New Materials for August 2008
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NEW BOOKS
Rare Matierals | Reference Collection | General Collection
Rare Materials
UniM Music RB Q B415 SY3.3.
Beethoven, Ludwig van, 1770-1827.
The nine symphonies of Ludwig van Beethoven. No. III, Sinfonia eroica [music].
London : Schott & Co., 1867.
1 miniature score ([ii], 232 p.) ; 28 cm.
Dated 1867 on t.p., but 1868 on front wrapper.
Pref. in English by an unidentified editor.
UniM Music RB 780.938 BELL.
Bellermann, Friedrich, 1795-1874.
Die Tonleitern und Musiknoten der Griechen / erläutert durch Dr. Friedrich Bellermann ; Nebst Notentabellen und Nachbildungen von Handschriften auf 6 Beilagen.
Berlin : A. Förstner, 1847.
iv, 83, [1] p. : ill., music, 6 pl. ; 27 cm.
UniM Music RB A MUS.2.
Bohlman-Sauzeau, Henri.
Le chevaleresque [music] : quadrille brillante / par Henri Bohlman Sauzeau.
London : Jullien & Co., [ca. 1855?].
5 p. of music ; 35 cm.
Contents: Arrivée des chevaliers au carousel -- La benediction des bannieres -- Le serment -- Le tournoi -- Le couronnement.
UniM Music RB A MUS.2.
Bottomley, J. D. (James D.).
The Beecher Stowe polka [music] / J.D. Bottomley.
London : Jullien and Co., [ca. 1855?].
5 p. of music ; 35 cm.
For piano.
"To her who is noble in heart as she is great in intellect, the friend of the slave Mrs. Beecher Stowe, the author begs to offer this humble but sincere tribute."
Music engraved ; t.p. two colour lithographed.
UniM Music RB A MUS.2.
Bottomley, J. D. (James D.).
The Kossuth polka [music] / composed and dedicated to the great patriot of
Hungary by James D. Bottomley.
London : Jullien and Co., [ca. 1852?].
3 p. of music ; 35 cm.
Caption title, For piano.
Music engraved ; cover two colour lithographed.
UniM Music RB A MUS.2.
Brown, R. A.
The original nigger quadrilles [music] : from celebrated American melodies, as performed by the American Minstrels / composed & arranged for the piano forte .. by R.A. Brown.
Leeds : the author, [ca. 1860].
5 p. of music ; 35 cm.
Contents: No. 1 (Le Pantalon) Old Dan Tucker -- No. 2 (L'Ete) Going o'er the mountain -- No. 3 (La Poule) Old Rosin the beau -- No. 4 (La Trenise) The Boatmen dance -- No. 5 (La Finale) Miss Lucy Long.
UniM Music RB A MUS.2.
Butler, T. H. (Thomas Hamly), ca. 1755-1823.
The Egyptian air [music] : arranged as an easy rondo for the piano forte / by T.H. Butler.
Halifax : H. Pohlman, [ca. 1840].
[3] p. of music ; 35 cm.
This ed. not in BL or RISM ; usually titled "An Egyptian air".
UniM Music RB N MU.1.
Cherubini, Luigi, 1760-1842.
Cherubini's O salutaris hostia [music] / arranged from the full score for the organ by J.H. Deane.
London : Sacred Music Warehouse, Novello & Co., [1860?].
4 p. of music ; 36 cm.
Originally for voice and orchestra.
UniM Music RB N MU.1.
Clarke-Whitfeld, John, 1770-1836.
Magnificat and Nunc dimittis [music] : set to music in the key of F / by John Clarke Whitfeld ; the organ part added by Vincent Novello.
London : Sacred Music Warehouse, J. Alfred Novello, [between 1856 and 1858].
1 score (p. 16-[26]) ; 36 cm.
For chorus (SATB) with organ.
"No. 3 & 4."
UniM Music RB N MU.1.
Clarke-Whitfeld, John, 1770-1836.
Te Deum & Jubilate [music] : set to music in the key of F / by John Clarke
Whitfeld ; the organ part added by Vincent Novello.
London : Sacred Music Warehouse, J. Alfred Novello, [between 1856 and 1858].
1 score (15 p.) ; 36 cm.
For chorus (SATB) with organ.
"No. 1 & 2."
.
UniM Music RB N MU.1.
Congreve, Benjamin.
Te Deum laudamus in C [music] / composed ... by Benjamin Congreve.
London : Sacred Music Warehouse : Novello & Co., [1859?].
1 score (11 p.) ; 36 cm.
For chorus (SATB) with organ.
UniM Music RB A C942 GR.1.
Croisez, Alexandre.
Les grelots, ou, La poste [music] : avec accompagnement de grelots ad libitum : [op. 59, no. 1] / par A. Croisez.
Paris : J. Meissonier fils, [1852].
5 p. of music + 1 part ([1] p.) ; 36 cm.
For piano, with grelots (sleigh bells) ad lib.
At head of p. 1: "Grelots, clochettes et tambour, 3 Amusemens par A. Croisez, Op. 59."
UniM Music RB A MUS.2.
Czerny, Carl, 1791-1857.
Pestal [music] / arranged as a rondinetto for the piano forte : No. 25 of Opera 721 ... by Charles Czerny.
London : R. Cocks & Co., [1846 or 1847].
5 p. of music : port. ; 35 cm.
Based on the melody supposedly written in prison by the Russian Decembrist
revolutionary Paul Pestel but generally attributed to J.W. Kalliwoda.
UniM Music RB N MU.1.
Dearle, Edward, 1806-1891.
For the Lord is full of compassion [music] : air from Israel in the wilderness : an oratorio / by Edward Dearle.
London : Dearle & Co., [1866?].
1 vocal score (p. 121-122) ; 36 cm.
For solo voice ; acc. arr. for piano.
UniM Music RB N MU.1.
Dearle, Edward, 1806-1891.
March triumphal [music] : from Israel in the wilderness : an oratorio / by
Edward Dearle.
London : Dearle & Co., [1866].
P. 129-132 of music ; 36 cm.
Originally for orchestra ; arr. for piano or organ.
UniM Music RB A MUS.2.
The grand quadrille of all nations [music] : as performed at Jullien's concerts.
London : Musical Bouquet Office : W. Strange, [1855?].
8 p. of music : ill ; 35 cm.
Originally for orchestra ; arr. for piano, with some indications of the original instrumentation.
Ill. above caption.
UniM Music RB A MUS.2.
Guylott, Robert, 1794-1876.
Oh! Susannah! [music] : a favorite melody : / composed & arranged as a petit
morceau for the piano forte by Robert Guylott.
London : J. Duncombe, [1848 or 1849?].
3 p. of music : port. ; 35 cm.
Arrangement of the song by S. Foster.
UniM Music RB N MU.1.
Handel, George Frideric, 1685-1759.
And the glory of the lord [music] : celebrated chorus from Handel's Messiah / arranged for the piano forte or organ by E.I.[i.e. J.] Westrop.
London : Novello, [1860?].
3 p. of music ; 36 cm.
Originally for chorus and orchestra.
UniM Music RB N MU.1.
Handel, George Frideric, 1685-1759.
Angels ever bright and fair [music] : from the oratorio of Theodora / composed by G.F. Handel.
London : Metzler & Co., [184-?].
1 vocal score (3 p.) ; 36 cm.
For S solo ; acc. arr. for piano.
UniM Music RB N MU.1.
Handel, George Frideric, 1685-1759.
The celebrated chorus from the Messiah [music] / newly arranged for the piano forte or organ by E.I.[i.e. J.] Westrop.
London : Novello, [1856?].
4 p. of music ; 36 cm.
Originally for chorus and orchestra.
UniM Music RB N MU.1.
Handel, George Frideric, 1685-1759.
Handel's Hailstone chorus [music] / arranged [for two performers on the piano forte] by T. Haigh.
London : Metzler & Co., [184-?].
7 p. of music ; 36 cm.
Originally for chorus and orchestra.
UniM Music RB N MU.1.
Handel, George Frideric, 1685-1759.
Lift up your heads [music] : celebrated chorus from Handel's Messiah / arranged for the piano forte or organ by E.I.[i.e. J.] Westrop.
London : Novello, [1860?].
3 p. of music ; 36 cm.
Originally for chorus and orchestra.
UniM Music RB N MU.1.
Handel, George Frideric, 1685-1759.
O, God of truth [music] : from the oratorio of Belshazzar / composed by Handel, 1743 ; arranged from the original score by Sir Henry R. Bishop.
London : D'Almaine & Co., [1842?].
1 vocal score (5 p.) ; 36 cm.
For S solo ; acc. arr. for piano.
Additional pagination: 46-50 (even numbers recto).
Probably from "Songs, Duets, and Trios, selected from the Oratorios, etc. of
Handel, and arranged ... from the original Manuscript. Scores ... with an
Accompaniment for the Pianoforte, by H. R. Bishop." cf. BL.
UniM Music RB N MU.1.
Handel, George Frideric, 1685-1759.
To thee all angels [music] ; and, To thee cherubin (Dettingen Te Deum)/ composed by Handel ; arranged [for two performers on the piano forte] by W. Hutchins Callcott.
London : Leader & Cock , [between 1855 and 1865?].
11 p. of music ; 36 cm.
Arrangements of 2 choruses from the Dettingen Te Deum ; originally for chorus and orchestra.
UniM Music RB N MU.1.
Handel, George Frideric, 1685-1759.
We praise thee, O God [music] : (Dettingen Te Deum) / composed by Handel ;
arranged [for two performers on the piano forte] by W. Hutchins Callcott.
London : Leader & Cock, [between 1855 and 1865?].
11 p. of music ; 36 cm.
Arrangement of the opening chorus only of the Dettingen Te Deum ; originally for chorus and orchestra.
UniM Music RB N MU.1.
Harcourt, James.
Three organ movements [music] : for the soft stops / composed ... by James
Harcourt.
London : Sacred Music Warehouse, Novello & Co., [1860?].
7 p. of music ; 36 cm.
Not in BL.
UniM Music RB A MUS.2.
Hartley, Joseph.
The evergreen waltzes [music] / J. Hartley.
[Halifax : H. Pohlman, 1852?].
9 p. of music ; 35 cm.
Caption title ; copy described wanting t.p.
UniM Music RB A MUS.2.
Hartley, Joseph.
The nuptial quadrille [music] : for the piano forte / composed ... by Joseph
Hartley.
Halifax : H. Pohlman, [1852].
8 p. of music ; 35 cm.
"Dedicated to Mrs. A. Jubb".
UniM Music RB N MU.1.
Haydn, Joseph, 1732-1809.
Haydn's Last seven words of the redeemer [music] / transcribed for the organ by W.J. Westbrook.
London : Alfred Whittingham, [1865].
45 p. of music ; 36 cm.
Originally for orchestra.
UniM Music RB N MU.1.
Hiles, Henry, 1826-1904.
I will lay me down in peace [music] : an anthem for Evensong / by Henry Hiles.
London : Novello & Co., [ca. 1864].
1 score (5 p.) ; 35 cm.
Anthem for tenor solo, SATB chorus and organ.
Words from Psalm 4.
UniM Music RB A MUS.2.
Holst, M. (Matthias), 1767-1854.
In my cottage near a wood, or, J'aime mieux m'amie [music] : a celebrated French air, with variations, for the piano forte or harp / by M. Holst.
London : Published at the Bedford Musical Repository (removed to 17 Soho Square), [1827?].
5 p. of music ; 35 cm.
Ill. t.p. of cottage scene, "M. Jones Sc."
UniM Music RB N MU.1.
Jackson, William, 1815-1866.
Sing O heavens [music] : an anthem for Christmas Day : adapted for the use of contry choirs / composed by William Jackson, Masham.
London : J. Alfred Novello, [between 1852 and 1858?].
1 score (7 p.) ; 36cm.
For solo voices (SATB), chorus SATB and organ.
"Where there is no organ, the upper notes of the organ part may be played on the violin or flute &c. and the lower line on the violoncello." -- foot of p. 1.
Caption title.
Plate no. suggests an original date of issue of 1847, but the publisher's New York address of 389 Broadway (used 1852-58) has been added to the imprint.
UniM Music RB A MUS.2.
Jouve, Mr. (Joseph).
The fall of Paris [music] : a favorite quick step ; as performed by the Queens band ; arranged for the piano forte or harp.
London : G. Walker & Son, [between 1829 and 1848].
3 p. of music ; 35 cm.
By Joseph Jouve.
UniM Music RB A MUS.2.
Jullien, Louis Antoine, 1812-1860.
The cricket polka [music].
[London] : Musical Bouquet Office : W. Strange, [1846?].
P. [25]-28 of music : ill ; 35 cm.
"The top half of the first page of this music is occupied by Alfred Ashley's
elaborate etching, 'The cricket's invitation,' inspired, as was the music, by Cricket on the hearth"--Podeschi.
Podeschi, J.B. Dickens, H754 [?].
UniM Music RB A MUS.2.
Jullien, Louis Antoine, 1812-1860.
The royal Irish quadrilles [music] / composed ... by Jullien.
Dublin : S.J. Pigott, [ca. 1850?].
11 p. of music ; 35 cm.
For piano 4 hands.
"as performed at the concerts d'ete, Theatre Royal, Drury Lane, Promenade
concerts, Dublin, and at Paris with the most extraordinary success".
"dedicated to his friend Mons. Barnet".
"These Quadrilles were composed expressly for the Dublin Promenade Concerts, and performed nightly with unbounded applause by the Author and his Inimitable Band."
UniM Music RB A MUS.2.
Jullien, Louis Antoine, 1812-1860.
The Scotch quadrilles [music] : a favorite set, arranged on popular airs /
performed at the promenade concerts of Jullien.
London : J. Duncombe, [1855?].
4 p. of music ; 35 cm.
