New Acquisitions for October 2007
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NEW BOOKS
Rare Materials
UniM Music RB S B463 ST.1.
Benedict, Julius, Sir, 1804-1885.
St. Peter [music] : an oratorio / composed by Jules Benedict.
London : Novello, Ewer & Co., [1870 or 1871].
For soloists (SATB), chorus (SATB, with divisi) and orchestra.
Words by H.F. Chorley ; rev. J. Bennett.
UniM Music RB S H236 AL.2.
Handel, George Frideric, 1685-1759.
Alexander's feast [music] / composed by G.F. Handel ; arranged for the organ or piano-forte by Dr. John Clarke of Cambridge.
London : printed for S.J. Button & J. Whitaker, [between 1808 and 1814].
For soloists (STB), chorus (SATB), orchestra and continuo ; acc. arr. for piano or organ.
Words by John Dryden (Ode for Saint Cecilia's Day 1697) with additions by Newburgh Hamilton.
Engraved throughout, music withing border with lyre motif in each corner. T.p.
ill. "Thais led the way" "Drawn by Burney ; Engrav'd by Isaac Taylor."
Dated from form of publisher's name; cf. Humphries & Smith.
Index of musical numbers on p. [i].
RISM, HH 1001a.
UniM Music RB N L358 PI6.1.
La Tombelle, F. de (Fernand), 1854-1928.
Pièces d'orgue, Op. 23 [music] : divisées en 6 livraisons / par F.
de la Tombelle. 6me. livraison.
Paris : Richault et cie., c1888.
Directions for registration in French and English.
2 fantaisies sur des Noëls anciens -- Marche pontificale.
UniM Music RB A L717 AM.1.
Liebling, Georg.
Au crépuscule [music] = Dämmerstunde : piéce caractéristique pour piano : op. 9 / composée par Georg Liebling.
Berlin : Schlesinger, c1894.
UniM Music RB B M895 RO.1.
Moscheles, Ignaz, 1794-1870.
Rondo brillant in A [music] : pour le pianoforte à quatre mains : oeuvre 30 / composé par Ignace [sic] Moscheles.
Leipsic : F. Hofmeister, [1817?].
Engraved throughout.
For piano, 4 hands.
UniM Music RB P M939 SY38.7.
Mozart, Wolfgang Amadeus, 1756-1791.
Sinfonie No. 1 / W.A. Mozart.
Leipzig : Breitkopf & Härtel, [1828].
Caption title.
RISM, M 5537.
Köchel 6, p. 562.
UniM Music RB J V484 RE.1.
Verdi, Giuseppe, 1813-1901.
Requiem de Verdi [music] : trio : pour piano, violon et violoncelle / [arr.] par
Ernest Alder.
Paris : Henry Lemoine, [1890].
Caption title from violin part.
Parts for violin and violoncello ; score of version with flute and violin.
"Nota. cette partie piano est la meme pour l'arrangement piano, violon,
violoncelle et piano, flute, violoncelle." -- caption of score.
"Ces trios peuvent se jouer: Edition A: pour piano, flute et violon ;
Edition B: piano, violon et violoncelle ; Edition C: piano, flute et
violoncelle." -- cover of score.
UniM Music RB B M895 RO.1.
Weber, Carl Maria von, 1786-1826.
Grande sonate [music] : en ut majeur (C dur) pour le pianoforte / par Charles
Marie de Weber.
Berlin : Ad. Mt. Schlesinger, [1812].
First edition, 1812. Cf., Carl Maria von Weber in seinen Werken / Jähns.
UniM Music RB B W373 BEH.1.
Weber, Carl Maria von, 1786-1826.
Overture to Die Beherrscher der Geister (the Ruler of spirits) [music] /
composed by C.M. v. Weber ; arranged by L. Zerbini.
London : Ashdown & Parry, 18 Hanover Square, [between 1860 and 1867?].
Caption title.
Dated from publisher's address ; cf. Parkinson, Victorian music publishers.
Reissue from plates first used by Wessel & Co. in 1833.
UniM Music RB E Y915 AU.1.
Ysaye, Eugéne, 1858-1931.
Au rouet [music] : 2me poéme pour violon et orchestre : op. 13 / par
Eugéne Ysaye.
Bruxelles : Schott Fréres, c1921.
Originally for violin with orchestra ; acc. arr. for piano.
Ysaye, Eugéne, 1858-1931.
Deux mazurkas de salon [music] : pour violon avec accompagnement de piano / composées par Eugéne Ysaye.
Bruxelles : Schott Fréres, [189-].
Contents: 1. Dans le lointain -- 2. Mazurka. UniM Music RB MS ZELM 1.
Zelman, Alberto, 1832-1907.
Cadenza to Beethoven's Violin concerto [music] / Alberto Zelman.
[between 1880 and 1907?].
Leaf has subsequently been folded and inscribed: "Albert Zelman. Cadenz zum Beethoven Violin Concert." An extended ending in the same later ink and hand has been pasted in. It is possible that this cadenza was written for one of the tours of the violinist J.S. Kruse and that the second hand is his. UniM Music RB TN Z51 OF.1.
Zelman, Alberto, 1832-1907.
Six offertories with the accompaniments for the organ or the piano [music] / by Alberto Zelman.
Melbourne : W.H. Glen & Co., 21 & 23 Collins St. E., [188-?].
With several p. of advertisements.
