New Materials for February 2008
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NEW BOOKS
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Rare Materials
None received
Reference Collection
UniM Music REF 016.78092 GRAU/ HENZ bd.1-2
Henzel, Christoph, 1960-
Graun-Werkverzeichnis : (GraunWV).
Beeskow [Germany] : Ortus Musikverlag, c2006.
Series: Ortus Studien ; 1
Contents: Bd. 1. Verzeichnis der Werke der Brüder Johann Gottlieb und Carl Heinrich Graun -- Bd. 2. Register.
UniM Music REF 016.783026 LOPE
López-Calo, José.
Indices de la revista Tesoro Sacro Musical, 1917-1978.
Madrid : Sociedad Española de Musicología, 1983, c1982.
Series: Publicaciones de la Sociedad Espanola de Musicología. Serie B ; no. 2
General Collection
UniM Music 786.2092 HALL/ BEAL
Beale, Robert.
Charles Hallé : a musical life.
Aldershot, England ; Burlington, VT : Ashgate, c2007.
Series: Music in nineteenth-century Britain
Contents: 1. The Making of a Musician -- 2. The New Man in Manchester -- Interlude: The Halle-Loder Opera Season of 1854 -- 3. An Orchestra Created -- 4. The Uphill Struggle -- Interlude: Halle's London Opera Season 1860-61 -- 5. The Tradition Begins -- 6. Famine and Feast -- 7. The Golden Years -- 8. The Last Decade -- 9. Halle's Business Model and Methods -- Epilogue: An Appreciation of Halle as a Person.
Summary: "Charles Hallé was one of the leading musicians of the nineteenth century and intimate with almost all of the great composers and performers of his time, as well as a friend of the Royal Family and known as much as a pianist and chamber musician as conductor, in London, throughout the country and abroad, in addition to Manchester." "Robert Beale presents a new perspective on Halle's life and achievement, constructed mainly from primary sources, which serves to dispel many of the inaccuracies and omissions that have stemmed, to a great extent, from Halle's own autobiographical account of 1896. His edited memoirs omit much of the competition and controversy, struggles and disappointments of his career in Manchester, and, indeed, hardly convey the scope of his activities elsewhere."--BOOK JACKET.
UniM Music 792.809 BELL
Bellow, Juliet.
Clothing the corps : how the avant-garde and the Ballets Russes fashioned the modern body.
Published , 2005.
Notes Thesis (PhD)--University of Pennsylvania, 2005.
Reproduction (photocopy). Ann Arbor, Mich. : UMI Dissertation Services, 2007.
UniM Music 788.92092 HIND/ BOGA
Bogard, Rickey Gene.
The trumpet in selected solo and chamber works of Paul Hindemith : elements of trumpet technique and their relationship to the Gebrauchmusik concept, a lecture recital, together with three recitals of selected works of J.N. Hummel, A. Jolivet, C. Chaynes and others / Rickey Gene Bogard.
Ann Arbor, Mich. : University Microfilms International, {19--}
Notes: Includes facsimiles of broadsheets announcing recitals.
Notes: Photocopy in reduced format of typescript presented 1994. Thesis (Doctor of Musical Arts)--University of North Texas, 1994.
UniM Music 780.9494572 WAGN/ BUSC
Buschinger, Danielle.
Das Mittelalter Richard Wagners / Danielle Buschinger ; übersetzt von Renate Ullrich und Danielle Buschinger.
Würzburg : Königshausen & Neumann, 2007.
Published previously in 2003 (Amiens, Presses du Centre d'etudes medievales, Universite de Picardie-Jules Verne) under the title: Le Moyen age de Richard Wagner.
UniM Music 616.8914 BUTT
Butterton, Mary.
Listening to music in psychotherapy / Mary Butterton ; foreword by Colwyn Trevarthen.
Oxford ; New York : Radcliffe, c2008.
UniM Music 786.209033 CARE
Carew, Derek.
The companion to The mechanical muse : the piano, pianism and piano music, c.1760-1850 .
Aldershot, Hants ; Burlington, VT : Ashgate Pub., c2007.
Summary: "Intended as a supplement to The Mechanical Muse: The Piano, Piano Music and Pianism c.1760-1850, this Companion provides additional information which, largely for reasons of space but also of continuity, it was not possible or desirable to include in that volume. The book is laid out alphabetically and full biographical entries are provided for all musical figures mentioned, including composers, performers, theoreticians and teachers, as well as piano makers and publishers of music, within the period covered by The Mechanical Muse. There are also entries on figures of importance from outside the period but whose influence is palpably important within it, such as J. S. Bach. As well as biographical information, all these entries contain lists of principal works and a section on further reading so that readers can follow up people and matters of particular interest."--BOOK JACKET.
UniM Music UniM Music 780.92 ENES/ CELE
UniM Music CD 5083
Celebrating George Enescu : a symposium / by Mihai Brediceanu ... [et al.] ; edited by David Williams ; preface by Lord Yehudi Menuhin.
Washington, D.C. : Education for Peace, c1997.
Notes :Papers from a festival entitled An Enescu celebration, held Apr. 17-20, 1997 at Central College, Pella, Iowa and in Des Moines, Iowa, under the sponsorship of Central College and the Des Moines Symphony.
Contents: Preface / Lord Yehudi Menuhin -- Introduction / David Williams -- The five musical faces of George Enescu / Mihai Brediceanu -- The universality of George Enescu / Noel Malcolm -- George Enescu in the American musical world / Dumitru Vitcu -- The catalogue of George Enescu's creation : purposes, working aspects, prospects / Clemansa Firca -- Enescu in the light of an unfinished work / Cornel Taranu -- The Caprice roumain for violin and orchestra : a unique and powerful musical document of George Enescu's artistry as a violinist, composer, and "lautar" of a nation / Sherban Lupu -- Tradition and modernism in George Enescu's Oedipe / Mihai Cosma -- Personal reflections on George Enescu / Lory Wallfisch -- Enescu's fourth and fifth symphonies : an interview with Pascal Bentoiu / David Williams -- George Enescu's residency at the University of Illinois, Urbana-Champaign, April 1950 / David Williams.
Notes: System requirements for accompanying computer laser optical disc: Macintosh or PC; CD-ROM drive. Musical selections also playable on an audio CD player.
UniM Music 780.94509031 CHAS
Chasin, Ibaney.
canto dos afetos : um dizer humanista : aproximaçoes à reflexao musical do renascimento tardio italiano.
