New Materials for February 2009
Books | Collected Editions | Music Scores | Sound Recordings | Videos | Microforms | Theses
NEW BOOKS
Rare Matierals | Reference Collection | General Book Collection
Rare Materials
UniM Music UniM Music RB Q B415 WE9.2.
Beethoven, Ludwig van, 1770-1827.
F{u00FC}r Pianoforte und Orchester [music] / [Beethoven].
Leipzig : Breitkopf & H{u00E4}rtel, [1865?].
1 score (252 p.) ; 34 cm.
Contents: Concert für Piano, Violine und Violoncell, op. 56, in C -- Cadenzen zu den Pianoforte-Concerten -- Phantasie mit Chor, op. 80, in B -- Rondo in B -- Pianofortestimme zu dem Violin-Concert, op. 61, in D.
UniM Music UniM Music RB E C186 NO.1.
Campagnoli, Bartolomeo, 1751-1827.
A new and progressive method on the mechanism of violin playing [music] :
divided into 4 parts ... and consisting of 132 progressive lessons for two
violins, and 113 studies for one violin only, op. 21 / composed ... by B.
Campagnoli ; translated from the original by John Bishop.
London : R. Cocks & Co., [1856 or later].
15, [ii]p. of text, 131p. of music : 2 leaves of plates ; 34cm.
At foot of each plate: "Drawn for Robert Cocks & Co's edition of Campagnoli's Method for the Violin translated by John Bishop."
UniM Music UniM Music RB N SEL.2.
Corelli, Arcangelo, 1653-1713.
Corelli's celebrated [1st] concerto [music] : as performed by Mr. Cramer at the Ancient Concert Tottenham Street, and at the Hanover Square Concert / adapted for the organ, harpsichord, or piano forte by Thomas Billington, opera IX [sic].
London : Printed for Mr Billington and to be had at his house, No. 24 Charlotte Street ..., [1795?].
7 p. of music ; 31 cm.
With figured bass.
Number of concerto within set supplied in ms.
Price 1s.6.
Arrangement of Corelli's op. 6 no 1.
Advertisement for other works and arrangements by Billington at foot of t.p., concluding : "NB. Corelli's Concertos to be continued till the 12 are complete."
RISM, C 3891.
Marx. Corelli, Anh. III:11.
UniM Music UniM Music RB N SEL.2.
Corelli, Arcangelo, 1653-1713.
Corelli's celebrated [2d] concerto [music] : as performed by Mr. Cramer at the Ancient Concert Tottenham Street, and at the Hanover Square Concert / adapted for the organ, harpsichord, or piano forte by Thomas Billington, opera IX [sic].
London : Printed for Mr Billington and to be had at his house, No. 24 Charlotte Street ..., [1795?].
P. 8-11 of music ; 31 cm.
With figured bass.
Number of concerto within set supplied in ms.
Price 1s.6.
Arrangement of Corelli's op. 6 no 2.
Advertisement for other works and arrangements by Billington at foot of t.p., concluding : "NB. Corelli's Concertos to be continued till the 12 are complete."
RISM, C 3891.
Marx. Corelli, Anh. III:11.
UniM Music RB N SEL.2.
Corelli, Arcangelo, 1653-1713.
Corelli's celebrated [3d] concerto [music] : as performed by Mr. Cramer at the Ancient Concert Tottenham Street, and at the Hanover Square Concert / adapted for the organ, harpsichord, or piano forte by Thomas Billington, opera IX [sic].
London : Printed for Mr Billington and to be had at his house, No. 24 Charlotte Street ..., [1795?].
P. 12-15 of music ; 31 cm.
With figured bass.
Number of concerto within set supplied in ms.
Price 1s.6.
Arrangement of Corelli's op. 6 no 3.
Advertisement for other works and arrangements by Billington at foot of t.p., concluding : "NB. Corelli's Concertos to be continued till the 12 are complete."
RISM, C 3891.
Marx. Corelli, Anh. III:11.
UniM Music RB N SEL.2.
Corelli, Arcangelo, 1653-1713.
Corelli's celebrated [4th] concerto [music] : as performed by Mr. Cramer at the Ancient Concert Tottenham Street, and at the Hanover Square Concert / adapted for the organ, harpsichord, or piano forte by Thomas Billington, opera IX [sic].
London : Printed for Mr Billington and to be had at his house, No. 24 Charlotte Street ..., [1795?].
P. 16-19 of music ; 31 cm.
With figured bass.
Number of concerto within set supplied in ms.
Price 1s.6.
Arrangement of Corelli's op. 6 no 4.
Advertisement for other works and arrangements by Billington at foot of t.p., concluding : "NB. Corelli's Concertos to be continued till the 12 are complete."
RISM, C 3891.
Marx. Corelli, Anh. III:11.
UniM Music RB N SEL.2.
Corelli, Arcangelo, 1653-1713.
Corelli's celebrated [7th] concerto [music] : as performed by Mr. Cramer at the Ancient Concert Tottenham Street, and at the Hanover Square Concert / adapted for the organ, harpsichord, or piano forte by Thomas Billington, opera IX [sic].
London : Printed for Mr Billington and to be had at his house, No. 24 Charlotte Street ..., [1795?].
P. 31-33 of music ; 31 cm.
With figured bass.
Number of concerto within set supplied in ms.
Price 1s.6.
Arrangement of Corelli's op. 6 no 7.
Advertisement for other works and arrangements by Billington at foot of t.p., concluding : "NB. Corelli's Concertos to be continued till the 12 are complete."
RISM, C 3891.
Marx. Corelli, Anh. III:11.
UniM Music RB N SEL.2.
Corelli, Arcangelo, 1653-1713.
Corelli's celebrated [8th] concerto [music] : as performed by Mr. Cramer at the Ancient Concert Tottenham Street, and at the Hanover Square Concert / adapted for the organ, harpsichord, or piano forte by Thomas Billington, opera IX [sic].
London : Printed for Mr Billington and to be had at his house, No. 24 Charlotte Street ..., [1795?].
P. 34-39 of music ; 31 cm.
With figured bass.
Number of concerto within set supplied in ms.
Price 1s.6.
Arrangement of Corelli's op. 6 no 8.
At head of p. 34: "NB. This Concerto was Compos'd for the Celebration of the
Nativity."
Advertisement for other works and arrangements by Billington at foot of t.p., concluding : "NB. Corelli's Concertos to be continued till the 12 are complete."
RISM, C 3891.
Marx. Corelli, Anh. III:11.
UniM Music RB N SEL.2.
Corelli, Arcangelo, 1653-1713.
Corelli's celebrated [9th] concerto [music] : as performed by Mr. Cramer at the Ancient Concert Tottenham Street, and at the Hanover Square Concert / adapted for the organ, harpsichord, or piano forte by Thomas Billington, opera IX [sic].
London : Printed for Mr Billington and to be had at his house, No. 24 Charlotte Street ..., [1795?].
P. 42-45 of music ; 31 cm.
With figured bass.
Number of concerto within set supplied in ms.
Price 1s.6.
Arrangement of Corelli's op. 6 no 9.
Advertisement for other works and arrangements by Billington at foot of t.p., concluding : "NB. Corelli's Concertos to be continued till the 12 are complete."