Contents: No. 1 (Le Pantalon) The Campbells are coming -- No. 2 (L'Été)
Highland fling -- No. 3 (La Poule) Merrily danced the Quaker's wife -- No. 4 (La Trenise) The Blue bells of Scotland -- No. 5 (La Finale) Kinlock ; Tullochgorum.
UniM Music RB A MUS.2.
Labitzky, Joseph, 1802-1881.
The elfin waltzes [music] : performed with universal applause at public concerts / composed and arranged for the piano forte by Joseph Labitsky.
London : J. Duncombe, [ca. 1845].
8 p. of music ; 35 cm.
UniM Music RB A MUS.2.
The Lancers quadrilles [music] : a celebrated set, as danced at Almack's ; to which is added The Countess of Farnhams waltz.
London : J. Duncombe, [1856?].
8 p. of music ; 35 cm.
Dance instructions after each number.
UniM Music RB A MUS.2.
Lanner, Joseph, 1801-1843.
Two galoppes [music] / composed by Lanner.
London : J. Bingley : W. Strange, [1845?].
P. [109]-112 of music : ill ; 35 cm.
Ill. above caption.
UniM Music RB A MUS.2.
Latour, Jean Tatton, b. 1766.
The Copenhagen waltz [music] : with variations for the piano forte / composed by T. Latour.
London : Chappell's Musical Library, [1812?].
5 p. of music ; 35 cm.
UniM Music RB M L829 WH.1.
Loftus, George, Mrs.
What soft low strains [music] : a song / the words translated from the German ; the music composed ... by Mrs. George Loftus.
London : Printed for the Composer by Chappell ... and by Rooke & Co. Music
Sellers, Weymouth, [1844?].
1 score (4 p.) ; 36 cm.
For voice and piano.
Text translated from Das Ständchen ("Was wecken aus dem Schlummer mich") by Uhland.
"... dedicated to Her Majesty the Queen Dowager".
UniM Music RB 781 MALC.
Malcolm, Alexander, 1685-1763.
A treatise of musick, speculative, practical, and historical / by Alexander
Malcolm.
Edinburgh : Printed for the author, 1721.
v, [2], iv-xvi, xxiii-xxiv, 608 p., [6] folded leaves of plates : ill., music, ; 20 cm.
"An ode on the power of musick, inscrib'd to Mr. Malcolm ... by Mr. Mitchell": p. [iii]-xii.
UniM Music RB A MUS.2.
Mendelssohn, Felix, 1809-1847.
The wedding march from the Midsummer night's dream [music] / Mendelssohn.
London : Musical Bouquet Office : W. Strange, [1855?].
[4] p. of music : port. ; 35 cm.
Originally for orchestra ; arr. for piano.
Port. above caption.
Pages numbered [1], 30, 3, 32.
UniM Music RB A MUS.2.
Merry Christmas polka [music].
[London] : Musical Bouquet [Office], [ca. 1850?].
P. [65]-68 of music : ill ; 35 cm.
Ill. (scene of a giant Father Christmas with dancers) above caption, "A.
Ashley".
UniM Music RB A MUS.2.
The military drum polka [music] ; & the Ernestine polka.
[London] : Musical Bouquet Office : W. Strange, [1855?].
"Ernestine polka / Hilmar" -- p. 11.
Ill. above caption.
UniM Music RB N MU.1.
Moreira, António Leal, 1758-1819.
O pray for the peace of Jerusalem [music] / arr[ange]d from Leal Moreira ; by W. Patten ; [words,] Psalm 122, verse 6.
London : J. Alfred Novello, [ca. 1855].
1 score (p. 20-23) ; 35 cm.
For SATB chorus and organ.
Caption title; list title on t.p. (no. within collection supplied in ms).
At foot of each plate: W. Patten's Anthems, from Haydn &c.
English words.
UniM Music RB A MUS.2.
Panormo, Francis, 1764-1844.
The bird waltz [music] : for the harp or piano forte / by Francis Panormo.
London : To be had of D'Almaine & Co., [ca. 1845].
3 p. of music ; 35 cm.
UniM Music RB MA HL.1.
Poniatowski, Józef, 1816-1873.
Yeoman's wedding song [music] / composed ... by Prince Poniatowski.
London : Boosey & Co., [1872?].
1 score (8 p.) ; 35 cm.
"Words by Maria X. Hayes. Music by Prince Poniatowski." -- caption.
"No. 2 in B flat."
"Composed expressly for Mr Santley".
UniM Music RB A MUS.2.
Redler, G.
Les rats quadrille [music] / G. Redler.
London : Musical Bouquet Office, [1851?].
7 p. of music ; 35 cm.
For piano 4 hands.
Copy described has advertisements on verso of p. 7 for numbers of "The Musical Bouquet" up to 290 ; no. 285 is "The Great Exhibition of 1851".
UniM Music RB A MUS.2.
Redler, G.
Les rats quadrilles [music] : a favorite set danced at the nobilities balls / composed for the piano forte by G. Redler.
London : J. Duncombe, [ca. 1845?].
4 p. of music ; 35 cm.
Additional pagination (61-64) in lower outer corners.
UniM Music RB N MU.1.
Reinagle, A. R. (Alexander Robert), 1799-1877.
Original melodies and a fugue [music] : for the organ or piano forte / composed .. by A.R. Reinagle of Oxford.
London : Alfred Whittingham, [1865?].
19 p. of music ; 36 cm.
Includes 7 chants (p. 19).
UniM Music RB MA HL.1.
Reyloff, Edmond.
Over the rolling sea [music] / composed by E. Reyloff.
London : Chappell & Co. ; Melbourne : Nicholson & Ascherberg , [187-].
1 score (7 p.) ; 37 cm.
For voice and piano.
Pl. no.: 14858.
"Sung by Signor Foli".
NLA copy also available in an electronic version via the Internet at: http://nla.gov.au/nla.mus-vn3258074.
UniM Music RB A MUS.2.
Schubert, Adolphe.
Third edition of the celebrated Polish Polka, newly arranged with an introduction and grand finale [music] / by Schubert.
Halifax : H. Pohlman, [1852].
4 p. of music ; 35 cm.
For piano.
Lithographed ; cover in blue and gold "J. Stott, Chromo Litho. Halifax."
Parkinson, John A. Victorian music publishers, p. 224.
UniM Music RB 782.42169163 SCOT.
The Scotish musical museum [music] : consisting of upwards of six hundred songs, with proper basses for the pianoforte / originally published by James Johnson ; and now accompanied with copious notes and illustrations of the lyric poetry and music of Scotland by William Stenhouse.
Edinburgh : W. Blackwood ; London : T. Cadell, 1839.
6 v. : facsim. ; 22 cm.
Facsim. of the 1st ed. of 'The Scots musical museum' (James Johnson/T. Preston/ McFadyen issue), with new preface, introduction and notes on the songs ("illustrations").
Songs mostly arr. for voice and continuo (figured bass).
The songs and other matter are paged continuously between the volumes, in
separate sequences.
Burns contributed 184 songs, wrote most of the prefaces to the different volumes, and may be said to have edited the 1st edition. The arrangements of the airs were prepared chiefly by Stephen Clarke. cf. Dict. nat. biog., v. 30, p. 16.
Preface, v. 1, signed: David Laing. Notes added to Stenhouse's "Illustrations" by C.K. Sharpe.
Contains, as added title-pages, the title-pages of 1st edition (2d issue): The Scots musical museum ... humbly dedicated to the Society of antiquaries of Scotland ...Stenhouse's "Illustrations" published separately, 1853.
Facsim. of a letter from Burns to Johnson in v. 1.
UniM Music RB MA HL.1.
The gallants of England [music] : song / the words by G.J. Whyte-Melville ; the music by Alfred Scott Gatty.
London : Boosey & Co., ; Melbourne : Nicholson & Ascherberg, [not before 1872].
1 score (7 p.) ; 35 cm.
"Sung by Signor Foli".
UniM Music RB N MU.1.
Shore, William, 1791-1877.
Holiest, breathe an evening blessing [music] : an ancient Italian corale / the words by James Edmeston ; arranged & adapted by William Shore.
London : Novello, Ewer & Co., [1845?].
1 score (5 p.) ; 36 cm.
For chorus (SATB) with "accomp." (piano or organ).
UniM Music RB A MUS.2.
Le souvenir [music] : a selection of popular airs, arranged with familiar variations and as rondos for the piano forte. New series. no. 10. Adeste fideles ; vars.
London : L. Williams & Son, [c. 1840?].
3 p. of music ; 35 cm.
UniM Music RB MA HL.1.
Stewart, H. J. (Humphrey John), 1856-1932.
A sea song [music] / words by W.C. Bennett ; composed ... by Humphrey J. Stark.
London : H.W. Wickins, [1880].
1 score (9 p.) ; 35 cm.
"composed for and sung by Mr Stedman".
UniM Music RB A MUS.2.
Strauss, Johann, 1825-1899.
The celebrated Annen polka [music] / composed by Johann Strauss ; arranged for the piano forte by Jas. McEwen.
London : J. Duncombe, [ca. 1845?].
3 p. of music ; 35 cm.
UniM Music RB A MUS.2.
Taylor, W.
The Hope polka [music] : for the piano forte / composed ... by W. Taylor.
Halifax : H. Pohlman, [1852].
4 p. of music ; 35 cm.
"Dedicated to Mrs. Henry Edwards".
UniM Music RB R W134 TA.1.
Wagner, Richard, 1813-1883.
Tannhäuser und der Sängerkrieg auf Wartburg [music] : romantische Oper in drei Acten : vollständiger Clavierauszug / von Richard Wagner.
Dresden : C.F. Meser, [1852?].
1 vocal score (273 p.) ; 34 cm.
German words.
Second state of the 1st ed. of the 2nd version (cf. WWV, p. 283).
WWV, 70; XXIIIb.
Hopkinson, Cecil. Tannhäuser, an examination of 36 editions.
UniM Music RB N MU.1.
Webbe, Samuel, 1740-1816.
Eight anthems, in vocal score [music] / composed by Samuel Webbe Senr. ; with a separate accompaniment for the organ by Vincent Novello.
London : J. Alfred Novello, [1850?].
1 score (64 p.) ; 34 cm.
For 2-6 solo voices, SATB chorus and organ.
Dual pagination.
Contents: No. 1. Unto thee, O Lord -- No. 2. Thou Lord in the beginning -- No. 3. When the fullness of time was come -- No. 4. The heavens declare the glory of God -- No. 5. Teach me O Lord -- No. 6. Save us O God -- No. 7. The Lord is the portion of the just -- No. 8. How excellent is thy mercy.
UniM Music RB A MUS.2.
Wilson, W.
The favorite grand Nepaulese battle march [music] : performed with universal
applause at Jullien's concerts / composed & arranged for the piano forte by W. Wilsom.
London : Duncombe & Moon, [between 1848 and 1853].
3 p. of music ; 35 cm.
Reference Collection
UniM Music REF 016.78210266 STEI
Steiger, Karsten.
Opern Diskographie : Verzeichnis aller Audio- und Video-Gesamtaufnahmen /
2 ed., vollständig aktualisierte und erw. Aufl.
München : Saur, 2008..
Considerably revised new edition.
UniM Music REF 016.780946 NUNE
Núnez, Faustino.
Guía comentada de música y de baile preflamencos (1750-1808).
Barcelona : Ediciones Carena, 2008.
Notes: An annotated guide to pre-flamenco music and dance in Spain (1750-1808)
General Book Collection
UniM Music 781 BAMB
UniM Music CD 5088
Bamberger, Jeanne Shapiro.
Developing musical intuitions : a project-based introduction to making and understanding music / Jeanne Bamberger; incorporating Impromptu, an interactive software application by Jeanne Bamberger and Armando Hernandez.
New York : Oxford University Press, 2000.
Contents: Foreword / Evan Ziporyn -- Pt. 1. Melodic Structure -- Pt. 2. Rhythmic Structure -- Pt. 3. Pitch Relations -- Pt. 4. Making Music Out of Theory -- Pt. 5. Harmony and Polyphony -- List of Listening Examples and CD Track Numbers.
Summary: "Developing Musical Intuitions: A Project-Based Introduction to Making and Understanding Music helps readers become active and engaged music makers - listeners, performers, and creators - by paying attention to what they already know and how they come to know it. Users can discover their own musical knowledge and build on it with the help of Impromptu, a groundbreaking software program for working with and reflecting on basic musical objects and relations, which is packaged and integrated with the text."--BOOK JACKET. "The complete package for Developing Musical Intuitions includes the text, Impromptu software installer on CD-ROM for Macintosh, an Impromptu user's guide, and an audio CD of brief listening examples coordinated with the text and software."--BOOK JACKET.
NOTES "This book is for anyone interested in discovering their own musical intuitions. Ideal for use in courses in introductory music, music fundamentals, and elements-based appreciation courses, Developing Musical Intuitions can also be used in departmental music labs as a supplement to courses in music theory and music education."--BOOK JACKET.
UniM Music 788.9 BRAS
Brass scholarship in review : proceedings of the Historic Brass Society Conference, Cité de la Musique, Paris, 1999 / Stewart Carter, editor.
Hillsdale, N.Y. : Pendragon Press, c2006.
