne, n.d.
UniM Music SS-116
DEWAR,
Catherine.
Edgar Varese ; Arnold Schoenberg. Special Study,
The University of Melbourne, 1967.
UniM Music SS-117
KENDALL,
Rodney.
Edgar
Varese. Special Study, The University of Melbourne,
n.d.
UniM Music SS-118
BONIGHTON,
Ian.
Percy
Grainger : The Warriors and Random Round. Special
Study, The University of Melbourne, [? year].
not found at VU (SS-119)
FORSYTH,
J.A.
J.S.
Bach's use of symbolic numbers as a structural basis for his compositions. Special Study, The University
of Melbourne, n.d.
UniM Music SS-120
WHITE,
K.
Percy Grainger's 'Free Music'. Special Study, The University
of Melbourne, n.d.Percy Grainger's 'Free Music'
UniM Music SS-121
HAYDN,
Frances.
Some
aspects of music since Schoenberg. Special
Study, The University of Melbourne, n.d.
UniM Music SS-122
WELLINGS,
Joy.
The
Piano music of Bela Bartok. Special Study, The University
of Melbourne, 1968.
UniM Music SS-123
LAURICELLA,
Mary Angela.
The
Art of Ballet : an appreciation for a music student. Special Study, The University of Melbourne, 1968.
UniM Music SS-124
ALEXANDER,
Malcolm.
American music?. Special Study, The University of
Melbourne, 1968.
UniM Music SS-125
LOGAN,
Diana.
Xenakis
: an outline of his concept of music and methods of composition. Special Study, The University of Melbourne,
n.d.
UniM Music SS-126
LOGAN,
Diana.
Intending
by Dick Higgins. Special Study, The University
of Melbourne, n.d.
UniM Music SS-127
GOLDBERG,
Loretta.
Intending. Special Study, The University of Melbourne,
n.d.
UniM Music SS-128
ALEXANDER,
Malcolm.
Intending. Special Study, The University of Melbourne,
n.d.
UniM Music SS-129
FISH,
Brian W.
A
study of the music of Leonard Bernstein reveals the contemporary problems
of man. Special Study, The University
of Melbourne, 1969
UniM Music SS-130
CONOLAN,
Leonie (Jarvis).
Ballet
: the backgrounds, music and choreography of Yugen ; The Last Vision ; Pillar
of Fire. Special Study,
The University of Melbourne, 1969.
UniM Music SS-131.
YU,
Amy.
Music
and society in Vienna round 1800. Special Study,
The University of Melbourne, 1969.
UniM Music SS-132
LOUGHLIN,
Anne M.
The
physics and acoustical properties of wind instruments.
Special Study, The University of Melbourne, 1969.
UniM Music SS-133
HOUSTON,
M. Stuart.
Beethoven
symphonies opp.55 & 60 : a comparison
and analysis. Special Study, The University of Melbourne,
1969.
UniM Music SS-134
GUNTON,
Helen.
Tristan & Isolde : a study of motivic development.
Special Study, The University of Melbourne, 1969.
UniM Music SS-135
DEMPSTER,
Geraldine.
The
Role of the Pianist in Australia's Music.
Special Study, The University of Melbourne, 1969.
UniM Music SS-136
MCCAUGHEY,
J.R.
Sense
and coherence : experience in the dramatic in Georg Buchnee's Woyzeck and
Alban Berg's Wozzeck. Special
Study, The University of Melbourne, n.d.
UniM Music SS-13
ALEXANDER,
Malcolm.
Charles
Ives : a study through his prose writings.
Special Study, The University of Melbourne, n.d.
UniM Music SS-138
BRESCIANI,
Dianne.
Yannis
Xenakis and Stochastic Music. Special Study,
The University of Melbourne, 1969.
UniM Music SS-139
TURNER,
Wendy.
The
Arcanum of Consonance : an examination of theories which attempt to define
consonance. Special Study, The University
of Melbourne, n.d.
UniM Music SS-140
HAIR,
Joan.
The
Chamber Music of Brahms & Dvorak : a comparative
study of the Chamber Music of Brahms and Dvorak written for
Piano and Strings. Special Study, The University of Melbourne,
1970.
UniM Music SS-141
NICHOLLS,
Coral.
Beethoven
: his symphonies. Special Study, The University
of Melbourne, 1970.
UniM Music SS-142
COWAN,
Sylvia.
Background,
style and interpretation of J.S. Bach's Orgelbuchlein. Special Study, The University of Melbourne,
1970.
UniM Music SS-143
OWEN,
Rosemary.
The
psychology of the performance and practice of music. Special Study, The University of Melbourne, 1970.
UniM Music SS-144
CARE,
Anne.
Chamber Music and the Bassoon. Special Study, The University
of Melbourne, 1970.
UniM Music SS-145
MACINNES,
Carol.
The Development of the Symphony Orchestra in Victoria.
Special Study, The University of Melbourne, n.d.
UniM Music SS-146
CHALMERS,
Brian.
Electronic composition. Special Study, The University
of Melbourne, n.d.
UniM Music SS-147
RASARATNAM,
Sharmini.
The influence of folk music on serious composers,
as exemplified in Antonin Dvorak. Special Study, The University
of Melbourne, 1971.
UniM Music SS-148
HULME,
Des.
Teaching music in the primary school. Special Study,
The University of Melbourne, n.d.
UniM Music SS-149
BARTON,
Margaret.
Music and art in the Italian Renaissance. Special
Study, The University of Melbourne, n.d.
UniM Music SS-150
RANDLES,
Roma M.
The philosophy of realism and music. Special Study,
The University of Melbourne, 1972.
UniM Music SS-151
STEPHENS,
Peter.
Beethoven's use of musical materials in his piano
sonatas from op.2 to op.90. Special Study, The University
of Melbourne, n.d.
UniM Music SS-152
BOLWELL,
Julie.
Have fun at the piano : a beginner's book for piano.
Special Study, The University of Melbourne, n.d.
UniM Music SS-153
SUTTON,
K.
The influence of Gustav Mahler over the 20th century Viennese
school. Special Study, The University of Melbourne, 1971.
UniM Music SS-154
HANN,
Beverley.
History and current editions of J.S. Bach's Das
Wohltemperierte Clavier. Special Study, The University
of Melbourne, 1971.
UniM Music SS-155
MADDEN,
Wayne William.
Composition. Special Study, The University of Melbourne,
1972.
UniM Music SS-156
FRENCH,
Alison.
Jean Cocteau's Le coq et l'Arlequin and its
artistic environment. Special Study, The University of Melbourne,
1971.
UniM Music SS-157
NAGORCKA,
Ron.
From Schnitger to Sharp : an Assessment of the Organ
Reform Movement and Its Major Australian Representative.
B.A.(Hons.) thesis, The University of Melbourne, 1971.
UniM Music SS-158
HALL,
Helen M.