Contents: 1. Ave Maria (Soprano) -- 2. O salutaris (M.S.) -- 3. Ave Maria (Bass or Contr. with Viol. [violoncello or violin] obligato) -- 4. O salutaris (M.S. or Bar.) -- 5. Tantum ergo (Tenor) -- 6. O salutaris (Duet, S. & B. or S. & C.). top of page
Reference Books
UniM Music REF 016.78092 BACH/ ENSS Bd. 1-2
Ensslin, Wolfram, 1967-
Die Bach-Quellen der Sing-Akademie zu Berlin : Katalog / bearbeitet von Wolfram Ensslin.
Hildesheim : Olms, 2006.
Series: Leipziger Beiträge zur Bach-Forschung ; 8.
Leipziger Beiträge zur Bach-Forschung, 8.
Notes: Catalog of music by the Bach family, principally Carl Philipp Emanuel, comprising approximately 10 percent of the Notenarchiv of the Sing-Akademie zu Berlin. The Notenarchiv was moved to the Ukraine following World War II and was returned to Germany in 2001 where it is housed in the Musikabteilung of the Staatsbiblothek zu Berlin--Preussischer Kulturbesitz. Cf. Wolff, Christoph.
Recovered in Kiev (Notes / Music Library Association, v. 58, p. 259-271).
UniM Music REF 016.3942 ROJO
Rojo Vega, Anastasio.
Fiestas y comedias en Valladolid : siglos XVI-XVII.
Valladolid : Ayuntamiento de Valladolid, 1999.
Series: Publicaciones municipales ; 19
Notes: Reúne este estudio práctico diccionario de expresiones relacionadas con
el mundo del espectculo datos de primera mano sobre los festejos ciudadanos en
el arranque de la Edad Moderna, que particularmente en Valladolid alcanzaron
gran esplendor y fueron modelo de otros muchos en España.
General Books
UniM Music 784.218409034 BOND
Bonds, Mark Evan.
Music as thought : listening to the symphony in the age of Beethoven.
Princeton, N.J. : Princeton University Press, c2006.
Contents: Prologue : an unlikely genre : the rise of the symphony -- Ch. 1. Listening with imagination : the revolution in aesthetics -- Ch. 2. Listening as thinking : from rhetoric to philosophy -- Ch. 3. Listening to truth : Beethoven's Fifth Symphony -- Ch. 4. Listening to the aesthetic state : cosmopolitanism -- Ch. 5. Listening to the German state : nationalism -- Epilogue : listening to form : the refuge of absolute music.
UniM Music 782.526 CRIS
Cristóbal de Morales : sources, influences, reception / edited by Owen Rees and Bernadette Nelson.
Woodbridge : Boydell, 2007.
Series: Studies in medieval and Renaissance music, 6.
UniM Music 781.265 DAYO
Day-O'Connell, Jeremy.
Pentatonicism from the eighteenth century to Debussy.
Rochester, NY : University of Rochester Press, 2007.
Series: Eastman studies in music, 1092-5228
Summary: "Pentatonicism from the Eighteenth Century to Debussy offers the first comprehensive account of a widely recognized aspect of music history: the increasing use of pentatonic ("black-key scale") techniques in nineteenth-century Western art-music." "A more extensive and complex trend than has been acknowledged, pentatonicism in nineteenth-century music encompasses hundreds of instances, many of which predate by decades the more famous examples of Debussy and Dvorak. Pentatonicism from the Eighteenth Century to Debussy weaves together historical commentary with music theory and analysis in order to explain the sources and significance of this important, but hitherto only casually understood, phenomenon." "Central to the books interest and arguments are the discussions of excerpts from repertoire both familiar and forgotten. The illustrated text concludes with an appendix of over 400 examples, a resource that demonstrates the individual artistry with which virtually every major nineteenth-century composer (from Schubert, Chopin and Berlioz to Liszt, Wagner, and Mahler) handled the seemingly "simple" materials of pentatonicism."--BOOK JACKET.
UniM Music 781.17 HAMI
Hamilton, Andrew.
Aesthetics and music.
London ; New York : Continuum, c2007.
Contents: 1. Aesthetics and music in ancient Greece -- Music and mousike, art and techne -- The Pythagorean and Platonic-Pythagorean mathematical conception -- The ethical conception, and Plato's more empirically-minded successors Aristotle and Aristoxenus -- The separation of the value spheres -- Medieval and Renaissance musical thought -- 2. The concept of music -- The possibility of non-musical aural or sound-art -- The concept of music -- Sounds, tones and sound-art -- 3. The aesthetics of form, the aesthetics of expression and 'absolute music' : aesthetics of music in the late eighteenth and nineteenth centuries -- The Romantic metaphysics of music -- Kant and formalism -- Hegel : historicism and truth-content -- Schopenhauer and Wagner : absolute music -- Nietzsche : the Apollonian and the Dionysian -- Hanslick and formalism -- Expression, form and absolute music -- 4. The sound of music -- The acousmatic experience of sound -- Pythagoras and musique concrete -- A broader definition of 'acousmatic' -- Objections to the acousmatic thesis -- The twofold thesis -- A humanistic conception of music versus more abstract conceptions -- 5. Rhythm and time -- Music as an art of time -- The universality of rhythm -- A Platonic, organic definition -- Rhythm and metre -- Rhythm and accent -- Rhythm and movement -- 6. Adorno and modernism : music as autonomous and 'social fact' -- The advent of modernism -- Adorno's aesthetics of modernism -- Adorno and Kant : art as autonomous and purposeless -- Adorno and Hegel : dialectic, historicism and truth-content -- Adorno and Marx : art as commodity or social fact -- The culture industry -- Music of the avant-garde : Adorno's limited grounds for optimism -- Dialectics and the autonomy of art -- 7. Improvisation and composition -- The aesthetics of perfection and imperfection -- The concept of improvisation and 'improvised feel' -- Spontaneity and the aesthetics of perfection -- Free improvisers, interpreters and 'improvisation as a compositional method'.