Series: Bucina ; no. 6
Contents: The history of the Bancho family of trumpeters : a study in patronage and welfare in Renaissance Parma / Russell E. Murray, Jr. -- "Sir Tristrams measures of blowing," Jacques du Fouilloux, and the English hunting horn repertory of the Baroque era / Peter Downey -- Brass instruments in Masonic ceremonies : the building of "the Athens of the north" / Alexander McGrattan -- Evaluation of the composition and technological properties of historical brass in instrument manufacture of the sixteenth to eighteenth centuries / Karl Hachenberg -- Trombone ensembles of the Moravian Brethren in America : new avenues for research / Stewart Carter -- Christian Friedrich Daniel Schubart's remarks on the Cornett / Gerhard Stradner -- Gautrot-Aine, first of the moderns / William Waterhouse -- Adolphe Sax and the Paris opera / Ignace De Keyser / Edited by Keith Polk -- Printed editions of music for brass bands and military bands by German and Austrian publishers in the second half of the nineteenth century / Bernhard Habla -- Oskar Bohme revisited : young musicians' training, instruments, and repertoire in the late nineteenth and early twentieth centuries / Edward H. Tarr -- Friedrich Gumpert (1841-1906) and the performing technique of the valved horn in late-nineteenth-century Germany / John Ericson -- Off-centered embouchure in brass playing / Benny Sluchin and Pierre Dana -- Trumpet design and acoustical characteristics / Arnold Myers and D. Murray Campbell -- Brass playing before globalization / Robert Philip -- Brass recordings session with Andrew Parrott / Matthew Hafar -- Pedagogy session / Matthew Hafar.
UniM Music 780.92 BRIT v.4
Britten, Benjamin, 1913-1976.
Letters from a life : the selected letters and diaries of Benjamin Britten 1913-1976 / edited by Donald Mitchell ; assistant editor: Philip Reed ; associate editors: Rosamund Strode, Kathleen Mitchell, Judy Young.
London : Faber, 1991-
Notes: v. 4 published by The Boydell Press in 2008.
Includes bibliographical references. 9781843833826
Notes: v. 4. 1952-1957.
UniM Music 782.10904 CAMB
The Cambridge companion to twentieth-century opera / edited by Mervyn Cooke.
Cambridge, UK ; New York : Cambridge University Press, 2005.
Series: Cambridge companions to music
UniM Music 780.92 TALL/ COLE
Cole, Suzanne.
Thomas Tallis and his music in Victorian England.
Woodbridge, UK ; Rochester, NY : Boydell Press, 2008.
Series: Music in Britain, 1600-1900
Contents: Ch. 1. 'It is here that we must look for Tallis': Tallis's music -- Ch. 2. 'Such a man as Tallis': Tallis the man -- Ch. 3. 'This Mistake of a Barbarous Age': Spem in alium -- Ch. 4. 'A Solid Rock of Harmony': The Preces and Responses -- Ch. 5. 'The Englishman's Harmony': Tallis and National Identity.
Summary: "In Victorian England, Tallis was ever-present: in performances of his music, in accounts of his biography, and through his representation in physical monuments. Known in the nineteenth century as the 'Father of English Church Music', Tallis occupies a central position in the history of the music of the Anglican Church." "This book examines in detail the reception of two works that lie at the stylistic extremes of his output: Spem in alium, revived in the 1830s, though generally not greatly admired, and the Responses, which were very popular. A close study of the performances, manuscripts and editions of these works casts light on the intersections between the antiquarian, liturgical and aesthetic goals of nineteenth-century editors and musicians. By tracing Tallis's reception in nineteenth-century England, the author charts the hold Tallis had on the Victorians and the ways in which Anglican - and English - identity was defined and challenged."--BOOK JACKET.
UniM Music 780.9033 COMM
Communication in eighteenth-century music / edited by Danuta Mirka and Kofi Agawu.
Cambridge, UK ; New York : Cambridge University Press, 2008.
Contents: Introduction / Danuta Mirka -- Pt. I. Communication and the Market -- 1. Communication and verisimilitude in the eighteenth century / Paul Cobley -- 2. Listening to listeners / Mark Evan Bonds -- 3. 'Mannichfaltige Abweichungen von der gewohnlichen Sonaten-Form': Beethoven's 'Piano Solo' Op. 31 No. 1 and the challenge of communication / Claudia Maurer Zenck -- Pt. II. Musical Grammar -- 4. Metre, phrase structure and manipulations of musical beginnings / Danuta Mirka -- 5. National metrical types in music of the eighteenth and early nineteenth centuries / William Rothstein -- 6. Schoenberg's 'second melody', or,'Meyer-ed' in the bass / William E. Caplin -- Pt. III. Rhetorical Form and Topical Decorum -- 7. A metaphoric model of sonata form: two expositions by Mozart / Michael Spitzer -- 8. Beethoven's Op. 18 No. 3, first movement: two readings, with a comment on analysis / Kofi Agawu -- 9. Mozart's K331, first movement: once more, with feeling / Wye J. Allanbrook -- 10. Dance topoi, sonic analogues and musical grammar: communicating with music in the eighteenth century / Lawrence M. Zbikowski -- Afterword / Kofi Agawu.
UniM Music 781.2509034 DRAM
Damschroder, David.
Thinking about harmony : historical perspectives on analysis.
Cambridge ; New York : Cambridge University Press, 2008.
Includes bibliographical references (p. [322]-327) and index.
UniM Music 782.1092 WAGN/ DEAT
Deathridge, John.
Wagner beyond good and evil.
Berkeley : University of California Press, c2008.
Contents : Pt. I. A Few Beginnings -- 1. Wagner Lives: Issues in Autobiography -- 2. "Pale" Senta: Female Sacrifice and the Desire for Heimat -- 3. Wagner the Progressive: Another Look at Lohengrin -- Pt. II. Der Ring Des Nibelungen -- 4. Fairy Tale, Revolution, Prophecy: Preliminary Evening: Das Rheingold -- 5. Symphonic Mastery or Moral Anarchy? First Day: Die Walkure -- 6. Siegfried Hero: Second Day: Siegfried -- 7. Finishing the End: Third Day: Gotterdammerung -- Pt. III. The Elusiveness of Tragedy -- 8. Don Carlos and Gotterdammerung: Two Operatic Endings and Walter Benjamin's Trauerspiel -- 9. Wagner's Greeks, and Wieland's Too -- Pt. IV. Tristan Und Isolde -- 10. Dangerous Fascinations -- 11. Public and Private Life: Reflections on the Genesis of Tristan and Isolde and the Wesendonck Lieder -- 12. Postmortem on Isolde -- Pt. V. Mature Polemics -- 13. Strange Love, Or, How We Learned to Stop Worrying and Love Parsifal -- 14. Mendelssohn and the Strange Case of the (Lost) Symphony in C -- 15. Unfinished Symphonies -- Pt. VI. Operatic Futures -- 16. Configurations of the New -- 17. Wagner and Beyond.
UniM Music 780.92 DVOR/ DILO
Dilo Antonina Dvoraka (1841-1904): kompozicni aspekty, edicni problematika, recepce (2004 : Praha, Cesko).
The Work of Antonin Dvorak (1841-1904) : aspects of composition, problems of editing, reception : proceedings of the international musicological conference, Prague, September 8-11, 2004 / edited by Jarmila Gabrielová, Jan Kachlík.
Prague : Institute of Ethnology Academy of Sciences of the Czech Republic, 2007.
Notes German, Czech and English texts.
UniM Music 780.951156 DU
Du, Yaxiong, 1945-
Ritual music in a North China village : the continuing Confucian and Buddhist heritage.
Published Chicago : Chinese Music Society of North America, 2004.
Series: Chinese music monograph series, 1071-5649
UniM Music 783.04 EDGE
Edgerton, Michael Edward.
The 21st-century voice : contemporary and traditional extra-normal voice.
Lanham, Md. : Scarecrow Press, 2004.
Series: The new instrumentation; no. 9
UniM Music 153.35 EMIN
Eminent creativity, everyday creativity, and health / edited by Mark A. Runco and Ruth Richards.
Greenwich, Conn. : Ablex Pub. Corp., c1997.
Series: Publications in creativity research
UniM Music 780.92 VICT/ FILI
Filippi, Daniele V.
Tomás Luis de Victoria.
Palermo : L'epos, c2008.
Series: Constellatio musica (Palermo, Italy) ; 16.
Includes bibliographical references (p. [209]-214) and index.
Discography: p. [217]-218.
Catalog of Victoria's compositions: p. [193]-205.
UniM Music 784.2189 MAW/ GLOA
UniM Music CD 10408 SEVEN DAY LOAN
Gloag, Kenneth.
Nicholas Maw : Odyssey.
Aldershot, England ; Burlington, VT : Ashgate, c2008.
Series: Landmarks in music since 1950
Contents: 1. Between Romanticism and Modernism -- 2. Towards Odyssey -- 3. The Music -- 4. The Melodic Source -- 5. The Harmonic Dimension -- 6. Time and Narrative -- 7. Reception -- 8. After Odyssey.
Summary : "Nicholas Maw's Odyssey is a landmark in contemporary music; at approximately 90 minutes it is one of the longest continuous examples of music written for full-orchestra and received a first performance at the 1987 BBC Proms. It took Maw many years to complete and was later recorded to great acclaim by Sir Simon Rattle and the City of Birmingham Symphony Orchestra." "In his examination of Odyssey, Kenneth Gloag provides a detailed discussion of Maw's musical identity and reputation as a contemporary composer in relation to romanticism, modernism and postmodernism, taking into consideration his break-through work Scenes and Arias (1962) and the subsequent progression to Odyssey. The book investigates issues of time and narrative crucial to the generation of the work's remarkable length, and considers the relationship between the sectionalization of the score and prevailing sense of unity in the music." "Situating Odyssey in larger historical and critical frameworks, Gloag evaluates the initial reception of the work and reflects on Maw's music composed after Odyssey."--BOOK JACKET.
UniM Music 709.04074 HEAR
UniM Music CD 10258 disc
Hearing places : sound, place, time and culture / edited by Ros Bandt, Michelle Duffy and Dolly MacKinnon.
Newcastle : Cambridge Scholars Publishing, 2007
Contents : Subscription to anonymity / Jay Needham -- Misplace : dropping eaves on ethics / Brandon LaBelle -- Cries and whispers / Kelley Johnson -- Between the silence and the screams : recordings made at sites in the last days of Victor Jara / Peter Read and Marivic Wyndham -- Locks of hair to untangle : speaking but not being heard / Tony Birch -- The great Australian silence / Jane Belfrage -- Murmur, whisper : sounds of Australian football / Margaret Trail -- Audio restoration at Cathedral in the Desert / Aaron Ximm -- Hearing, places : sound in architectural thought and practice / Colin Ripley -- A soniferous garden of Rentaroah / Keiko Torigoe -- An immersive interactive experience of contemporary Aboriginal dance at the National Museum of Australia / Stephen Barrass -- Hearing and imaging place in sound : a program to interrelate the cognitive, cultural and creative / Freya Bailes, Hazel Smith and Roger Dean -- Fragile sonic walls / D. Ferrett -- Klangort : sound space / Johannes S. Sistermanns -- Nostophonics : approaches to grasping everyday sounds from a British perspective / John Levack Drever -- Kamus Gali Tulang : a West Timorese digging dictionary / Ruth Hadlow -- All of Germany listens to the Führer : radio's acoustic space and imagined listening community in Nazi Germany / Carolyn Birdsall -- Unwonted silence : An Gorta Mór and the presence of sound / Paul Carter -- Waiting for the tide, tuning in the world : ama no isobue : soundscape of abalone diving women / Kumi Kato -- Listening to the wild blue yonder : the challenges of acoustic ecology / Bruce R. Smith -- Hearing the English Reformation : Earls Colne, Essex / Dolly MacKinnon -- Turning off the witch / Elizabeth J. Kent -- Soundscape of an old town of Kyoto and the Gion Festival / Kozo Hiramatsu -- My ears were astonished at the sounds of a piano : the soundscape of the colonial New Zealand parlour / Kirstine Moffat -- Hearing culture : Hania, audible moments from a complicated acoustic palimpsest / Ros Bandt -- The possibilities of music : to learn from and to listen to one another / Michelle Duffy -- Mindfulness of hearing : hearing places from a non-western perspective / Le Tuan Hung -- The audible space / Cilia Erens -- Playing and hearing sonic environments / Garth Paine -- Woollen sound pill as tactile sonic intervention / Ricardo Huisman -- Cross-cultural experiment, Melbourne, Australia / Wang Zheng-Ting -- The building as instrument / Yolande Harris -- Shong shuo (people say) / Iain Mott -- Enterprise and encounter : a colonial soundtrack of the Hume Highway / Kiera Lindsey.
UniM Music 782.5060421 KEEN
Keen, Basil, 1925-
The Bach Choir : the first hundred years.
Aldershot, Hants, England ; Burlington, VT : Ashgate, c2007.
Notes: Includes bibliographical references (p. ).
Contents: The Mass in B minor -- A permanent choir -- The Stanford years -- A choir in crisis -- Recovery and renewal -- New directions -- A composer member at the helm -- Boult fills the gap -- Jacques gets the vote -- New horizons.
UniM Music 700.4585 MABI
Mabilat, Claire, 1980-
Orientalism and representations of music in the nineteenth-century British popular arts.
Aldershot, Hants, England ; Burlington, VT : Ashgate, c2007.
Series: Music in nineteenth-century Britain
Contents: Introduction. Orientalism and its Relation to Music and Musical Representation -- I. The Musical Stage -- 1. An Introduction to British Opera and Musical Stage Works in the Long Nineteenth Century -- 2. Sexualizing the Other -- 3. An Angel/Demon Dualism -- II. Works of Fiction: Rider Haggard and His Milieu -- 4. Literature and Orientalism: Contextualizing Rider Haggard -- 5. 'The "Lady of the Night" hath a sweet voice, and she will not sing in vain': Haggard's Women - Sexuality, Music and the Other -- 6. Haggard's Constructions of African Masculinity: Otherness, Violence and Music -- 7. '[T]hat unknown man's singing has stirred you deeply': E. M. Hull's The Sheik - An Exploration of Orientalized Gender -- III. Visual Culture -- 8. Hearing Art: An Introduction -- 9. Visually Realizing the Fictions of H. Rider Haggard -- 10. 'High Art' and the Musical 'Orient' -- 11. Staging the Photographic 'Orient'.
