New Materials for March 2008
Books | Collected Editions | Music Scores | Sound Recordings | Videos | Microforms | Theses
NEW BOOKS
Rare Matierals | Reference Collection | General Collection
Rare Materials
None received
Reference Collection
None received
General Collection
UniM Music 780.92 ADOR/ APPA
Apparitions : new perspectives on Adorno and twentieth century music / edited by Berthold Hoeckner.
New York : Routledge, 2006.
Series: Studies in contemporary music and culture
Contents: Preface : on apparition / Berthold Hoeckner -- 1. Drifting : the dialectics of Adorno's Philosophy of new music / Daniel K. L. Chua -- 2. Labor and metaphysics in Hindemith's and Adorno's statements on counterpoint / Keith Chapin -- 3. Dire cela, sans savoir quoi : the question of meaning in Adorno and in the musical avant-garde / Gianmario Borio -- 4. "The elliptical geometry of utopia" : new music since Adorno / Julian Johnson -- 5. Wolfgang Rihm and the Adorno legacy / Alastair Williams -- 6. Frankfurt school blues : rethinking Adorno's critique of jazz / James Buhler -- 7. "Die Zerstorung der Symphonie" : Adorno and the theory of radio / Larson Powell -- 8. Music, corporate power, and the age of unending war / Martin Scherzinger.
Summary: "Apparitions takes a new look at the critical legacy of one of the 20[superscript th] century's most important and influential thinkers about music, Theodor W. Adorno. Bringing together an international group of scholars, the book offers new historical and critical insights into Adorno's theories of music and how these theories, in turn, have affected the study of contemporary art music, popular music, and jazz." "The essays review the impact of Philosophy of New Music after World War II, examine Adorno's struggle to adapt his aging philosophy to the new music of the 1950s and 1960s, and trace his influence on recent composers. Several essays in this volume also re-evaluate Adorno's controversial contribution to the study of popular music and jazz, as well as his theories of mass media and mass culture in the context of an increasing consolidation of corporate and political power in the entertainment industry." "This volume will be indispensable for both scholars and students of Adorno, who seek a historical context and a critical assessment of some of his most influential as well as most contested writings on music."--BOOK JACKET.
UniM Music 780.92 BACH v.6
Bach perspectives.
Lincoln : University of Nebraska Press, 1995-
Frequency Biennial
Notes Issued by the American Bach Society.
v.6. J. S. Bach's concerted ensemble music, The Ouverture / edited by Gregory G. Butler
UniM Music 780.92 BACH v.7
Bach perspectives. Vol. 7, J. S. Bach's concerted ensemble music, the Concerto / edited by Gregory Butler.
Urbana, Ill. : University of Illinois Press, 2008.
UniM Music 781.56 BERT
Bertagnolli, Paul, 1956-
Prometheus in music : representations of the myth in the romantic era.
Aldershot, England ; Burlington, VT : Ashgate, c2007.
Contents: 1. Promethean Legacies: The Myth in Literature and Music Prior to the Romantic Era -- 2. Gesture and Convention in Beethoven's Ballet d'action -- 3. Three Settings or Goethe's Transgressive Ode -- 4. Toward a Philosophy of History: Liszt's Prometheus Music -- 5. The French Prometheus -- 6. Atheism, Wagnerism, and Eroticism in Parry's Scenes from Shelley's Prometheus Unbound -- 7. Conservatism Assimilates the Prometheus Myth: Concert Overtures by Bargiel and Goldmark.
Summary: "The ancient Greek myth of Prometheus, the primordial Titan who defied the Olympian gods by stealing fire from the heavens as a gift for humanity, enjoyed unprecedented popularity during the Romantic era. An international coterie of writers such as Goethe, Monti, Byron, the Shelleys, Sainte-Helene, Coleridge, Browning, and Bridges engaged with the legend, while composers such as Beethoven, Reichardt, Schubert, Wolf, Liszt, Halevy, Saint-Saens, Holmes, Faure, Parry, Goldmark, and Bargiel based works of diverse genres on the fable." "Paul Bertagnolli charts the progress of the myth during the nineteenth century, as it articulates an extraordinary variety of issues pertaining to culture, society, aesthetics, and philosophy. Drawing on archival research, dance history, sketch studies, literary theory, linear analysis, topos theory, and reception history, individual chapters demonstrate that the legend served as a vehicle to express opinions on subjects as diverse as aristocratic patronage, movements of the body on the public stage, rebellion against political and religious authority, outright atheism, humanitarianism of the German Enlightenment, interest in the music of Greek antiquity, industrialization, nationalism inflamed by war, populism, and the aesthetics of musical form."--BOOK JACKET.