Music and its place in Tudor society. Special Study,
The University of Melbourne, n.d.
UniM Music SS-159
GREEN,
Judith E.
The piano music of Maurice Ravel. Special Study,
The University of Melbourne, n.d.
UniM Music SS-160
SCHLICHT,
Norma.
The Art of Singing. Special Study, The University
of Melbourne, 1972.
UniM Music SS-161
CAMPBELL,
Glenn Douglas.
Piano styles since 1950 : concentrating on the music
Babbitt, Cage, Busotti, Messiaen, Boulez, Stockhausen, Cardew,
Xenakis, Butterley, Schoenberg, Berg, Webern. Special Study,
The University of Melbourne, 1971.
UniM Music SS-162
HAWKINS,
Basil E.
The romantic preoccupation with the theme of Faust
with special reference to The Damnation of Faust by
Hector Berlioz. Special Study, The University of Melbourne,
1971.
UniM Music SS-163
BROOKES,
Tony.
An examination of published brass teaching methods.
Special Study, The University of Melbourne, n.d.
UniM Music SS-164
KITCHEN,
Tony.
Perfluvio for Flute, Viola, Marimba & Vibraphone;
The Sweet Tricorn for Three French Horns; Four short pieces
for 4 unaccompanied choirs; Music for magnetic tape. Special
Study, The University of Melbourne, 1971.
UniM Music SS-165
ZAVOD,
Allan.
Vertical construction and linear projection of voicings.
Special Study, The University of Melbourne, n.d.
UniM Music SS-166
COWAN,
Sylvia.
Australian music being published. Music Literature
1 assignment, The University of Melbourne, 1970.
UniM Music SS-167
GREEN
(Muratti), Aurora.
Miriam Hyde : Catalogue of Works. Music
Literature 2 assignment, The University of Melbourne, 1970.
UniM Music SS-168
HAIR,
Joan.
A Catalogue of Twentieth-Century Violin Works Written
by Australian Composers. Music Literature 2 assignment, The
University of Melbourne, 1970.
UniM Music SS-169
HALL,
Helen.
Nigel Butterley. Music Literature 2 assignment, The
University of Melbourne, 1970.
UniM Music SS-170
HENGEVELD,
Steven.
Don Banks. Music Literature 2 assignment, The University
of Melbourne, 1970.
UniM Music SS-171
SCOTT,
Marion.
Margaret Sutherland. Music Literature 2 assignment,
The University of Melbourne, 1970.
UniM Music SS-172
STEVENS
(née Elsworth), Kay.
George Dreyfus. Music Literature
2 assignment, The University of Melbourne, 1970.
UniM Music SS-173
TURNER,
Wendy.
Richard Meale. Music Literature 2 assignment, The
University of Melbourne, 1970.
UniM Music SS-174
OSBOURNE,
Jean.
The Yamaha Music course. Special Study, The University
of Melbourne, n.d.
UniM Music SS-175
MAREK,
Renate.
Piano techniques. Special Study, The University of
Melbourne, 1974.
UniM Music SS-176
WHITAKER,
Julienne.
A Study of Selected Contemporary Australian Clarinet
Compositions. Special Study, The University of Melbourne,
1974.
UniM Music SS-177
ISRAEL,
Margaret.
Stravinsky - seen through his ballets. Special
Study, The University of Melbourne, n.d.
UniM Music SS-178
FRANKCOMBE,
Barbara.
An analysis of the Prussian sonatas of C.P.E. Bach.
Special Study, The University of Melbourne, 1974.
UniM Music SS-179
RUSSELL,
Jeanette.
Singers in Australia. Special Study, The University
of Melbourne, 1974.
UniM Music SS-180
BARWELL,
Elizabeth.
Gabriel-Urbain Fauré : an era and "ses
melodies". Special Study, The University of Melbourne,
1974.
UniM Music SS-181
KERR,
Andrew.
A dissertation on the church music of Sir C.H.H.
Parry and Sir C.V. Stanford. Special Study, The University
of Melbourne, 1974.
UniM Music SS-182
ADAMSON,
Brian.
The Prodigal Son - a rock opera. Special Study, The
University of Melbourne, n.d.
UniM Music SS-183
MORONEY,
Mary E.
A study of music in medieval England. Special Study,
The University of Melbourne, n.d.
UniM Music SS-184 & SS-223
MORONEY,
Mary. E.
The responsories and antiphons at Matins and Lauds
on the last three days of Holy Week. Special Study, The University
of Melbourne, n.d.
UniM Music SS-185 & SS-224
KENNEDY,
Philip.
Gregorian Chant. Special Study, The University of
Melbourne, 1976.
UniM Music SS-186
McCARTHY,
Margaret.
A Descriptive Inventory of Music Manuscript and Research
Materials Held on Microform in Australian Libraries. DipLib
thesis, The University of Melbourne, 1976.
UniM Music SS ?
WARD,
Julie.
Braille music transcription. Special Study, The University
of Melbourne, n.d.
UniM Music SS-187
WRIGHT,
Joyce F.
Poetry in Song and their interpretation. Special Study,
The University of Melbourne, n.d.
UniM Music SS-188
CHAPLIN,
Peter.
Witold Lutoslawski : an enigmatic development. Special
Study, The University of Melbourne, n.d.
UniM Music SS-189
SCHULZ,
David G.
The element of colour in the compositional technique
of Olivier Messiaen. Special Study, The University of Melbourne,
1979.
UniM Music SS-190
HALLO,
Rosemary.
The development of music drama. Special Study,
The University of Melbourne, 1979.
UniM Music SS-191
GRAY,
Elizabeth.
Dr. Charles Burney, musical historian : the significance
of his travel journals in the history of music. Special Study,
The University of Melbourne, 1977.
UniM Music SS-192
SCHULZ,
David G.
Class paper discussing 'An introduction to musical
history'. Special Study, The University of Melbourne, n.d.
UniM Music SS-193
HALLO,
Rosemary.
String quartets of F. Schubert. Special Study,
The University of Melbourne, n.d.
UniM Music SS-194
LEWIS,
Connie.
The nature of the Song Cycle as variously interpreted
by the composers studied during the year. Beethoven - An
die Ferne Geliebte. Special Study, The University of Melbourne,
1979.
UniM Music SS-195
OLDIS,
Sandra.
The nature of the Song Cycle as variously interpreted
by the composers studied during the year. Elgar - The Sea
Pictures. Special Study, The University of Melbourne, n.d.
UniM Music SS-196
ALLEN,
Kerith.
The nature of the Song Cycle as variously interpreted
by the composers studied during the year. Strauss - the Four
Last Songs. Special Study, The University of Melbourne, n.d.
UniM Music SS-197
THORPE,
Pamela.
The nature of the Song Cycle as variously interpreted
by the composers studied during the year. Benjamin Britten
- Winter Words. Special Study, The University of Melbourne,
1979.
UniM Music SS-198
MEAGHER,
Felix.