Summary: "This book explores issues of orientalism, otherness, gender and sexuality that arise in artistic British representations of non-European musicians during this time, by utilizing recent theories of orientalism, and the subsidiary (particularly aesthetic and literary) theories both on which these theories were based and on which they have been influential. The author uses this theoretical framework of orientalism as a form of othering in order to analyse primary source materials, and in conjunction with musicological, literary and art theories, thus explores ways in which ideas of the Other were transformed over time and between different genres and artists."--BOOK JACKET.
UniM Music 780.9410903 MUSI
Music in the British provinces, 1690-1914 / edited by Rachel Cowgill and Peter Holman.
Aldershot, England ; Burlington, VT : Ashgate Pub. Limited, 2007.
Contents: Introduction: Centres and Peripheries / Rachel Cowgill and Peter Holman -- 1. 'A pretty knot of Musical Friends': The Ferrar Brothers and a Stamford Music Club in the 1690s / Bryan White -- 2. Music in the Minster Close: Edward Finch, Valentine Nalson, and William Knight in Early Eighteenth-century York / David Griffiths -- 3. A Little Light on Lorenzo Bocchi: An Italian in Edinburgh and Dublin / Peter Holman -- 4. Disputing Choruses in 1760s Halifax: Joah Bales, William Herschel, and the Messiah Club / Rachel Cowgill -- 5. The Role of Gentlemen Amateurs in Subscription Concerts in North-east England during the Eighteenth Century / Roz Southey -- 6. The String Quartet in Eighteenth-century Provincial Concert Life / Meredith McFarlane -- 7. John Baptist Malchair of Oxford and his Collection of 'National Music' / Susan Wollenberg -- 8. Music of Rural Byway and Rotten Borough: A Study of Musical Life in Mid-Wiltshire c. 1750-1830 / Christopher Kent -- 9. Mr. White, of Leeds / Robert Demaine -- 10. The Larks of Dean: Amateur Musicians in Northern England / Solly Drage -- 11. Finding Themselves: Musical Revolutions in Nineteenth-century Staffordshire / Sarah E. Taylor -- 12. Lost Luggage: Giovanni Puzzi and the Management of Giovanni Rubini's Farewell Tour in 1842 / E. Bradley Strauchen-Scherer -- 13. Outside the Cathedral: Samuel Sebastian Wesley, Local Music-Making, and the Provincial Organist in Mid-Nineteenth-century England / Peter Horton -- 14. Music for St. Cuthbert, 'Patron Saint of the Faithful North': The Musical Repertory of St Cuthbert's Catholic Church, Durham, 1827-1910 / Thomas Muir -- 15. 'That monstrosity of bricks and mortar': The Town Hall as a Music Venue in Nineteenth-century Stalybridge / Rachel Milestone -- 16. The Provincial Musical Festival in Nineteenth-century England: A Case Study of Bridlington / Catherine Dale -- 17. Educating England: Networks of Programme-Note Provision in the Nineteenth Century / Christina Bashford.
UniM Music 781.2 MUSI
Music theory and mathematics : chords, collections, and transformations / edited by Jack Douthett, Martha M. Hyde, and Charles J. Smith.
Rochester, NY : University of Rochester Press, 2008.
Series: Eastman studies in music.
Contents: Preface / Charles J. Smith -- Introduction / Norman Carey, Jack Douthett and Martha M. Hyde -- 1. "Cardinality Equals Variety for Chords" in Well-Formed Scales, with a Note on the Twin Primes Conjecture / David Clampitt -- 2. Flip-Flop Circles and Their Groups / John Clough -- 3. Pitch-Time Analogies and Transformations in Bartok's Sonata for Two Pianos and Percussion / Richard Cohn -- 4. Filtered Point-Symmetry and Dynamical Voice-Leading / Jack Douthett -- 5. The "Over-Determined" Triad as a Source of Discord: Nascent Groups and the Emergent Chromatic Tonality in Nineteenth-Century German Harmonic Theory / Nora Engebretsen -- 6. Signature Transformations / Julian Hook -- 7. Some Pedagogical Implications of Diatonic and Neo-Riemannian Theory / Timothy A. Johnson -- 8. A Parsimony Metric for Diatonic Sequences / Jonathan Kochavi -- 9. Transformational Considerations in Schoenberg's Opus 23, Number 3 / David Lewin -- 10. Transformational Etudes: Basic Principles and Applications of Interval String Theory / Stephen Soderberg.
Notes: Memorial volume for John Clough.
UniM Music 780 MUSI
Musicological identities : essays in honor of Susan McClary / edited by Steven Baur, Raymond Knapp, Jacqueline Warwick.
Aldershot, England ; Burlington, VT : Ashgate, c2008.
Contents: Tribute to Susan McClary / Rose Rosengard Subotnik -- Introduction / Steven Baur, Raymond Knapp and Jacqueline Warwick -- Pt. I. Musical Identities: Gender, Sexuality, and Race -- 1. Value and Meaning in The Magic Flute / Lawrence Kramer -- 2. Whirling Fanatics: Orientalism, Politics, and Religious Rivalry in Western Operatic Representation of the Orient / Nasser Al-Taee -- 3. Reveling in the Rubble: Where is the Love? / George Lipsitz -- 4. "Waltz Me Around Again Willie": Gender, Ideology and Dance in the Gilded Age / Steven Baur -- 5. "And the Colored Girls Sing ...": Backup Singers and the Case of the Blossoms / Jacqueline Warwick -- 6. The Universe Will Tell You What It Needs: Being, Time, Sondheim / Paul Attinello -- Pt. II. Music and Temporality -- 7. Making Time: The Soundtrack and Narrative Time / Daniel Goldmark -- 8. Sleights of Time in the Music of Cassandra Wilson / Charles Hiroshi Garrett -- 9. Temporal Turntables: On Temporality and Corporeality in Dance Culture / Stan Hawkins -- 10. Resisting the Sublime: Loose Synchronization in La Belle et la Bete and The Dark Side of Oz / John Richardson -- 11. Of Railroads, Beethoven, and Victorian Modernity / Ruth A. Solie -- 12. Marking Time in Pacific Overtures: Reconciling East, West, and History within the Theatrical Now of a Broadway Musical / Raymond Knapp -- Pt. III. Reinventing Analysis -- 13. Three Little Essays on Evanescence / Mitchell Morris -- 14. Gender Sonics: The Voice of Patsy Cline / Richard Leppert -- 15. Shoddy Equipment for Living? Deconstructing the Tin Pan Alley Song / Rose Rosengard Subotnik -- 16. Musicology Beyond the Score ... and the Performance: Making Sense of the Creak on Miles Davis's "Old Folks" / David Ake -- 17. Uninvited: Gender, Schizophrenia, and Alanis Morissette / Robert Walser -- Susan McClary: Bibliography.
Summary : "No music scholar has made as profound an impact on contemporary thought as Susan McClary, a central figure in what has been termed the 'new musicology'. In this volume seventeen distinguished scholars pay tribute to her work, with essays addressing three approaches to music that have characterized her own writings: reassessing music's role in identity formation, particularly regarding gender, sexuality, and race; exploring music's capacity to define and regulate perceptions and experiences of time; and advancing new modes of analysis more appropriate to those aspects and modes of musicking ignored by traditional methods. The collection represents the generational arrival of the 'new' musicology into full maturity, dividing fairly evenly between pre-eminent scholars of music and a group of younger scholars who have already made their mark in significant ways. But the collection is also, and fundamentally, interdisciplinary in nature, in active conversation with such fields as history, anthropology, philosophy, aesthetics, media studies, film music studies, dramatic criticism, women's studies, and cultural studies."--BOOK JACKET.
UniM Music F 782.140268 NEBR
Nebra, José, 1702-1768.
Libretos literarios de las obras drámatico-musicales de José de Nebra (1702-1768) / [José de Nebra] ; estudio María Salud Álvarez Martínez.
Zaragoza : Institución Fernando el Católico, 2007.
UniM Music F 787.871923092 RAMI/RAMI
Ramírez, Amalia, 1955-
José Ramirez : constructor de guitarras, luthier : 1882-2007.
Madrid : Casa Ramírez, [2006].
Notes "125 aniversario = 125 anniversary"--Cover.
UniM Music 780.82 RITC
Ritchie, Leslie, 1970-
Women writing music in late eighteenth-century England : social harmony in literature and performance.
Aldershot : Ashgate, c2008.
Series: Performance in the long eighteenth century : studies in theatre, music, dance
Contents: Discipline, pleasure, and practice -- Women's occasion for music : the performative continuum & lyrical categories -- Caritas, or, Women and musically enacted charity -- Arcadia, or, Women's strategic use of the pastoral -- Britannia, or, Women and songs of nation and otherness.
UniM Music 782.5092241 ROMA
Roma, Catherine.
The choral music of twentieth-century women composers : Elisabeth Lutyens, Elizabeth Maconchy, and Thea Musgrave.
IMPRINT Lanham, Md. : Scarecrow Press, 2006.
Contents: Foreword / Karin Pendle -- Elisabeth Lutyens (1906-1983) -- Elizabeth Maconchy (1907-1994) -- Thea Musgrave (1928-) -- The contemporary period -- App. A. Lutyens' proposal for the composer's concourse -- App. B. The published choral compositions of Elisabeth Lutyens in chronological order -- App. C. Withdrawn choral works by Elisabeth Lutyens in the British Museum -- App. D. Text for Requiem for the living -- App. E. Text for Excerpta Tractati Logico-Philosophici -- App. F. The choral compositions of Elizabeth Maconchy in chronological order -- App. G. Text for Nocturnal -- App. H. Text for "Siren's song" -- App. I. Text for The leaden echo and the Golden echo (maiden's song from St. Winefred's well) -- App. J. The choral compositions of Thea Musgrave in chronological order -- App. K. Text for Rorate Coeli -- App. L. Text for The last twilight -- App. M. Text for "O caro m'e il sonno".
UniM Music 781.43111 SALM
Salmon, Paul, 1948-
Notes from the green room : coping with stress and anxiety in musical performance / Paul G. Salmon, Robert G. Meyer.
New York : Lexington Books ; Toronto : Maxwell Macmillan Canada ; New York : Maxwell Macmillan International, c1992.
Contents: 1. The Performer -- 2. The Psychology of Coping with Performance Stress -- 3. The Whole Performer -- 4. Stress and Performing -- 5. The Nature of Anxiety. Some Modern Views of Anxiety. Historical Perspective. A Three-Factor Model of Anxiety. Adaptive Aspects of Anxiety. The Self-Perpetuating Quality of Anxiety. Critical Features of Anxiety. Future Orientation and Anxiety -- 6. Getting Help for Stress and Anxiety -- 7. The Cognitive Side of Performing. Thoughts as Automatic Responses. Thoughts and the Anxiety Spiral. Errors in Logic. Irrational Beliefs. Thinking and Problem-Solving. Thoughts and Coping Skills. Thoughts and Defense Mechanisms. Thought Patterns and Performance Skills -- 8. Basic Stress Management Skills. Relaxation and the Quieting Response. Progressive Relaxation Techniques. Imagery. Cognitive Restructuring. Low Stress Practice -- 9. Anxiety and Stress in Perspective. How Anxiety Expresses Itself. How Anxiety Can Affect Us. What Anxiety Represents.
UniM Music 780.87 SOUN
Sounding off : theorizing disability in music / edited by Neil Lerner, Joseph N. Straus.
New York : Routledge, c2006.
Contents: 1. Introduction : theorizing disability in music / Neil Lerner and Joseph N. Straus -- Pt. I. Narrating disability musically -- 2. Fever/fragile/fatigue : music, AIDS, present, and ... / Paul Attinello -- 3. Of bodies and narratives : musical representations of pain and illness in HBO's W;t / Maria Cizmic -- 4. Female subjectivity, disability, and musical authorship in Krzysztof Kieslowski's Blue / Kelly Gross -- 5. Dancing out of the dark : how music refutes disability stereotypes in Dancer in the dark / Jennifer Iverson -- 6. The horrors of one-handed pianism : music and disability in The Beast with Five Fingers / Neil Lerner -- 7. Stuttering in American popular song, 1890-1930 / Daniel Goldmark -- Pt. II. Performing disability musically -- 8. Learning to hear autistically / Dave Headlam -- 9. Glenn Gould, autistic savant / S. Timothy Maloney -- 10. Using a music-theoretical approach to explore the impact of disability on musical development : a case study / Adam Ockelford -- 11. Melisma as malady : Cavalli's Il Giasone (1649) and Opera's earliest stuttering role / Andrew Oster -- 12. The organ of the soul : voice, damage, and affect / Laurie Stras -- Pt. III. Composing disability musically -- 13. Les chansons des fous : on the edge of madness with Alkan / L. Poundie Burstein -- 14. Finding autism in the compositions of a 19th-century prodigy : reconsidering "Blind Tom" wiggins / Stephanie Jensen-Moulton -- 15. Beyond abnormality - dis/ability and music's metamorphic subjectivities / Marianne Kielian-Gilbert -- 16. Mental illness and musical metaphor in the first movement of Hector Berlioz's Symphonie fantastique / Stephen Rodgers -- 17. Inversional balance and the "normal" body in the music of Arnold Schoenberg and Anton Webern / Joseph N. Straus.
UniM Music 780.92 WOOD/ VENN
Venn, Edward, 1974-
The music of Hugh Wood.
Aldershot, England ; Burlington, VT : Ashgate, c2008.
Contents: 1. Early Years -- 2. Style (I): Melody and Harmony -- 3. Style (II): Rhythm and Form -- 4. From the Four Logue Songs to Scenes from Comus, 1959-1965 -- 5. More than One Homage, 1966-1971 -- 6. 'Wir Wandeln durch des Tones Macht', 1971-1982 -- 7. After the Symphony, 1982-1989 -- 8. 'Many-splendoured things', 1991-1997 -- 9. Recent Years.