UniM Music 792.5023 LEVI
Levin, David J., 1960-
Unsettling opera : staging Mozart, Verdi, Wagner, and Zemlinsky.
Chicago : The University of Chicago Press, 2007.
Contents: 1. Dramaturgy and Mise-en-scene -- 2. Reading a staging/staging a reading : Wagner's Die Meistersinger von Nurnberg in performance -- 3. Fidelity in translation : Mozart and Da Ponte's Le nozze di Figaro -- 4. Deconstructing Singspiel : Mozart's Die Entfhrung aus dem Serail -- 5. Between sublimation and audacity : Verdi's Don Carlos -- 6. Beyond the canon : Zemlinsky's Der Konig Kandaules -- App. Plot summaries.
Summary: "Unsettling Opera explores a variety of fields, considering questions of operatic textuality, dramaturgical practice, and performance theory. Levin opens with a brief history of opera production, opera studies, and dramatic composition, and goes on to consider in detail various productions of the works of Wagner, Mozart, Verdi, and Alexander der Zemlinsky. Ultimately, the book seeks to initiate a conversation among scholars of music literature, and performance by addressing questions raised in each field in a manner that influences them all."--BOOK JACKET.
UniM Music 026.50946 ROJO
Rojo Vega, Anastasio.
Ciencia y cultura en Valladolid : estudio de las bibliotecas privadas de los siglos XVI y XVII.
[Valladolid] : Universidad de Valladolid, 1985.
Series: Acta histórico-médica vallisoletana ; 20. Monografías
Acta histórico-médica vallisoletana ; 20.
Acta histórico-médica vallisoletana. Monografías.
UniM Music 381.0250946 ROJO
Rojo Vega, Anastasio.
Guía de mercaderes y mercaderías en las ferias de Medina del Campo, siglo XVI.
[Valladolid] : Fundación Museo de las Ferias con la colaboración de la Diputación de Valladolid, 2004.
Series: Coleccion de textos históricos ; 1
Contents: Mercaderías -- Obligaciones: relaciones de clientelismo entre mercaderes -- Índice de poblaciones -- Índice de personas -- Índice de mercaderías -- Bibliografía complementaria.
UniM Music 780.9494572 WAGN/ WALT
Walton, Chris, 1963-
Richard Wagner's Zurich : the muse of place.
Rochester, NY : Camden House, 2007.
Series: Studies in German literature, linguistics, and culture
Summary: "When the people of Dresden rose up against their king in May 1849, Richard Wagner went from Royal Kapellmeister to republican revolutionary overnight. He gambled everything, but the rebellion failed, and he lost all. Now a wanted man in Germany, he fled to Zurich. Years later, he wrote that the city was "devoid of any public art form" and full of "simple people who knew nothing of my work as an artist." But he lied: Zurich boasted arguably the world's greatest concentration of radical intellectuals and a vibrant music scene. Wagner was accepted with open arms. This book investigates Wagner's effect on the musical life of the city and the city's impact on him. Mathilde Wesendonck emerges not as Wagner's passive muse but as a self-assured woman who exploited gender expectations to her own benefit. In 1858, Wagner had to flee Zurich after again gambling everything - this time on Mathilde - and again losing. But it was in Zurich that Wagner wrote his major theoretical works: composed Dos Rheingold. Die Walkure, and parts of Siegfried and Tristan and Isolde; first planned Parsifal: held the first festival of his music: and conceived of a theater to stage his own works. If Wagner had been free in 1849 to choose a city in which to seek heightened intellectual stimulation among the like-minded and the similarly gifted, he could have come to no more perfect place."--BOOK JACKET.
UniM Music 297.40964 WAUG
Waugh, Earle H., 1936-
Memory, music, and religion : Morocco's mystical chanters.
Columbia, S.C. : University of South Carolina Press, 2005.
Series: Studies in comparative religion
Studies in comparative religion (Columbia, S.C.)
Contents: 1. Examining foundations : the formation of the Islamic chanter tradition -- 2. The Islamic engagement with memory : remembrances as a way of knowing -- 3. The chanter's religious scripts : the transformation of memory's heritage -- 4. The chanter's classical text : tools for the master of memory -- 5. Alternative and visionary pasts : the impact of other memories -- 6. Remembered sacred sounds : the music of the Munshidun -- 7. The contemporary Munshid : between memory and attestation -- 8. The Munshidun, memory, and religion.
Summary: "Why do religious communities remember some events and not others? Why do some kinds of music find a continuing place in worship while others seem to lose their appeal? Why is it that the Islamic tradition is understood so narrowly, even by some Muslims, when in fact it has a broadly textured history of belief and practice? In Memory, Music, and Religion, Earle H. Waugh addresses such probing questions while exploring a rich vein of Islam in Morocco - the mystical chanters. In this book, a detailed study of the interplay between memory, music, and religion, Waugh opens new areas of thought, particularly regarding a theme that cuts across religious traditions: the role of memory in religious formation."--BOOK JACKET.