A Short History of Australian Folksongs in the Nineteenth
Century. Special Study, The University of Melbourne, 1980.
UniM Music SS-199
CLIFTON,
Neil A.
Schoenberg's twelve-tone variations. Special Study,
The University of Melbourne, n.d.
UniM Music SS-200
CLEMENTS,
Clare.
The late works of Claude Debussy. Special Study, The
University of Melbourne, 1980.
UniM Music SS-201
MIECHEL, Philip.
Three Australian Approaches to the Clarinet Concerto. M.Music
(Prelim) thesis, The University of Melbourne, 1980.
UniM Music SS ?
LOWE, Geoffrey.
A survey of the history of the French Horn
looking at the solo repertoire and its musical influences
and characteristics. Special Study, The University of Melbourne,
n.d.
UniM Music SS-202
MCCOLL,
Sandra .
Troia et troie : a study of Berlioz's transformation
of the second book of Virgil's Aeneid into Acts I
and II of Les Troyens. Special Study, The University
of Melbourne, 1980.
UniM Music SS-203
CAMERON,
Susan.
A survey and critical appraisal of beginner's piano
literature with the aim of producing a set of desirable qualities
for a beginner's piano tutor. Special Study, The University
of Melbourne, n.d.
UniM Music SS-204
DEAKIN,
Florence H.G.
Le Marriage de Figaro l'orginal de Beaumarchais
et sa transformation par Mozart. (This copy is provided with
a working English translation.) Special Study, The University
of Melbourne, 1977.
UniM Music SS-205
FENTON,
Robin F. C.
La Resurrezione : a study of Handel's
first mature work in the Italian dramatic style. M.Music
(Prelim.), The University of Melbourne, 1982.
UniM Music SS-206
HUTCHINSON, Naomi H.
A critical voice-leading analysis of
the Allegro from Beethoven's String Quartet, op.59 no.2.
M.Music (Prelim.), The University of Melbourne, 1982.
UniM Music SS-207
HOROWICZ,
David.
Stravinsky's twelve-tone note technique : a stylistic
analysis. B.Music (Hons.) thesis, The University of Melbourne,
1982.
UniM Music SS-208
MICHAELIDES,
Mabel.
Music and painting in late nineteenth century France.
B.Music (Hons.) thesis, The University of Melbourne, 1982.
UniM Music SS-209 & SS-222
MITCHELL,
Linda Jane.
Reciprocal impregnation : the theories of Bertolt
Brecht and Kurt Weil and a study of the Threepenny Opera.
B.Arts (Hons.) thesis, The University of Melbourne, 1982.
UniM Music SS-210
SKINNER,
Graeme Andrew.
Peter Maxwell Davies's Taverner. B.Music
(Hons.) thesis, The University of Melbourne, 1982.
UniM Music SS-211
WIDDOP,
Judith.
Richard Meale: Coruscations for Piano Solo
(1981): a Historical, Analytical and Philosophical Study.
B.Music (Hons) thesis, The University of Melbourne, 1982.
UniM Music SS-212
MCDONALD,
Ian G.
J.S. Bach's Passacaglia BWV 582 : the culmination
of a tradition. B.Music (Hons.) thesis, The University of
Melbourne, 1982.
UniM Music SS-213
POYNTER,
Susan Ruth.
An analysis of the second movement of Bartok's
Divertimento for String Orchestra. B.Music (Hons.)
thesis, The University of Melbourne, 1982.
UniM Music SS-214
GREEN,
Nigel.
Towards a new philosophy and aesthetic of composition
: the Orchestral music of Iannis Xenakis. B.Music (Hons.)
thesis, The University of Melbourne, 1980.(?)
UniM Music SS-215
ANDERSON,
Elizabeth.
The unmeasured preludes of Louis Couperin. B.Music
(Hons.) thesis, The University of Melbourne, 1980.
UniM Music SS-216
WOODS,
Alan.
Great composers writing children's pieces. B.Music
(Hons.) thesis, The University of Melbourne, 1981.
UniM Music SS-217
KUZMINSKY,
Irene.
Mallarmé and Boulez convergences. B.Arts (Hons.),
B.Music (Hons.) thesis, The University of Melbourne, 1981.
UniM Music SS-218
OGILVIE,
Lorna.
Originality or Anachronism? : a study of the nine
piano sonatas of Sergei S. Prokofiev. B.Music (Hons.) thesis,
The University of Melbourne, 1982.
UniM Music SS-219
DODD,
Peter.
An analysis of Anton Webern's Funf Stucke fur Orchester,
op.10 and Symphonie, op.21. M.Music (Prelim.), The University
of Melbourne, 1981.
UniM Music SS-220
PAINE,
Mark.
Musical and dramatic tension in Schoenberg's Erwartung.
M.Music (Hons.), The University of Melbourne, 1981.
UniM Music SS-221
MICHAELIDES,
Mabel.
Music and painting in late nineteenth century France.
B.Music (Hons.) thesis, The University of Melbourne, 1982.
UniM Music SS-209 & SS-222
MORONEY,
Mary E.
A study of music in medieval England. Special Study,
The University of Melbourne, n.d.
UniM Music SS-184 & SS-223
MORONEY,
Mary. E.
The responsories and antiphons at Matins and Lauds
on the last three days of Holy Week. Special Study, The University
of Melbourne, n.d.
UniM Music SS-185 & SS-224
HOWE,
Stuart.
Digital computers and the synthesis of music. Elec.
Engineering III, The University of Melbourne, 1982.
UniM Music SS-225
BINNS,
Georgina.
Musical Aspects of Eisteddfods and the Royal South
Street Society Competitions in Ballarat to 1900. B.Music (Hons)
thesis, The University of Melbourne, 1982.
UniM Music SS-226
TATTERSALL,
Malcolm.
The Recorder, Flute and Flageolet in England, 1660-1810
: a documentary study. M.Music (Prelim.), The University
of Melbourne, 1983.
UniM Music SS-227
MCCARTHY,
Eira.
An analysis and alternative system of edition of the
seven ballades of Solage, Ms Chantilly, Musee Conde 564 (olim
1047). B.Music (Hons.), The University of Melbourne, 1983.
UniM Music SS-228
EKKEL,
Gary John.
Three analyses of a Sarabande by J.S. Bach. B.A
(Hons.), The University of Melbourne, 1983.
UniM Music SS-229
BARLOW,
Peter.
Four Chamber Works by Barry Conyngham. Special Study,
The University of Melbourne, c. 1984.
UniM Music SS-230
TOOTH,
Nicholas.
Pierre Boulez : Troisieme Sonate pour Piano.
B.Music (Hons.), The University of Melbourne, 1983.
UniM Music SS-231
CREED,
Roger.
Ferenc Liszt Via Crucis 1879 : unity and innovation.
B.Music (Hons.), The University of Melbourne, 1983.