Summary "The Music of Hugh Wood provides the first ever in-depth study of this well-known, yet only briefly documented composer. Over the years, Wood (b. 1932) has produced a sizeable oeuvre that explores the established genres of symphony, concerto, and quartet on the one hand, and songs and choruses on the other. Underpinned by an awareness of recent philosophical, theoretical and analytical concepts, Dr Edward Venn highlights both the technical basis of Wood's music and the expressive force of his work. In doing so, a picture emerges of Wood as an artist of considerable merit and power."--BOOK JACKET.
UniM Music 615.85154 WORL
World Congress of Music Therapy (10th : 1987 : Oxford, England)
Book of abstracts : abstracts accepted for the 10th World Congress of Music Therapy, Oxford, 23rd-28th July 2002.
[Hertfordshire : British Society for Music Therapy, 2002]Dialogue and debate : music therapy in the 21st century : a contemporary force for change : book of abstracts : 10th World Congress of Music Therapy, 23rd-28th July 2002, Oxford, England.
Dialogue and debate : music therapy in the 21st century : a contemporary force for change : book of abstracts : 10th World Congress of Music Therapy, 23rd-28th July 2002, Oxford, England.
UniM Music 780.92 TELE/ ZOHN
Zohn, Steven David, 1966-
Music for a mixed taste : style, genre, and meaning in Telemann's instrumental works .
New York ; Oxfrod : Oxford University Press, 2008.
Contents: The overture-suites. Acquiring a mixed taste : Telemann as "great partisan of French music" -- Telemann's mimetic art : the characteristic overture-suites -- The concertos. Never from the heart? Telemann's concertos -- Bach's debt repaid with interest : a case study of transformative imitation -- The sonatas. "Something for everyone's taste" : Telemann's sonatas to 1725 -- Telemann and the Sonate auf Concertenart -- The Hamburg publications. Telemann in the marketplace : the composer as self-publisher -- Telemann für Kenner und Liebhaber : the music of the Hamburg publications -- Telemann's Polish style and the "true barbaric beauty" of the musical other.
Summary: "Georg Philipp Telemann gave us one of the richest legacies of instrumental music from the eighteenth century. Though considered definitive contributions to the genre during his lifetime, his concertos, sonatas, and suites were then virtually ignored for nearly two centuries following his death. Yet these works are now among the most popular in the baroque repertory. In Music for a Mixed Taste, Steven Zohn considers Telemann's music from stylistic, generic, and cultural perspectives. He investigates the composer's cosmopolitan "mixed taste" - a blending of the French, Italian, English, and Polish national styles - and his imaginative expansion of this concept to embrace mixtures of the old (late baroque) and new (galant) styles. Telemann had an equally remarkable penchant for generic amalgamation, exemplified by his pioneering role in developing hybrid types such as the sonata in concerto style ("Sonate auf Concertenart") and overture-suite with solo instrument ("Concert en ouverture"). Zohn examines the extramusical meanings of Telemann's "characteristic" overture-suites, which bear descriptive texts associating them with literature, medicine, politics, religion, and the natural world and which acted as vehicles for the composer's keen sense of musical humor. Zohn then explores Telemann's unprecedented self-publishing enterprise at Hamburg and sheds light on the previously unrecognized borrowing by J. S. Bach from a Telemann concerto. Music for a Mixed Taste further reveals how Telemann's style polonaise generates musical and social meanings through the timeless oppositions of Orient/Occident, urban/rural, and serious/comic."--BOOK JACKET.
COLLECTED EDITIONS
UniM Music CE 780.9432 DENK II/2
Angelini Bontempi, Giovanni Andrea, 1624-1705.
Drama, oder, Musicalisches Schauspiel von der Dafne / Giovanni Andrea Bontempi, Marco Gioseppe Peranda ; herausgegeben von Susanne Wilsdorf.
Leipzig : Hofmeister, c1998.
Series: Denkmäler mitteldeutscher Barockmusik. Serie 2, Komponisten des 17. und 18. Jahrhunderts im mitteldeutschen Raum ; Bd. 2
Notes: Based on M. Optiz's libretto: cf. Lowenberg Annals of opera.
Includes pref. in German and English.
UniM Music CE 780.81 BACH IV/4.1
Bach, Carl Philipp Emanuel, 1714-1788.
Matthäus-Passion : The complete works / Carl Philipp Emanuel Bach ; [general editors, Darrell M. Berg, Ulrich Leisinger, Peter Wollny].
Los Altos, Calif. : Packard Humanities Institute, 2005- .
Contents: Ser. I. Keyboard music / general editor, Darrell M. Berg
Issued in cooperation with the Bach-Archiv Leipzig, the Sächsische Akademie der Wissenschaften zu Leipzig, and Harvard University.
UniM Music CE 782.324 LIBE v.1-3
Catholic Church.
Liber antiphonarius pro diurnis horis [music] / cura scriptorii paleographici Solesmensis praeparatus.
IMPRINT Solesmes : Abbaye Saint-Pierre de Solesmes, 2005-
Title on cover: Antiphonale monasticum.
Plainsong notation.
Contents: 1. De tempore -- 2. Psalterium -- 3. De Sanctis.
UniM Music CE 780.81 CHOP
Chopin, Frederic, 1810-1849.
Trois nouvelles é:tudes [music] : composées pour la Methode des methodes par F.J. Fetis et J. Moschelès / Frédéric Chopin ; presentation Alex Szilasi.
Courlay : Éditions Fuzeau, 2003.
1 v. of music ; 33 cm. + + 1 commentary (16 p.)
Series: Collection Esther : Fac-similé Jean-Marc Fuzeau ; 5871
NOTES Reprint of the edition: Paris : Schlesinger, 1840.
NOTES Includes commentary in French.
UniM Music CE 780.9432 DENK II/8
Grimm, Heinrich, 1593-1637.
Vestibulum hortuli harmonici sacri : (Braunschweig 1643) ; sowie, Ausgewählte Motetten und geistliche Konzerte zu zwei bis acht Stimmen / Heinrich Grimm ; herausgegeben von Thomas Synofzik.
Leipzig : Hofmeister, c2007.
Series: Denkmäler mitteldeutscher Barockmusik. Serie 2, Komponisten des 17. und 18. Jahrhunderts im mitteldeutschen Raum ; Bd. 8.
Notes: For vocal trio with continuo (1st work); for 2-8 voices with continuo (Ausgewählte Motetten)
UniM Music CE 780.9032 RECE v.150
Hammerschmidt, Andreas, 1611 or 12-1675.
Geistlicher Dialogen ander Theil : including a setting of Martin Opitz's Salomons des Hebreischen Königes Hohes Liedt / Andreas Hammerschmidt ; edited by Janette Tilley.
Published Middleton, Wis : A-R Editions, c2008.
Series: Recent researches in the music of the Baroque Era ; v. 150.
Notes For solo voice (1st, 4th-7th, 9th, 11th, and 13th pieces), 2 voices (2nd-3rd, 8th, 10th, 12th, and 14th), or 3 voices (15th); 2 violins (1st-14th, with alto recorder in the 11th); and continuo; figured bass unrealized; includes part for bass instrument.
Contents: Liebster sagt in süssen Schmertzen -- Sag O Sonne meiner Seele -- Wie der güldnen Rosen Zier -- Komm O Schöne wo ich bin -- Der mich mehr noch liebt als sich -- Nachdem ich lag in meinem öden Bette -- Mein Lieb wie schöne bist doch du -- Komm Nordwind du/O Sud steh auf -- Mein Trost auf den ich alles richte -- Komm Liebste komm/Was fleuchst du denn für mir? -- Wie schöne Füss vnd auch wie schöne Schuh -- Mein Hertze welche du die stillen Gärte liebest -- Tugend ist der beste Freund : aria -- Wer Gott das Hertze giebet : aria -- Wenn Gott auf vnsre Lenden : aria.
UniM Music CE 780.81 HELM
Helmont, Charles Joseph van, 1715-1790.
Pièces de clavecin, opus I : (Bruxelles, (1737)) / Charles-Joseph van Helmont ; introduction, Robert Wangermée.
Bruxelles : CEDESOM-ULB, Le Livre Timperman, 2005.
Unif title Pièces de clavecin, op. 1
Series: Musica Bruxellensis ; 3
Notes: Suites for harpsichord.
Reprint. Originally published: Bruxelles: Jean Laurent Krafft, [1737?].
Issued on the occasion of the 40th anniversary of the Section de musicologie of the Université libre de Bruxelles.
Contents: Essays: Quarante ans de musicologie à l'Université libre de Bruxelles / Henri Vanhulst -- Mémoires et thèses en musicologie présentées à l'ULB jusqu'au 31 décembre 2004 / Valérie Dufour.
UniM Music CE 780.946 CANC v.5
Manojuelo poético-musical de Nueva York [music] : (The Hispanic Society of America) / edición crítica y estudio interdisciplinario de Lola Josa & Mariano Lambea.
Madrid : Consejo Superior de Investigaciones Científicas, 2008.
Series: Cancioneros musicales de poetas del siglo de oro ; v. 5
Notes: An anthology of Spanish vocal music and lyrics dated from early 17th century to early 18th century in the library of the Hispanic Society of America.
UniM Music CE 780.9432 DENK I/2
Musik am Meininger Hofe / herausgegeben von Ulrike Feld und Ulrich Leisinger.
Leipzig : Friedrich Hofmeister, c2003.
Series: Denkmäler mitteldeutscher Barockmusik. Serie I, Musikalische Zentren in Sachsen, Sachsen-Anhalt und Thüringen ; Bd. 2
Notes: Three Pentecost cantatas for solo voices (SATB), mixed chorus (SATB), 2 violin, 2 violas and continuo; Funeral music for Herzog Ernst Ludwig I of Saxe-Coburg-Meiningen for solo voices (SATB), 2 mixed chouses (SATB), oboe, 2 flutes, 2 violins, 2 violas and continuo.
Contents: Drei Pfingstkantaten. Aber über das Haus Davids ; Gnädig und barmherzig ist der Herr ; Siehe, ich will mich meiner Herde selbst annehmen / Georg Caspar Schürmann ; herausgegeben von Ulrike Feld -- Trauermusik auf Herzog Ernst Ludwig I. von Sachsen-Coburg-Meiningen / Johann Ludwig Bach ; herausgegeben von Ulrich Leisinger.
UniM Music CE 780.9432 DENK I/1
Musik in der Residenzstadt Weimar / unter Mitarbeit von Christian Bettels ... [et al.] ; herausgegeben von Klaus Hortschansky.
Leipzig : Friedrich Hofmeister, [c2001]
Series: Denkmäler mitteldeutscher Barockmusik. Serie I, Musikalische Zentren in Sachsen, Sachsen-Anhalt und Thüringen ; Bd. 1
Notes: Motets and other choral works, organ chorales, 2 violin concertos, and a symphony.
Contents: Motette: Aber der Gerechte kömmet um / Nicolaus Rosthius -- Motette: Die Krone unsers Haupts ist abgefallen / Georg Quitschreiber -- Drei Motetten aus dem Florilegium Portense. Super flumina Babylonis ; Corde natus ex parentis ; Deus spes nostra / Melchoir Vulpius -- Geistliches Konzert: Das Himmelreich ist gleich einem Könige / Adam Drese -- Konzert für Violine, Streicher und Basso continuo / Johann Ernst, Prinz von Sachsen-Weimar -- Kyrie über Wo Gott zum Haus nicht gibt sein Gunst / Johann Gottfried Walther -- Vermischte musikalische Choral-Gedanken. Schmücke dich, o liebe Seele ; Mach's mit mir, Gott, nach deiner Güt / Johann Caspar Vogler -- Konzert für Violine, Streicher und Basso continuo / Johann Pfeiffer -- Kantate: Der Herr ist nahe bei denen / Johannn Erenst Bach -- Kantate: Christen, auf vom Schlummer / Ernst Wilhelm Wolf -- Sinfonie G-Dur / Anna Amalia, Herzogin von Sachsen-Weimar und Eisenach.
UniM Music CE 780.9432 DENK II/1
Passionskantate : Wer ist der, so von Edom kömmt : Pasticcio / Carl Heinrich Graun, Johann Sebastian Bach, Georg Philipp Telemann, Johann Christoph Altnickol (?), Johann Kuhnau (?) ; herausgegeben von Peter Wollny und Andreas Glöckner.
Leipzig : Hofmeister, c1997.
Series: Denkmäler mitteldeutscher Barockmusik. Serie 2, Komponisten des 17. und 18. Jahrhunderts im mitteldeutschen Raum ; Bd.
1
Notes: For solo voices (SATB), 2 flutes, 2 oboes (oboes d'amore, English horn), 2 bassoons, 2 violins, viola, and continuo
Based on the second version of Graun's Ein Lämmlein geht und trägt die Schuld.
Includes pref. in German and English.
UniM Music CE 780.9432 DENK II/5
Stölzel, Gottfried Heinrich, 1690-1749.
Weihnachtskantaten : für den Hof Schwarzburg-Sondershausen (aus den Doppeljahrgang 1736/37 und 1739) / Gottfried Heinrich Stölzel ; herausgegeben von Manfred Fechner.
Leipzig : Hofmeister, c2006.
Series: Denkmäler mitteldeutscher Barockmusik. Serie 2, Komponisten des 17. und 18. Jahrhunderts im mitteldeutschen Raum ; Bd. 5-6
Notes Cantats for soloists, chorus and chamber orchestra.
Contents: Teil I. Die Kantaten zum ersten bis dritten Weihnachtstag -- Teil 2. Die Kantaten zum Sonntag nach Weihnachten bis Epiphanias.
UniM Music CE 780.941 MUSI v.86
Storace, Stephen, 1762-1796.
Gli equivoci : opera buffa in two acts / Stephen Storace ; edited by Richard Platt.
London : Stainer and Bell for the Musica Britannica Trust, 2007.