RISM, C 3891.
Marx. Corelli, Anh. III:11.
UniM Music RB N SEL.2.
Corelli, Arcangelo, 1653-1713.
Corelli's celebrated [10th] concerto [music] : as performed by Mr. Cramer at the Ancient Concert Tottenham Street, and at the Hanover Square Concert / adapted for the organ, harpsichord, or piano forte by Thomas Billington, opera IX [sic].
London : Printed for Mr Billington and to be had at his house, No. 24 Charlotte Street ..., [1795?].
P. 46-50 of music ; 31 cm.
With figured bass.
Number of concerto within set supplied in ms.
Price 1s.6.
Arrangement of Corelli's op. 6 no 10.
Advertisement for other works and arrangements by Billington at foot of t.p., concluding : "NB. Corelli's Concertos to be continued till the 12 are complete."
RISM, C 3891.
Marx. Corelli, Anh. III:11.
UniM Music RB N SEL.2.
Corelli, Arcangelo, 1653-1713.
Corelli's celebrated [VIth] concerto [music] : as performed by Mr. Cramer at the Ancient Concert Tottenham Street, and at the Hanover Square Concert / adapted for the organ, harpsichord, or piano forte by Thomas Billington, opera IX [sic].
London : Printed for Mr Billington and to be had at his house, No. 24 Charlotte Street ..., [1795?].
P. 26-30 of music ; 31 cm.
With figured bass.
Number of concerto within set supplied in ms.
Price 1s.6.
Arrangement of Corelli's op. 6 no 6.
Advertisement for other works and arrangements by Billington at foot of t.p., concluding : "NB. Corelli's Concertos to be continued till the 12 are complete."
RISM, C 3891.
Marx. Corelli, Anh. III:11.
UniM Music RB N SEL.2.
Corelli, Arcangelo, 1653-1713.
Corelli's celebrated [Vth] concerto [music] : as performed by Mr. Cramer at the Ancient Concert Tottenham Street, and at the Hanover Square Concert / adapted for the organ, harpsichord, or piano forte by Thomas Billington, opera IX [sic].
London : Printed for Mr Billington and to be had at his house, No. 24 Charlotte Street ..., [1795?].
P. 20-24 of music ; 31 cm.
With figured bass.
Number of concerto within set supplied in ms.
Price 1s.6.
Arrangement of Corelli's op. 6 no 5.
Advertisement for other works and arrangements by Billington at foot of t.p., concluding : "NB. Corelli's Concertos to be continued till the 12 are complete."
RISM, C 3891.
Marx. Corelli, Anh. III:11.
UniM Music RB N SEL.2.
Corelli, Arcangelo, 1653-1713.
Corelli's celebrated [XIIth] concerto [music] : as performed by Mr. Cramer at the Ancient Concert Tottenham Street, and at the Hanover Square Concert /
adapted for the organ, harpsichord, or piano forte by Thomas Billington, opera IX [sic].
London : Printed for Mr Billington and to be had at his house, No. 24 Charlotte Street ..., [1795?].
P. 53-57 of music ; 31 cm.
With figured bass.
Number of concerto within set supplied in ms.
Price 1s.6.
Arrangement of Corelli's op. 6 no 12.
Advertisement for other works and arrangements by Billington at foot of t.p., concluding : "NB. Corelli's Concertos to be continued till the 12 are complete."
RISM, C 3891.
Marx. Corelli, Anh. III:11.
UniM Music RB N SEL.2.
Corelli, Arcangelo, 1653-1713.
Corelli's celebrated [XIth] concerto [music] : as performed by Mr. Cramer at the Ancient Concert Tottenham Street, and at the Hanover Square Concert / adapted for the organ, harpsichord, or piano forte by Thomas Billington, opera IX [sic].
London : Printed for Mr Billington and to be had at his house, No. 24 Charlotte Street ..., [1795?].
P. 49-52 of music ; 31 cm.
With figured bass.
Number of concerto within set supplied in ms.
Price 1s.6.
Arrangement of Corelli's op. 6 no 11.
Advertisement for other works and arrangements by Billington at foot of t.p., concluding : "NB. Corelli's Concertos to be continued till the 12 are complete."
RISM, C 3891.
Marx. Corelli, Anh. III:11.
UniM Music RB A C998 AIR.1.
Czerny, Carl, 1791-1857.
24 airs populaires en rondeaux, op. 609, No. 9, Air de Corradino de Rossini
[music] / par Charles Czerny.
Bonn : N. Simrock, [1841?].
5 p. of music ; 33 cm.
Theme from Rossini's Matilde di Shabran, sometimes given as Corradino. Cf.
Loewenberg. Annals of opera.
Engraved.
UniM Music RB N SEL.2.
Geminiani, Francesco, 1687-1762.
Geminiani's, celebrated six concertos [music] : as perform'd by Mr. Cramer
before their Majesties at the Antient Concert Tottenham Street, and at the
Hanover Square Concert : adapted for the harpsichord, organ, or piano-forte [Op 2].
London : Printed for G. Goulding, [1788?].
31 p. of music ; 31 cm.
With figured bass.
Op. no. of set supplied in ms.
Price 7/6.
Arrangement of Geminiani's op. 2.
RISM, G 1464.
UniM Music RB N SEL.2.
Geminiani, Francesco, 1687-1762.
Geminiani's, celebrated six concertos [music] : as perform'd by Mr. Cramer
before their Majesties at the Antient Concert Tottenham Street, and at the
Hanover Square Concert : adapted for the harpsichord, organ, or piano-forte [Op 3].
London : Printed for G. Goulding, [1788?].
33 p. of music ; 31 cm.
With figured bass.
Op. no. of set supplied in ms.
Price 7/6.
Arrangement of Geminiani's op. 3.
RISM, G 1476.
UniM Music RB N SEL.2.
Handel, George Frideric, 1685-1759.
From the Vocal Works of Handel [music] / arranged with a separate Accompaniment, for the Organ or Pianoforte, by Dr. John Clarke of Cambridge.
London : Printed by Whitaker & Comp.y, [between 1819 and 1824?].
1 vocal score (12 p.) ; 31 cm.
Originally for chorus (SSAATBB) and orchestra ; acc. arr. for organ or piano.
UniM Music RB N SEL.2.
Havergal, W. H. (William Henry), 1793-1870.
The admired Missionary hymn [music] / written by the Right Revd. Reginald, Lord Bishop of Calcutta ; and set to music for voices & the organ or piano forte.
London : Printed for the composer by Paine & Hopkins ..., and sold by L.B.
Seeley & Son, [1824?].
1 short score (8 p.) ; 31 cm.
For solo voices (TrTB), chorus and organ or piano.
Short score with the treble and bass voices incorporated in the keyboard part and the tenor voice on a stave above.
UniM Music RB N SEL.2.
Haydn, Joseph, 1732-1809.
Representation of Chaos [music] / [J. Haydn ; arr. M. Clementi].
[London : Clementi, Banger, Collard, Davis & Collard, 1817].
3 p. of music ; 31 cm.
Caption title.
"Skarratt Sculp" -- foot of p. 2.
Watermark: 1817.