Sao Paulo : Perspectiva, 2004.
Notes: Portuguese.
UniM Music 782.1092 CAVA/ CONV
Convegno internazionale Francesco Cavalli e la circolazione dell'opera veneziana nel '600 (2002 : Naples, Italy)
Francesco Cavalli : la circolazione dell'opera veneziana nel Seicento = The circulation of Venetian opera in the 17th century / a cura di Dinko Fabris.
Napoli : Turchini, 2005.
Series: I Turchini saggi ; 2 [sic]
Contents: Premessa / Federica Castaldo -- Philology and semiotics of Baroque opera performances today : making sense of Cavalli ?(?and ourselves?)? in the 21st century / Carlo Majer -- Out of the 'Dark Ages' : editing Cavalli's operas in the postmodern world / Jennifer William Brown -- Cavalli manuscript scores and performance practice / Hendrik Schulze -- 'Poner in musica un'opera' : Cavalli and his Impresari in Mid-Seicento Venice / Beth Glixon -- Fonti, ricezione e ruolo della committenza nell'Eliogabalo musicato da F. Cavalli, G.A. Boretti e T. Orgiani ?(?1667-1687?)? / Mauro Calcagno -- 'Maravigliose mutationi' : la produzione di scene e macchine a Venezia nell'epoca di Cavalli / Jonathan Glixon -- L'incoronazione di Poppea di Francesco Cavalli / Ellen Rosand -- Amazons, astrology and the house of aragon : Vermonda tra Venezia e Napoli / Wendy Heller -- Statira da Venezia a Napoli / Dinko Fabris -- La pazzie di Caligola dalla Laguna al Golfo / Maria Chiara Bertieri -- Francesco Cavalli e l'opera veneziana a Palermo dal Giasone ?(?1655?)? alla nascita del Teatro Santa Cecilia ?(?1693?)? / Anna Tedesco -- Il teatro del Falcone di Genova : un carrefour dell'opera barocca / Armando Fabio Ivaldi -- ?"?Quelque idée de ces grands spectacles?"? : l'opera veneziana a Parigi tra collezionismo e fonti di editoria musicale ?(?1695-1708?)? / Barbara Nestola -- Il mondo musicale seicentesco e le sue istituzioni : la Cappella Reale di Napoli ?(?1650-1700?)? / Paologiovanni Maione.
Notes Contributions in Italian and English.
UniM Music 781.64 CRIT
Critical essays in popular musicology / edited by Allan F. Moore.
Aldershot, England ; Burlington, VT : Ashgate, c2007.
Contents 1. "Black music", "Afro-American music", and "European music" / Philip Tagg -- 2. A theory of musical competence / Gino Stefani -- 3. Can we get rid of the "popular" in popular music? : a virtual symposium with contributions from the international advisory editors of Popular music / International Advisory Editors -- 4. Browsing music spaces : categories and the musical mind / Franco Fabbri -- 5. The high analysis of low music / Dai Griffiths -- 6. Second thoughts on a rock aesthetic : The Band / Andrew Chester -- 7. Why I'll never teach rock 'n' roll again / Sean McCann -- 8. Authenticity as authentication / Allan Moore -- 9. Intertextuality and hypertextuality in recorded popular music / Serge Lacasse -- 10. From refrain to rave : the decline of figure and the rise of ground / Philip Tagg -- 11. What does it mean to analyse popular music? / Adam Krims -- 12. The formation of a musical style : early rock / Ronald Byrnside -- 13. Toward a theory of popular harmony / Peter K. Winkler -- 14. On Aeolian harmony in contemporary popular music / Alf Bjornberg -- 15. The so-called "flattened seventh" in rock / Allan Moore -- 16. Making sense of rock's tonal systems / Walter Everett -- 17. Incongruity and predictability in British dance band music of the 1920s and 1930s / Derek B. Scott -- 18. Rhythm, rhyme and rhetoric in the music of public enemy / Robert Walser -- 19. Fantastic remembrance in John Lennon's "Strawberry fields forever" and "Julia" / Walter Everett -- 20. The Rutles and the use of specific models in musical satire / John R. Covach -- 21. The aesthetics of music video : an analysis of Madonna's "Cherish" / Carol Vernallis -- 22. "Gently tender" : the Incredible String Band's early albums / Charles Ford -- 23. Cathy's homecoming and the other world : Kate Bush's "Wuthering heights" / Nicky Losseff -- 24. Pulp, pornography and spectatorship : subject matter and subject position in Pulp's This is hardcore / Nicola Dibben -- 25. Glamour and evasion : the fabulous ambivalence of The Pet Shop Boys / Fred E. Maus -- 26. Vicars of "Wannabe" : authenticity and the Spice Girls / Elizabeth Eva Leach -- 27. Oh, boy! (Oh, boy!) : mutual desirability and musical structure in the Buddy Group / Barbara Bradby.
UniM Music 780.92 STAI/ DIBB
Dibble, Jeremy.
John Stainer : a life in music.
Woodbridge, Suffolk, UK ; Rochester, NY : Boydell Press, 2007.
Series: Music in Britain, 1600-1900, 1752-1904
Summary: "One of the most important musicians of the Victorian era, Stainer's reputation is grounded in his Anglican liturgical compositions, but his corpus of secular works - madrigals and songs - is also full of inventiveness and surprises." "Stainer's life is a story of extraordinary social mobility. From lowly origins he rose to become organist of St Paul's Cathedral and Professor of Music at Oxford. He was a brilliant organist, a fine scholar, theorist, pedagogue and teacher, multifarious attributes which this study explores to illustrate the breadth of his musical personality. Yet after his premature death in 1901 his reputation almost immediately plummeted, except for the popularity of a handful of works, among them I saw the Lord and The Crucifixion." "Stainer's reputation and the crucial contribution he made to musical life are triumphantly reasserted here, through Jeremy Dibble's examination of the breadth of his work as a composer, and the important role he played in the regeneration of sacred and secular musical institutions in Victorian Britain."--BOOK JACKET.
UniM Music 784.18309033 HEPO
Hepokoski, James A. (James Arnold), 1946-
Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata / James Hepokoski, Warren Darcy.
Oxford ; New York : Oxford University Press, 2006.