Series: Musica Britannica ; 86
Notes: Libretto by Lorenzo da Ponte (after Shakespeare's the Comedy of errors).
For mixed voices, accompaniment reduced for keyboard.
English translation by Brian Trowell.
Primary sources for the present edition are the two Vienna scores (Wn and Wc).
Includes editorial notes, notes on performance and facsimiles.
UniM Music CE 780.9432 DENK I/3
Theile, Johann, 1646-1724.
Weltlicher Arien und Canzonetten / Johann Theile ; herausgegeben von Stephan Blaut.
Leipzig : F. Hofmeister, c2004.
Series: Denkmäler mitteldeutscher Barockmusik. Serie 1, Musikalische Zentren in Sachsen, Sachsen-Anhalt und Thüringen ; Bd. 3
Notes: For 1-4 solo voices (SATB), strings and continuo; figured bass not realized.
Edited from the 1667 edition held in Universitätsbibliothek Uppsala (Sign.: Utl. vok. mus. tr. 459-465).
Introd. in German with English translation; critical notes in German only.
MUSIC SCORES
UniM Music Score FA FAD.1.
3 fantasias à 4 from the Dublin manuscripts [music] : VdGS Anon. 1337,
1338, 1339 / Anonymous ; edited by Virginia Brookes.
[United Kingdom] : Viola da Gamba Society of Great Britain, c2007.
1 score (12 p.) + 4 parts ; 30 cm.
"Tr Tr T B"--Cover.
Source: Dm.Z3.4.7-12 nos. 39, 40, and 43.
"Typeset by Simon Feather"--Cover.
Includes editorial commentary.
Pl. no. : VdGS Music Edition 214.
UniM Music Score FA FAA.1.
3 fantasias à 5 [music] : VdGS Anon. 1655, 1665, 1656 / Anonymous ; edited by Andrew Ashbee.
[United Kingdom] : Viola da Gamba Society of Great Britain, c2007.
1 score (16 p.) + 5 parts ; 30 cm.
Cover title.
"Tr Tr T T B"--Cover.
Includes editorial commentary.
Pl. no. : VdGS Music Edition 217.
UniM Music Score A A328 IB1.1.
Albéniz, Isaac, 1860-1909.
Iberia. 1er cahier [music] : piano seul / I. Albeniz.
Paris : Éditions Salabert, c1906.
33 p. of music ; 32 cm.
Contents:
Evocation -- El puerto -- Fete-dieu a Séville.
UniM Music Score TD A8566 GAU.1.
Aston, Hugh, b. ca. 1485.
Gaude virgo mater Christi [music] / Hugh Aston ; edited by Nick Sandon.
Devon : Antico Edition, c2005.
1 score (viii, 16 p.) ; 30 cm.
For five voices (treble, mean, contratenor, tenor, bass), unacc.
Introduction, suggestions for performance, and commentary in English.
Pl. no.: Antico Edition RCM41.
Latin words; also printed as text (both Gaude virgo mater Christi and Gaude
mater matris Christi) with English translations on p. viii.
UniM Music Score TD A8566 MIT.1.
Aston, Hugh, b. ca. 1485.
Missa Te deum laudamus [music] / Hugh Aston ; edited by Nick Sandon.
Moretonhampstead : Antico Edition, c2001.
1 score (viii, 48 p.) : 2 facsims. ; 30 cm.
For chorus (SATTB).
.
Edited principally from ms. in the Bodleian Library, Oxford (Sch. e.376-81, the Forrest-Heyther partbooks).
Pref. includes biographical notes, performance suggestions, and critical
commentary.
Latin words.
UniM Music CD 5088.
Bamberger, Jeanne Shapiro.
Developing musical intuitions : a project-based introduction to making and
understanding music / Jeanne Bamberger; incorporating Impromptu, an interactive software application by Jeanne Bamberger and Armando Hernandez.
New York : Oxford University Press, 2000.
Includes index.
Contents: Foreword / Evan Ziporyn -- Pt. 1. Melodic Structure -- Pt. 2. Rhythmic Structure -- Pt. 3. Pitch Relations -- Pt. 4. Making Music Out of Theory -- Pt. 5. Harmony and Polyphony -- List of Listening Examples and CD Track Numbers.
Summary: "Developing Musical Intuitions: A Project-Based Introduction to Making and
Understanding Music helps readers become active and engaged music makers -
listeners, performers, and creators - by paying attention to what they already know and how they come to know it. Users can discover their own musical knowledge and build on it with the help of Impromptu, a groundbreaking software program for working with and reflecting on basic musical objects and relations, which is packaged and integrated with the text."--BOOK JACKET. "The complete package for Developing Musical Intuitions includes the text, Impromptu software installer on CD-ROM for Macintosh, an Impromptu user's guide, and an audio CD of brief listening examples coordinated with the text and software."--BOOK JACKET.
"This book is for anyone interested in discovering their own musical intuitions.
Ideal for use in courses in introductory music, music fundamentals, and elements -based appreciation courses, Developing Musical Intuitions can also be used in departmental music labs as a supplement to courses in music theory and music education."--BOOK JACKET.
UniM Music Score FA FAS.1.
Blankes, Edward, ca. 1550-1633.
Fantasia à 5 [music] / Edward Blanks. A solfinge song / Thomas Tallis ; [both] edited by Virginia Brookes.
[United Kingdom] : Viola da Gamba Society of Great Britain, c2007.
1 score (7 p.) + 5 parts ; 30 cm.
"Tr T T B B"--Cover.
"Typeset by Stephen Pegler & Kitty Wyatt"--Cover.
Includes editorial commentary.
Publisher's no. : VdGS Music Edition 216.
UniM Music Score FA B882 IN.1.
Browne, John, ca. 1608-1691.
In nomine fantasy & Ayre à 5 [music] : TrTrTBB / John Browne ; edited by Virginia Brookes.
[England] : Viola da Gamba Society of Great Britain, c2005.
1 score (6 p.) + 5 parts ; 30 cm.
For viols.
.
Source: Oxford, Christ Church, Mus. MS 47308, no.21-22.
Includes critical commentary.
Pref. includes bibliographical references.
UniM Music Score FA B995 FAN.1.
Byrd, William, 1542 or 3-1623.
Fantasia 4/G [music] : In manus tuas & dances reconstructed for viol consort
à 4, Tr Tr/T T B / [reconstructed] by Richard Rastall ; [both by] William Byrd.
[United Kingdom] : Viola da Gamba Society of Great Britain, c2007.
1 score (11 p.) + 4 parts ; 30 cm.
The fantasia is also known as the motet In manus tuas; the dances include pavans and galliards better known in versions for keyboard instrument.
Includes commentary.
Includes bibliographical references.
Pl. no. : VdGS Music Edition 218.
UniM Music Score TD D2996 MIA.1.
De Domarto, Petrus, fl. ca. 1470-ca. 1485.
Missa Spiritus almus [music] / Petrus de Domarto ; edited by David Kidger.
Moretonhampstead, Newton Abbot, Devon, England : Antico Edition, c2005.
1 score (vi, 25 p.) ; 30 cm.
For four-part choir: ATTB.
Introduction, historical and critical notes in English.
Includes bibliographical references.
"A Mass setting notable for its cantus firmus treatment involving the use of
proportional mensuration signs"--Antico website.
Latin words.
UniM Music Score M E41 TH2.2.
Elgar, Edward, 1857-1934.
Thirteen songs [music] / Edward Elgar.
London : Thames Publishing., 2005, c1987.
1 score (2 v.) ; 30 cm.
UniM Music Score TD F2837 ETE.1.
Fayrfax, Robert, 1464-1521.
Eterne laudis lilium [music] / Robert Fayrfax ; edited by Nick Sandon.
Newton Abbot : Antico Edition, c2005.
1 score (x, 15 p.) ; 30 cm.
Antiphon for five- part choir (treble, mean, contratenor, tenor, bass),
unaccompanied.
Main source: London, Lambeth Palace, MS 1, no. 13.
Pref. includes biographical notes, performance suggestions and critical
commentary.
Latin words; also printed as text with English translation on p. x.
UniM Music Score FA G478 IN.1.
Gill, George, 17th cent.
In nomine à 5 [music] : (TrTrTTB) / George Gill ; edited by Rita Morey.
[England] : Viola da Gamba Society of Great Britain, c2005.
1 score (7 p.) + 5 parts ; 30 cm.
For viols.
Sources: Oxford, Bodleian Library, Ms Mus. Sch. C 64-9, no. 4 and Oxford, Christ Church, Mus Ms 373-8, no. 4.
Includes critical commentary.
UniM Music CD 5086.
Graun, Johann Gottlieb, 1702 or 3-1771.
Concerto à 5 [music] / del Sig. Graun.
[between 1730 and 1750].
For violin solo with strings, bassoon and continuo.
GraunWV, C:XIII:91 (p. 659).
Digital images in pdf format, stored on CD-ROM.
Reproduction of original in Sächsische Landesbibliothek--Staats- und
Universitätsbibliothek Dresden, ms. Mus. 2474-O-21,1.
UniM Music CD 5086.
Graun, Johann Gottlieb, 1702 or 3-1771.
[Concerto à 5] [music] / [Graun].
[between 1730 and 1750].
Parts for: Violino Concertato (2), Violino Primo (3), Violino Primo (3),
Violetta (2), Basso, Basso R[ipieno] (2), Cembalo, Bassono and Bassono
R[ipieno].
All parts except the 2nd copy of the solo violin have cuts marked; the 2nd copy of the solo violin has those cuts incorporated, and passages of ornamentation and arpeggiation written out, probably by J.G. Pisendel.
GraunWV, C:XIII:91 (p. 659).
Digital images in pdf format, stored on CD-ROM.
Reproduction of original in Sächsische Landesbibliothek--Staats- und
Universitätsbibliothek Dresden, ms. Mus. 2474-O-21,2.
UniM Music CD 5086.
Hasse, Johann Adolf, 1699-1783.
Ave Regina [music] / [Hasse].
[ca. 1740?].
Parts for: Contralto solo, Violino 1mo (4), Violino 2do (4), Violetta (2),
Violoncello, Violone (2), Tiorba, Organo, Oboe 1mo, Oboe 2do, Fagotto (2 ; 2nd copy incomplete).
Katalog der Dresdener Hasse-Musikhandschriften.
Digital images in pdf format, stored on CD-ROM.
Reproduction of original in Sächsische Landesbibliothek--Staats- und
Universitätsbibliothek Dresden, ms. Mus. 2477-E-11a.
Latin words.
UniM Music CD 5086.
Hasse, Johann Adolf, 1699-1783.
Ave Regina [music] : à contr'alto solo (con strum.) : B-dur 3/4 / Hasse, Gio. Adolf.
[ca. 1740?].
For alto solo and chamber orchestra (oboes, strings and continuo).
Katalog der Dresdener Hasse-Musikhandschriften.
Digital images in pdf format, stored on CD-ROM.
Reproduction of original in Sächsische Landesbibliothek--Staats- und
Universitätsbibliothek Dresden, ms. Mus. 2477-E-11.
Latin words.
UniM Music CD 5086.
Hasse, Johann Adolf, 1699-1783.
[Serenata] [music] / [Hasse].
[175-?].
"Festa teatrale" (called "Serenata" in an early Dresden catalogue) for solo
voices (SSST), strings and continuo. Text by Metastasio.
Katalog der Dresdener Hasse-Musikhandschriften.
Digital images in pdf format, stored on CD-ROM.
Reproduction of original in Sächsische Landesbibliothek--Staats- und
Universitätsbibliothek Dresden, ms. Mus. 2477-L-5.
Italian words.
UniM Music CD 5086.
Heinichen, Johann David, 1683-1729.
Beati omnes [music] : à 2 / di Giov. Heinichen.
[1723].
For solo voices (ST) with 2 flutes (or oboes) and continuo.
"May 1723" -- colophon.
Digital images in pdf format, stored on CD-ROM.
Reproduction of original in Sächsische Landesbibliothek--Staats- und
Universitätsbibliothek Dresden, ms. Mus. 2398-D-54.
UniM Music CD 5086.
Heinichen, Johann David, 1683-1729.
Pastorale per la notte della Nativitate Christi [music] : 2 hautbois en chalmaux, 2 hautbois ripieni, violini e violette con li bassi soliti / [Heinichen].
[172-?].
Parts for "Oboe 1 [& 2] Conc." have in a different hand (possibly Heinichen's): "NB Hautbois en Chalmaux" ; these 2 parts are written for transposing instruments in A. There are ripieno parts for organ, 2 flutes, 2 oboes, bassoon and strings.
Digital images in pdf format, stored on CD-ROM.
Reproduction of original in Sächsische Landesbibliothek--Staats- und
Universitätsbibliothek Dresden, ms. Mus. 2398-O-13a.
UniM Music CD 5086.
Heinichen, Johann David, 1683-1729.
Pastorale per la notte di Natale [music] / [Heinichen].
[172-?].
For chamber orchestra, including 2 "Hautbois en Chalmaux".
Holograph[?] Appears to have been revised as it was written.
Digital images in pdf format, stored on CD-ROM.
Reproduction of original in Sächsische Landesbibliothek--Staats- und
Universitätsbibliothek Dresden, ms. Mus. 2398-O-13.
UniM Music Score FA H751 LIF.1.
Holmes, John, d. 1629.
Lift up your eyes [music] : à 5 / John Holmes. Untitled consort à 5 : TrTrTTB / anon. ; edited by Ian Payne.
[England] : Viola da Gamba Society of Great Britain, c2005.
1 score (4 p.) + 5 parts ; 30 cm.
Sources: London, British Library, Add. MSS 17786-91, fol. 16r, no. 37 (1st work); London, British Library, Add. MSS 4900, fol. 60v (2nd work).
Includes critical commentary.
UniM Music Score S K816 TE.1.