UniM Music 781.64 WEHE
Weheliye, Alexander G., 1968-
Phonographies : grooves in sonic Afro-modernity.
Durham : Duke University Press, 2005.
Contents: Intro : it's beginning to feel like ... -- 1. Hearing sonic Afro-modernity
-- 2. "I am I be" : a subject of sonic Afro-modernity -- 3. In the mix -- 4.
Consuming sonic technologies -- 5. Sounding diasporic citizenship -- Outro :
thinking sound/sound thinking (slipping into the breaks remix).
COLLECTED EDITIONS
UniM Music CE 780.9 ANAL Bd.38
Ars magna musices : Athanasius Kircher und die Universalität der Musik ; Vorträge des deutsch-italienischen Symposiums aus Anlass des 400. Geburtstages von Athanasius Kircher (1602-1680) ; musikgeschichtliche Abteilung des Deutschen Historischen Instituts in Rom, in Zusammenarbeit mit der Hochschule für Musik "Carl Maria von Weber" in Dresden, Rom, Deutsches Historisches Institut, 16.-18. Oktober 2002 / herausgegeben von Markus Engelhardt und Michael Heinemann.
Laaber : Laaber, 2007.
Series: Analecta musicologica, Bd. 38.
Notes: International conference proceedings. 6 German, 1 English, 5 Italian contributions.
UniM Music CE 780.81 BACH v.2
Bach, Johann Sebastian, 1685-1750.
Clavier-Übung [music] / Johann Sebastian Bach.
Leipzig : Edition Peters ; New York : C.F. Peters, c1984.
Edition Faksimile-Ausg. / [herausgegeben von Christoph Wolff].
Series: Musikwissenschaftliche Studienbibliothek Peters
Notes: Pts. 1-2, 4 for harpsichord; pt.3 for organ.
Second imprint from label on t.p.
Contents: 1. Sechs Partiten BMV 825-830 -- 2. Italienisches Konzert BWV 971 ; Französische Ouvertüre BWV 831 -- 3. Präludium und Fuge Es-Dur BWV 552 ; Orgelchoräle BWV 669-689. Duette BWV 802-805 -- 4. Goldberg-Variationen BWV 988 -- [5] Johann Sebastian Bachs Klavierübung : Kommentar / von Christoph Wolff ; [mit Übersetzung ins Englische von David Kilroy]
Notes Publisher's no.: Edition Peters Nr. 9314 ; 9314b (v. 2)
Reprint of works originally published: Leipzig : Musikbibliothek der Stadt Leipzig, 1731-1741.
UniM Music CE 782.10944 FREN v.18
Campra, André, 1660-1744.
Tancrède [music] : tragédie en musique / André Campra ; introduction by Antonia L. Banducci ; with a section on André Campra by James R. Anthony and section on eighteenth-century dance by Judith L. Schwartz.
Hillsdale, N.Y. : Pendragon Press, c2006.
Series: French opera in the 17th & 18th centuries ; v. 18
French opera in the seventeenth and eighteenth centuries ; v. 18.
Notes: Libretto by A. Danchet, based on Gerusalemme liberata by T. Tasso.
Facsimile of the libretto published for 1738 revival and the ms. Vm 180 (1738) with selected sections from the ms. Rés F 1692 (1702).
UniM Music CE 780.81 DEBU Ser.5 v.2
Debussy, Claude, 1862-1918.
Fantaisie pour piano et orchestra (2e version) : Oeuvres complétes de Claude Debussy [music].
Published Paris : Durand-Costallat,
Contents: sér. 1, v. 1. Danse bohémienne ; Danse ; Ballade ; Valse romantique ; Suite bergamasque ; Rèverie ; Mazurka ; Deux Arabesques ; Nocturne -- v. 3. Estampes, D'un cahier d'esquisses, Masques, L'isle joyeuse, Images (1ere série), Images (2eme serie) -- sér. 1, v.4. Morceau de concours, The little Nigar, Hommage a Haydn, La plus que lente, Six Epigraphes antiques, Berceuse heroique, Pour l'oeuvre "du Vetement du Blesse", Elegie, Les Soirs illumines par l'ardeur du charbon (Intermede) -- sér. 1, v. 5. Préludes, livre 1-2 --sér. 1, v. 6. Etudes (Livres 1-2) -- sér. 1, v. 7. Oeuvres pour piano à quatre mains -- sér. 1, v. 8. Oeuvres pour deux pianos -- sér. 5, v. 2 bis. Fantaisie pour piano et orchestre (2e version) -- sér. 5, v. 8. Jeux -- sér. 6, v. 1. Rodrigue et Chimene -- sér. 6, v. 3. Le Roi Lear, Le Diable dans le beffroi, La Chute de la Maison Usher.
UniM Music CE 780.81 HIND Bd.IV/1
Hindemith, Paul, 1895-1963.
Konzertante Kammermusiken I : Sämtliche Werke [music] / Paul Hindemith ; im Auftrag der Hindemith-Stiftung herausgegeben von Kurt von Fischer und Ludwig Finscher.
Mainz : Schott, 1975-<2007 >
Contents: Bd. 1. Bühnenwerke. (
UniM Music CE 780.81 LULL Ser.III v.14
Author Lully, Jean Baptiste, 1632-1687.
Armide : tragédie en musique / Jean-Baptiste Lully ; édition de Lois Rosow ; édition du livret, Jean-Noël Laurenti.
Hildesheim ; New York : G. Olms, 2003.