UniM Music SS-232
CHRISTOFORIDIS,
Michael.
The Intabulations of Francesco da Milano. B.Music
(Hons.), The University of Melbourne, 1983.
UniM Music SS-233
O'LEARY,
Mark.
Australian Flute Music: a discussion of significant
Australian compositions for solo flute and flute and piano
with a comprehensive catalogue of compositions for solo clute
and clute with one other instrument. B.Music (Hons.) thesis,
The University of Melbourne, 1983.
UniM Music SS-234, AMC
COOTE,
Darryl G.
The Evolution of the pianoforte and the composition
of the piano sonatas of Beethoven. B.Music (Hons.), The University
of Melbourne, 1984.
UniM Music SS-235
MORRISON,
Wendy J.
Some Aspects of the English Influence on Music in
Ballarat during the Establishment Years. B.Music (Hons.)
thesis, The University of Melbourne, 1984.
UniM Music SS-236
BARNES,
Julie.
Brian Howard's Metamorphosis. B.Music (Hons.)
thesis, The University of Melbourne, 1984.
UniM Music SS-237
NIEUWENHUIZEN,
John A.
Brecht and Eisler : theories in practice and a study
of Die Mutter. B.Music (Hons.), The University of
Melbourne, 1984.
UniM Music SS-238
GILMOUR,
David.
The Case for Aaron Copland. B.Music (Hons.), The University
of Melbourne, 1984.
UniM Music SS-239
KIRITSOPOULOS,
Jenny.
Alban Berg's Sieben Fruhe Lieder and Vier
Lieder, op.2 : style and development. B.Music (Hons.),
The University of Melbourne, 1984.
UniM Music SS-240
KIRITSOPOULOS,
Adonis.
The piano preludes of Achille Claude Debussy. B.Music
(Hons.), The University of Melbourne, 1984.
UniM Music SS-241
KASZTELAN,
Helen Lija. Five Chopin Preludes : a Schenkerian approach
to the analysis of style and structure. M.Music (Prelim.),
The University of Melbourne, 1984.
UniM Music SS-242
ROBINSON,
Suzanne.
Composer, critic, audience : the gap between musical
composition and appreciation in the 1960s. B.Music (Hons.),
The University of Melbourne, 1984.
UniM Music SS-243
WAY,
Anthony David.
The Keyboard music of G.P. Cima. B.Music (Hons.),
The University of Melbourne, 1985.
UniM Music SS-244
ALLISON,
Dianne J.
Music, nonverbal communication and the visually
impaired child. M.Music (Prelim.), The University of Melbourne,
1985.
UniM Music SS-245
BEAVERSTOCK,
Rowena.
The Orgelbewegung and Its Influence on Organ Building
in Melbourne 1972-1983. B.A. (Hons.) thesis, The University
of Melbourne, 1983.
UniM Music SS-246
GREEN,
Christina Joy.
The relationship of text and music in six
songs of Alban Berg (1885-1935). B.Music (Hons.), The University
of Melbourne, 1985.
UniM Music SS-247
BAILEY,
Anna.
Brecht and Weill - Happy End : an appraisal.
B.Music (Hons.), The University of Melbourne, 1986.
UniM Music SS-253
BROWN,
Julie A.
The articulation of Schenker's concept of hierarchical
musical structure in performance : an inquiry. B.Music (Hons.),
The University of Melbourne, 1986.
UniM Music SS-248
CATRICE,
Andre.
The Quest for a Contemporary Australian Music: The
Australia Council and Composers : A Relational Analysis.
M.Music (Prelim.) thesis, The University of Melbourne, 1986.
UniM Music SS-254
CHURCHER,
Peter R.
Romantic musical form : A.B. Marx, Beethoven and the
Fifth Symphony. B.Music (Hons.), The University of Melbourne,
1986.
UniM Music SS-250
NEWTON,
Patrick Gerald Michael Frederick. Stylistic development in
the music of Michael Tippett (1934-1976) as exhibited in
the major piano works. M.Music (Prelim.), The University
of Melbourne, 1986.
UniM Music SS-252
NUNN,
Philip.
The Works of Ian Bonighton: a revised checklist and
biographical essay. M.Music (Prelim.) thesis, The University
of Melbourne, 1986.
UniM Music SS-255
SHAW,
Luke.
The paradoxical Poulenc : stylistic variety and unity
in his chamber works for woodwind and piano. B.Music (Hons.),
The University of Melbourne, 1986.
UniM Music SS-251
VALLENCE,
Timothy A.
The New Audience Concerts : a Discussion of the
Composers and Their Contribution to a Distinctive Australian
Musical Identity. B.A. (Hons.) thesis, The University of
Melbourne, 1986.
UniM Music SS-249
DRAPER,
Christopher T.
Approaches to the recapitulation in the later
works of Brahms : a survey and five case studies. B.Music
(Hons.), The University of Melbourne, 1987.
UniM Music SS-256
LITTLE,
Jonathan David.
Benjamin Britten : Hymn to St. Cecilia,
op.27 - an analysis. A study of Britten's setting of W.H.
Auden's poem Anthem for St. Cecilias Day. B.Music
(Hons.), The University of Melbourne, 1987.
UniM Music SS-257
VAN PINXTEREN, William Peter.
Andres Segovia and the revival of the classical guitar. M.Music (Prelim.), The University of Melbourne, 1987.
UniM Music SS-258
PROHASKY,
Glenn.
Analysis of the first movement of Bruckner's Fifth
Symphony. B.Music (Hons.), The University of Melbourne,
1987.
UniM Music SS-259
REINER, Thomas.
Semantic content in the Largo Desolato
of Alban Berg's Lyric Suite. M.Music (Prelim.), The
University of Melbourne, 1987.
UniM Music SS-260
MACKINNON,
Ann Dolina.
The relationship of text to music in the De
Profundis psalm motets of Josquin, Senfl and Fogliano.
M.Music (Prelim.), The University of Melbourne, 1987.
UniM Music SS-261
EDWARDS,
Jane.
Improvisational music therapy : influences which inform
established models of practice and the role of improvisation
as a treatment medium within an Australian cultural context.
Musicology thesis, The University of Melbourne, 1988.
UniM Music SS-262
WALKER,
Rhett H.
Vast : A Musicological Study and Appraisal.
B.Music (Hons.) thesis, The University of Melbourne, 1988.
UniM Music SS-263
GREENBAUM,
Stuart.
Steve Reich's New York Counterpoint : style,
form and interpretation. B.Music (Hons.), The University
of Melbourne, 1988.
UniM Music SS-264
LIM,
Liza.
Brian Ferneyhough : a discussion of his compositional
aesthetics and style, with particular reference to Sonatas
for String Quartet (1967). M.Music (Prelim.), The University
of Melbourne, 1988.
UniM Music SS-265
CEFF,
Linda.
Harmonic structure in Skryabin : an examination from
various theoretical perspectives. Musicology (Hons.), The
University of Melbourne, 1988.