Contents: 1. Contexts -- 2. Sonata form as a whole : foundational considerations -- 3. The medial caesura and the two-part exposition -- 4. The continuous exposition -- 5. The primary theme (P) -- 6. The transition (TR) -- 7. The secondary theme (S) and essential expositional closure (EEC) : initial considerations -- 8. S-complications : EEC deferral and apparent double medial caesuras (TMB) -- 9. The closing zone (C) -- 10. The development (developmental space) -- 11. The recapitulation (recapitulatory space; recapitulatory rotation) -- 12. Non-normative openings of the recapitulatory rotation : alternatives and deformations -- 13. Parageneric spaces : coda and introduction -- 14. Sonata form in minor keys -- 15. The three- and four-movement sonata cycle -- 16. Sonata types and the type 1 sonata -- 17. The type 2 sonata -- 18. Rondos and the type 4 sonata -- 19. The type 5 sonata : fundamentals -- 20. The type 5 sonata : Mozart's concertos (R1: the opening ritornello) -- 21. The type 5 sonata : Mozart's concertos (solo and larger expositions : solo 1 + ritornello 2) -- 22. The type 5 sonata : Mozart's concertos (development and recapitulation : from solo 2 through ritornello 4) -- App. 1. Some grounding principles of sonata theory -- App. 2. Terminology : "rotation" and "deformation"
UniM Music F 615.85 KENN
Kenny, Carolyn.
Music & life in the field of play : an anthology.
Gilsum, NH : Barcelona Publishers , c2006.
Contents: pt. 1. A mythic journey -- pt. 2. Field theory for music therapy -- pt. 3. Being native -- pt. 4. The integration: education, practice, research -- pt. 5. Ecological music therapy.
UniM Music 786.711 LAND
Landy, Leigh, 1951-
Understanding the art of sound organization.
Cambridge, Mass. : MIT Press, c2007.
Contents: Art meets daily life : listening to real-world sounds in an artistic context -- Commencing the classification debate : is sound art music? -- The terminology debate : defining the main terms -- 1. From intention to reception to appreciation : offering listeners some things to hold on to -- A. How accessible are works of organized sound? -- B. Communication from the maker's and the listener's points of view -- C. Further issues concerning access and sound-based music addendum : the three intention/reception project questionnaires -- 2. From concept to production to presentation to theory : creating "co-hear-ence" -- A. Families of approaches/works of organized sound -- B. A return to the classification debate : in search of a paradigm -- 3. Toward a framework for the study of sound-based artworks -- A. To start -- B. The proposed framework -- C. Looking forward.
Summary: "The art of sound organization, also known as electroacoustic music, uses sounds not available to traditional music making, including pre-recorded, synthesized, and processed sounds. The body of work of such sound-based music (which includes electroacoustic art music, turntable composition, computer games, and acoustic and digital sound installations) has developed more rapidly than its musicology. Understanding the Art of Sound Organization proposes the first general foundation framework for the study of the art of sound organization, defining terms, discussing relevant forms of music, categorizing works, and setting sound-based music in interdisciplinary contexts." "Leigh Landy's goal is this book is not only to create a theoretical framework but also to make sound-based music more accessible - to give the listener what he terms "something to hold on to," for example, by connecting elements in a work to everyday experience."--BOOK JACKET.
UniM Music 780 LEPP
Leppert, Richard D.
Sound judgment : selected essays.
Aldershot, England ; Burlington, VT : Ashgate, c2007.
Series: Ashgate contemporary thinkers on critical musicology series
Contents: 1. On Reading Adorno Hearing Schubert -- 2. Opera, Aesthetic Violence, and the Imposition of Modernity: Fitzcarraldo -- 3. 'Everybody's Lonesome for Somebody': Age, the Body, and Experience in the Music of Hank Williams / Richard Leppert and George Lipsitz -- 4. Gender Sonics: The Voice of Patsy Cline -- 5. The Prodigal Son: Teniers and Ghezzi -- 6. Concert in a House: Musical Iconography and Musical Thought -- 7. Imagery, Musical Confrontation and Cultural Difference in Early 18th-Century London -- 8. Male Agony: Awakening Conscience -- 9. The Musician of the Imagination -- 10. Music Teachers of Upper-Class Amateur Musicians in Eighteenth-Century England -- 11. Music and the Body: Dance, Power, Submission -- 12. Nature and Exile: Adorno, Mahler and the Appropriation of Kitsch -- 13. Four Hands, Once Again / Theodor W. Adorno -- Four Hands, Three Hearts: A Commentary -- 14. Music 'pushed to the edge of existence' (Adorno, Listening, and the Question of Hope).
UniM Music 780.1490943 LEWI
Lewis-Hammond, Susan.
Editing music in early modern Germany.
Aldershot, England ; Burlington, VT : Ashgate, c2007.
Contents: 1. The Anthology and the Birth of the Professional Music Editor -- 2. Friedrich Lindner: Working for a Local Clientele -- 3. Editors and the Germanization of Italian Song -- 4. From Pastoral to Prayer: Editing Italian Music for Lutheran Germany -- 5. German Consumers of Early Modern Music Books -- Appendix A. Transcriptions of Title Pages and Prefaces -- Appendix B. Contents of Music Anthologies.
Summary: "Editing Music in Early Modern Germany argues that editors played a critical role in the transmission and reception of Italian music outside Italy. Like their counterparts in the world of classical learning, Renaissance music editors translated texts and reworked settings from Venetian publications, adapting them to the needs of northern audiences. Their role is most evident in the emergence of the anthology as the primary vehicle for the distribution of madrigals outside Italy. As a publication type that depended upon the judicious selection and presentation of material, the anthology showcased editorial work. Anthologies offer a valuable case study for examining the impact of editorial decision-making on the cultivation of particular styles, genres, authors and audiences. The book suggests that music editors defined the appropriation of Italian music through the same processes of adaptation, transformation and domestication evident in the broader reception of Italy north of the Alps. Through these studies, Susan Lewis Hammond's work reassesses the importance of northern Europe in the history of the madrigal and its printing." "This book will be the first comprehensive study of editors as a distinct group within the network of printers, publishers, musicians and composers that brought the madrigal to northern audiences. The field of Renaissance music printing has a long and venerable scholarly tradition among musicologists and music bibliographers. This study will contribute to recent efforts to infuse these studies with new approaches to print culture that address histories of reading and listening, patronage, marketing, transmission, reception, and their cultural and political consequences."--BOOK JACKET.
UniM Music 781.17 MACO
Maconie, Robin.
The way of music : aural training for the Internet generation.
Lanham, Md. : Scarecrow Press, 2007.