Not in RISM. Apparently printed from the plates of the 1801 vocal score
published by Longman, Clementi & Co. Cf. Hoboken and RISM H 4658, H 4659 and
4662.
Hoboken. Haydn, Bd. 2, p. 41.
UniM Music RB Q H415 SY91.1.
Haydn, Joseph, 1732-1809.
Sinfonieen für orchester. No. 1 (op. 66) [music] / componirt von Joseph Haydn.
Offenbach a/M : bei Joh. André, [1860?].
1 miniature score (60 p.) ; 27 cm.
UniM Music RB A H415 SO52.1.
Haydn, Joseph, 1732-1809.
Sonate pour le piano-forte, oeuvre 99 [music] / composée par J. Haydn.
Bonn : Chez N. Simrock, [1800].
15 p. of music ; 33 cm.
Hoboken, p. 780.
RISM, H 3967.
UniM Music RB A H512 DR.1.
Henkel, Heinrich, 1822-1899.
Dreissig Klavierstü cke für die Jugend [music] / von Heinrich Henkel.
Offenbach a/M : ei Joh. André, [1864?].
15 p. of music ; 32 cm.
Introductory Remarks in German and English -- p. [3].
UniM Music RB N SEL.2.
Kent, James, 1700-1776.
James Kent's admired anthem for two voices, Hear my prayer [music] / arranged with an accompaniment for the piano forte, by J. Addison.
London : Published by Goulding & D'Almaine, [between 1823 and 1834].
1 score (9 p.) ; 31 cm.
For solo voices (TrTr) chorus (SATB) and figured bass (realized for piano or
organ).
UniM Music RB N SEL.2.
King, M. P. (Matthew Peter), 1773-1823.
Eve's lamentation [music] : sung by Miss Stephens in the oratorio of the
Intercession / the poetry by Milton ; the music by M.P. King.
London : Published by Preston, [1822 or later].
1 score (5 p.) ; 31 cm.
For voice and organ or piano.
Text taken from Milton's Paradise lost.
UniM Music RB K M939 NO.1.
Mozart, Wolfgang Amadeus, 1756-1791.
No. [4-6] des dix principaux quatuors pour deux violons, alto & violoncelle
[music] / composés par W. A. Mozart.
Offenbach s/m : chés J. André, [1800].
[4] parts ; 33 cm.
"Edition faite d'apr{u00E8}s la partition en manuscrit."
RISM, M 6124.
K{u00F6}chel 6, p. 458, 502, 504.
UniM Music RB GF N477 TR.1.
Neubauer, Franz Christoph, 1750-1795.
Trois duos pour deux violons, oeuvre 14 liv. I [music] / par F. Neubaur.
Maience : Schott, [1808?].
2 parts (9 p. each) ; 35 cm.
Contents:
Duo I [C major] -- Duo II [G major] -- Duo III [D major].
RISM, N 474.
UniM Music RB N SEL.2.
Nixon, H. G. (Henry George), 1796-1849.
Organ themes, a series of the most favorite subjects, from the celebrated
compositions of Arne, Beethoven, Boyce ... [music] / arranged as soft
voluntaries for the organ by H.G. Nixon. No. 35.
London : Munro & May, [ca. 1840].
P. 138-141 of music ; 31 cm.
Arrangements of the initial Theme from Beethoven's Piano sonata no. 12, the
opening part of the 2nd movement Of Haydn's Symphony no. 99 and the duet "Ev'ry joy that wisdom knows" from Handel's Solomon.
Contents: Thema - taken from a Grand funeral march / Beethoven -- Thema from the 10th
Symphony / Haydn -- Ev'ry joy that wisdom knows, Solomon / Handel.
UniM Music RB N SEL.2.
Nixon, H. G. (Henry George), 1796-1849.
Select movements from the sacred works of Handel, Haydn and Mozart [music] /
arranged as voluntaries for the organ by H.G. Nixon. No. 2.
London : Goulding & D'Almaine, [between 1823 and 1834].
7 p. of music ; 31 cm.
Arrangements of the last part of the Gloria of the spurious "Mozart's Twelfth
Mass" and the first part of the Credo of Haydn's "Theresienmesse".
Contents: From Mozart's Mass No. 12 -- From Haydn's Mass No. 16.
UniM Music RB N SEL.2.
Novello, Vincent, 1781-1861.
The infant's prayer [music] / the words by a lady, as sung by Mrs. Wm. Knyvett, and Madm. Stockhausen, at the musical festivals, &c. &c. Also sung by Miss Clara Novello, the music composed ... by Vincent Novello.
London : J. Alfred Novello, [1835?].
1 score (5 p.) : ill. ; 31 cm.
For voice and organ or piano.
The author of the words is identified in later eds. as "Mrs Vincent Novello."
UniM Music RB N SEL.2.
Sampieri, Nicolà.
Mr. Sampieri's Fuga [music] : for the organ or piano-forte.
[London : s.n.] To be sold at 73 Hay-Market, [between 1800 and 1820?].
3 p. of music ; 31 cm.
Caption title.
Price added in ms. "1 sh".
Not in RISM.
UniM Music RB N SEL.2.
Select organ pieces, from the masses, motetts, and other sacred works of Mozart, Haydn, Beethoven, Cherubini, Hummel ... and other classical composers ... No. 6 [music] / arranged ... by Vincent Novello.
London : Jos. Alfred Novello, [1830?].
7 p. of music ; 31 cm.
Additional pagination top centre: (35)-(41).
Contents: The last chorus in The Mount of Olives / Beethoven -- Gluck's March in Alceste.
UniM Music RB N SEL.2.
Select organ pieces, from the masses, motetts, and other sacred works of Mozart, Haydn, Beethoven, Cherubini, Hummel ... and other classical composers ... No. 36 [music] / arranged ... by Vincent Novello.
London : Jos. Alfred Novello, [1830?].
8 p. of music ; 36 cm.
Additional pagination top centre: (37)-(44).
The attribution of the 2nd work is spurious; probably by Vanhal. The 3rd work is arranged from Novello's own adaptation with Latin words of a chorus from an oratorio in Italian.
Contents:
Benedictus, Treble solo, from the Tenth Mass / Mozart -- Cum sancto spiritu,
Choral fugue, from the Thirteenth Mass / Mozart -- Gaudet chorus coelestium,
choral fugue, from the Evening Service, Book 12 ... from Haydn's M.S. Oratorio "Il Ritorno di Tobia."
UniM Music RB N SEL.2.
A series of voluntaries for the organ [music] / selected from the celebrated
masses of Haydn [et al.] adapted for the use of the established church service by J.C. Nightingale. No. 2.
London : Monro & May, [183-?].
P. 6-9 of music ; 36 cm.
Contents:
Andante, from a mass by Casali -- Spiritoso, from a mass by Pergolesi.
UniM Music RB N SEL.2.
Six sacred airs, or, Sunday recreations [music] / arranged from the works of
Handel and Haydn for the piano forte ... by George A. Franks. Book 1.
London : Mori & Lavenu, [1831].
7 p. of music ; 36 cm.