UniM Music 780.92 BART/ BROW
Brown, Julie (Julie A.)
Bartók and the grotesque : studies in modernity, the body and contradiction in music.
Aldershot, England ; Burlington, VT : Ashgate, c2007.
Series: Royal Musical Association monographs ; 16
Contents: 1. Bartok and the Nineteenth-Century Grotesque -- 2. Bartok and the Body -- 3. The Mandarin's Miraculous Body: 'Expressly for Our Vexation'? -- 4. The Third String Quartet as Grotesque -- 5. Conclusion and Coda: on Adorno and the Grotesque.
UniM Music 786.209033 CARE
Carew, Derek.
The mechanical muse : the piano, pianism, and piano music, c.1760-1850.
Aldershot : Ashgate, c2007.
UniM Music 781.5420943 COMP
Composing for the screen in Germany and the USSR : cultural politics and propaganda / edited by Robynn J. Stilwell and Phil Powrie.
Bloomington : Indiana University Press, c2008.
Contents: Pt. 1. Germany -- 1. Film Music in the Third Reich / Robert E. Peck -- 2. Herbert Windt's Film Music to Triumph of the Will: Ersatz-Wagner or Incidental Music to the Ultimate Nazi-Gesamtkunstwerk? / Reimar Volker -- 3. Alban Berg, Lulu, and the Silent Film / Marc A. Weiner -- 4. From Revolution to Mystic Mountains: Edmund Meisel and the Politics of Modernism / Christopher Morris -- 5. New Technologies and Old Rites: Dissonance between Picture and Music in Readings of Joris Ivens's Rain / Ed Hughes -- 6. "Composition with Film": Mauricio Kagel as Filmmaker / Bjorn Heile -- Pt. 2. The USSR -- 7. Eisenstein's Theory of Film Music Revisited: Silent and Early Sound Antecedents / Julie Hubbert -- 8. Aleksandr Nevskiy: Prokofiev's Successful Compromise with Socialist Realism / Rebecca Schwartz-Bishir -- 9. In Marginal Fashion: Sex, Drugs, Russian Modernism, and New Wave Music in Liquid Sky / Mitchell Morris.
UniM Music 781.17 COOK
Cook, Nicholas, 1950-
Music, performance, meaning : selected essays.
Aldershot, England ; Burlington, VT : Ashgate, c2007.
Series: Ashgate contemporary thinkers on critical musicology series
Contents: 1. Musical form and the listener (1987) -- 2. The perception of large-scale tonal closure (1987) -- 3. Beethoven's unfinished piano concerto: a case of double vision? (1989) -- 4. Schenker's theory of music as ethics (1989) -- 5. The editor and the virtuoso, or Schenker vs. Bulow (1991) -- 6. Heinrich Schenker, polemicist: a reading of the ninth symphony monograph (1995) -- 7. Music minus one: rock, theory, and performance (1995-96) -- 8. The domestic gesamtkunstwerk, or record sleeves and reception (1998) -- 9. At the borders of musical identity: Schenker, Corelli and the Graces (1999) -- 10. Theorizing musical meaning (2001) -- 11. Form and syntax: a tale of two terms (2002) -- 12. The other Beethoven: heroism, the canon, and the works of 1813 14 (2003) -- 13. Performance writ large: desultory remarks on furnishing the abode of the retired scholar (2003) -- 14. In praise of symbolic poverty (2004) -- 15. Writing on music or axes to grind: road rage and musical community (2003) -- 16. Making music together, or improvisation and its others (2004).