Contents: 101 ways of hearing a dog bark -- Walking the dog -- Strings, surfaces, and empty spaces -- Reflections -- Sound bites -- Impressions of Beethoven.
UniM Music 780.92 MESS/ MESS
Messiaen studies / edited by Robert Sholl.
Cambridge, UK ; New York : Cambridge University Press, 2007.
Series: Cambridge composer studies
UniM Music 782.109410904 MORR
Morra, Irene, 1975-
Twentieth-century British authors and the rise of opera in Britain.
Aldershot, England ; Burlington, VT : Ashgate, c2007.
Contents: Defining the British operatic idiom -- The second renaissance -- The literary librettist -- 1. Drama, Verse, and the Musical Libretto -- Tippett, verse drama, and King Priam -- The Bassarids -- 2. Nation, Modernity, and the Operatic Stage -- Gawain -- Troilus and Cressida -- 3. The Muddying of the Wells -- The Beach of Falesa -- Billy Budd.
UniM Music 780.9171241 MUSI
Music and Orientalism in the British Empire, 1780s-1940s : portrayal of the East / edited by Martin Clayton and Bennett Zon.
Aldershot, England ; Burlington, VT : Ashgate, c2007.
Series: Music in nineteenth-century Britain
Contents: 1. Encountering the other, redefining the self : Hindostannie airs, Haydn's folksong settings and the 'common practice' style / Nicholas Cook -- 2. Mamia, Ammani and other Bayaderes : Europe's portrayal of India's temple dancers / Joep Bor -- 3. Musical renaissance and its margins in England and India, 1874-1914 / Martin Clayton -- 4. Mizrakh, Jewish music and the journey to the East / Philip V. Bohlman and Ruth F. Davis -- 5. Granville Bantock and the Orient in the Midlands / Fiona Richards -- 6. 'An inoffensive thing' : Edward Elgar, The crown of India and empire / Corissa Gould -- 7. Patriotic vigour or voice of the Orient? : re-reading Elgar's Caractacus / Laura Upperton -- 8. Negotiating Orientalism : the Kaccheri and the critic in colonial South India / Lakshmi Subramanian -- 9. 'Violent passions' and 'inhuman excess' : simplicity and the representation of non-western music in nineteenth-century British travel literature / Bennett Zon -- 10. Creative women and 'exoticism' at the last fin-de-siecle / Sophie Fuller -- 11. Tom-toms, dream-figures and poppy juice : East meets West in nineteenth-century fiction / Phyllis Weliver -- 12. Chu Chin Chow and Orientalist musical theatre in Britain during the First World War / William A. Everett -- 13. A parallel reading of the 'Oriental' and South American opera libretti set by Sir Henry Bishop / Claire Mabilat -- 14. Musicking the other : Orientalism in the Hindi cinema / Gregory D. Booth.
Summary: "Filling a significant gap in current scholarship, the fourteen original essays that make up this volume individually and collectively reflect on the relationship between music and Orientalism in the British Empire over the course of the long nineteenth century."--BOOK JACKET.
UniM Music 780.15 MUSI
Music as social and cultural practice : essays in honour of Reinhard Strohm / edited by Melania Bucciarelli, Berta Joncus.
Woodbridge, Suffolk : Boydell Press c2007.
Contents: Anonymous Arabic treatises on music : lost legacies, hidden answers / Amon Shiloah -- Compositional practices in trecento music : model books and musical traditions / Anna Maria Busse Berger -- Trompetta and concordans parts in the early fifteenth century / Margaret Bent -- Recording for posterity : some reflections on the memorialising of early Renaissance music / Edward Wickham -- How to sin in music : Doctor Navarrus on sixteenth-century singers / Bonnie J. Blackburn -- Traditions and practices in fifteenth- and sixteenth-century sacred polyphony : the use of solo voices with instrumental accompaniment / David Bryant & Elena Quaranta -- ?"?The city full of grief?"? : Music for the exequies of King Philip II / Owen Rees -- Giovanni Alberto Ristori and his serenate at the Polish court of Augustus III, 1735-1746 / Alina Zórawska-Witkowska -- ?"?Cantate, que me veux-tu??"? : Do Handel's cantatas matter? / Ellen T. Harris -- Two Köchel numbers, one work / Christoph Wolff -- Identity and poetic style : the case of Rosmene by Giuseppe Domenico de Totis / Norbert Dubowy -- How operatic is Vivaldi's Juditha triumphans? / Michael Talbot -- Venice and the East : operatic readings of Tasso's Armida in early eighteenth-century Venice / Melania Bucciarelli -- Literary motifs in Metastasio's and Jommelli's Ciro riconosciuto / Francesca Menchelli-Buttini -- Producing stars in dramma per musica / Berta Joncus -- The pre-revolutionary origins of ?"?terorisme musical?"? / Michel Noiray -- Pieces into works : Cherubini's substitute arias for the Théatre Feydeau / Michael Fend -- At the tavern with Manzoni and Verdi : I promessi sposi and the dramaturgy of La forza del destino / Emanuele Senici -- The acoustic proximity of temporal distance : auratic sonority in Mahler's Lieder eines fahrenden Gesellen / Federico Celestini -- Creating a concept of ?"?Nazi musicology?"? / Pamela Potter -- Et in Arcadia adhuc : observations on the continuing evolution of the ?"?pastoral idea?"? / Giovanni Morelli.
UniM Music 780.71 MUSI
Music education : source readings from ancient Greece to today / edited by Michael L. Mark.
New York : Routledge, 2008.
Edition 3rd ed.
Notes: Previous ed.: New York: Routledge, 2002.
Contents : Historical European views -- Historical American views -- Music education since 1950 -- In ternational views of music education.
Summary "Music Education: Source Readings from Ancient Greece to Today is an anthology of thematically organized essays that illuminate why music education has been valued by cultures and societies from ancient times to the present. Writings by societal leaders - civic, political, royal, religious, education, intellectual - present views from many historical and current points of view. The third edition has been expanded to include such topics as feminism, diversity, cognitive psychology and the No Child Left Behind Act. The new edition also includes writings about music education in countries on every continent. The global view of music education makes this book timely in a world of cultural fusion."--BOOK JACKET.
UniM Music 780.9410903 MUSI
Music in the British provinces, 1690-1914 / edited by Rachel Cowgill and Peter Holman.
Aldershot, England ; Burlington, VT : Ashgate Pub. Limited, 2007.