Contents:
No. 1. The marv'lous work : chorus from the Creation / Dr. Haydn -- No. 2. Wise men flatt'ring : from Judas Maccabeus / by G.F. Handel -- No. 3. With verdure clad : from the Creation / Dr. Haydn.
Reference Books
UniM Music REF 016.78092 BART/ LAMP NOT FOR LOAN
UniM Music CD 6314
Lampert, Vera.
Folk Music in Bartok's Compositions : a source catalog ; Arab, Hungarian, Romanian, Ruthenian, Serbian, and Slovak Melodies.
Budapest [München]: Hungarian Heritage House ; Henle [distributor], 2008.
General Books
UniM Music 787.870973 BROO
Brookes, Tim.
Guitar : An American Life / 1st ed.
New York: Grove Press, 2005.
"Shortly before his fiftieth birthday, baggage handlers destroyed Tim Brookes's guitar, his traveling companion of twenty-two years. His wife promised on the spot to replace it with the guitar of his dreams, but Tim discovered that a dream guitar is built, not bought." "He set out to find someone to make him the perfect guitar - a quest that ended up a dirt road in the Green Mountains of Vermont, where an amiable curmudgeon master-guitar-maker, Rick Davis, took a rare piece of cherry wood and went to work with saws, rasps, and files." "When Tim wasn't breathing over Rick's shoulder, he was trying to unravel the symbolic associations a guitar holds for so many of us, musicians and nonmusicians alike. His quest took him across the country, talking to historians, curators, guitar makers, and guitarists."
"Arriving with conquistadors and the colonists, the guitar has been in an extraordinary variety of hands: those of miners and society ladies, lumberjacks and presidents' wives, Hawaiians, African-Americans, Cajuns, spiritualists, communists, and singing cowboys of the silver screen. Inventors and crackpots tinkered with it, introduced electricity, and a humble folk instrument became the basis of a musical revolution. In time it became America's instrument, and the rhythm of its sound track."--BOOK JACKET.
UniM Music 783.007 EMMO
Emmons, Shirlee, and Stanley Sonntag.
The Art of the Song Recital.
Prospect Heights, Ill.: Waveland Press, 2002.
UniM Music 780.5 KOLL/ AFC
Kassler, Michael, and Augustus Frederic Christopher Kollmann.
A.F.C. Kollmann's Quarterly Musical Register (1812) : An Annotated Edition with an Introduction to His Life and Works.
Aldershot, England ; Burlington, VT: Ashgate, 2008.
Contents: I. Introduction to Kollmann's Life and Works -- 1. Kollmann in Germany (1756-1782) -- 2. The Personal Union of Great Britain and Hannover -- 3. The German Chapel at St James's Palace -- 4. Kollmann's Work for the German Chapel -- 5. Marriage (1783) -- 6. First Publication -- 7. Kollmann and the New Musical Fund -- 8. Collaboration With Johann Wilhelm Habler (1791-1792) -- 9. An Introduction to the Art of Preluding (1792) -- 10. An Essay on Musical Harmony (1796) -- 11. Three Theoretico-Practical Works (1796-1798) -- 12. An Essay on Practical Musical Composition (1799) -- 13. The Proposed Edition of Bach's '48' -- 14. Meeting With Johann Anton Andre (1800) -- 15. The First Practical Guide to Thorough-Bass (1801) -- 16. Changes at the German Chapel -- 17. Public Performances by Kollmann's Children (1804-1806) -- 18. Development and Publication of a New Theory (1803-1806) -- 19. Kollmann and La Belle Assembliee (1806-1807) -- 20. A Second Practical Guide to Thorough-Bass (1807-1808) -- 21. Theoretico-Practical Works Illustrating a New Theory (1809-1810) -- 22. George Kollmann's Published Compositions (1808-1812) -- 23. Years After the Quarterly Musical Register (1812-1823) -- 24. The American Edition of an Essay on Musical Harmony (1817) -- 25. Controversy With John Bernard Logier (1821-1824) -- 26. George Kollmann's Piano Patent (1825) -- 27. Kollmann's Last Years (1823-1829) -- 28. Activities of Kollmann's Children (1829-1840) -- 29. Downfall of George and Joanna (1840-1849) -- 30. The Sale of Kollmann's Library (1877) -- II. The Quarterly Musical Register -- 1. The Purpose of the Quarterly Musical Register -- 2. The First Number (January 1812) -- 3. The Second Number (1 April 1812) -- 4. The Projected Third Number -- Facsimile of the Quarterly Musical Register -- Contents of the First Number -- Contents of the Second Number and the Projected Third Number -- 5. Notes to the Text of the Quarterly Musical Register -- III. Source Documents -- 1. Kollman's c1823 Autobiography -- 2. Literary, Musical and Artistic Works by A. F. C. Kollmann -- 3. Literary and Musical Works by George Kollmann -- 4. Calendar of Correspondence of the Kollmann Family.
UniM Music 782.42168 KIMB
Kimball, Carol.
Song : A Guide to Art Song Style and Literature / Rev. ed.
Milwaukee, WI: Hal Leonard, 2006.
UniM Music 615.85209586 KOEN
Koen, Benjamin D.
Beyond the Roof of the World : Music, Prayer, and Healing in the Pamir Mountains.
Oxford ; New York: Oxford University Press, 2009.
Contents: Language, Pronunciation, and Transliteration -- 1. Medical Ethnomusicology and the Ontology of Oneness -- 2. The Five Factors of Music, Prayer, Health, and Healing -- 3. Music-Prayer Dynamics and Cognitive Flexibility -- 4. Soundscape and Musical-Spiritual Entrainment -- 5. Healthscape, Mystical Poetry, and Multimodal Healing -- 6. Transformative Meaning in Sound, Empowered Sound in Culture -- 7. Human Certainty Principle, of Science, Spirituality, and Experience.
"Western medicine has conventionally separated music, science, and religion into distinct entities, yet traditional cultures throughout the world have always viewed music as a bridge that connects and balances the physical with the spiritual to promote health and healing. As people in even the most technologically advanced nations across the globe struggle with obtaining affordable and reliable healthcare, more and more people are now turning to these ancient cultural practices of holistic and ICAM healing (integrative, complementary, and alternative medicine)." "Beyond the Roof of the World convincingly demonstrates the relevance of medical ethno-musicology in light of the globally spreading ICAM approaches to health and healing. Revealing the Western separation of healing from spiritual, and musical practices as a culturally determined phenomenon, Benjamin D. Koen confirms their underlying unity. In a place poetically known as the Roof of the World, the culture found within the towering Pamir Mountains of Badakhshan Tajikistan serves as the paradigm of ICAM healing practices. Koen's extensive research and immersion into the Badakhshani culture provides a well-balanced "insider" perspective while maintaining an "observer's" view, as he effectively bridges the widespread gaps between ethnomusicology, health science, and music therapy. Moving beyond the paradigm of the Pamir Mountains to reach out to cultures across the globe, Koen infuses scholarship with lived experience and applied practice as he shows spirituality and musicality to be intimately intertwined with one's physical life, health, and healing."--BOOK JACKET.
UniM Music 786.7 LABE
LaBelle, Brandon.
Background Noise : Perspectives on Sound Art.
New York: Continuum International, 2006.
UniM Music 783.207 MCKI
UniM Music CD 10477 disc
McKinney, James C.