UniM Music SS-266
FURMAN,
Alexander.
Late nineteenth-century Bach performance practice
: a comparative study of editions of Das Wohltemperierte
Klavier 1.6 Prelude. M.Music (Prelim.), The University
of Melbourne, 1988.
UniM Music SS-267
KOUVARAS,
Linda Ioanna.
Mahler's second symphony, as reflection of
his artistic and social circumstance. B.Music (Hons.), The
University of Melbourne, 1988.
UniM Music SS-268
RAYMOND,
Eric.
Dialectical and fragmented structures in early nineteenth-century
music and literature : a comparison of Adorno's interpretation
of Beethoven's later styles with the structure of Goethe's
Faust. B.Music (Hons.), The University of Melbourne,
1988.
UniM Music SS-269
MCDONALD,
Ewan.
An investigation of aspects of an instrumental programme
in a selected government school. M.Music (Prelim.), The University
of Melbourne, 1988.
UniM Music SS-270
LEE,
Terence. An analysis of Rakhmaninov's Etudes-Tableaux,
op.39 no.1. M.Music (Prelim.), The University of Melbourne,
1988.
UniM Music SS-271
DUGGAN,
Evan Stewart.
The percussive devices of Bartok's First
and Second Piano Concertos. M.Music (Prelim.), The University
of Melbourne, 1988.
UniM Music SS-272
SHAW,
Patricia.
The Development of a National Identity in Australian
Contemporary Music. B.Music (Hons.) thesis, The University
of Melbourne, 1988.
UniM Music SS-273, AMC
PURCELL,
Kevin.
A discursive study of compositional processes with
microcomputers. Musicology thesis, The University of Melbourne,
1988.
UniM Music SS-274
POPPLE,
Merran Joy.
Luciano Berio's Laborintus II. B.Music
(Hons.), The University of Melbourne, 1989.
UniM Music SS-275
PERRY, Simon David.
The Fourth and Fifth Symphonies of Dmitri
Shostakovich and the symphony in Soviet Russia circa 1932-37.
B.Music (Hons.), The University of Melbourne, 1989.
UniM Music SS-276
SOKOLOWSKI,
Sigmund Leon.
Percy Code
and the Band Movement in Australia. M.Music (Prelim.) thesis, The University
of Melbourne, 1989.
UniM Music SS-277
SEGAL,
Deviani.
The Orpheus myth in opera : three case studies examining
the power of music. Musicology thesis (Hons.), The University
of Melbourne, 1989.
UniM Music SS-278
KILDEA,
Paul Francis Michael.
Arabic influences in the music of Bartok,
Holst and Szymanowski. B.Music (Hons.), The University of
Melbourne, 1989.
UniM Music SS-279
TODZY,
Joerg.
Bruno Maderna - the composer. M.Music (Prelim.), The
University of Melbourne, 1989.
UniM Music SS-280
CLARKE,
Graham Edward.
A view of 'Bel Canto' today and its hybrid
legacy. M.Music (Prelim.), The University of Melbourne, 1990.
UniM Music SS-281
BIRD,
Jennifer Rebecca Anne.
From the English Gothic Music of Percy
Grainger : Angelus ad Virginem and Princesse of
Youth. B.Music (Hons.) thesis, The University of Melbourne,
1990.
UniM Music SS-282, VU: GRAINGER
BRUCE,
Keren.
The role of the viola da gamba player in the English
court, Henry VIII - Charles II. M.Music (Prelim.), The University
of Melbourne, 1990.
UniM Music SS-283
DEVERS,
Deanna.
The Toccatas of Bernardo Pasquini. Undergraduate
thesis, The University of Melbourne, 1990.
UniM Music SS-284
DIXON,
Ruth H.
Giovanni Battista Viotti and his violin concertos
with particular reference to the value attributed to Concerto
no.22 in A minor. M.Music (Prelim.), The University of
Melbourne, 1990.
UniM Music SS-285
GERRARD,
Catherine Jean.
Peggy Glanville-Hicks and the Compositional
Philosophy Behind Her Opera Sappho. B.Music (Hons.)
thesis, The University of Melbourne, 1990.
UniM Music SS-286
MURRAY,
Kenneth James.
Manuel de Falla's Homenajes. B.Music
(Hons.), The University of Melbourne, 1990.
UniM Music SS-287
THORN,
John.
The late songs of George Gershwin. B.Music (Hons.),
The University of Melbourne, 1990.
UniM Music SS-288
WILSON,
Lachlan C.
Skyflash : an analysis of an orchestral
composition. M.Music (Prelim.), The University of Melbourne,
1990.
UniM Music SS-289
MCALLEY,
Vaughan Peter.
A study of the Ricercares of Johann
Jacob Froberger. B.Music (Hons.), The University of Melbourne,
1990.
UniM Music SS-290
NICHOLSON,
Peter.
The Alternative Service Book 1980 : the composer's
view. M.Music (Prelim.), The University of Melbourne, 1990,
1991.
UniM Music SS-291
ARMSTRONG,
Newton.
Brian Ferneyhough : a discussion of his notion of
style with reference to his Carceri d'Invenzione cycle
(1981-86). B.Music (Hons.), The University of Melbourne,
1991.
UniM Music SS-292
GREET,
Martin Timothy.
From clusters to chromatic lines : Gyorgy
Ligeti's Kammerkonzert. B.Music (Hons.), The University
of Melbourne, 1991.
UniM Music SS-293
KOPETZ,
Paul Mathew.
Aspects of dramatic construction in Witold Lutoslawski's
Mi-parti and their theatrical qualities. M.Music (Prelim.),
The University of Melbourne, 1991.
UniM Music SS-294
MCLENNAN,
Isobel.
The Frottola intabulations of Francesco Bossinensis.
B.Music (Hons.), The University of Melbourne, 1991.
UniM Music SS-295
SHOLL,
Robert Peter.
The Extempore practices of Dr. A.E. Floyd.
B.Music (Hons.), The University of Melbourne, 1991.
UniM Music SS-296
TREGEAR,
Peter J.
The Foundation of the Ormond Chair of Music. B.Music
(Hons.) thesis, The University of Melbourne, 1991.
UniM Music SS-297
MEADOWS,
Anthony.
Applications of improvised music in a music therapy
program for young children with severe to profound multiple
disabilities. M.Music (Prelim.), The University of Melbourne,
1992.
UniM Music SS-298
BATTERHAM,
Andrew.
Henry Tate: his Life and Theories. M.Music (Prelim.)
thesis, The University of Melbourne, 1991.
UniM Music SS-299
TESARSCH,
John.
The relationship between form and drama in Mahler's
Sixth Symphony. B.Music (Hons.), The University of
Melbourne, 1991.
UniM Music SS-300
DALE,
Mark.
