New Materials for March 2009
Books | Collected Editions | Music Scores | Sound Recordings | Videos | Microforms | Theses
NEW BOOKS
Rare Matierals | Reference Collection | General Book Collection
Rare Materials
None received
Reference Books
UniM Music REF 016.7825 GREE
Green, Jonathan D., 1964-
A conductor's guide to nineteenth-century choral-orchestral works.
Lanham, Md. : Scarecrow Press, 2008.
Summary: "A Conductor's Guide to Nineteenth-Century Choral-Orchestral Works, the fifth in Jonathan D. Green's series of books, addresses works of the Romantic era from composers such as Beach, Beethoven, Brahms, Dvorak, Faure, Mendelssohn, Puccini, Saint-Saens, Schubert, Scriabin, and Verdi. Amassed is a varied collection of significant choral-orchestral works arranged by composer." "Each section begins with a brief biographical sketch, including a selected bibliography, then lists the composer's works. Green presents important details of each work: approximate duration, text sources, the voices and instruments required for the performance, editions currently available, and locations of manuscript materials. Green also provides notes and comments on performance issues, as well as solo roles and the level of difficulty of each piece. The sections conclude with a selective discography and bibliography. The information is vital for aiding scholars with research, and helping conductors in choosing repertoire appropriate to their needs and the abilities of their ensembles."--BOOK JACKET.
General Books
UniM Music 780.9 BAKA
Bakan, Michael B.
World music : traditions and transformations.
Published Boston : McGraw-Hill, c2007.
UniM Music F 786.21909 BURN
UniM Music CD 10497
Burnett, Richard.
Company of pianos / Richard Burnett ; with glossary and keyboard chronology by William Dow.
Goudhurst, Kent, England : Finchcocks Press, 2004.
Notes Accompanying compact disc includes recordings of thirty-three instruments from the Finchcocks Collection.
Web information :Table of contents http://www.loc.gov/catdir/toc/fy0605/2006372600.html
UniM Music 786.74 CAMB
The Cambridge companion to electronic music / edited by Nick Collins and Julio d'Escriván.
Cambridge ; New York : Cambridge University Press, 2007.
Series: Cambridge companions to music.
Contents: Introduction / Nick Collins and Julio d'Escrivan -- Pt. I. Electronic music in context -- 1. The origins of electronic music / Andrew Hugill -- 2. Electronic music and the studio / Margaret Schedel -- 3. Live electronic music / Nicolas Collins -- 4. A history of programming and music / Ge Wang -- Pt. II. Electronic music in practice -- 5. Interactivity and live computer music / Sergi Jorda -- 6. Algorithmic composition / Karlheinz Essl -- 7. Live audiovisuals / Amy Alexander and Nick Collins -- 8. Network music / Julian Rohrhuber -- 9. Electronic music and the moving image / Julio d'Escrivan -- 10. Musical robots and listening machines / Nick Collins -- Pt. III. Analysis and synthesis -- 11. Computer generation and manipulation of sounds / Stefania Serafin -- 12. The psychology of electronic music / Petri Toiviainen -- 13. Trends in electroacoustic music / Natasha Barrett.
Summary: "Electronic music has grown to a broad field of investigation, taking in historical movements such as musique concrete and elektronische musik, and contemporary trends such as electronic dance music and electronica. A fascinating array of composers and inventors have contributed to a diverse set of technologies, practices and music. This book brings together some novel threads through this scene, from the viewpoint of researchers at the forefront of the sonic explorations empowered by electronic technology. The chapters provide accessible and insightful overviews of core topic areas and uncover some hitherto less publicised corners of worldwide movements. Recent areas of intense activity such as audiovisuals, live electronic music, interactivity and network music are actively promoted."--BOOK JACKET.
UniM Music 781.1 COMM
Communicative musicality : exploring the basis of human companionship / edited by Stephen Malloch and Colwyn Trevarthen.
Oxford : Oxford University Press, c2009.