Contents: Introduction: Centres and Peripheries / Rachel Cowgill and Peter Holman -- 1. 'A pretty knot of Musical Friends': The Ferrar Brothers and a Stamford Music Club in the 1690s / Bryan White -- 2. Music in the Minster Close: Edward Finch, Valentine Nalson, and William Knight in Early Eighteenth-century York / David Griffiths -- 3. A Little Light on Lorenzo Bocchi: An Italian in Edinburgh and Dublin / Peter Holman -- 4. Disputing Choruses in 1760s Halifax: Joah Bales, William Herschel, and the Messiah Club / Rachel Cowgill -- 5. The Role of Gentlemen Amateurs in Subscription Concerts in North-east England during the Eighteenth Century / Roz Southey -- 6. The String Quartet in Eighteenth-century Provincial Concert Life / Meredith McFarlane -- 7. John Baptist Malchair of Oxford and his Collection of 'National Music' / Susan Wollenberg -- 8. Music of Rural Byway and Rotten Borough: A Study of Musical Life in Mid-Wiltshire c. 1750-1830 / Christopher Kent -- 9. Mr. White, of Leeds / Robert Demaine -- 10. The Larks of Dean: Amateur Musicians in Northern England / Solly Drage -- 11. Finding Themselves: Musical Revolutions in Nineteenth-century Staffordshire / Sarah E. Taylor -- 12. Lost Luggage: Giovanni Puzzi and the Management of Giovanni Rubini's Farewell Tour in 1842 / E. Bradley Strauchen-Scherer -- 13. Outside the Cathedral: Samuel Sebastian Wesley, Local Music-Making, and the Provincial Organist in Mid-Nineteenth-century England / Peter Horton -- 14. Music for St. Cuthbert, 'Patron Saint of the Faithful North': The Musical Repertory of St Cuthbert's Catholic Church, Durham, 1827-1910 / Thomas Muir -- 15. 'That monstrosity of bricks and mortar': The Town Hall as a Music Venue in Nineteenth-century Stalybridge / Rachel Milestone -- 16. The Provincial Musical Festival in Nineteenth-century England: A Case Study of Bridlington / Catherine Dale -- 17. Educating England: Networks of Programme-Note Provision in the Nineteenth Century / Christina Bashford.
UniM Music 781.1 NUSS
Nussbaum, Charles O.
The musical representation : meaning, ontology, and emotion.
Cambridge, Mass. : MIT Press, c2007.
Contents: Preface: Unwrapping the Riddle -- 1. General Introduction: What Is a Naturalistic Philosophical Theory of Musical Representation? -- 2. The Musical Affordance: Three Varieties of Musical Representation -- 3. The Musical Utterance: How Music Means -- 4. The Musical Work -- 5. From Musical Representation to Musical Emotion -- 6. Nausea and Contingency: Musical Emotion and Religious Emotion -- General Summary and Conclusion: Solving the Riddle.
Summary: "How human musical experience emerges from the audition of organized tones is a riddle of long standing. In The Musical Representation, Charles Nussbaum offers a philosophical naturalist's solution. Nussbaum founds his naturalistic theory of musical representation on the collusion between the physics of sound and the organization of the human mind-brain. He argues that important varieties of experience afforded by Western tonal art music since 1650 arise through the feeling of tone, the sense of movement in musical space, cognition, emotional arousal, and the engagement, by way of specific emotional responses, of deeply rooted human ideals."--BOOK JACKET.
UniM Music 782.1092 PUCC/ RAND
Randall, Annie Janeiro.
Puccini & the Girl : history and reception of The girl of the golden West / Annie J. Randall and Rosalind Gray Davis.
Chicago : University of Chicago Press, c2005.
Contents: Ch. 1. New documents, new approaches -- Ch. 2. The opera's story : texts and subtexts -- Ch. 3. Puccini and La fanciulla, 1903-7 -- Ch. 4. Minnie returns -- Ch. 5. Puccini, publicity, and the 1910 premiere -- Ch. 6. Operatizing America -- Ch. 7. Redemption and other critical orthodoxies -- Ch. 8. Staging La fanciulla del West in 2010 -- App. A. Puccini's letters to Zangarini : table and Italian texts -- App. B. Italian texts of quotations -- App. C. Zangarini's Libretti and other works -- App. D. Metropolitan opera performance history -- App. E. Discography and videography.
Summary "Set in the American West during the California Gold Rush, La fanciulla del West marked a significant departure from Giacomo Puccini's previous and best-known works. Puccini and "The Girl" is the first book to explore this important but often misunderstood opera that became the first work by a major European composer to receive an American premiere when it opened at New York's Metropolitan Opera House in 1910."--BOOK JACKET.
UniM Music 782.1092 MONT/ROSA
Rosand, Ellen.
Monteverdi's last operas : a Venetian trilogy.
Berkeley : University of California Press, c2007.
x.
Contents: 1. Orpheus in Venice -- Prologue -- A New Ulysses -- The Myth of Venice -- 2. Discoveries and Reception -- Scholarship -- Performance -- 3. Sources and Authenticity: Three Librettos -- Il ritorno d'Ulisse in patria -- Le nozze d'Enea e Lavinia -- L'incoronazione di Poppea -- 4. Two Scores -- Il ritorno d'Ulisse in patria -- L'incoronazione di Poppea -- 5. Ancients and Moderns -- A Question of Genre -- Five Acts or Three -- Modern Taste -- 6. A Master of Three Servants -- Monteverdi's Way with Words -- Speech and Song, Recitative and Aria -- The Role of Meter -- Fashioning the "Just Lament": Arianna's Venetian Progeny -- Comedy -- 7. Constructions of Character -- Shaping an Epic or Rewriting Penelope -- The Wily Hero -- Deepening a Psychological Drama -- 8. The Philosopher and the Parasite -- Heroic Pedant, Ambiguous Philosopher -- Tragic Buffoon -- Critics and Directors -- Music and Text -- Post Mortem -- App. 1. Giacomo Badoaro, Il ritorno d'Ulisse, Preface -- App. 2. Argomento et Scenario delle Nozze d'Enea in Lavinia -- App. 3. Giacomo Badoaro, Ulisse errante, Preface -- App. 4. L'incoronazione di Poppea: Argomento, Scenario, Preface -- App. 5. Il ritorno d'Ulisse: Badoaro's Argomento Compared with Dolce's Allegorie and Dolce's Argomenti Compared with Badoaro's Structure -- App. 6. Le nozze d'Enea e Lavinia: Scenario Compared with Dolce's Allegorie -- App. 7. Supernatural Scenes -- App. 8. Singers.