The influence of the urban musical and social environment
of late eighteenth and early twentieth century Mexico on
the Tres Canciones Populares Mexicanas and the Sonata
Mexicana of Manuel Ponce. M.Music (Prelim.), The University
of Melbourne, 1991.
UniM Music SS-301
ACKER,
Yolanda F.
Ernesto Halffter : his life and piano works prior
to the Spanish Civil War. B.Music thesis, The University
of Melbourne, 1992.
UniM Music SS-302
APPELT,
Carol R.
An investigation of the musical language of Heinrich
Isaac in his Missa Paschale for six voices. B.Music
thesis, The University of Melbourne, 1992.
UniM Music SS-303
DIAZ, Rodney.
A survey of compositional aspects in the piano
sonatas of Muzio Clementi, viewed chronologically through
three sonatas : op.2 no.4, op.13 no.6, and op.50 no.1. B.Music
thesis, The University of Melbourne, 1992.
UniM Music SS-304
KENNEDY,
Julian.
Articulation and the oboe, 1770-1830 : contemporaneous
evidence and its value. B.Music thesis, The University of
Melbourne, 1992.
UniM Music SS-305
KERTESZ,
Elizabeth Jane.
Perceptions of female instrumental performers
and composers in the Allgemeine Wiener Musik-Zeitung
1841-1848. B.Music thesis, The University of Melbourne, 1992.
UniM Music SS-306
LIERSE,
Sharon Melinda.
W. A. Laver: The First Australian Ormond
Professor. B.Music thesis, The University of Melbourne, 1992.
UniM Music SS-307, VU: GRAINGER
SMITH,
Nigel David.
Perceptions of homosexuality in Tchaikovsky
criticism. B.Music thesis, The University of Melbourne, 1992.
UniM Music SS-308
MERCER,
Gabrielle.
Musical improvisation and schizophrenia : an exploration.
B.Music (Hons.) thesis, The University of Melbourne, 1991.
UniM Music SS-309
SERVADEI,
Alessandro.
Percy Grainger's Hill-Songs : The Culmination
of his Early Musical Experiments. B.Music thesis, The University
of Melbourne, 1993.
UniM Music SS-310, VU: GRAINGER, VU: CSAM
WILSON,
Catherine Elizabeth.
Aspects of Musical Women in Melbourne
Society 1890-1899. B.Music thesis, The University of Melbourne,
1993.
UniM Music SS-311
PRICTOR,
Megan Joy.
The poems of Thomas Hardy as song : a search for
integrity of musical response. B.Music thesis, The University
of Melbourne, 1993.
UniM Music SS-312
JORDAN,
Genevieve Kerry.
Segregation and integration : women in music
historiography and the Women in Music journal. B.Music
thesis, The University of Melbourne, 1993.
UniM Music SS-313
JEFFREYS,
Catherine.
The Symphonia of Hildegard of Bingen. B.Music
thesis, The University of Melbourne, 1993.
UniM Music SS-314
DAVIES,
Roger John.
A Comparison of the Music Published by Allan & Co. in 1931 and 1936. B.Music thesis, The University
of Melbourne, 1993.
UniM Music SS-315
ALLEN,
Jenni Marion.
Aspects of Australians Composing Music Drama
for Children with Reference to the Works of Colin Brumby
and Judith Clingan. B.Music thesis, The University of Melbourne,
1993.
UniM Music SS-316
LATHAM,
Gregory Alan.
The link between dynamics and structure in
J.J. Quantz's Opera Seconda Duetti. B.Music thesis,
The University of Melbourne, 1993.
UniM Music SS-317
PERSIC,
Katarina Julia.
Gertrude Johnson: a portrait. B.Music thesis,
The University of Melbourne, 1993.
UniM Music SS-318
DAVISON,
Alan.
A critique of psychobiographical studies of composers.
B.Music thesis, The University of Melbourne, 1994.
UniM Music SS-319
WILLIS,
Rebecca.
The Concerts de Simphonies by Louis Antoine
Dornel. B.Music thesis, The University of Melbourne, 1994.
UniM Music SS-320
HOWARD,
Jacqueline Louise.
Music criticism in fin-de-siecle Paris
: Colette in context. B.Music thesis, The University of Melbourne,
1994.
UniM Music SS-321
HEYWOOD, Thomas Scott.
The life and character of William Thomas Best (1826-1897) : a brief summary. B.Music thesis,
The University of Melbourne, 1994.
UniM Music SS-322
BALLARD,
Bernadette Ann.
Cultivations of Vanity : representations
of women performers and composers in Dwight's Journal
of Music (1852-1881). B.Music thesis, The University
of Melbourne, 1995.
UniM Music SS-323
CANN,
Francesca Michelle.
Mediative Process in Music Journalism
- A Case Study. B.Music thesis, The University of Melbourne,
1995.
UniM Music SS-324
CASSIDY,
Charlotte Emma.
A critique of musical iconography. B.Music
thesis, The University of Melbourne, 1995.
UniM Music SS-325
DUFFY,
Michelle Elizabeth.
A Preliminary Study of the Development
of Indigenous Music in Broome. B.Music thesis, The University
of Melbourne, 1995.
UniM Music SS-326
ROYLE,
Jennifer Jane.
Guiding Lights: An Investigation of Two Melbourne
Music Critics and Melbourne Music Criticism from 1870-1889.
B.Music thesis, The University of Melbourne, 1995.
UniM Music SS-327
SCHRADER,
Aubrey G.
Siegfried meets the Rhinedaughters : the Ring's
least necessary scene? A study of act III, scene 1 of Gotterdammerung.
B.Music thesis, The University of Melbourne, 1995.
UniM Music SS-328
SHADE,
Fiona Cathryn.
The representation of the piano in French
art and literature by selected artists and authors of the
nineteenth century. B.Music thesis, The University of Melbourne,
1995.
UniM Music SS-329
SMITH,
Rupert.
The Romeo and Juliet Operas of Frederick Delius and
G. W. L. Marshall-Hall. B.Music thesis, The University of
Melbourne, 1995.
UniM Music SS-330
MUNTZ,
Carolyn J.
Changing Traditions: Vietnamese Music in Melbourne.
B.Music thesis, The University of Melbourne, 1995.
UniM Music SS-331
ITO-HONGO,
Lilla.
The importance of being Melba : representations of
Nellie Melba in the Australian Press in 1902 and 1911. B.Arts/Music
thesis, The University of Melbourne, 1996.
UniM Music SS-332
BLACKSHAW,
Hilary Louise.
Piccolo Spoleto : a celebration of cultures.
B.Music thesis, The University of Melbourne, 1996.
UniM Music SS-333
YA
Hui Hung.
The compositional style of Jean Daniel Braun. B.Music
thesis, The University of Melbourne, 1996.
UniM Music SS-334
MOLONEY,
Kylie Joy.
The change and relative longevity of the Boite,
1979-1996. B.Music thesis, The University of Melbourne, 1996.