Series: Œuvres complètes. Série III, Opéras / Jean-Baptiste Lully ; v. 14
Musica Gallica
Lully, Jean Baptiste, 1632-1687. Works. 2001 ; sér. 3, v. 14.
Notes: French libretto by Philippe Quinault, based on Tasso's Gerusalemme liberata; libretto also printed as text on p. 9-27.
Introd. in English with French translation; critical commentary in English only.
UniM Music CE 780.81 LULL Ser.I v.6
Lully, Jean Baptiste, 1632-1687.
Ballet des Saisons ; Les Amours déguisés ; Ballet royal de Flore / Jean-Baptiste Lully ; éditions [par Ballet des saisons] de James P. Cassaro ; édition [par Les amours déguisés] de James R. Anthony et Rebecca Harris Warrick ; édition [par Ballet royal de flore] d'Albert Cohen ; coordination, Rebecca Harris-Warrick.
Hildesheim ; New York : G. Olms, 2001.
Series Œuvres complètes. Série I, Ballets et mascarades / Jean-Baptiste Lully ; v. 6
Musica Gallica
Lully, Jean Baptiste, 1632-1687. Works. 2001 ; sér. 1, v. 6.
Notes Introd. in English and French; critical commentary in English only.
UniM Music CE 780.81 LULL Ser.II v.4
Lully, Jean Baptiste, 1632-1687.
Monsieur de Pourceaugnac : (Le divertissement de Chambord) ; Le bourgeois gentilhomme : comédie-ballet / Jean-Baptiste Lully/Molière ; [Monsieur de Pourceaugnac] édition de Jérôme de La Gorce ; édition du livret et de la comédie, Marie-Claude Canova-Green et Philippe Hourcade ; [Le bourgeois gentilhomme] édition de Herbert Schneider ; édition du livret et de la comédie, Philippe Hourcade et Herbert Schneider.
Hildesheim ; New York : G. Olms, 2006.
Series: Œuvres complètes. Série II, Comédies-ballets et autres divertissements / Jean-Baptiste Lully ; v. 4
Musica Gallica
Lully, Jean Baptiste, 1632-1687. Works. 2001 ; sér. 2, v. 4.
Notes: French librettos by Molière; printed as text preceding each score.
Introd. in French with English translation; critical apparatus in French only.
UniM Music CE 780.81 SIBE I/1.3
Sibelius, Jean, 1865-1957.
Kullervo, op.7 : Complete works = Sämtliche Werke.
[Helsinki] : Helsinki University LIbrary and the Sibelius Society
of Finland ; Wiesbaden : Breitkopf & Härtel, 1998-<2006>
Contents ser. 1. Orchestral works
MUSIC SCORES
UniM Music Scores R C784 TEN.1.
Copland, Aaron, 1900-1990.
The tender land [music] : opera in three acts / Aaron Copland ; libretto by Horace Everett ; vocal score by the composer.
[New York] : Boosey & Hawkes, [2007?], c1956.
1 vocal score (203 p.) ; 31 cm.
UniM Music Scores K M8624 CAN.1.
Moritz, Landgrave of Hesse-Kassel, 1572-1632.
3 Canzonen a 4 [music] / Moritz, Landgraf von Hessen ; herausgegeben von Paul- Heinz Leifhelm.
[Germany] : Cornetto, [2007].
4 scores (15 p. each) ; 30 cm. + 4 inserts.
For 4 unspecified instruments.
Edited from 4 Ms. Mus. 98a in the Landesbibliothek, Kassel.
At head of title: M.L.H.
Each score includes alternative first page for each canzona, inserted as addenda.
Biographical, program and editorial notes in German, p. 3-6.
Contents: Ms. Mus. 98a, Nr. 22 (MWV VII, 15) -- Ms. Mus. 98a, 1 (MWV VII, 16) -- Ms. Mus. 98a, 2 (MWV VII, 16).
UniM Music Scores TD M8624 CAN.1.
Moritz, Landgrave of Hesse-Kassel, 1572-1632.
Canticum Beatae Mariae Virginis [music] : per duodecim modos : anno 1600 /
Moritz, Landgraf von Hessen ; herausgegeben von Paul-Heinz Leifhelm.
[Germany] : Cornetto, [2006].
4 scores (54 p. each) : facsims. ; 30 cm.
12 Magnificats for 4 voices.
Edited from Handscriften 4 Ms. Mus. 97 and 2 Ms. Mus. 2 in the
Landesbibliothek, Kassel.
At head of title: M.L.H.
Biographical and program notes in German, p. 3-5.
UniM Music Scores TD M8624 FUN2.1.
Moritz, Landgrave of Hesse-Kassel, 1572-1632.
Fünfstimmiges Cantional [music] : 1595 / Moritz, Landgraf von Hessen ;
herausgegeben von Paul-Heinz Leifhelm.
[Germany] : Cornetto, [2006].
2 v. in 10 : facsims. ; 30 cm.
Cover title.
Edited from Handscriften 4 Ms. Mus. 97 and 2 Ms. Mus. 2 in the
Landesbibliothek, Kassel.
Each v. includes 5 identical scores.
At head of title: M.L.H.
Biographical and program notes in German, p. 3-5.
Contents: Heft 1 (1. Teil) Nr. 1 bis 24 (MWV III, 1-24) -- Heft 2 (2. Teil) Nr. 25 bis 46 (MWV III, 25-46).
German words (written in Fraktur).
UniM Music Scores TD M8624 MAG.1.