Summary: "Considering Monteverdi's last operas as a triology deepens our appreciation and understanding of his achievement, his unique exploration of the dramatic potential of the art itself, and his creation of character and refinement of plot. Rosand's original analysis and interpretation confirm Monteverdi's claim to a special place in the history of opera and explain why his truest heirs are Handel, Mozart, and Verdi."--BOOK JACKET.
UniM Music 780.9 SOZI
Soziale Horizonte von Musik : ein kommentiertes Lesebuch zur Musiksoziologie / herausgegeben von Christian Kaden und Karsten Mackensen ; in Verbindung mit Detlef Giese ... [et al.].
Kassel : New York : Bärenreiter, c2006.
Series: Bärenreiter Studienbücher Musik ; Bd. 15
Contents: Sozial- und Mentalitätsgeschichte der Musik ; Theoretische Musiksoziologie -- Musikethnologie ; Anthropologie der Musik -- Methodologie musiksoziologischer Forschung.
Notes 8 German, 7 English contributions.
UniM Music 782.1092 VIAR/ STEE
Steen, Michael.
Enchantress of nations : Pauline Viardot - soprano, muse and lover.
Thriplow : Icon, 2007.
UniM Music 786.509034 SYKE
Sykes, Ingrid.
Women, science and sound in nineteenth-century France.
Frankfurt am Main : Peter Lang, 2007.
Series: Interdisziplinäre Studien zur Musik ; Bd. 4
UniM Music 784.218926 TAIE
Taïeb, Patrick.
L'ouverture d'opéra en France : de Monsigny à Méhul.
Paris : Société française de musicologie, 2007.
Series: Publications de la Société française de musicologie. Troisième série ; t. 11.
UniM Music 782.1092 MELB/ WECH
Wechsberg, Joseph, 1907-
Red plush and black velvet : the story of Dame Nellie Melba and her times.
Published London : Weidenfeld and Nicolson, 1962.
COLLECTED EDITIONS
UniM Music CE 786.0902 CORP v.28
The Anders von Düben tablature? : Uppsala, University Library, Instr. Mus. i. hs. 408 / edited by John Irving.
[?S.l.?]? : American Institute of Musicology ; Holzgerlingen : Hänssler Verlag, 2000.
Series: Corpus of early keyboard music ; 28
Notes " ... a manuscript collection of 21 pieces of keyboard music compiled, for the most part, during the first half of the seventeenth century ..."--P. ix.
Contents: Pavan (F) / (John Dowland, set by) Paul Siefert -- Galliard (and Variation) (d) / Heinrich Scheidemann -- Pavan (a) ; Galliard (d) / John Bull -- Pavan (a) / Thomas Tomkins, set by Peter Philips -- Pavan ("Dolorosa") (C) ; Galliard ("Dolorosa") (C) ; Pavan "Scharlabaget" (c) ; Galliard "Schar(la)baget (c) / Peter Philips -- Pavan ("Sir William Petre") (g) ; Galliard ("Sir William Petre") (g) / William Byrd -- Pavana hispanica (g) / Jan Pieterszoon Sweelinck and Samuel Scheidt -- Pavan "Lachrimae" / (John Dowland), set by Melchior Schildt -- Toccata (G) / (Johann Jakob Froberger) -- Mio cor se vera sei / Felice Anerio (set anon.) -- Praeambulum (d) / Heinrich Scheidemann -- Nasce la pena mia (d) / Alessandro Striggio (set anon.) -- Ricercare [i.e., Fantasia] (G) / (Johann Jakob Froberger) -- Prealudium (g) / (Girolamo F[r]escobaldi?) -- Canzona [i.e., Toccata] (g) / Girolamo F[r]escobaldi -- Dixit Dominus (F) / (anon.)
UniM Music CE 780.81 BACH v.93 2007 v.28
Bach-Jahrbuch / im Auftrag der Neuen Bachgesellschaft.
Berlin : Evangelische Verlagsanstalt, 2007.
UniM Music CE 780.81 ELGA Ser.1/4
Elgar, Edward, 1857-1934.
Scenes from the Saga of King Olaf : Elgar complete edition. [music].
Borough Green, Kent : Novello, c1981-
Contents: Series I : Choral works v. <3-6, 8-10 > -- v. 3. The Light of life -- v. 4. Scenes from the saga of King Olaf -- v. 5. Caractacus -- v. 6. The Dream of Gerontius -- v. 8. Apostles -- v. 9. The kingdom -- v. 10. The music makers, The spirit of England. -- Series III : Dramatic works v. <18 > -- v. 18. The Crown of India .Series IV : Orchestral works v . <25, 27, 30-33 > -- v. 25. Dream children, The wand of youth -- v. 27. Enigma variations -- v. 30. Symphony no.1 -- v. 31. Symphony no.2 -- v. 32. The concertos -- v. 33. Falstaff, Polonia -- Series V : Instrumental works v. <36, 38 > -- v. 36. Music for organ -- v. 38. Chamber music -- Series VI : Sketches and fragments v. <41 > -- v. 41. The Spanish lady.
UniM Music CE 780.81 JOSQ v.2
Josquin, des Prez, d. 1521.
Facsimiles from sources of compositions attributed to josquin : New Josquin edition [music] / editorial board : Willem Elders, chairman ; Lawrence F. Bernstein, Howard Mayer Brown, Martin Just ; Herbert Kellman, advisory member.
Utrecht : Vereniging voor Nederlandse Museikgeschiedenis,
Contents: v.1. Sources -- v.2. Facsimiles -- v.3-4. Masses based on Gregorian chants [including critical commentary] -- v.5-6. Masses based on secular monophonic songs -- v.7-9. Masses based on secular polyphonic songs [including commentary) / ed. by Barton Hudson -- v.10. Masses based on sacred polyphonic songs -- v.11. Masses based on solmisation themes -- v.12. Canonic masses -- v.13. Mass movements -- v.14-18. Motets on themes from the Old Testament -- v.19-20. Motets on texts from the New Testament <2> v. -- v.21-22. Motets on non-Biblical texts De domino Jesu Christo <2> v. -- v.23-25. Motets on non-Biblical texts De beata Maria virgine -- v.26. Motets on texts Pro diversis temporibus et festis and on miscellaneous texts -- v.27. Secular works for three voices / edited by Jaap van Benthem and Howard Mayer Brown <2> v. -- v.28. Secular works for four voices -- v.29. Secular works for five voices -- v.30. Secular works for six voices. Appendix.