Summary: "This selection of sixteen of Nicholas Cook's essays covers the period from 1987 to 2004 and brings out the development of the author's ideas over these years. In particular the two keywords of the title - Meaning and Performance - represent critical directions that expand to the point that, by the end of the book, they become coextensive: music is seen as social action and meaning as created by that action. Within this overall direction, a wide variety of topics is explored, ranging from Beethoven to Schenker, from Chinese qin music to jazz and rock, from perceptual psychology to sketch studies and analysis of record sleeves. A substantial introduction draws out the links (and differences) between the essays, sometimes critiquing them and always setting them into the developing context of the author's work as a whole."--BOOK JACKET.
UniM Music 780.92 ELGA/ ELGA
Elgar studies / edited by J.P.E. Harper-Scott, Julian Rushton.
Cambridge : Cambridge University Press, 2007.
Series: Cambridge composer studies
UniM Music F 781.224 FOX
Fox, Dan.
The rhythm bible : for students & professionals who want to gain the ability to sight-sing and play rhythms ...
Van Nuys, CA : Alfred Pub. Co., 2002.
Notes "Includes over 1,000 examples of rhythmic figures based on jazz, rock, blues, swing, latin, funk, boogaloo and other rhythms."
UniM Music UniM Music F 615.851540287 INDI
UniM Music CD 5084 disc
The individualized music therapy assessment profile : IMTAP / Holly Tuesday Baxter ... [et al.] ; foreword by Ronald M. Borczon.
Published London ; Philadelphia : Jessica Kingsley Publishers, 2007.
Contents Overview of the IMTAP -- Rationale for the use of music therapy as an assessment protocol -- History and development of the IMTAP -- Administration instructions -- The IMTAP quantification module -- Skill definitions -- Case studies -- The IMTAP software and CD-ROM.
UniM Music 782.421660994 JENK
Jenkins, Jeff, 1969-
50 years of rock in Australia.
Melbourne : Wilkinson Publishing, c2007.
Summary: "This book is a celebration of 50 years of Rock in Australia, the music that has become the soundtrack to our lives. Molly has been perfectly placed to watch it all unfold. This book is filed with his anecdotes & insights into all the stars that have come & gone (& come again) over the last fifty years. Starting with Johnny O'Keefe & the Beatles, via the Bees Gees, AC/DC & INXS through to Missy Higgins & Wolfmother this book covers all the greats."--Publisher's website.
UniM Music F 784.19596 KAEV
Kaev Narom.
Maratak dantri Khmaer / nibandh oy qnaksri Kaev Narom = Cambodian music.
Phnom Penh : Raiya?, c2005.
UniM Music 782.10945 MALL
Mallach, Alan.
The autumn of Italian opera from verismo to modernism, 1890-1915.
Boston : Northeastern University Press ; Hanover, NH : Published by University Press Of New England, c2007.
Contents: 1. Prologue: The Unification of Italy and the World of Opera to 1890 -- 2. "Abbiamo un maestro:" Cavalleria Rusticana and Its Progeny -- 3. Catalani, Franchetti, and the Rise of Puccini -- 4. The giovane scuola Comes of Age: Giordano, Cilea and the House of Sonzogno -- 5. The Greatest Living Italian: The Last Decade of Giuseppe Verdi -- 6. The Rise of Bourgeois Opera in a Changing Nation -- 7. The Land of Opera -- 8. Performing Opera -- 9. Ricordi, Sonzogno, and the Power of the Publishers -- 10. Librettists and Libretti -- 11. The giovane scuola Grows Older -- 12. Comic Opera -- 13. Gabriele D'Annunzio and the New Generation -- 14. Tristan's Children -- 15. The End of the Era -- 16. Epilogue.
UniM Music 780 MCCL
McClary, Susan.
Reading music : selected essays.
Aldershot, England ; Burlington, VT : Ashgate, c2007.