UniM Music SS-335
SPICCIA,
Jessica Giuseppina.
Italian Futurism and the aesthetic of
the machine in twentieth-century music. B.A. (Hons), The
University of Melbourne, 1996.
UniM Music SS-336
WERETKA,
John.
Handel, borrowing and the process of characterisation.
Vincer se stesso : an examination. B.A. (Hons.), The
University of MElbourne, 1996.
UniM Music SS-337
FELICIANI,
Natascha.
The opera of the Sydney Opera House : the eighth
wonder. B.Music thesis, The University of Melbourne, 1998.
UniM Music SS-338
KELLY,
Eamonn.
Through the looking-glass (of a myope) : Erik Satie
: politics and notions of authority. B.Music thesis, The
University of Melbourne, 1996.
UniM Music SS-339
NEWSOME,
Eve.
The history of vibrato on the oboe. B.Music thesis,
The University of Melbourne, 1999.
UniM Music SS-340
WATT,
Sally Katherine.
The 'Quoniam' movements in the masses of
Jan Dismas Zelenka. B.Music thesis, The University of Melbourne,
1998.
UniM Music SS-341
WONG,
Maria Goretti.
Was Grainger an ethnomusicologist? B.Music
thesis, The University of Melbourne, 1998.
UniM Music SS-342
FAULKNER,
Denise Marjorie.
An 'attuned' approach to studio piano teaching.
B.Music thesis, The University of Melbourne, 1998.
UniM Music SS-343
BAKER,
Sandra Helen.
The flute syllabus of the AMEB : a history.
B.Music thesis, The University of Melbourne, 1999.
UniM Music SS-344
CASH,
Verity.
Connecting with the Australian Continent : the Melbourne
Symphony Orchestra's commitment to the performance of contemporary
Australian music. B.Music thesis, The University of Melbourne,
1999.
UniM Music SS-345
EASTON,
Catherine Louise.
Music, migration and identity : the construction
of post-migration identity of two Melbourne musicians - Costas
Tsicaderis & Julian Acuna. B.Music thesis, The University
of Melbourne, 1999.
UniM Music SS-346
MOULD,
Caroline Anne Laura.
Pictures from 'The Other Side' : a study
of the Melbourne Liedertafels 1880-1882. B.Music thesis,
The University of Melbourne, 1999.
UniM Music SS-347
BENDRUPS,
Daniell E.
Music of multiple migrations : Salsa, Cumbia and
Merengue in Melbourne. B.Music thesis, The University of
Melbourne, 2000.
UniM Music SS-348
BLACK,
David Ian.
The Viennese mass fragments of Mozart : text,
context, significance. B.Music thesis, The University of
Melbourne, 2000.
UniM Music SS-349
CALO,
Nancy.
The 'Hot-Blooded' and the 'Passionate' : aspects of
the Verismo season in Melbourne. B.Music thesis, The University
of Melbourne, 2000.
UniM Music SS-350
DURHAM,
Barbara Dianne.
A select annotated bibliography of literature
relating to three major areas of Percy Grainger's music :
compiled with an outline, introduction, appendix and working
report. Grad. Dip. Lib. (Canberra, 1982)
UniM Music SS-351
MCGREGOR,
Fiona.
The career of Roy Agnew and his impact on Australian
musical life. B.Music thesis, State Conservatorium, NSW,
1987.
UniM Music SS-352
PEARCE,
Rowena Frances.
Mirrie Hill (1892-1986) : rediscovering the
Australian composer and pedagogue. B.Music, The University
of Melbourne, 2000.
UniM Music SS-353
TOWNSEND,
Emma Frances.
The soothing sounds of the imagined Australian
rainforest : the simulation of the Australian rainforest
in Australiana rainforest recordings. B.Music, The University
of Melbourne, 2000.
UniM Music SS-354
WILBOURNE,
Emily.
Et hilaris cantabo : Bianca Maria Meda and her Mottetti
a 1 ,2, 3, e 4 voci, con violini. B.Music, The University
of Melbourne, 2001.
UniM Music SS-355
BARNETT,
Katherine Jane.
"What is the Countess to me that I should
weep for her?" : an investigation of reality in opera.
B.Music thesis, The University of Melbourne, 2001.
UniM Music SS-356
HO,
Yin Kuan.
Issues in the critical reception of Peter Sculthorpe's
Asian-influenced works. B.Music thesis, The University of
Melbourne, 2001.
UniM Music SS-357
KAUFMANN,
Leah.
From music student to music performer : the role of
personality, sex-role stereotypes and musical experiences
in shaping students' intentions to become performers. Dissertation
740-462, The University of Melbourne, 2001.
UniM Music SS-358
SMITH,
Jessica Jane.
The politicization of music in the Third Reich
and its impact on changing perceptions of Anton Bruckner
in the twentieth century. B.Music thesis, The University
of Melbourne, 2001.
UniM Music SS-359
STEWART,
Heather Mary.
Developing a psychometric instrument to investigate
responses to music. B.Music thesis, The University of Melbourne,
2001.
UniM Music SS-360
CIAVARRA,
Gennifer
Nostalgia and Utopia : popular song in Baz Lurham's film
musical Mouline Rouge. B.Music thesis, The University
of Melbourne, 2002.
UniM Music SS-361
EBACIONI,
Niki Suzanne
"The Vision Splendid" : Leonard Fullard and the
early years of the Melbourne Bach Festival - an introduction
to its history and influence. B.Music thesis, The University
of Melbourne, 2002.
UniM Music SS-362
ABETZ,
Rosemary Ingrid
The Vilanelle in Ms Egerton 3665. B.Music thesis, The University
of Melbourne, 2002.
UniM Music SS-363
GIBB,
Laura Louise
White
Cockatoo in Djambidj: Anbarra Song in Transcription. B.Music
thesis, The University of Melbourne, 2002.
UniM Music SS-364
GROSSER,
Elise
Les
Diners du Vaudeville: Gastronomic saviours in the French
Revolution. B.Music thesis, The University of Melbourne,
2002.
UniM Music SS-365
LAIS,
Peggy Jane.
The Changing repertoire of Horace Poussard. B.Music thesis,
The University of Melbourne, 2002.
UniM Music SS-366
NICHOLLS,
Philip Laurence.
The
Anglican Choral Tradition at the Chapel of Trinity College,
Melbourne: 1917-1957. B.Music thesis, The University of Melbourne,
2002.
UniM Music SS-367
POON,
Delia
Intersections of racial and gender oppression: the legacy
of orientalist stereotypes within popular music in a 'postcolonial'
era. B.Music thesis, The University of Melbourne, 2002.
UniM Music SS-368
SCHARF,
Orr
Making
Heav'nly Musick on Earth: the influence of Paradise Lost
on Johann Mattheson's Der Vollkommene Capellmeister. B.Music
thesis, The University of Melbourne, 2002.