Kodály, Zoltán, 1882-1967.
Te Deum [music] / Zoltán Kodály ; vocal score = Klavierauszug.
London : Universal Edition, [2000?], c1952.
1 vocal score (48 p.) ; 26 cm.
For solo voices (SATB), chorus (SATB) and orchestra; acc. arr. for piano.
UniM Music Score MC L137 FR2.1.
Lachner, Franz, 1803-1890.
Frauenliebe und Leben [music] : op. 82 ; &, Lyrisches Intermezzo : for soprano, clarinet & piano / Franz Lachner.
Monteux, France : Musica Rara, c1981.
1 score (22 p.) + 2 parts ; 30 cm.
German words.
Poems by A.v. Chamisso (Frauenliebe und Leben) and H. Heine (Lyrisches
Intermezzo).
Edited from mss. (op. 82 being a holograph) in the Bayerische Staatsbibliothek.
UniM Music Score TB L956 SAL.1.
Lully, Jean Baptiste, 1632-1687.
Salve regina [music] : three sopranos & continuo, [LWV 77/1] / Jean-Baptiste
Lully ; edited by Dennis Collins.
[Arbroath] : Prima la musica!, 2007.
1 score (12 p.) ; 30 cm.
Latin words also printed separately as text with English translation.
Preface and editorial comments in English.
UniM Music Score FA M626 FAN.1-2.
Mico, Richard, ca. 1590-1661.
4 fantasias for treble & bass viol [music] / Richard Mico ; edited by Virginia Brookes.
Fantasia for treble & bass viol / Richard Mico? ; edited by Andrew Ashbee.
[United Kingdom] : Viola da Gamba Society of Great Britain, c2007.
2 scores (11 p. each) ; 30 cm.
Includes commentary and biographical note.
Pl. no. : VdGS Music Edition 215.
UniM Music Score FA M662 IF.1.
Milton, John, ca. 1563-1647.
Two settings of "If that a sinner's sighs" [music] : à 5 (TrTrTTB) fully texted, [and] à 6 (TrTrT(with text)TBB) / John Milton ; edited by Virginia Brookes.
[S.l.] : Viola da Gamba Society of Great Britain, c2005.
1 score (12 p.) + 6 parts ; 30 cm.
Includes critical commentary.
Pref. includes bibliographical references.
UniM Music Score R OPC.1-2.
Opera choruses [music] / edited by John Rutter ; associate editor, Clifford
Bartlett.
Oxford ; New York : Music Dept., Oxford University Press, c1995.
1 chorus score (xiv, 370 p.) ; 28 cm.
Acc. arr. for piano.
Includes notes on the choruses (p. viii-x), notes on the plots (p. xi-xiv), and index of vocal and instrumental requirements (p. 370).
Contents: Fidelio. Prisoners' chorus / Beethoven -- Benvenuto Cellini. Roman carnival / Berlioz -- Carmen. Habanera ; March of the toreadors / Bizet -- Prince Igor. Polovtsian dances / Borodin -- Lucia di Lammermoor. Chorus of wedding guests / Donizetti -- Faust. Soldiers' chorus / Gounod -- Alcina. Chorus of enchanted islanders / Handel -- Pagliacci. Bell chorus / Leoncavallo -- Cavalleria rusticana. Easter hymn / Mascagni -- Die Zauberflöte. Priests' chorus / Mozart -- Idomeneo. Voyagers' chorus / Mozart -- Boris Godunov. Coronation scene / Mussorgsky -- Madama Butterfly. Humming chorus / Puccini -- Dido and Aeneas. Dido's lament, and final chorus / Purcell -- Mlada. Procession of the nobles / Rimsky-Korsakov -- Moïse. Prayer / Rossini -- Guillaume Tell. Villagers' chorus / Rossini -- Eugene Onegin. Chorus of peasant girls ; Waltz scene / Tchaikovsky -- Il trovatore. Anvil chorus ; Soldiers' chorus / Verdi -- La traviata. Brindisi ; Matadors' chorus / Verdi -- Macbeth. Chorus of Scottish refugees ; Witches' chorus / Verdi -- Nabucco. Chorus of the Hebrew slaves / Verdi -- La forza del destino. Rataplan / Verdi -- Aida. Triumphal scene / Verdi -- Lohengrin. Bridal chorus / Wagner -- Tannhäuser. Pilgrims' chorus / Wagner -- Der Meistersinger von Nü rnberg. Procession and chorale / Wagner -- Der fliegende Holländer. Sailors' chorus ; Spinning chorus / Wagner --
Der Freischü tz. Huntsmen's chorus / Weber.
English, French, German, Italian, and Russian words with English translations.
UniM Music Score E P964 SO2.2.
Prokofiev, Sergey, 1891-1953.
Sonate Nr. 2 fü r Violine und Klavier, op. 94a [music] = Sonata no. 2 for violin and piano, op. 94a / Sergej Prokofjew ; [arrangement of the violin part: David Oistrach].
Hamburg : Edition Sikorski, [2000?], c1960.
1 score (52 p.) + 1 part ; 31 cm.
For violin and piano.
UniM Music Score TD SAL.1.
Salve Regina [music] / the Lambeth anonymous ; edited by Nick Sandon.
Newton Abbot : Antico Edition, c2006.
1 score (viii, 20 p.) ; 30 cm.
For chorus (treble, mean, contratenor, tenor, bass), unacc.
Based on the Lamath Choirbook (London, Lambeth Palace, MS 1, no. 5).
Preface and critical commentary in English.
Latin words, also printed as text with English translation.
UniM Music CD 5086.
Riepel, Joseph, 1709-1782.
Missa ex C à 4 voc. [music] / dell Sigr. Riepel.
[174-?].
For solo voices (SATB), chorus (SATB), strings, oboes, bassoon, trumpets,
trombones, timpani and organ.
Digital images in pdf format, stored on CD-ROM.
Reproduction of original in Sächsische Landesbibliothek--Staats- und
Universitätsbibliothek Dresden, ms. Mus. 3155-D-1.
Latin words.
UniM Music CD 5086.
Ristori, Giovanni Alberto, 1692-1753.
Lavinia a Turno [music] : cantata a voce sola con strumti. / di Ermelinda Talea Pastorella Arcade ; posta in musica da Gio. Alberto Ristori, 1748.
[1748].
For S solo with chamber orchestra (2 oboes, bassoon, strings and continuo).
Text by princess Maria Antonia.
Digital images in pdf format, stored on CD-ROM.
Reproduction of original in Sächsische Landesbibliothek--Staats- und
Universitätsbibliothek Dresden, ms. Mus. 2455-J-1.
UniM Music CD 5086.
Ristori, Giovanni Alberto, 1692-1753.
Nice a Tirsi [music] : cantata a voce sola co'strumti. e un oboe conc:to / di Ermelinda Talea ; posta in musica da Gio. Alberto Ristori, Dresda, 1749.
[1749].
For S solo with oboe, strings and continuo.
Text by princess Maria Antonia.
Digital images in pdf format, stored on CD-ROM.
Reproduction of original in Sächsische Landesbibliothek--Staats- und
Universitätsbibliothek Dresden, ms. Mus. 2455-J-3.
UniM Music Score E T877 CV35.1.
Tchaikovsky, Peter Ilich, 1840-1893.
Concerto, op. 35 [music] / P. Tschaikowsky ; edited and revised by Emile Sauret.
London : Augener, [c1920].
1 score (55 p.) + 1 part (26 p.) ; 31 cm.
Acc. arr. for piano. Originally for violin and orchestra.
Publisher's no.: Augener's Edition No. 7967.
UniM Music CD 5086.
Telemann, Georg Philipp, 1681-1767.
Concerto [music] / [Telemann].
[1718 or 1719?].
For 2 solo violins and chamber orchestra with continuo.
Many of the parts have performers' names (including "Voloumier, Fiorelli, Lotti, Hennig, Selencka & Petold") given in their captions. This is evidently an incomplete set since there is an "Hautbois 2" but no oboe 1 (however other sources for this work have no wind parts at all).
Digital images in pdf format, stored on CD-ROM.
Reproduction of original in Sächsische Landesbibliothek--Staats- und
Universitätsbibliothek Dresden, ms. Mus. 2392-O-56.
UniM Music Score TD T979 MIS.1.
Tye, Christopher, 1497?-1572.
Missa Sine nomine [music] / Christopher Tye ; edited by Nick Sandon.
Newton Abbot, Devon, England : Antico Edition, c2006.
1 score (viii, 28 p.) ; 30 cm.
For five voices (mean, contratenor 1, contratenor 2, tenor [editorial], and
bass.
Edited from the ms. partbooks in the University Library, Cambridge (Peterhouse mss. 471-474). The tenor partbook is missing, and has been recomposed for this edition.
Pref. in English.
Latin words.
UniM Music Score S V368 SER.1.
Vaughan Williams, Ralph, 1872-1958.
Serenade to music [music] / music by R. Vaughan Williams ; the words by
Shakespeare (The merchant of Venice, act 5, scene 1).
London : Oxford University Press, c1938.
1 vocal score (20 p.) ; 26 cm.
Acc. arr. for piano. Originally for solo voices (SATB) with chorus and
orchestra.
SOUND RECORDINGS
UniM Music CD 10363.
Bach, Carl Philipp Emanuel, 1714-1788.
Symphonies & concertos [sound recording].
Arles, France : Harmonia Mundi s.a., p2001, [2008].
Program notes by Roman Hinke and Peter Wollny in German with French and English translation (31 p. : ill.) inserted in container.
Contents: Symphonie Wq 179 in mi bémol majeur (10:54) -- Concerto pour clavecin,
cordes et basse continue, Wq 20 (24:15) -- Symphonie Wq 178 in mi mineur (10:58)-- Concerto pour violoncelle, cordes et basse continue, Wq 170 (24:25) -- Symphonie Wq 173 in Sol majeur (8:09).
Performers: Raphael Alpermann, harpsichord (2nd work) ; Peter Bruns, violoncello (4th work) ; Akademie für alte Musik Berlin.
Recorded in January 2000, at Christuskirche, Berlin-Oberschöneweide.
UniM Music CE 780.9434 DENK.
UniM Music CD 10376.
Burgmüller, Norbert, 1810-1836.
Sämtliche Klavierwerke [music] / Norbert Burgmü ller ; herausgegeben von Klaus Martin Kopitz.
Köln : Dohr Verlag, 2008.
Accompanying compact disc titled: Sämtliche Werke für Pianoforte / Norbert Burgmü ller ; und, Musik von Friedrich Burgmü ller, Felix Mendelssohn Bartholdy; includes the piano works of Norbert Burgmü ller and additional works by Felix Mendelssohn-Bartholdy and Frederic Burgmüller.
Contents: Sonate f-Moll, op. 8 -- Rhapsodie h-Moll, op. 13 -- Polonaise F-Dur, op. 16 -- Walzer Es-Dur ohne op.
Additional works on CD: Mazurka Es-Dur ohne op. / Norbert Burgmüller -- Marcia funèbre : a-Moll, op. 103 / Felilx Mendelssohn Bartholdy -- Reveries fantastiques : op. 41 ; 25 études pour le pianoforte op. 100. Nr. 2, L'arabesque ; Nr. 5, Innocence ; Nr. 15, Ballade ; Valse brillante : op. 106 / Frédéric Burgmüller.
Performer: Tobias Koch, pianos (Graf, ca. 1826 and Pleyel, ca. 1835).
Compact disc recorded Nov. 16-18, 2005, Schloss Kremsegg, Kremsmü nster, Austria.
UniM Music CD 10360.
Debussy, Claude, 1862-1918.
Complete works for piano. Volume 2 [sound recording] / Debussy.
Colchester, Essex, England : Chandos, p2007.
Program notes in English, German and French in container.
Contents: Ballade (6:11) -- Valse romantique (3:14) -- Danse / (Tarentelle styrienne) (4:36) -- Images (oubliées) (11:50) -- Estampes (13:09) -- Pour le piano (11:50) -- Masques (4:14) -- L'Isle joyeuse (5:28) -- D'un cahier d'esquisses) (4:25).
Performer: Jean-Efflam Bavouzet, piano.
Recorded July 12-14, 2007, Potton Hall, Dunwich, Suffolk.
UniM Music CD 10360.
Debussy, Claude, 1862-1918.
Complete works for piano. Volume 3 [sound recording] / Debussy.
Colchester, Essex, England : Chandos, p2008.
Program notes by Roger Nichols and Jean-Efflam Bavouzet and biographical notes on Bavouzet in English, German, and French (31 p. : ports.) in container.
Contents: Nocturne (5:44) -- Suite bergamasque (16:24) -- Danse bohémienne (2:03) -- Deux Arabesques (7:18) -- Reverie (4:22) -- Mazurka (3:02) -- Children's corner (15:44) -- Hommage à Haydn (2:26) -- --Morceau de Concours (:58) -- La plus que lente (4:40) -- The little Nigar (1:14) -- Page d'Album (1:09) -- Berceuse héroïque (4:18) -- Élégie (2:28).
Performer: Jean-Efflam Bavouzet, piano.
Recorded February 27-29, 2008, Potton Hall, Dunwich, Suffolk.
UniM Music CD 10356.
Haydn, Joseph, 1732-1809.
Symphonies and divertimenti [sound recording] / Joseph Haydn.
[U.K.] : Landor, 2008.
Divertimento in A Hob.X.10 -- Symphony no. 22 in E flat -- Divertimento in B
flat Hob.III.1 -- Symphony no. 49 in F minor.
Sinfonia Classica ; Gernot Süssmuth, director.
Recorded 2007 in Tawstock Paris Church.
UniM Music CD 10358.
Mahler, Gustav, 1860-1911.
Symphony no. 1 [sound recording] / Mahler.
London, UK : LSO Live, c2008.
"Super audio CD. Hybrid-SACD compatible with all CD players. Includes high
density stereo and surround tracks that can be read by SACD players."--
Container.