UniM Music CE 786.0902 CORP v.37/3
Keyboard music at Castell' Arquato / [music] edited by H. Colin Slim.
?[?S.l.?]? : American Institute of Musicology ; Neuhausen-Stuttgart, West Germany : Hänssler-Verlag, <1991>-
Series : Corpus of early keyboard music ; 37
Edited from mid-16th century mss. in the archive of the Chiesa Collegiata at Castell' Arquato.
Contents: v. 1. Dances and dance songs -- v. 2. Masses, magnificat, liturgical works, dances and madrigals -- v. 3. Ricercari, mass movements, motet, chanson, and madrigal arrangements.
UniM Music CE 782.22 EARL v.49
Mass Settings from the Lucca Choirbook : Fifteenth-century liturgical music.
London : published for the British Academy by Stainer and Bell, <1968->
Series: Early English church music, v. 8, 22, 34, 42, 47, 49
Contents: v. 1. Antiphons and music for Holy Week and Easter / transcribed and edited by Andrew Hughes -- v. 2. Four anonymous masses / transcribed and edited by Margaret Bent -- v. 3. The Brussels masses / transcribed and edited by Gareth Curtis -- gv. 4. Early masses and mass-pairs / transcribed and edited by Gareth Curtis -- gv. 5. Settings of the Sanctus and Agnus dei/ transcribed and edited by Gareth Curtis. -- gv. 6. Mass Settings from the Lucca Choirbook/ transcribed and edited by Reinhard Strohm.
UniM Music CE 780.94676 COMP v.5
Pé rez de la Parra, Ginés, 1548?-1600
.
Set motets inedits / Ginés Pérez ; edició d'Esperanza Rodríguez.
Published Barcelona : Tritó ; Valencia : IVM, Institut Valencià de la Música, 2007, c2006.
Series: Compositors Valencians ; Vol. 5
Notes: Booklet contains the corrected version of the first work.
Latin words also printed separately as text with Spanish and English translations.
Preface and critical report in Spanish and English.
Contents: Hoc est praeceptum meum -- Conventione autem -- Com turba plurima -- Com adpropinquaret Jesus -- Ductus est Jesus -- Erat Jesus -- Cum sublevasset ergo.
UniM Music CE 780.81 PURC : v.16
Purcell, Henry, 1659-1695.
Drammatic Music : The works of Henry Purcell / originally edited by Frederick Arthur Gore Ouseley ; revised under the supervision of the Purcell Society by Jack Westrup.
Published Sevenoaks, Kent : Novello,
Contents: v. 1. The Yorkshire feast song -- v. 2. Timon of Athens -- v. 3. Dido and Aeneas -- v. 4. Ode on the Duke of Gloucester's birthday -- v. 5. Twelve sonatas of three parts -- v. 6. Harpsicord and organ music -- v. 7. Ten sonatas of four parts -- v. 8. Ode on St. Cecilia's Day 1692 -- v. 9. Dioclesian -- v. 10. Three odes for St. Cecilia's Day -- v. 11. Birthday odes for Queen Mary, part 1 -- v. 12. The fairy queen -- v. 13. Sacred music, part 1 -- v. 14. Sacred music, part 2 -- v.15. Royal welcome songs, part 1 -- v. 16. Dramatic music, part 1 -- v. 17. Sacred music, part 3 -- v. 18. Royal welcome songs, part 2 -- v. 19. The Indian queen -- v. 20. Dramatic music, part 2 -- v. 21. Dramatic music, part 3 -- v.22A. Catches -- v. 22B. Duets, dialogues and trios -- v. 23. Services -- v. 24. Birthday odes for Queen Mary, part 2 -- v. 25. Secular songs for solo voice -- v. 26. King Arthur -- v. 27. Miscellaneous odes and cantatas -- v. 28. Sacred music, part 4 -- v. 29. Sacred music, part 5 -- v. 30. Sacred music, part 6 -- v. 31. Fantazias and miscellaneous instrumental music -- v. 32. Sacred music, part 8 -- v. 33. Index.
UniM Music CE 780.81 SCHU II/8/b
Schubert, Franz, 1797-1828.
Fierabras : Neue Ausgabe sämtlicher Werke ?[?music?]? / Franz Schubert ; herausgegeben von der Internationalen Schubert-Gesellschaft.
Kassel : Bärenreiter, 1964-
Contents: Ser. 1. Kirchenmusik
UniM Music CE 780.81 SHOS v.54
Shostakovich, Dmitrii Dmitrievich, 1906-1975.
Hypothetically murdered : music to the Variety Circus Show : Novoe sobranie sochinenii ?[?music?]? = New collected works / Dmitrii Shostakovich.
Moskva : DSCH, 2000-<2006>
Series I. Symphonies (v. 1-30) -- Series II. Orchestral compositions -- Series III. Instrumental concertos -- Series IV. Compositions for the stage -- Series V. Suites from operas and ballets -- Series VI. Compositions for choir and orchestra -- Series VII. Unaccompanied choral compositions. Arrangements of Russian folk songs -- Series VIII. Compositions for solo voice(s) with orchestra -- Series IX. Chamber compositions for voice -- Series X. Chamber instrumental ensembles -- Series XI. Instrumental sonatas (apart from piano) -- Series XII. Piano compositions -- Series XIII. Incidental music -- Series XIV. Film music -- Series XV. Instrumentations of works by other composers.
UniM Music CE 780.81 VERD IV/1
Verdi, Giuseppe, 1813-1901.
Hymns = Inni / Giuseppe Verdi ; edited by Roberta Montemorra Marvin.
Chicago : University of Chicago Press ; Milano : Ricordi, 2007.
Series: The works of Giuseppe Verdi. Series IV, Hymns = Le opere di Giuseppe Verdi. Serie IV, Inni ; v. 1
Notes: The 1st work for male chorus (TTB) and piano; 2nd work for baritone solo, chorus (SSTTB), and orchestra.
Edited principally from the 1st ed. (Milan : P. De Giorgi, 1865) (1st work) and the holograph full score in the British Library, London (Add. MS 37,264) (2nd work).
Contents: Inno popolare : "Suona la tromba" / poetry by Goffreddo Mameli ; music by Giuseppe Verdi -- Cantica : Inno delle nazioni / poetry by Arrigo Boito ; music by Giuseppe Verdi -- Appendix: A sketch for the Cantica.