Moritz, Landgrave of Hesse-Kassel, 1572-1632.
Magnificat à 4, 1600 [music] : per duodecim modos / Moritz, Landgraf von
Hessen ; herausgegeben von Paul-Heinz Leifhelm.
[Germany] : Cornetto, [2006].
4 scores (60 p.) ; 30 cm.
Edited from Handscriften 4 Ms. Mus. 98c and 98c, and
8 Ms. Mus. 5 in the Landesbibliothek, Kassel.
At head of title: M.L.H.
Biographical and program notes in German, p. 3-5.
Contents: Die zwölf Magnificat der Handscrift LB Kassel 4 Ms. Mus. 98c (MWV II, 13-24) -- Magnificat à 4 der Handscrift LB Kassel 4 Ms. Mus. 98c (MWV II, 25)-- Bassstimme der dreistimmigen Magnificat : Kompositionen, LB Kassel 8 Ms. Mus. 5 (MWV II, 26-37).
UniM Music Scores TL M8624 MOTE.1.
Moritz, Landgrave of Hesse-Kassel, 1572-1632.
Motetten zu fünf und sechs Stimmen [music] : aus den Cantiones / Moritz,
Landgraf von Hessen ; herausgegeben von Paul-Heinz Leifhelm.
[Germany] : Cornetto, [2007].
1 score (27 p.) + 6 parts ; 30 cm.
At head of title: M.L.H.
Edited from the Handschrift LB Kassel 4 Ms. Mus. 98a (numbers 3, 4, 11,
14, and 15).
Biographical, program and editorial notes in German, p. 3-6.
Contents: Jubilate Deo (MWV I, 33) (CCAATB) -- Ecce nunc benedicte Domino (MWV I, 34)
(CCAATB) -- Pater noster (MWV I, 35) (CATTB) -- Sinite pueros venire ad me (MWV
I, 36) (CATTB) -- Dum complerentur dies (MWV I, 37) (CCAATB).
UniM Music Scores TL M8624 MOTE.1.
Moritz, Landgrave of Hesse-Kassel, 1572-1632.
Motetten zu sieben und acht Stimmen [music] : aus den Cantiones ; und Hosianna
zu acht Stimmen / Moritz, Landgraf von Hessen ; herausgegeben von Paul-Heinz
Leifhelm.
[Germany] : Cornetto, [2007].
1 score (44 p.) + 9 parts ; 30 cm.
Includes 8 chorus parts and an additional bass part for Hosianna.
At head of title: M.L.H.
Biographical, program and editorial notes in German, p. 3-7.
Contents: Die sieben- und achtstimmigen Motetten aus der Handschrift LB Kassel 4 Ms. Mus. 98a. 1. Quam bona quam suavis res est (MWV I, 31) (CATBCATB) ; 2.
Laudate Dominum (MWV I, 32) (CCAATTB) ; 16. Virgo ubi iam gravida est (MWV I,
38) (CATBCATB) ; 17. Cantate Domino canticum novum (MWV I, 39) (CCCAATTB) ; 18.
Benedicat te Deus Israel (MWV I, 40) (CATBCATB) -- Aus Bodenschatz Florilegium
Portense 1618. Hosianna filio David (MWV I, 42) (CCATATTB).
UniM Music Score R S559 LADM.1
Shostakovich, Dmitrii Dmitrievich, 1906-1975.
Ledi Makbet Mtsenskogo uezda : (Katerina Izmailova) : opera v 4 aktakh, 9 kartinakh, soch. 29 / Dmitrii Shostakovich ; libretto po N. Leskovu, A. Preis i D. Shostakovich ; angliiskii perevod L. Sudakovoi = Lady macbeth of Mzensk : (Katerina Ismailova) : opera in 4 acts and 9 scenes, op. 29 / Dmitry Shostakovich ; libretto according to N. Leskov by A. Preis and D. Shostakovich ; English version by L. Soudakova.
Published Moskva : Izd-vo "DSCH", 2003.
Notes: Acc. originally for orchestra, arr. for piano.
Reprint. Originally published: Moskva : Muzgiz, 1935.
UniM Music Scores Q S911 ACC.1.
Strauss, Johann, 1825-1899.
Accelerationen [music] : Walzer op. 234 / [Johann Strauss (Sohn)] ;
[herausgegeben von] Rudolf H. Führer.
Wien : Doblinger, c1995.
1 score (58 p.) : 1 facsim. ; 30 cm.
For orchestra.
UniM Music Scores Q S911 ANN.1.
Strauss, Johann, 1825-1899.
Annen-Polka [music] : op. 117 / [Johann Strauss (Sohn) ; herausgegeben von]
Rudolf H. Führer.
Wien : Doblinger, c1994.
1 score (20 p.) : facsim. ; 30 cm.
For orchestra.
UniM Music Scores Q S911 KAI.1.
Strauss, Johann, 1825-1899.
Kaiser-Walzer [music] : op. 437 / Johann Strauss (Sohn) ; [edited by] Norbert
Rubey.
Wien : Doblinger, c1996.
1 score (61 p.) : ill. ; 30 cm.
Vorwort/Preface by Norbert Rubey.
UniM Music Scores Q S911 KON.1.
Strauss, Johann, 1825-1899.
Königslieder [music] : Walzer, op. 334 / [Johann Strauss (Sohn) ;
herausgegeben von] Fritz Racek.
Wien : Doblinger, c1994.
1 score (52 p.) : facsim. ; 30 cm.
For orchestra.