Program notes by Stephen Johnson in English with French and German translations (12 p.) in container.
London Symphony Orchestra ; Valery Gergiev, conductor.
Recorded live January 2008 at the Barbican, London.
UniM Music CD 10359.
Mahler, Gustav, 1860-1911.
Symphony no. 6 [sound recording] / Mahler.
London, UK : LSO Live, c2008.
"Super audio CD. Compatable with all CD players. Includes high density stereo and surround tracks that can be read by SACD players."--Container.
Program notes in English with French and German translations in container.
London Symphony Orchestra ; Valery Gergiev, conductor.
Recorded live November 2007 at the Barbican, London.
UniM Music CD 10357.
Martinu, Bohuslav, 1890-1959.
The complete music for violin and orchestra. 3 [sound recording] /
Martinu.
London, England : Hyperion, p2008.
Program notes in English, French and German in container.
Suite concertante : for violin and orchestra, first version, H276 (24:02) --
Suite concertante : for violin and orchestra, second version H276A (22:42) -- Rhapsody concerto : for viola and orchestra, H337 (21:53).
Contents: Bohuslav Matousek, violin, viola ; Czech Philharmonic Orchestra ;
Christopher Hogwood, conductor.
Recorded May 2001 (1sty work), Apr. 2004 (3rd work) and Dec. 2005 (2nd work), Dvorák Hall, Rudolfinum, Prague.
UniM Music CD 10375.
Mozart, Wolfgang Amadeus, 1756-1791.
Freemason music [sound recording] = Freimaurermusiken / Wolfgang Amadeus Mozart.
[Leeuwarden, the Netherlands?] : Brilliant Classics, [200-?].
The 7th work for orchestra.
Originally released in 1991 as Novalis 150 081-2.
Texts in German (8 p.) inserted in container.
Contents: Cantata : Laut verkü nde unsre Freude : for 2 tenors, bass, men's chorus & orchestra, KV 623 (13:00) -- Lied : Zerfliesset heut, ' geliebte Brü der : for tenor, men's chorus & organ, KV 483 (1:59) -- Lied : Lobgesang auf die feierliche Johannisloge : for tenor, men's chorus & piano, KV 148 (3:47) -- Lied zur Gesellenreise : for tenor & piano, KV 468 (1:39) -- Lied : Ihr unsre neuen Leiter : for tenor, men's chorus & organ, KV 468 (2:57) -- Cantata : Die Maurerfreude : for tenor, men's chorus & orchestra, KV 471 (6:33) -- Maurerische Trauermusik : KV 477 (4:23) -- Cantata : Die ihr des unermesslichen Weltolls Schöpfer ehrt : for tenor & piano, KV 619 (6:45) -- Cantata : Dir, Seel des Weltalls, O Sonne : for 2 tenors, bass, men's chorus & orchestra, KV 429 (19:00).
Performers: Christoph Prégardien (1st-2nd, 5th-6th, 9th works), Helmut Wildhaber (3rd-4th, 8th-9th works), tenor ; Gottfried Hornik, Peter Schneyder, bass ; Chorus Viennensis ; Wiener Akademie ; Martin Haselböck, conductor.
Recorded in Bratislava, 1991.
Vocal works sung in German.
UniM Music CD 10375.
Mozart, Wolfgang Amadeus, 1756-1791.
Grabmusik [sound recording] ; Davidde penitente / Wolfgang Amadeus Mozart.
[Leeuwarden, the Netherlands?] : Brilliant Classics, [200-?].
Cantatas; the 1st work for soloists (SB), chorus (SATB), organ and orchestra; the 2nd work for soloists (SST), chorus (SATB, SATB) and orchestra.
Originally released by Novalis (1st work) and Bayer (2nd works).
Texts in German or Italian (4 p.) inserted in container.
Performers: The 1st work: Edith Wiens, soprano ; Thomas Hampson, bass ; Concentus Vocalis ; Wiener Akademie ; Martin Haselböck, conductor. The 2nd work: Gertraud Landwehr-Herrmann, Susanne Johns, soprano ; Hermann Fischer, tenor ; Choir & Orchestra Collegium Musicum of the University of Tü bingen ; Wilfried Fischer, conductor.
Recorded 1990, Bratislava (1st work) and June, 1969, University of Tü bingen (2nd work).
Sung in German (1st work) and Italian (2nd work).
UniM Music CD 10375.
Mozart, Wolfgang Amadeus, 1756-1791.
Oratorios [sound recording] / Wolfgang Amadeus Mozart.
[Leeuwarden, the Netherlands?] : Brilliant Classics, [200-?].
Various performers, choirs and orchestras.
UniM Music CD 10375.
Mozart, Wolfgang Amadeus, 1756-1791.
Die Schuldigkeit des ersten Gebots [sound recording] / Wolfgang Amadeus Mozart.
[Leeuwarden, the Netherlands?] : Brilliant Classics, [200-?].
Brilliant Classics: 99944/3--99944/4 (on container spine: 99944/3-5).
Libretto by Ignaz Anton Weiser.
Previously released in 1980 as Koch Schwann: 313 065.
Libretto in German (12 p.) inserted in container.
Performers: Arleen Augér, Krisztina Laki, Sylvia Geszty, sopranos ; Werner Hollweg, Claes Hakon Ahnsjö, tenors ; Berliner Domkapelle ; Roland Bader, conductor.
Recorded Jan. 1980 in Lindlar, Germany.
UniM Music CD 10371.
Ockeghem, Johannes, ca. 1410-1497.
Missa cuiusvis toni [sound recording] / Ockeghem.
Paris : Aeon, p2007.
Contains 4 different performances of the mass, one in each of the specified church scales: Protus on D [Dorian mode], Deuterus on E [Phrygian mode], Tritus on F [Lydian mode], Tetrardus on G [Mixolydian mode] (see Notes).
Program notes by Gérard Geay in French & English, and Latin vocal text with English translation inserted in container.
Contents: Missa cuiusvis toni. in Ré (26 min.) ; in Fa (27:30) ; in Mi (25:45) ; in Sol (25:38) -- [Motet] : Intemerata Dei Mater (7:21).
Performers: Ensemble Musica Nova, Lucien Kandel, conductor.
Recorded Apr. 23-27, 2007 in L'Église Saint-Jean de Néel, Momant, France.
UniM Music CD 10372.
Reich, Steve, 1936-
Daniel variations [sound recording] / Steve Reich.
New York, NY : Nonesuch, p2008.
Text of the 1st work from the Book of Daniel and by Daniel Pearl.
Program notes by the composer and texts ([16] p. : ill.) inserted in container.
Contents: Daniel variations (30:00) -- Variations for vibes, pianos & strings (22:00).
Performers: In the 1st work: members of the Los Angeles Master Chorale; members of the Steve Reich Ensemble; accompnaying instrumentalists; Grant Gershon, conductor. In the 2nd work: members of the London Sinfonietta (4 vibraphones, 2 pianos, 3 string quartets); Alan Pierson, conductor.
Recorded Feb. 27-28, 2007, Studio A, Capitol Studios, Hollywood, CA (1st work); and Dec. 18-19, 2006, AIR Studios, Lyndhurst Hall, London, England (2nd work).
UniM Music CD 9228.
Romain, James, Performer.
Howl [sound recording] : for alto saxophone and sound modules : masterclass CD / by James Romain ; William P. Dougherty, composer.
Medfield, Mass. : Dorn Publications, p2008.
Presents a complete performance of the work, a conversation between Romain and the composer, and detailed practice and performance suggestions.
"Saxophone Journal"--Label.
For program notes and music see p. 54-64 in Saxophone journal, vol. 32, no. 6 (July/August 2008).
Contents: Complete performance of Howl, on alto saxophone, by Dr. James Romain --
Narrative introduction by Dr. Romain, including a brief history of the poem Howl, and a conversation with William P. Dougherty about his composition Howl -- A narrative analysis and detailed saxophone performance tips for Howl, by Dr. James Romain.
Performer: James Romain, alto saxophone.
UniM Music CD 10362.
Smalley, Roger, 1943-
Through a glass darkly [sound recording] / Roger Smalley, piano ; Australian
String Quartet.
Elwood, Vic. : Melba Recordings, 2008.
Contents: Piano quintet -- Trio for horn, violin and piano -- String quartet no. 2.
Performers: Australian String Quartet (1st and last work) ; Roger Smalley, piano (1st and 2nd work) ; Darryl Poulsen, horn (2nd work) ; Paul Wright, violin (2nd work).
Recorded at Perth Concert Hall (1st work), Winthrop Hall, University of Western Australia (2nd work) and ABC Studio 520, Adelaide (3rd work).
UniM Music CD 10361.
Sugawa, Nobuya, Performer.
Nobuya Sugawa plays Honda, Yoshimatsu, Ibert, Larsson [sound recording].
Colchester, Essex, England : Chandos, p2008.
Program notes in English, German, French, and Japanese in container.
Contents: Saxophone concerto "Albireo mode," op. 93, 2004-05 / Takashi Yoshimatsu (22:53) -- Concerto du vent : 2005 / Toshiyuki Honda (19:07) -- Concertino da camera : 1935 / Jacques Ibert (12:52) -- Concerto for saxophone and string orchestra, op.14, 1934 / Lars-Erik Larsson (21:42).
Performers: Nobuya Sugawa, saxophone ; BBC Philharmonic ; Yutaka Sado, conductor.
Recorded Oct. 23-24, 2007, Studio 7, New Broadcasting House, Manchester, England.
UniM Music CD 10377.
Vaughan Williams, Ralph, 1872-1958.
Serenade to music [sound recording] ; Five mystical songs ; Fantasia on
Christmas carols ; Flos campi / Vaughan Williams.
London : Hyperion, p1990.
The 1st work for 16 solo voices and orchestra (words by Shakespeare); the 2nd-3rd for baritone, mixed voices, and orchestra (words of the 2nd work by George Herbert); the 4th for viola, wordless chorus, and orchestra.
Hyperion: CDA66420.
Performers: Thomas Allen, baritone ; Nobuko Imai, viola ; Corydon Singers ; English Chamber Orchestra ; Matthew Best, conductor.
Recorded Feb. 18-19 and June 4, 1990.
Sung in English.
Text of the 1st work from The merchant of Venice / William Shakespeare; text of the 2nd work taken from poems by George Herbert.
World Music discs
None received
VIDEO RECORDINGS
UniM Music DVD 317
Latcho drom / a film by Tony Gatlif.
[Australia] : The AV Channel [distributor], c1993.
Series: Director's suite.
Notes: "With the gypsy musicians of India, Egypt, Turkey, Romania, Hungry, France & Spain"-- Cover.
Credits: Producer Miche`le Ray, screenplay by Tony Gatlif
Summary : Latcho drom, or "Safe journey", transcends language and culture, spanning the four seasons as told through the musicians and dancers of India, Egypt, Turkey, Romania, Hungary, Slovakia, France, and Spain. For these people, music, song and dance are food for the soul: the narratives in which they express their joy and suffering, chronicle their histories, and teach the cultural values of family, journey, love, separateness, and persecution.
UniM Music DVD 319
Passion [videorecording].
[Australia] : Magna Pacific [distributor], c2004.
Based on the play "Percy and Rose" written by Rob George.
.
Credits: Director, Peter Duncan ; producer, Matt Carroll.
Cast: Barbara Hershey, Richard Roxburgh, Emily Woof, Claudia Karvan, Simon Burke.
Summary Tells the story of Percy Grainger, pianist, fitness fanatic, designer, innovative composer and arranger and his intense personal relationships.
UniM Music DVD 320
Schubert, Franz, 1797-1828.
Winterreise = Winter journey = Voyage d'hiver : song cycle to poems by Wilhelm Müller / Franz Schubert ; produced by Sender Freies Berlin ; directed for TV and Video by Klaus Lindemann.
Ratingen, Germany : TDK, c2005.
Notes: Booklet in English, German and French included in container.
Bonus: The rehearsal. This 56 minute documentary offers fascinating insights into how Dietrich Fischer-Dieskau and Alfred Brendel rehearsed prior to their recording of Schubert's Winterreise.
For baritone and piano.
Contents: Gute Nacht -- Die Wetterfahne -- Gefrorne Tränen -- Erstarrung -- Der Lindenbaum -- Wasserflut -- Auf dem Flusse -- Rückblick -- Irrlicht -- Rast -- Fühlingstraum -- Einsamkeit -- Die Post -- Der greise Kopf -- Die Krähe -- Letzte Hoffnung -- Im Dorfe -- Der stürmische Morgen -- Täuschung -- Der Wegweiser -- Das Wirtshaus -- Mut! -- Die Nebensonnen -- Die Leiermann.
Credits: Production supervisor: Horst Jonas
Performers: Dietrich Fischer- Dieskau, bariton ; Alfred Brendel, pianist.
Notes: Recorded at the Siemensvilla, Berlin, January 1979.
UniM Music DVD 318
Zandonai, Riccardo, 1883-1944.
Francesca da Rimini [videorecording] (DVD) / The Metropolitan Opera Orchestra, Chorus and Ballet, James Levine [conductor] ; production by Piero Faggioni ; video director, Brian Large.
Hamburg : Deutsche Grammophon, Long Beach, Calif. : Pioneer Classics, c2007, c1984.
Notes: Opera in 4 acts; libretto adapted by Tito Ricordi from the play by Gabriele d'Annunzio.
Performers: Renata Scotto, Placido Domingo, Cornell MacNeil.
Sung in Italian ; with English, German, French, Spanish and Chinese subtitles.
MICROFORMS
None received
THESES / SPECIAL STUDIES
Sako, Ikuno
The importance of Louis Niedermeyer in the reform of nineteenth-century church music in France.
Thesis (Ph.D)--University of Melbourne, Faculty of Music, 2007.
TH-295