Contents: Musicality / Stephen Malloch and Colwyn Trevarthen -- Root, leaf, blossom, or bole / Ellen Dissanayake -- Music and how we became human / Per Aage Brandt -- Ritual foundations of human uniqueness / Bjorn Merker -- The evolution of music / Ian Cross and Iain Morley -- Tau in musical expression / David N. Lee and Benjaman Schøgler -- The neuroscience of emotion in music / Jaak Panksepp and Colwyn Trevarthen -- Brain, music, and musicality / Robert Turner and Andreas A. Ioannides -- Infant rhythms / Katerina Mazokopaki and Giannis Kugiumutzakis -- Voices of shared emotion and meaning / Niki Powers and Colwyn Trevarthen -- "Music" and the "action song" in infant development / Patricia Eckerdal and Bjorn Merker -- Early trios / Benjamin S. Bradley -- The effects of maternal depression on the "musicality" of infant-directed speech and conversational engagement / Helen Marwick and Lynne Murray -- The improvised musicality of belonging / Maya Gratier and Gisèle Apter-Danon -- Music for children in zones of conflict and post-conflict / Nigel Osborne -- Between communicative musicality and collaborative musicing / Mercédès Pavlicevic and Gary Ansdell -- Supporting the development of mindfulness and meaning / Jacqueline Robarts -- The human nature of dance / Karen Bond -- Therapeutic dialogues in music / Tony Wigram and Cochavit Elefant -- Musicality in talk and listening / Frederick Erickson -- Spontaneity in the musicality and music learning of children / Nicholas Bannan and Sheila Woodward -- Vitality in music and dance as basic existential experience / Charlotte Frøhlich -- Intimacy and reciprocity in improvisatory musical performance / Lori A. Custodero -- Bodies swayed to music / Ellen Dissanayake -- Towards a chronobiology of musical rhythm / Nigel Osborne -- Musical communication / Jane Davidson and Stephen Malloch -- Communicative musicality as creative participation / Helena Maria Rodrigues, Paulo Maria Rodrigues, and Jorge Salgado Correia.
Summary "Communicative Musicality explores the intrinsic musical nature of human interaction. The theory of 'communicative musicality' was developed from groundbreaking studies showing how in mother-infant communication there exist noticeable patterns of timing, vocal timbre and melodic gesture. Without intending to do so, the exchanges between a mother and her infant follow typical rules of musical performance, with distinct timing and melodic narratives."
"This is the first book to be devoted to this topic. In a collection of cutting-edge chapters, encompassing brain science, human evolution, psychology, therapy and music performance, it focuses on the rhythm and sympathy of musical expression in human communication from infancy. It demonstrates how speaking and moving in musical dance-like ways is the essential foundation for all forms of communication, even the most refined and technically elaborated, just as it is for parenting, good teaching, creative work in the arts and therapy to help disabled or emotionally distressed persons." "A landmark in the field, Communicative Musicality clarifies principles of motor control and communication that are fundamental for the sciences of psychology, linguistics and cognitive neuroscience. It will be a valuable text for all those in the areas of developmental, educational and music psychology, as well as those who study and practice the different forms of therapy."--BOOK JACKET.
UniM Music 780.92 SCAR / DOME
Domenico Scarlatti adventures : essays to commemorate the 250th anniversary of his death / edited by Massimiliano Sala & W. Dean Sutcliffe.
Bologna, Italia : UT Orpheus, c2008.
Series : Ad Parnassum studies ; 3
Contents : A new cantata by Domenico Scarlatti / Colin Timms -- Domenico Scarlatti in the 1720s: Portugal, travelling and the Italianization of the Portuguese musical scene / Joao Pedro A'Alvarenga -- Rileggendo la lettera di Domenico Scarlatti / Serguei N. Prozhoguin -- Domenico Scarlatti: integrazione tra lo stile andaluso / Emilia Fadini -- Scarlatti and Maria Barbara: a study of musical portraiture / Sara Gross Cebellos -- IPotesi sulla destinazione strumentale di cinque sonate per strumento melodico e basso continuo di Domenico Scarlatti / Andrea Coen e Valerio Losito -- Scarlatti's duck-billed platypus: K 76 / Joel Sheveloff -- One-man show: improvisation as theatre in Domenico Scarlatti's keyboard sonatas / Chris Willis -- The essercizi and the editors: visual virtuosity, large-scale form and editorial reception / Todd Decker -- Did Domenico Scarlatti compose the first great piano music? / Jacqueline Ogeil -- Temporality in Domenico Scarlatti / W. Dean Sutcliffe -- The minor mode as archaic signifier in the solo keyboard works of Domenico Scarlatti and Muzio Clementi / Roman H. Stewart-MacDonald.
UniM Music F 787.2193 FISC
Fischer, Simon.
Basics : 300 exercises and practice routines for the violin.
London : Edition Peters, 2007, c1997.
UniM Music F 787.2193 FISC
Fischer, Simon.
Practice [music] : 250 step-by-step practice methods for the violin.
Published London : Edition Peters, 2004.
UniM Music 025.322 KOTH
Koth, Michelle S.
Uniform titles for music.
Lanham, Md. : Scarecrow Press, 2008.