Series: Ashgate contemporary thinkers on critical musicology series
Contents: Pt. 1. Interpretation and Polemics -- 1. Pitches, Expression, Ideology: An Exercise in Mediation (1983) -- 2. The Blasphemy of Talking Politics during Bach Year (1987) -- 3. Narrative Agendas in 'Absolute' Music: ldentity and Difference in Brahms's Third Symphony (1993) -- 4. Terminal Prestige: The Case ofAvant-Garde Music Composition (1989) -- Pt. 2. Gender and Sexuality -- 5. A Material Girl in Bluebeard's Castle (1991) -- 6. Structures ofl dentity and Difference in Bizet's Carmen (1997) -- 7. Constructions of Subjectivity in Schubert's Music (1994) -- Pt. 3. Popular Music -- 8. ' Same as It Ever Was': Youth Culture and Music (l994) -- 9. Living to Tell: Madonna's Resurrection of the Fleshly (1990) -- 10. Thinking Blues (2000) -- Pt. 4. Early Music -- 11. The Cultural Work of the Madrigal (2004) -- 12. Cycles of Repetition: Chacona, Ciaccona, Chaconne, and the Chaconne (2007).
Summary: "This outstanding collection of Susan McClary's work exemplifies her contribution to a bridging of the gap between historical context, culture and musical practice. The selection includes essays which have had a major impact on the field and others which are less known and reproduced here from hard-to-find sources. The volume is divided into four parts: Interpretation and Polemics, Gender and Sexuality, Popular Music, and Early Music. Each of the essays treats music as cultural text and has a strong interdisciplinary appeal. Together with the autobiographical introduction they will prove essential reading for anyone interested in the life and times of a renegade musicologist."--BOOK JACKET.
UniM Music 780.9171241 MUSI
Music and Orientalism in the British Empire, 1780s-1940s : portrayal of the East / edited by Martin Clayton and Bennett Zon.
Aldershot, England ; Burlington, VT : Ashgate, c2007.
Series: Music in nineteenth-century Britain
Contents: 1. Encountering the other, redefining the self : Hindostannie airs, Haydn's folksong settings and the 'common practice' style / Nicholas Cook -- 2. Mamia, Ammani and other Bayaderes : Europe's portrayal of India's temple dancers / Joep Bor -- 3. Musical renaissance and its margins in England and India, 1874-1914 / Martin Clayton -- 4. Mizrakh, Jewish music and the journey to the East / Philip V. Bohlman and Ruth F. Davis -- 5. Granville Bantock and the Orient in the Midlands / Fiona Richards -- 6. 'An inoffensive thing' : Edward Elgar, The crown of India and empire / Corissa Gould -- 7. Patriotic vigour or voice of the Orient? : re-reading Elgar's Caractacus / Laura Upperton -- 8. Negotiating Orientalism : the Kaccheri and the critic in colonial South India / Lakshmi Subramanian -- 9. 'Violent passions' and 'inhuman excess' : simplicity and the representation of non-western music in nineteenth-century British travel literature / Bennett Zon -- 10. Creative women and 'exoticism' at the last fin-de-siecle / Sophie Fuller -- 11. Tom-toms, dream-figures and poppy juice : East meets West in nineteenth-century fiction / Phyllis Weliver -- 12. Chu Chin Chow and Orientalist musical theatre in Britain during the First World War / William A. Everett -- 13. A parallel reading of the 'Oriental' and South American opera libretti set by Sir Henry Bishop / Claire Mabilat -- 14. Musicking the other : Orientalism in the Hindi cinema / Gregory D. Booth.
Summary: "Filling a significant gap in current scholarship, the fourteen original essays that make up this volume individually and collectively reflect on the relationship between music and Orientalism in the British Empire over the course of the long nineteenth century."--BOOK JACKET.
UniM Music F 781.62994 REEV v.1-2
Reeves Lawrence, Helen Milton.
The material culture of contemporary music performance in Manihiki, Northern Cook Islands.
Thesis (Ph.D.) --James Cook University of North Queensland, [1993]
UniM Music 782.42092 BEET/ REID
Reid, Paul, 1949-
The Beethoven song companion.
Manchester : Manchester University Press, 2007.
Contents: Foreword / Barry Cooper -- Preface / Paul Reid -- Pt. I. The Songs -- Pt. II. The Poets -- Appendix I. Publication of the songs -- Appendix II. Der Gute Furst.