UniM Music Scores Q S911 MAS.1.
Strauss, Johann, 1825-1899.
Maskenball-Quadrille [music] : Un ballo in maschera : quadrille nach Motiven der
gleichnamigen Oper von G. Verdi, op. 272 / [Johann Strauss (Sohn)] ;
[herausgegeben von] Rudolf H. Führer.
Wien : Doblinger, c1995.
1 score (32 p.) : 1 facsim. ; 30 cm.
For orchestra.
UniM Music Scores Q S911 PER.1.
Strauss, Johann, 1825-1899.
Perpetuum mobile [music] : musikalischer Scherz (2. Fassung) op. 257 / [Johann
Strauss (Sohn)] ; [herausgegeben von] Norbert Rubey.
Wien : Doblinger, c1995.
1 score (31 p.) : facsims. ; 30 cm.
For orchestra.
UniM Music Scores Q S911 REI.1
Strauss, Johann, 1825-1899.
Reitermarsch [music] : op. 428 / [Johann Strauss (Sohn) ; herausgegeben von]
Rudolf H. Fü:hrer.
Wien : Doblinger, c1994.
1 score (12 p.) : facsim. ; 30 cm.
For orchestra.
UniM Music Scores Q S911 TRI.1.
Strauss, Johann, 1825-1899.
Tritsch-Tratsch-Polka [music] : Polka schnell, op. 214 / [Johann Strauss (Sohn)]
; [herausgegeben von] Norbert Rubey.
Wien : Doblinger, c1995.
1 score (20 p.) : 1 facsim. ; 30 cm.
For orchestra.
Tristan und Isolde : WWV 90 / Richard Wagner ; edited by Isolde Vetter and Egon Voss.
Published London ; New York : E. Eulenberg, c2001.
Notes: Opera in 3 acts; libretto by the composer.
"New Urtext edition"--Label on cover.
"Reprinted from Richard Wagner: Sämtliche Werke Volume 8/1-3 by permission of Schott Musik International (1990)"--T.p verso.
UniM Music Scores R W853 COR.1.
Wolf, Hugo, 1860-1903.
Der Corregidor [music] : Oper in vier Aufzü:gen / Hugo Wolf ; Text nach
einer Novelle des Pedro de Alarcón von Rosa Mayreder-Obermayer ;
vollständiger Klavierauszug vom Komponisten ; vorgelegt von Leopold
Spitzer.
Wien : Musikwissenschaftlicher Verlag, 1995.
1 vocal score (xi, 309 p.) : fascism. ; 28 cm.
Opera, based on Alarcón's Sombrero de tres picos; acc. arr. for piano.
At head of title: Internationale Hugo Wolf-Gesellschaft in Wien.
UniM Music Scores E W853 CON.1.
UniM Music CE 780.81 WOLF.
Wolf, Hugo, 1860-1903.
Konzert für Klavier und Violine, op. 6 [music] : 1875 / Hugo Wolf ;
vorgelegt von Leopold Spitzer.
Wien : Musikwissenschaftlicher Verlag, 1994.
1 score (31 p.) + 1 part (7 p.) : facsim. ; 30 cm.
Incomplete early work; exists only in version for violin and piano.
At head of title: Internationale Hugo Wolf-Gesellschaft in Wien.
Historical and editorial notes in German and English on p. 4-5; Revisionsbericht
on p. 28-29.
SOUND RECORDINGS
UniM Music CD 10142.
Beethoven, Ludwig van, 1770-1827.
Complete works for solo piano. Volume 5 [sound recording].
Akersberga, Sweden : BIS Records, p2007.
Program notes in English, German, and French on insert.
Contents: Sonata no. 16 in G major, op. 31, no. 1 (23:14) -- Sonata no. 17 in D minor, op.
31, no. 2 : Der Sturm (22:18) -- Sonata no. 18 in E flat major, op. 31, no. 3 (21:13).
Performer: Ronald Brautigam, fortepiano.
Recorded in Aug. 2005 at Östertaker Church, Sweden.
UniM Music CD 10141.
Sibelius
Chamber music 1 [sound recording].
UniM Music CD 10136.
Johann Rosenmü:ller Ensemble, Performer.
Coronatio solemnissima [sound recording] : die Krönung des Kaisers Leopold I.
Heidelberg : Christophorus, p2006.
Hypothetical reconstruction of music peformed for the coronation of Leopold I in 1658; as the Te Deum of Bertali does not survive, the 1745 Te Deum of Antonio Caldara, composed for the coronation of Francis I in 1745, is substituted.
Super audio CD (hybrid); multi-channel and stereo sound.
Program notes in English, German and French, and texts with English, German and French translations in container.
Contents: Corrente per l'intrada di S.M.C. / Johann Heinrich Schmelzer -- Ecce mitto angelum meum / Gregorianische antiphon -- Introitus de Pentecoste: Spiritus Domini replevit orbem terrarum ; Missa Sancti Spiritus. Kyrie & Gloria / Antonio Bertali -- Sonata I / Johann Heinrich Schmelzer -- Veni, Sancte Spiritus / Antonio Bertali -- Desiderium animae eius tribuisti / Gregorian responsorium -- Unxerunt Salomonem Sadoc sacerdos ; Unxit te Deus / Gregorianische Antiphonen zur Salbung -- Venite gentes, accurite populi / Antonio Bertali -- Sonata VIII ; Corrente per l'intrada di S.M.C. / Johann Heinrich Schmelzer -- Missa Sancti Spiritus. Credo / Antonio Bertali -- Toccata tertii toni / Wolfgang Ebner -- Missa Sancti Spiritus. Sanctus & Agnus dei / Antonio Bertali -- Te Deum laudamus per l'incoronazione / Antonio Caldara.