The Diagnosis & Correction of Vocal Faults : A Manual for Teachers of Singing and for Choir Directors / Reissue with acc. compact disc. ed.
Long Grove, Il.: Waveland Press, 2005.
Accompanying CD contains examples of vocal faults.
Contents:
Diagnosing vocal faults -- A basic approach to vocal sound -- Posture -- Breathing and support -- Phonation -- Registration -- Voice classification -- Resonation -- Articulation -- The speaking voice -- Coordination.
UniM Music 780.92 MESS/ OLIV
Olivier Messiaen, Homme De Foi : Regard Sur Son Oeuvre D'orgue.
Paris: Trinité Média Communications, 1995.
UniM Music 861.1 COBR
Parkinson, Stephen, and Modern Humanities Research Association.
Cobras E Son : Papers on the Text, Music and Manuscripts of the 'Cantigas De Santa Maria'.
Oxford: Legenda, 2000.
Papers and discussions from a colloquium held in July 1994 in Somerville College, Oxford.
Contents: 1. Introduction / Stephen Parkinson -- 2. Andalusian Music and the Cantigas de Santa Maria / Manuel Pedro Ferreira -- 3. Problems of Genre Definition: The Cantigas de Santa Maria in the Conext of the Romance Lyric Tradition / Mary O'Neill -- 4. The Rhythmic Organization of the Cantigas de Santa Maria / David Wulstan -- 5. Discussion: Editing the Cantigas de Santa Maria -- 6. En torno al Arbol de Jese (Siglos XI-XIII): Tres ejemplos en las Cantigas de Santa Maria / Ana Dominguez Rodriguez -- 7. Belleza y 'Weltanschauung' en las Cantigas de Santa Maria / Susana Zapke -- 8. Primo contributo all'analisi delle varianti redazionali nelle Cantigas de Santa Maria / Valeria Bertolucci Pizzorusso -- 9. Algunas precisiones acerca de la puntuacion de las Cantigas de Santa Maria / Jesus Montoya Martinez -- 10. Layout and Structure of the Toledo Manuscript of the Cantigas de Santa Maria / Stephen Parkinson -- 11. The Compilation of the Cantigas of Alfonso el Sabio / David Wulstan -- 12. The 'Evolution' of the Cantigas de Santa Maria: The Relationships between MSS T, F, and E / Martha E. Schaffer -- 13. Round Table: The Manuscripts of the Cantigas de Santa Maria.
UniM Music 781.5409045 SPEN
Shepard, Philip.
What the Fach?! : The Definitive Guide for Opera Singers Auditioning and Working in Germany, Austria and Switzerland.
[Juneau, Alaska]: Philip Shepard Press : [Distributed by] Lulu.com, 2008.
Contents: 1. How good are your goods? -- 2. It's all in the preparation -- 3. Me write agents and theaters real good with real neat publicity materials in German -- 4. I'm gonna need a sugar daddy -- 5. Planes, trains, and automobiles (and buses and bicycles and S-Bahns) -- 6. Your trip over and arrival to the mother continent -- 7. Agents and theaters: they love you, they hate you, they love you... -- 8. You're hired (you like me, you really like me!) -- 9. Taxes and Kindergeld (Money for the kids) -- 10. Pot luck dinner -- 11. Interviews: you think I'm full of crap? Then read what my colleagues have to say -- 12. NYIOPS: never heard of them? Where have you been? -- 13. All in the family: life in an ensemble -- Phrase book and dictionary -- Web sites and documents -- Resources.
UniM Music 781.5409045 SPEN
Spencer, Kristopher.
Film and Television Scores, 1950-1979 : a Critical Survey by Genre.
Jefferson, N.C.: McFarland & Co., 2008.
Contents: 1. Crime jazz and felonious funk -- 2. Spy symphonies -- 3. Sexploitation serenade -- 4. Staccato six-guns -- 5. Sci-fidelity and the superhero spectrum -- 6. A fearful earful -- 7. Rockin' revolution.
"Hollywood film scores underwent a supersonic transformation from the 1950s through the 1970s. This genre-by-genre overview of film and television soundtrack music covers a period of tremendous artistic and commercial development in the medium. Film and television composers bypassed the classical tradition favored by earlier screen composers to experiment with jazz, rock, funk and avant-garde styles. This bold approach brought a rich variety to film and television productions that often took on a life of its own through records and CDs. From Bernard Herrmann to Ennio Morricone, the composers of the "Silver Age" changed the way movie music was made, used, and heard. The book contains more than 100 promotional film stills and soundtrack cover art images."--BOOK JACKET.
COLLECTED EDITIONS
UniM Music CE 780.81 BACH I/10.2 UniM Music CE 780.941 MUSI v.87 UniM Music CE 787.2193 VIOL v.1-2, 4-6 NOT FOR LOAN UniM Music CE 780 DOCU II/40 facs. NOT FOR LOAN UniM Music CE 780.81 JOSQ v.17 NOT FOR LOAN UniM Music CE 780.9033 RECE v.72 UniM Music CE 780.81 ROSS I/16/1-2 UniM Music CE 780.81 SCHO NOT FOR LOAN UniM Music CE 780.81 SIBE I/2 NOT FOR LOAN UniM Music CE 780.81 VIVA v.1-4 NOT FOR LOAN UniM Music Score FA C7827 FA.1. UniM Music Score FA J523 DIV.1. UniM Music Score FA J523 AIR.1. UniM Music Score FA N6277 WHE.1. UniM Music Score FA S614 DU.1. UniM Music Score GG S6178 TR2.1. UniM Music Score GG S654 THR.1. UniM Music Score GG S713 LEC.1. UniM Music Score GG S9112 ROS.1. UniM Music Score GG S9112 VOC.1. UniM Music CD 5037 disc UniM Music Score GG Y87 PAL.1. UniM Music CD 10152. UniM Music CD B 4545. UniM Music CD 10329. None received UniM Music DVD 330. None received None received
Bach, Carl Philipp Emanuel, 1714-1788.
Arrangements of orchestral works II : The complete works / Carl Philipp Emanuel Bach ; [general editors, Darrell M. Berg, Ulrich Leisinger, Peter Wollny].
Los Altos, Calif. : Packard Humanities Institute, 2005-
Contents :Ser. I. Keyboard music / general editor, Darrell M. Berg
Dering, Richard, and Jonathan Wainwright.
Motets for One, Two or Three Voices and Basso Continuo.
London: Published for the Musica Britannica Trust [by] Stainer and Bell, 2008.
Musica Britannica, 87.
Pref. in English, French and German; introd. and critical report in English.