Notes Italian words; also printed as text, with English translation of the 2nd work.
UniM Music CE 780.81 WAGN Bd.20/2c
Wagner, Richard, 1813-1883.
Opernbearbeitungen 3. WWV 62E, Fromental Halévy: La reine de Chypre : Sämtliche Werke / ?[?music?]? Richard Wagner ; in Verbindung mit der Bayerischen Akademie der Schönen Künste, München, herausgegeben von Carl Dahlhaus.
Mainz : B. Schott's Söhne, c1970-
Contents: -- Bd. 3. Rienzi, der letzte der Tribunen ?(?5 v.?)? -- Bd. 4. Der fliegende Holländer ?(?4 v.?)? -- Bd. 5. Tannhäuser und der Sängerkrieg auf Wartburg ?(?3 v.?)? -- Bd. 6. Tannhauser und der Sangerkrieg auf Wartburg
UniM Music CE 787.83 WEIS Bd.8
Weiss, Silvius Leopold, 1686-1750.
Sämtliche Werke für Laute ?? = Complete works for lute / Silvius Leopold Weiss ; herausgegeben von Tim Crawford.
Kassel : Bärenreiter, 2002-
Series: Das Erbe deutscher Musik. Sonderreihe ; Bd. 11-<13 >
French lute tablature reproduced from mss. or in "computer-set substitutes" where necessary (Bd. 5-<6 >).
?"?The edition of the complete works for lute by Silvius Leopold Weiss consists of ten volumes ... Volumes 1-4 were published by C.F. Peters ... between 1983 and 1990. Volumes 5-10 are published by Bärenreiter as volumes 11-16 of the Special series ?(?Sonderreihe?)? of Das Erbe deutscher Musik.?"?--T.p. verso of Bd. 5.
Contents: Bd. 5-6. Die Handschrift Dresden : Faksimile der Tabulatur = The Dresden manuscript, Facsimile of the tablature -- Bd. 7. Die Handschrift Dresden, Ubertragung Teil 1 = The Dresden manuscript, Transcription Pt. 1.
UniM Music CE 782.22 EARL v.50
The Winchester Troper / facsimile edition and introduction by Susan Rankin.
Published London : Stainer & Bell, 2007.
Series: Early English church music ; 50
Facsimile of manuscript 473 preserved in the Corpus Christi College, Cambridge.
Latin words.
Mass sections, offertories, tropes and sequences.
Plainchant and organa.
Neume notation.
Extensive introduction in English.
MUSIC SCORES
None received
SOUND RECORDINGS
None received
World Music discs
None received
VIDEO RECORDINGS
UniM Music DVD 287
Hildegard von Bingen in portrait.
[England] : Opus Arte, c2003.
Credits: Producer, Hans Petri; director, Ferenc van Damme.
Notes Aspect ratio: 16:9; 4:3 (A source of inspiration).
Program notes in English, French and German, and text of Ordo vitutum with English translation in container.
Contents: Ordo virtutum (70 min.) -- Hildegard : dramatised BBC Omnibus biographical documentary starring Patricia Routledge (55 min.) -- A real mystic : interview and lecture with Matthew Fox and Mary Grabowsky (45 min.) -- A source of inspiration : The Washington National Cathedral presents a documentary about the life and times of Hildegard (50 min.) -- Illuminations : art gallery of Hildegard's mystic visions, with comment by Matthew Fox (30 min.).
Performers: Ordo virtutum: Ansy Boothroyd (The Soul) ; John Hancorn (The Devil) ; Vox Animae (The Virtues) ; Chorus of Patriarchs, prophets and souls (Mayfield Chamber Opera Chorus) ; with Michael Fields, harp ; Piers Adams, recorder ; Steven Devine, percussion ; Michael Fields, Evelyn Tubb, directors.
Summary: A two-disc set containing a performance of Hildegard's musical Ordo Vitutum and a fully dramatised BBC biographical documentary on Hildegard.
Sung in Latin; subtitles in English, Spanish and Japanese; documentary narration in English.
UniM Music DVD 288
Weill, Kurt
Die 3groschenoper ? = The 3 penny opera / ?[?Warner Bros. Pictures ; in association with Tobis Filmkunst?]? ; Thomas J. Brandon presents ; produced by S. Nebenzahl ; screenplay by Léo Lania, Ladislaus Vajda and Béla Balázs ; directed by G.W. Pabst.
[Irvington, N.Y.] : Criterion Collection, c2007.
Series: The Criterion collection ; 405
Notes: Originally released as a motion picture in 1931.
Based on the play "Threepenny opera" by Bertolt Brecht which was based on John Gay's "The Beggar's Opera."
Special features: restored high-definition digital transfer ; audio commentary by scholars David Bathrick and Eric Rentschler ; archival introduction by stars Fritz Rasp and Ernst Busch ; documentary tracing The threepenny opera's journey from stage to screen ; Pabst's French language version of the film, L'opéra de quat'sous, adapted by Solange Térac with dialogue by André Mauprey, starring Albert Préjean, Florelle, Gaston Modot and Margo Lion ; a multimedia presentation by film scholar Charles O'Brien on the differences between the versions ; archival interview with Fritz Rasp ; galleries of production photos by Hans Casparius and production sketches by art director Andrej Andrejew ; a new essay by film critic Tony Rayns.
Credits: Photography, F.A. Wagner ; edited by Hans Oser ; music by Kurt Weill
Cast Lotte Lenya, Rudolph Forster, Carola Neher, Reinhold Schünzel, Fritz Rasp, Valeska Gert, Hermann Thimig, Ernst Busch, Vladimir Sokoloff.
Summary: "Set in the impoverished back alleys of Victorian London, The threepenny opera follows underworld antihero Mackie Messer (a.k.a. Mack the Knife) as he tries to woo Polly Peachum and elude the authorities. With a palpable evocation of corruption and dread, set to Weill's irresistible score, The threepenny opera remains a benchmark of early sound cinema." -- container.
In German ; with optional English subtitles.
MICROFORMS
None received
THESES / SPECIAL STUDIES
Fitzgerald, Bridie Rose
What is a parent's perspective of the effect recorded flute music has on their autistic child.
M.Music Therapy, 2007
TH-285
Lee, Kyung-Min Maria
Active engaging behaviour in music therapy with paediatric oncology patients.
M.Music Therapy, 2007
TH-284