Performers: Johan Rosenmü:ller Ensemble ; Arno Paduch, conductor.
Recorded Sept. 5-7, 2006, Ev. Kirche St. Osdag, Mandelsloh.
UniM Music CD 9228.
Mauk, Steven, Performer.
We sing to each other [sound recording] : for unaccompanied alto saxophone :
masterclass CD / by Steve Mauk ; composer Dana Wilson.
Medfield, Mass. : Dorn Publications, p2007.
Steve Mauk presents a full performance of Dana Wilson's work, and offers performance suggestions and analysis.
"Saxophone journal"--Label.
Contents: Movement I (full performance) (4:50) ; Movement II (full performance) (5:05) / Dana Wilson -- Introductory comments by Steve Mauk (1:47) -- Composer Dana Wilson's comments [as read by Steve Mauk] (8:39) -- Performance analysis of Movement I (Of beauty and sadness) (8:10) -- Performance analysis of Movement II (Of darkness and joy) (14:29).
Performer: Steve Mauk, alto saxophone, instructor.
UniM Music CD 10144
The Norton recordings [sound recording].
[New York] : Sony/BMG : W. W. Norton, c2007.
UniM Music CD 10145
The Norton recordings [sound recording].
New York, NY : Sony BMG Music Entertainment, p2007.
"To accompany The Norton scores and The enjoyment of music"--Containers.
Contents:
v. 1. (discs 1-4) Gregorian chant to Beethoven -- v. 2. (discs 5-8) Schubert to the present.
Various soloists, orchestras, choruses, ensembles, and conductors.
UniM Music CD 10139
The remarkable Norman Kaye [sound recording].
Move.
UniM Music CD 10140
Sibelius.
Tone poems, volume 1 [sound recording],
-
World Music discs
None received
VIDEO RECORDINGS
UniM Music AVVC 782.42166 END
The end of the corrugated road [videorecording].
[Sydney?] : ABCTV, 2001.
Series: Message stick
Summary: A dynamic history of the legendary Warumpi Band.
UniM Music DVD 279
Mozart, Wolfgang Amadeus, 1756-1791.
Le nozze di Figaro / Mozart ; directed by Peter Sellars.
London : Decca, p1991, c1990.
Performers: Wiener Symphoniker; conductor, Craig Smith; Arnold-Schönberg-Chor.
Cast: James Maddelina, Jayne West, Jeanne Ommerlé, Sanford Sylvan, Susan Larson, Sue Ellen Kuzma, David Evitts, Frank Kelley, William Cotton, Lyn Forgove, Herman Hildebrand.
Summary: Although performed in the original Italian, Peter Sellars' production relocates Mozart's comedy to the tinted-glass elegance of New York's Trump Tower, high above the turbulant world of late twentieth century America.
Sung in Italian; English subtitles. Synopsis in English, French and German in booklet.
MICROFORMS
None received
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THESES and SPECIAL STUDIES
AYRES, Helen Katharine.
George Enescu: the complete musician. A study of violin virtuosity in Enescu's Third Sonata for Piano and Violin.
DMA, 2006
TH-265
BONG, Jin Guan.
Alice Ellen Charbonnet: a French musician in nineteenth-century Australia.
M.Music, 2006
TH-266
CALABRO, Jacinta.
Music therapy for infants with neonatal abstinence syndrome.
M.Music, 2006
TH-267
GREATWOOD, Linden M.E.
Master of Music Composition Folio includes:
- Tales from afar : for solo clarinet
- Could it be? : for tenor and piano
- Probably all in the mind : for variable woodwind quartet
- Nocturne : for solo violin
- in the early hours... : for solo trombone
- The old woman : for orchestra
TH-268
HOWELL, David
Master of Music Composition Folio includes:
- Tribal dance : for orchestra
- Platypus : for children's choir
- Apocalypse : for chamber choir
- 'La Rosa' - obsession : for violin and cello
- Neon reflections : for 3 voices and chamber ensemble
- String quartet no.1 : for string quartet
TH-269
HULLICK, James
Master of Music Composition Folio includes:
- mouthscram : for solo baritone voice
- you died and left me here to weep : for piano trio
- unravel : for piano trio
- crow : for six cellos
- pyramids drift like clouds : large ensemble for 27 compartmental trios
TH-270
HUNT, Meagan.
The use of group music therapy to develop a sense of belonging in young refugees: an action research project.
M.Music, 2006
TH-271
NG, King Pan
Master of Music Composition Folio includes:
- Resurrection : for chamber orchestra
- [Kwong Seung Kook] : for marimba and piano with video clips
- Three short pieces for Melbourne Autumn Music Festival
- Merah Putih (revised) : for symphony orchestra
TH-272
TAN, Ejnie Evangeline.
The Singapore 'Voice' : multiculturalism, choirs and choral music in Singapore.
M.Music, 2006
TH-274
TENACE, Antonio
Master of Music Composition Folio includes:
- Kontrapunkt : for saxophone quartet
- Out-takes : for amplified string quartet and tape
- Yesteryears : for orchestra
- Kaemeleon : for tape
- Awakenings : for flute, clarinet, piano, percussion, violin and cello
- Opposites attract : for two pianos
TH-273