Summary: "This is the first full-length, published study of Beethoven's songs. All the composer's songs with piano are included, with full German texts and translations, together with comprehensive notes on the poetry and the music. The inclusion of unfinished songs gives a fascinating insight into Beethoven's compositional methods." "An introductory essay considers reasons for the relative neglect of the songs, the significance of Beethoven's choice of texts, his crucial role in the development of the German art-song and specific aspects such as choice of key. Throughout the book, poetic and musical texts are discussed in their historical context, and in the overall context of Beethoven's life and music." "This book will be of interest and value to singers and their accompanists, as well as to enthusiasts. The details on locations of autographs and the genesis of key works will also be an aid to further academic research."--BOOK JACKET.
UniM Music 615.85154 SEKE
Sekeles, Chava
Music therapy : death and grief.
Gilsum, NH : Barcelona Pub, c2007.
UniM Music 780.92 MESS/ SHEN
Shenton, Andrew, 1962-
Olivier Messiaen's system of signs : notes towards understanding his music.
Aldershot, England ; Burlington, VT : Ashgate, c2008.
Contents: Understanding Messiaen's Music -- Music and Language -- The Language of Signs -- Messiaen's Music as Language -- Primary and Secondary Sources -- Case Study: Meditations sur le mystere de la Sainte Trinite -- 1. Messiaen's Theology -- The Basic Tenets of Catholicism -- Catholicism in France in the Twentieth Century -- Messiaen's Theology -- Messiaen's Principal Theological Topics -- Thomas Aquinas and Trinitarian Theology -- 2. Communicating through Music -- Messiaen the Innovator -- Messiaen's Commentaries and 'Le Cas Messiaen' -- Messiaen's Sign System Defined -- Modes of Limited Transposition and Colour as Signs -- Rhythm as a Sign -- Plainchant as a Sign -- Birdsong as a Sign -- Musical Hermeneutics -- 3. Adding a Communicable Language -- The Art of Musical Cryptography -- Different Cipher Systems -- Twentieth-Century Developments -- Francois-Bernard Mache and the langage -- Messiaen's Theoretical Explanation of the langage -- 4. Linguistic Analysis of the langage communicable -- Classification of the langage communicable -- The Alphabet -- Phonology and Morphology -- Grammar and Syntax -- Identification and Discussion of the Leitmotifs -- 5. Issues of Cognition of Messiaen's langage and Signs -- Transmission -- Acquisition -- Perception and Retention -- Musicological Use of Messiaen's Recordings -- Cognition -- Further Uses of the langage communicable -- 6. The Semiotic System in Context -- Aquinas and the Summa Theologiae -- Identification and Discussion of the Text Superscriptions -- The Concept of the Rosetta Stone -- Aquinas, Angels and the Meditations -- The langage as Part of a Complex Semiotic System -- Trinitarian Theology Expressed in the Meditations -- 7. Meaning and Mentalese -- The Question of Understanding -- Messiaen and the Intentional Fallacy -- Semantics -- Messiaen's Mentalese -- Epilogue.
Summary: "Andrew Shenton's groundbreaking cross-disciplinary approach to Messiaen's music presents a systematic and detailed examination of the compositional techniques of one of the most significant musicians of the twentieth century as they relate to his desire to express profound truths about Catholicism." "By working on issues of interpretation, Shenton endeavours to bridge the traditional gap between scholars and performers and to help people listen to Messiaen's music with spirit and understanding."--BOOK JACKET.
UniM Music 780.899915 STUB
Stubington, Jill.
Singing the land : the power of performance in Aboriginal life.
Strawberry Hills, N.S.W. : Currency House, 2007.
Summary: For the Indigenous people of Australia, songs and dances, have encoded their history and religion, their social organisation, and their connectedness to the land for 60,000 years. As research assistant to the eminent musicologist Alice Moyle, and later on her own behalf, Jill Stubington spent many years between 1960 and 1980 in remote regions of Australia learning to listen to this music, to understand its complexity, its central role in identity, social cohesion, celebration and the resolution of family conflict. From 1960 new sound and film equipment widened the opportunities for recording; and soon the guitar and recorded popular music began to intermingle with the traditional styles. It became a matter of urgency to use the new technology to preserve the old culture. In three sections the book details the diverse culture, its musical instruments and practice; and provides listening guides to the available CDs and notations.