Contents: Motets printed in Playford's Cantica sacra : (1662). Ardens est cor meum ; Canite Jehovae canticum novum ; Beatus vir qui inventus est ; O bone Jesu ; Duo seraphin clamabant ; Justus cor suum tradidit ; Gaudent in caelis animae Sanctorum ; Gratias tibi Deus ; Veni electa mea Cicilia ; Sancta et immaculata virginitas ; O Domine Jesu Christe, adoro te ; Conceptio tua Dei genitrix virgo ; Miserere mei Deus ; Ego dormio et meum vigilat ; Vulnerasti cor meum ; Panis angelicus fit panis hominum ; Laetamini cum Maria ; Cantante Dominum canticum nocum ; O quam suavis est, Domine ; Isti sunt sancti ; Justus germinabit sicut lilium ; Qualis est dilectus tuus ; O lux et decus Hispaniae ; Gloria Patri -- Motets printed in Playford's Cantica sacra-- The second set (1674). O Domine Jesu Christe, adoro te ; Duo seraphin clamabant ; O sacrum convivium ; Tres sunt, qui testimonium dant in caelo ; Ego sum resurrectio ; Laetatus sum ; Hierusalem quae aedificatur ; O crux/Rex ave spes unica -- Motets in manuscript sources. Jesus auctor clementiae ; Anima Christi ; Beatus Laurentius/O felix ecclesia ; Dulcissime Jesu Christe ; Hei mihi Domine ; O sacrum convivium ; Alleluia, gaudeamus ; Confitemini Domini ; Exsultavit cor meum ; O Domine Jesu Christe, miserere mei ; O nomen Jesu ; Tibi laus, tibi gloria ; Veni sponsa Christe -- Incomplete motets. Gloria tibi Trinitas ; Tua Jesu dilectio ; Propitius esto Domine ; Protector noster aspice Deus ; Augustine/O Messia ; Exsultate justi in Domino ; O dulcissime Jesu ; O Maria/O Messia ; Paratum cor meum Deus ; Quemadmodum desiderat cervus ; Si diligis me, Simon Petre ; Te gloriosus Apostolorum.
Fromageot, N., et al.
Violon [Music] : Les Grandes Méthodes Romantiques De Violon. Fac-Similé Jean-Marc Fuzeau.
Courlay, France: J.M. Fuzeau, 2001.
Series: Méthodes & traités ; 9. Série II, France, 1800-1860.
Reprints. Originally published between ca. 1800 and 1857.
Contents: v. 1. Grande méthode ou étude élémentaire pour le violon (2. éd. augmenté de 15 leçons facilles. Paris : Cochet, ca. 1800) ; Les comandemens du violon ; L'art du violon par abonnement (Paris : Cochet) ; Etudes élémentaires du violon (Paris : Cousineau) ; Douze études d'une difficulté progressive : pour le violon (Paris : Viguerie) -- v. 2. Méthode de violon : suivie d'un traité des sons harmoniques en simple et double-cordes (Paris : Aulagnier, 1830) -- v. 3. L'art du violon : nouvelle méthode dédiée à ses élèves (Paris : Imprimerie du Conservatoire de musique, 1834) -- v. 4. Méthode théorique et pratique de violon (Paris : Canaux, 1842) -- v. 5. Ecole du violon : méthode compl&egarve;te et progressive &aagrave; l'usage du Conservatoire (Paris : Schonenberger, 1844) -- v. 6. Méthode de violon : divisée en trois parties (Paris : L'auteur, 1857).
Handel, George Frideric, and Donald Burrows.
Messiah [Music] : Hwv 56 : Autograph, the British Library, London.
Kassel ; London: Bärenreiter, 2008.
Series: Documenta musicologica. Zweite Reihe, Handschriften-Faksimiles ; Bd. 40.
Bärenreiter Facsimile.
Reproduction of the holograph full score, London, British Library, R.M. 20.f.2, and of sketches, Cambridge, Fitzwilliam Museum, MU MS 263.
Commentary in English, German and Japanese.
Josquin, des Prez, d. 1521.
Motets on texts from the Old Testament - New Josquin edition [music] / editorial board : Willem Elders, chairman ; Lawrence F. Bernstein, Howard Mayer Brown, Martin Just ; Herbert Kellman, advisory member.
Utrecht : Vereniging voor Nederlandse Museikgeschiedenis,
Contents v.1. Sources -- v.2. Facsimiles -- v.3-4. Masses based on Gregorian chants [including critical commentary] -- v.5-6. Masses based on secular monophonic songs -- v.7-9. Masses based on secular polyphonic songs [including commentary) / ed. by Barton Hudson -- v.10. Masses based on sacred polyphonic songs -- v.11. Masses based on solmisation themes -- v.12. Canonic masses -- v.13. Mass movements -- v.14-18. Motets on themes from the Old Testament -- v.19-20. Motets on texts from the New Testament <2> v. -- v.21-22. Motets on non-Biblical texts De domino Jesu Christo <2> v. -- v.23-25. Motets on non-Biblical texts De beata Maria virgine -- v.26. Motets on texts Pro diversis temporibus et festis and on miscellaneous texts -- v.27. Secular works for three voices / edited by Jaap van Benthem and Howard Mayer Brown <2> v. -- v.28. Secular works for four voices -- v.29. Secular works for five voices -- v.30. Secular works for six voices. Appendix.
Link, Dorothea, and Francesco Benucci.
Arias for Francesco Benucci : Mozart's First Figaro and Guglielmo.
Middleton, Wis.: A-R Editions, 2004.
Recent researches in the music of the Classical Era, 72.
Contents: Lei comandi, signorina / La sposerò, signore / Quando saprai chi sono / Che ne dici tu, Taddeo?/ Per onor farsi ammazzare / O che tempo depravato : alla Figaro Mongolfier Malbrug / Spirti invisibili / Questo magico abituro / Quattro via quattro sedici / Ah mal aya, a quella mano / Tu fa che intanto uniscasi / L'anno mille settecento/
Rossini, Gioacchino, 1792-1868.
Torvaldo e Dorliska : Edizione critica delle opere di Gioachino Rossini [music].
Pesaro : Fondazione Rossini, 1979-<2007 >
Notes : Each opera score accompanied by a separate "Commento critico".
Contents : Sezione 1. Opere teatrale (v. <6, 9-11, 13, 16 in 2, 18, 19 in 2, 20 in 2, 21 in 9, 22 in 2, 24 in 2, 27 in 2, 34, 35 in 2, 39 in 4>). Commento critico (v. <6, 9-11, 13, 18-22, 24, 27, 30, 34, 35, 39 in 2>) -- Sezione 2. Musiche di scena e cantate (v. <1-3, 5>) -- Sezione 7. Péchés de viellesse (v. <1, 7>)
Schobert, Johann, and Jean-Patrice Brosse.
Sonates En Quatuor [Music] : : Clavecin Avec Accompagnement De Deux Violons Et Basse, Oeuvre Vii, 1764.
Courlay, France: Editions J.M. Fuzeau, 1992.
Series: Fac-Similé Jean-Marc Fuzeau.
Reprint. Originally published: Paris : Bailleux, 1764.
Prefatory matter (35 p.) in English, French, and German includes a catalog of the composer's works and a study of the harpsichord and pianoforte in Paris during the life of the composer.
Sibelius, Jean, 1865-1957.
Symphony no.1, op.39, E minor : Complete works = Sämtliche Werke / Jean Sibelius.
[Helsinki] : Helsinki University LIbrary and the Sibelius Society of Finland ; Wiesbaden : Breitkopf & Härtel, 1998-<2008>
Contents ser. 1. Orchestral works
Vivaldi, Antonio, Michel Giboureau, and Biblioteca nazionale di Torino.