UniM Music SS-369
ROBERTSON,
Sally Elizabeth.
Alfredo Casella and Italian Modernism during World War I.
B.Music thesis, The University of Melbourne, 2003.
UniM Music SS-370
BAKER,
Amanda.
Chopin : the performance problem. Analysis of the role of
rhythm in the music, and the behaviour of rhythm in performance.
B.Music thesis, The University of Melbourne, 1984.
UniM Music SS-371
FAY, Poppy
Harold
Williams : Australian Baritone. B.Music thesis, The University of Melbourne, 2003.
UniM Music SS-372
GRECH, Mary Rose
Maltese Spirtu Pront in Melbourne. B.Music thesis, The University of Melbourne, 2003.
UniM Music SS-373
McCLUSKEY,
Daniel James
Contexts for the Ars Subtilior style. B.Music thesis,
The University of Melbourne, 2003.
UniM Music SS-374
PLUECKHAHN,
Rebekah Skye
Revealing Marrpan for future generations : Yolnu cultural preservation through contemporary Manikay performance. B.Music thesis,
The University of Melbourne, 2003.
UniM Music SS-375
SHEARGOLD, Mary Catherine
The influence of Leslie Barklamb on flute playing in Australia. B.Music thesis,
The University of Melbourne, 2003.
UniM Music SS-376
WRIGHT, Martin
Arthur Sullivan : On Shore and Sea / edited by Martin Wright. B.Music thesis,
The University of Melbourne, 2003.
UniM Music SS-377
TAN LI CHING
Music in Myanmar. B.Music thesis,
The University of Melbourne, 2004.
UniM Music SS-378
HOLCOMBE, Ella
Music, gypsies and the films of Tony Gatlif. B.Music thesis,
The University of Melbourne, 2004.
UniM Music SS-379
NORMAN, Anthony Graham
Edvard Grieg : a study of his critical reception in England. B.Music thesis,
The University of Melbourne, 2004.
UniM Music SS-380
HALLAM, Huw David
Experimental politics : John Cage, aesthetic negativity and the co-optation of modern art. B.Music thesis,
The University of Melbourne, 2005.
UniM Music SS-381
CROWLE, Megan Elaine.
Aspects of tongan music. B.Music thesis,
The University of Melbourne, 2005.
UniM Music SS-382
GALLINA, Amelia Anne.
Kodaly principles and their application to instrumental pedagogy. B.Music thesis,
The University of Melbourne, 2005.
UniM Music SS-383
HEYMA, Paula.
Diegetic folk music in Leos Janacek's opera Jenufa. B.Music thesis,
The University of Melbourne, 2005.
UniM Music SS-384
OBERKLAID, Rachelle.
'Propelled into screaming prominence' : the reception of Dmitri Shostakovich's Seventh Symphony in New York, 1942-45. B.Music thesis,
The University of Melbourne, 2005.
UniM Music SS-385
PARRY, Nathan Frank Glynn.
The Piano music of Richard Wagner. B.Music thesis,
The University of Melbourne, 2005.
UniM Music SS-386
ROBERTSON, Bronwen Nicole McDonald.
Persian pop music : at home in exile and in exile at home. B.Music thesis,
The University of Melbourne, 2005.
UniM Music SS-387
SLOCOMBE, Marsali Ling.
The Maestro's women : gender and artistry in Puccini's operas. B.Music thesis,
The University of Melbourne, 2005.
UniM Music SS-388
WURZBURGER, Madeleine and KELLY, Matt.
An introduction to the life and work of Walter Wurzburger.
Paper presented at the City University Study Day 'Musical Refugees', 20 Nov. 1996.
UniM Music SS-389
YONG, Christine Yun-May.
A Musical ethnography of Melanau culture. B.Music thesis,
The University of Melbourne, 2006.
UniM Music SS-390
BYRNE, Edwina Ivonne.
More than cheesecake : adaptive advantage and the evolutionary origins of music. B.Music thesis,
The University of Melbourne, 2006.
UniM Music SS-391
NAVARRIA, Sebastiana Hoai.
Sounds like Melbourne : the Cat Empire and the cultural spaces of contemporary music. B.Music thesis,
The University of Melbourne, 2006.
UniM Music SS-392
PURTELL, Simon Andrew.
The 'Melba gift' : issues of pitch in Melbourne in the early twentieth century. B.Music thesis,
The University of Melbourne, 2006.
UniM Music SS-393
ROPER, Emma Rose.
Musical nature : songs of the Australian Magpie (Gymnorhina tibicen tyrannica). B.Music thesis,
The University of Melbourne, 2006.
UniM Music SS-394
STEPHERDSON, Peter.
Make your own noise : exploring hardcore punk and beyond . B.Music thesis,
The University of Melbourne, 2006.
UniM Music SS-395
STANYON, Miranda.
Pervasive imitation : Senfl's Ave Maria...Virgo Serena. B.Music thesis, The University of Melbourne, 2006.
UniM Music SS-396
TEMBY, Hugo John Henry.
"Queen of fakes and imitators" : authenticity and the music of Gillian Welch. B.Music thesis, The University of Melbourne, 2006.
UniM Music SS-397
ROCKE, Stephanie.
From Tournai to Tango : an expansion of the boundaries of the musical Mass in Luis Bacalov's Misa Tango (1997). B.Music thesis, The University of Melbourne, 2006.
UniM Music SS-398
ANDERSON, Celia Mhairi.
Cracking the modern musical code: semantics, syntactics and supra-diegesis in Baz Luhrmann's 'Red Curtain' trilog. B.Music (hons.), B.Teaching (hons.) thesis, The University of Melbourne, 2006.
UniM Music SS-399
DE JONG, Holly.
Blowing Zen across boundaries : experiencing the shakuhachi soundscape in Australia. B.Music thesis, The University of Melbourne, 2007.
UniM Music SS-400
DOWNS, Adam.
Armenian music in Melbourne : identity and community in diaspora. B.Music thesis, The University of Melbourne, 2007.
UniM Music SS-401
EL-ATM, Sarah Monica.
Arabic music and its place in Melbourne. B.Music thesis, The University of Melbourne, 2007.
UniM Music SS-402
FAN, Duane Hoi Wan.
Emotion response to metric displacement in popular music. B.Music thesis, The University of Melbourne, 2007.
UniM Music SS-403
LYNAR, Emily Claire.
Where music and language meet : facilitating interdisciplinary dialogue in the study of tone language song texts. B.Music thesis, The University of Melbourne, 2007.
UniM Music SS-404
MELVILLE, Anna Elizabeth.
Using sound recordings in Musicology. B.Music thesis, The University of Melbourne, 2007.
UniM Music SS-405
MILLARD, Shannon W.
The Syntonic comma in fifteenth-century vocal polyphony. B.Music thesis, The University of Melbourne, 2007.
UniM Music SS-406
RYAN, Scott Lincoln.
"Vse za Rodin