UniM Music 780.92 SCHU/ TUNB
Tunbridge, Laura, 1974-
Schumann's late style.
Cambridge, UK ; New York : Cambridge University Press, 2007.
Contents Introduction: raising Schumann -- 1. Songs of farewell -- 2. The sound of legend -- 3. Collecting thoughts -- 4. Hearing voices -- 5. On a cracked bell -- 6. In search of Diotima -- App. Chronology of Schumann's compositions, 1850-1856.
Summary: "Schumann's Late Style is the first study in English devoted to Robert Schumann's little-known music from the 1850s. The reason most often given for these works having been considered lesser achievements than the earlier song and piano cycles is that Schumann's mental illness had a detrimental effect on his compositions. However, this study demonstrates that there were several other, still more complex reasons why the music from the 1850s sounded different. Schumann had started to compose 'in a new manner', depending more on preliminary sketches; he also began to write for larger forces (orchestra and chorus), which required a more 'public' style of music, as is also apparent in his works on nationalist themes, and in his more commercial pieces for children. This book thus attempts to disentangle assumptions about Schumann's late style from biographical interpretations, and to consider it in broader artistic, social and cultural contexts."--BOOK JACKET.
UniM Music 780.92 JANA/ TYRR v.1-2
Tyrrell, John, 1942-
Janacek : years of a life.
London : Faber and Faber, 2006-
COLLECTED EDITIONS
UniM Music CE 780.9411 MUSI v.2
Sixteenth-century Scots songs : for voice & lute / edited & arranged by Kenneth Elliott.
[Glasgow] : University of Glasgow Music Dept. Publications, 1996.
Series: Musica Scotica ; 2
Notes Originally part-songs.
Lute part in tablature; includes keyboard transcription.
Includes introd., list of sources, and critical commentary.
Appendices comprise original 4-part versions of 6 songs, and fragments.
Contents: Absent I am -- Adeu, O desie of delyt -- Alas that same sueit face -- Before the Greeks durst enterpryse -- Departe, departe -- Evin dead, behold I breathe -- How shall a young man -- How suld my febill body fure? -- In a garden so green -- In throu the windoes -- Into a mirthfull May morning -- Lyk as the dum Solsequium -- Melancholie, great deput of despair -- My bailful briest -- My inward heart doth only knaw -- Nou let us sing -- No wonder is suppose -- O Lord my God, to thee I cry -- O lusty May -- Remember me, my deir -- Remember rightly, when ye reid -- Richt soir opprest -- Sleepe not in syne/O Lord, consider -- So prayiss me -- The mighty God (Psalm 50) -- The time of youth -- What mightie motion -- Who shall my malady amend? -- Woe worth the time.
MUSIC SCORES
None received
SOUND RECORDINGS
None received
World Music discs
None received
VIDEO RECORDINGS
UniM Music DVD 292
Boito, Arrigo, 1842-1918.
Mefistofele : opera in four acts / music and libretto by Arrigo Boito ; produced by RM Arts, Thirteen/WNET, New York, and KQED/San Francisco Opera.
Leipzig : Arthaus Musik, [2003?].
Credits: Director, Robert Carsen ; choreographer, Alphonse Poulin ; designer, Michael Levine ; lighting designer, Thomas J. Munn ; directed for video by Brian Large.
Notes ?"?The stage production of Mefistofele is a co-production with Grand Théatre de Genève, Geneva Opera House, and is jointly owned with Lyric Opera of Chicago?"?--Container.
Program notes, synopsis, and biographical notes on the director and Samuel Ramey in English with French and German translations (33 p. : ill., ports.) inserted in container.