Concerto Pour Flute À Bec, Hautbois, Deux Violons Et Basse [Music] ; Concerto Pour Viole D'amour, Deux Cors, Deux Hautbois, Basson Et Basse ; Concerto Pour Flute À Bec, Hautbois Et Basson.
Courlay, France: Editions J.M. Fuzeau, 1996.
Series: Fac-Similé Jean-Marc Fuzeau.
24 x 33 cm. + 1 booklet (21 p. : facsims. ; 24 x 33 cm.)
Reproduced from the holographs in the Biblioteca nazionale di Torino.
Prefatory material in French with English and German translations.
Contents:
[v. 1]. Concerto pour flute à bec, hautbois, deux violons et basse -- [v. 2]. Concerto pour viole d'amour, deux cors, deux hautbois, basson et basse -- [v. 3]. Concerto pour flute à bec, hautbois et basson -- [v. 4]. Notes.
MUSIC SCORES
Coperario, John, 1570 (ca.)-1626.
Fantasia à 5 [music] : VdGs no. 53 : reconstructed from the Blossom part books : Tr Tr T T B / John Coprario ; reconstructed and edited by Ross W. Duffin.
[England?] : Viola da Gamba Society of Great Britain, c2008.
1 score (5 p.) + 5 parts ; 30 cm.
Divisions on a ground for treble, bass and continuo, nos. 1 & 2, with realized keyboard part [music] : treble viol, bass viol, continuo (organ) / anon. (Jenkins?) ; edited by Andrew Ashbee.
[England?] : Viola da Gamba Society of Great Britain, c2008.
1 score (11 p.) + 3 parts ; 30 cm.
Probably by John Jenkins.
Includes pref. by the editor.
Source: Oxford, Bodleian Library, Ms. Mus. Sch. C.80.
Continuo part realzied for keyboard instrument in score; includes separate
unrealized part.
Jenkins, John, 1592-1678.
9 airs for two trebles and bass [music] : VdGs 85-89, 92, 102, 103 : Tr Tr B / Jenkins ; edited by Andrew Ashbee.
[England?] : Viola da Gamba Society of Great Britain, c2008.
1 score (11 p.) + 3 parts ; 30 cm.
Nicolson, Richard, d. 1639.
When Jesus sat at meat [music] : à 5 : TrTrTTB (SSATB voices) / Richard Nicholson ; edited by Virgina Brookes.
[England?] : Viola da Gamba Society of Great Britain, c2008.
1 score (16 p.) + 5 parts ; 30 cm.
For voices and viols. May be played by viols only.
Score is transposed; parts include transposed version and original pitch.
Includes commentary.
Source: Oxford, Bodleian Library, Mus. Sch. D.212-6.
Simpson, Christopher, d. 1669.
5 duets for division viols [music] : VdGS 24-28 / Christopher Simpson ; [edited by Ian Gaskell].
[England?] : Viola da Gamba Society of Great Britain, c2008.
1 score (17 p.) + 2 parts ; 30 cm.
For bass viols.
Includes editorial note and critical commentary.
Source: Oxford, Bodleian Library, Mus. Sch. C.77.
Sinópoli, A. (Antonio).
Triste no. 2 [music] : aire popular argentino : para guitarra / A.
Sinópoli.
Buenos Aires : Ricordi Americana, [1953].
[2] p. of music ; 32 cm.
Smith, Larry Alan, 1955-
Three contemplations [music] : for solo guitar (1983) / Larry Alan Smith.
Bryn Mawr, Pa. : Merion Music : T. Presser Co., sole representative, c1985.
5 p. of music ; 31 cm.
Duration: ca. 8:00.
Sor, Fernando, 1778-1839.
Vingt-quatre leçons progressives [music] : pour la guitare, op. 31 /
Fernando Sor ; ed. Andrzej Wendland.
Kraków : PWM Edition, 1993.
37 p. of music ; 31 cm.
Strauss, Johann, 1825-1899.
Rosas del sud [music] : vals, op. 338 / J. Strauss ; transcripción para guitarra de N. Casuscelli.
Buenos Aires : Ricordi Americana, c1953.
7 p. of music ; 32 cm.
Strauss, Johann, 1825-1899.
Voces de primavera [music] : vals, op. 410 / Johann Strauss ;
transcripción para guitarra por N. Casuscelli.
Buenos Aires : Ricordi, [1955].
9 p. of music ; 32 cm.
UniM Music F 783.207 VOCA
Vocal Exercises the Ultimate Collection : CD Sheet Music.
Distributed by H. Leonard Corp., [United States]
Milwaukee, WI, 2006.
"Over 3000 pages of music in this disk"--P. 2.
Contents:
Practical singing tutor for all voices, op. 474 / Rhythmical articulation / 36 vocalises in modern style / 12 vocalises, high voice, op. 12 ; 15 vocalises, medium or low voice, op. 12 ; 25 lessons for medium voice 30 ; Daily exercises for high voice, op. 11 ; 30 daily exercises for low voice, op. 11 ; 40 lessons for contralto, op. 17; 50 lessons for high voice, op. 9 ; 50 lessons for low voice, op. 9 ; 50 lessons for medium voice, op. 9 ; The school of sight-singing / Solfege des solfeges / Exercises for soprano or tenor / 29 preparatory vocalises, alto ; 30 preparatory vocalises soprano / Daily exercises in singing ; The Art of singing / Operatic vocalises for high voice ; Vocalises for high voice ; Vocalises for low voice ; Vocalises for medium voice / 20 elementary and progressive vocalises for alto, op. 15 ; 20 elementary and progressive vocalises for medium voice, op. 15 / 24 vocalises for soprano or mezzo-soprano, op. 2 ; 24 vocalises, soprano, op. 3 ; Elementary progressive exercises for the voice, op. 1 :tThe Art of singing, Book 1, op. 21 ; Vocal method, op. 31 / 24 progressive vocalises, op. 85 ; 24 vocalises for alto, baritone, bass, op. 81 ; 24 Vocalises, soprano, mezzo-soprano, tenor ; Vocal ABC / Method of vocalization for soprano and tenor / Gorgheggi e solfeggi / 12 lessons in modern singing for tenor or soprano / The art of singing / 10 easy vocalises for tenor, op. 47 ; 10 vocalises for soprano, op. 44 ; 36 eight-measure vocalises for alto, op. 94 ; 36 eight-measure vocalises for baritone, op. 96 ; 36 eight-measure vocalises for bass, op. 97 ; 36 eight-measure vocalises for mezzo-soprano, op. 93 ; 36 eight-measure vocalises for soprano, op. 92 ; 36 eight-measure vocalises for tenor, op. 95 / Masterpieces for vocalization, soprano, mezzo-soprano / Practical method for high soprano ; Practical method for high voice ; Practical method for soprano, tenor ; Practical method for alto, baritone / An hour of study / Articles from Grove's dictionary of music and musicians, 1911 edition.
System requirements: Windows: Windows 98 or later, 16 MB RAM (24 MB recommended), 10 MB of available hard-disk space ; Macintosh: Apple Power Macintosh or compatible, MAC OS software version 8.6 or later, 4.5 MB of available RAM (6.5 MB recommended), 8 MB of available hard-disk space.