Performers: Samuel Ramey ?(?Mefistofele?)? ; Gabriela Benackova ?(?Margherita, Elena?)? ; Dennis O'Neill ?(?Faust?)? ; Judith Christin ?(?Marta?)? ; Emily Manhart ?(?Pantalis?)? ; Daniel Harper ?(?Wagner?)? ; Douglas Wunsch ?(?Nerèo?)? ; Chorus and Orchestra of the San Francisco Opera ; Ian Robertson, chorus director ; Maurizio Arena, conductor.
Notes Recorded at San Francisco Opera in 1989.
UniM Music DVD 289 discs
UniM Music CD 10222
The Hilliard Ensemble in Thy kiss of a divine nature : the contemporary Perotin : a film / by Uli Aumüller.
Leipzig : Arthaus Musik, c2005.
Program notes in English, German and French, and sung texts with English and German translations in container.
Contents DVD 1. Thy kiss of a divine nature : the contemporary Perotin -- DVD 2. The Perotin symposion : who was Perotinus Magnus : myth or history? ; Perotinus Magnus : the vision of a film project.
CD. Beata es virgo : offertorium, 11th cent.-- Descendit de celis : 3-part organum / anon., Notre Dame de Paris, after 1200 -- Dixit angelus : 1-part responsorium, 11th cent. -- Gaude Maria : 2-part responsorium / anon., Notre Dame de Paris, ca. 1190 -- Laude jocunda / anon., St. Martial de Limoges, ca. 1150 -- Descendit de celis & Tamquam sponsus : 2-part organum / Leonin, Nôtre Dame de Paris, ca. 1180 -- Alleluia nativitas : 3-part organum / Perotin, Paris, after 1204 -- Beata viscera : 1-part conductus / anon. ?(?Perotin??)?, Paris, after 1200 -- Viderunt omnes : 4-part organum / Perotin, soon after 1200 -- Dum sigillum : 2-part conductus / Perotin, Paris, after 1200 -- Benedicamus domino : 2-part organum / anon., Notre Dame de Paris, ca. 1260.
Performers: Music performed by The Hilliard Ensemble; commentary by Martin Burckhardt, Rudolf Flotzinger, Christian Kaden, and Jürg Stenzl.
UniM Music DVD 290 discs
The history of sound recording.
Bendigo, Vic. : Classroom Video c2002.
Summary: Provides an overview of the History of Sound Recording showing examples and demonstrating recording devices from the late 19th century to date.This DVD features Powerhouse Museum curator Campbell Bickerstaff discussing earlier technologies.
UniM Music DVD 291 discs
Nights in the gardens of Spain.
London : Decca, c2006.
Credits: Director, Larry Weinstein; producers, Larry Weinstein and Niv Fichman.
Notes: Program notes in English, German and French, and libretto of the 3rd work with English, German and French translations in container.
Contents: Nights in the gardens of Spain : symphonic impressions for piano and orchestra / Manuel de Falla ?(?Alicia de Larrocha, piano ; Orchestre Symphonique de Montreal ; Charles Dutoit, conductor)? ?(?26 min.)-- Concierto de Aranjuez / Joaquín Rodrigo ?(?Pepe Romero, guitar ; Academy of St. Martin in the Fields ; Neville Marriner, conductor?)? ?(?27 min.)? -- Master Peter's Puppet show : puppet opera in one act / libretto by Manuel de Falla, from an episode in Don Quixote by Miguel de Cervantes ?(?Justino Diaz ?(Don Quixote?) ; Joan Cabero ?(?Master Peter?)? ; Xavier Cabero (?The boy) ; Opera Atelier ; Orchestre Symphonique de Montreal ; Charles Dutoit, conductor ?(?29 min.?).
MICROFORMS
None received
THESES / SPECIAL STUDIES
Bryk, Andrea M.
Can musical analysis of group improvisations illustrate group cohesiveness among adults with disabilities?.
M.Music Therapy, 2007
TH-288
Cromie, Miriam
Perceptions of a music CD library and noise levels on paediatric wards of a large hospital.
M.Music Therapy, 2007
TH-286
Hedigan, John P
The experience of group music therapy for substance dependent adults living in a therapeutic community.
M.Music Therapy, 2007
TH-287
Tan, Joanne
A lyrical analysis of songs written by children in a paediatric hospital setting.
M.Music, 2007
TH-289