Yradier, Sebastián, 1809-1865.
La paloma [music] : habanera / S. Yradier ; arreglo fácil para guitarra por Antonio Sinópoli.
Buenos Aires : Ricordi Americana, 1955.
[2] p. of music ; 31 cm.
Arranged for guitar.
SOUND RECORDINGS
Cross & crescent [sound recording] : an Opera Rara highlights CD exclusive to readers of Opera.
[London] : Opera Rara, [2008].
1 sound disc : digital, stereo. ; 4 3/4 in.
Opera excerpts.
"Opera"--Label.
This compilation supplied gratis with the volume December 2008 issue of Opera magazine.
Program notes in English in accompanying serial: p. 1414-1418.
Opera Rara : ORO8.
Contents:
Il crociato in Egitto. Introduction / Meyerbeer (9:00) -- Ricciardo e Soraide. Cessi omai quel tuo rigore / Rossini (4:11) -- Soraida di Granata. Rose che un di spiegaste (6:13) ; Emilia di Liverpool. In dura schiavit{u00F9} (10:53) / Donizetti -- Il contestabile di Chester. Ah! partir il voto o ciel / Pacini (11:51) -- Saira. Segui, deh! segui a piangere / Mercadante (4:38) -- Il corsaro. Che intesi! {u00E8} lui che adoro / Pacini (8:34) -- Alternative scena and aria for Rossini's L'assedio di Corinto, Dall'asilo della pace / Costa (11:05) -- Dom Sébastien, roi de Portugal. Seul sur la terre / Donizetti (5:10) -- Ricciardo e Zoraide. Or pi{u00F9} dolci intorno al core / Rossini (2:55):55).
Performers:
Bruce Ford, William Matteuzzi, Paul Nilon, Nelly Miricioiu, Majella Cullagh,
Geoffrey Dolton, Annick Massis, Alan Opie, Laura Polverelli, Giuseppe Filianoti, Alastair Miles, Della Jones, vocalists ; Royal Philharmonic Orchestra ; Academy of St. Martin-in-the-Fields ; Philharmonia Orchestra ; London Philharmonic Orchestra ; Orchestra of the Royal Opera House, Covent Garden ; Geoffrey Mitchell Choir ; David parry, Mark Elder, conductors.
Sung in Italian.
Melba, Nellie, Dame, 1861-1931.
Melba, her first recordings [sound recording].
[London] : Historic Masters, p[2008].
8 sound discs : analog, 78 rpm, mono. ; 12 in. + 1 sound disc (digital : 4 3/4 in.) + 1 booklet (ill. ; 21 x 21 cm.) + 2 leaves (30 cm.).
Title on container: Melba : Dame Nellie Melba : recorded in 1904 at Great
Cumberland Place, London : 78 rpm recordings made from re-discovered, original metal masters.
Title on accompanying CD: Melba, her first recordings : sixteen of her 1904
recordings plus her final recording, December 1926 ... her first recordings.
"Limited ed."
Accompanying CD contains all the music on the 78 rpm recordings plus the 1926 recording.
The "78 rpm" records are recommended to be played at speeds from 68 to 74 rpm, to reproduce the "French pitch" (A=435) preferred by Melba. The CD versions have been transferred accordingly.
Erratum slip inserted, noting that the labels on the sixth record have been
transposed.
Opera arias and songs.
Contents:
NM1a/CD track 1. Nymphes et sylvains / Bemberg -- NM1b/CD 2. Comin' thro' the rye -- NM2a/CD 3. Se saran rose / Arditi -- NM2b/CD 4. Lucia di Lammermoor. Del ciel clemente un riso / Donizetti -- NM3a/CD 5. L'Allegro, il Penseroso ed il Moderato. Sweet bird that shun'st the noise of folly / Handel -- NM3b/CD 6. Good-bye / Tosti -- NM4a/CD 7. Rigoletto. Caro nome / Verdi -- NM4b/CD 8. La Traviata. Sempre libera / Verdi -- NM5a/CD 9. Three green bonnets / Guy d'Hardelot -- NM5b/CD 10. Le Nozze di Figaro. Porgi amor / Mozart -- NM6a/CD 11. Si mes vers avaient des ailes / Hahn -- NM6b/CD 12. La Boh{u00E8}me. Donde lieta usci / Puccini -- NM7a/CD 13. Hamlet. A vos jeux, mes amis / Thomas -- NM7b/CD 14. La serenata / Tosti -- NM8a/CD 15. Mattinata / Tosti -- NM8b/CD 16. La Traviata. Ah, fors' è lui / Verdi -- CD 17 (only). Swing low, sweet chariot / arr. Burleigh (recorded 1926).
Performers:
Nellie Melba, soprano; Landon Ronald, piano accompaniment in some items,
conducting un-named orchestra in some items; Philippe Gaubert, flute in some
items.
Originally recorded in March 1904 by the Gramophone & Typewriter Company on wax masters; the 78 rpm vinyl recordings are taken from the original metal masters in the archive of Deutsche Grammophon in Hannover.
Sung in English, French and Italian.
Undergraduates live! [sound recording].
[Melbourne] : University of Melbourne, 2008.
1 sound disc (CD) : digital, stereo. ; 4 3/4 in.
"In recital: students of the Faculty of Music, Melba Hall Lunch Hour Concert
Series, 2008".
Contents:
Dance music for Elfrid Ide / Cage -- Poème for violin and piano, op. 25 / Chausson -- Le bestiaire. La chèvre du Thibet ; La sauterelle ; Le dauphin ; L'ecrevisse ; La carpe / Poulenc -- In Ireland / Harty -- Rhapsodie espagnole S254 / Liszt -- Villanelle / Dukas -- Murmurs / Annie Hsieh.
Performers:
Percussion Ensemble (1st work) ; Brigid Coleridge, violin ; Elena Mogilevski, piano (2nd work) ; Nicholas Dinopoulos, bass-baritone ; Amir Farid, piano (3rd work) ; Emily Chaffee, flute ; Claire Cooper, piano (4th work) ; Ji Sook Noh, piano (5th work) ; Andrew Young, French horn ; Amir Farid, piano (6th work) ; The Yarra Trio (Holly Piccoli, violin ; Chris Howlett, violoncello ; Stefan Cassomenos, piano) (Last work).
Recorded 2008, in Melba Hall, the University of Melbourne.
World Music discs
VIDEO RECORDINGS
Bellini, Vincenzo, et al.
I Capuleti E I Montecchi Tragedia Lirica in Due Atti / musica di Vincenzo Bellini ; libretto di Felice Romani.
Dynamic, Genova, 2006.
"Version of Teatro alla Scala, 26th December 1830"--Container.
Program notes and synopsis in Italian, English, German and French in container.
Performers: Patrizia Ciofi (Giulietta) ; Clara Polito (Romeo) ; Danil Formaggia (Tebaldo) ; Federico Sacchi (Capellio) ; Nicola Amodio (Lorenzo) ; Bratislava Chamber Chorus ; Orchestra internazionale d'Italia ; Luciano Acocella, conductor.
Festival della Valle d'Itria.
MICROFORMS
THESES / SPECIAL STUDIES