Series: Music Library Association technical reports ; No. 31
Contents: 1. Principles of Uniform Titles for Music -- 2. The Initial Title Element (25.27-25.28) -- 3. Formulating the Initial Title Element: Generic Titles (25.29) -- 4. Additions to the Initial Title Element: Generic Titles (25.30) -- 5. Medium of Performance: Instrumental Music (25.30B2-B7) -- 6. Medium of Performance: Vocal Music (25.30B8-B10) -- 7. Numeric Identifying Elements (25.30C) -- 8. Key (25.30D) -- 9. Other Identifying Elements (25.30E) -- 10. Distinctive Titles (25.3, 25.31A-B) -- 11. Additions to Both Generic and Distinctive Titles (25.32, 25.35) -- 12. Collective Titles (25.8, 25.34) -- 13. Works of Unknown or Collective Authorship (21.5, 21.6) -- 14. Manuscripts (25.13) -- 15. References (26.1,26.4) -- App. A. Thematic Index Numbers -- App. B. Comparison of Uniform Titles for Music and LC Subject Headings -- App. C. Resources for Authority Work.
Summary: "Uniform Titles for Music explains the concept of uniform titles for musical works by a single composer and works of unknown or collective authorship and provides a step-by-step approach for establishing uniform titles. Michelle Koth explains the concept of "type of composition," the process by which a title is determined to be generic or distinctive, and what further elements are needed to uniquely identify a work represented by a uniform title. Several chapters are devoted to defining and explaining these further elements, such as medium of performance, identifying numbers, and key. Three appendixes provide a list of composers' thematic index numbers, a comparison of uniform titles for music and Library of Congress subject headings, and a bibliography of resources for authority work. Uniform Titles for Music is aimed at beginning and experienced catalogers."--BOOK JACKET.
UniM Music 726 MORE
Moretti, Laura, 1969-
Dagli incurabili alla pieta : le chiese degli Ospedali Grandi di Venezia tra architettura e musica (1522-1790).
Firenze : Olschki, 2008.
Series: Studi di musica veneta. Quaderni vivaldiani, 0394-4417 ; 14
Studi di musica veneta. Quaderni vivaldiani ; 14.
Notes: Revision of thesis (doctoral) - Universita IUAV, Venezia, 2006.
At head of title: Fondazione Giorgio Cini, Istituto Italiano Antonio Vivaldi, Venezia.
UniM Music 616.891654 RIO
Rio, Robin.
Connecting through music with people with dementia : a guide for caregivers.
London ; Philadelphia : Jessica Kingsley Publishers, 2009.
Contents: All you need to know about music -- Singing and choosing songs -- Making a connection -- Putting what you know to use -- Stimulating and relaxing music choices -- Memory and associations -- Caring for yourself -- Songs to use.
UniM Music 025.428 SMIR
Smiraglia, Richard P., 1952-
Shelflisting music : guidelines for use with the Library of Congress Classification, M / 2nd ed.
Lanham, Md. : Scarecrow Press ; [United States] : Music Library Association, 2008.
Series:Music Library Association technical reports ; no. 30
Contents: The Shelflisting Process: A Flowchart Analysis -- Work Number Tables -- Distinguishing Elements and Translations -- Guidelines for Shelflisting Music Materials.
Summary: "Library music materials require a more complex shelflisting approach than books to account for extremely prolific composers, works with generic titles, opus numbers, and thematic index numbers. Shelflisting Music provides straightforward instructions and flowcharts to guide the cataloger through the process of shelflisting music - whether in score or recorded format - enabling anyone to produce consistent and accurate call numbers in accordance with standard Library of Congress M classification practices." "After a brief explanation of the conceptual basis of music shelflisting, Richard P. Smiraglia brings together and clarifies shelflisting practices that are otherwise difficult to find or understand, thus providing concise and easy-to-follow instructions for assigning shelflist numbers. This second edition can be kept by a computer workstation and consulted quickly for shelflisting guidance by anyone - novice or expert - who catalogs music materials."--BOOK JACKET.
UniM Music 301.092 STOL
Stoller, Paul.
The power of the between : an anthropological odyssey.
Chicago : University of Chicago Press, 2009.
Summary: "It is the anthropologist's fate to always be between things: countries, languages, cultures, even realities. But rather than lament this, anthropologist Paul Stoller here celebrates the creative power of the between, showing how it can transform us, changing our conceptions of who we are, what we know, and how we live in the world." "Beginning with his early days with the Peace Corps in Africa and culminating with a recent bout with cancer, The Power of the Between is an evocative account of the circuitous path Stoller's life has taken, offering a fascinating depiction of how a career is shaped over decades of reading and research. Stoller imparts his accumulated wisdom not through grandiose pronouncements but by drawing on his gift for storytelling. Tales of his apprenticeship to a sorcerer in Niger, his studies with Claude Levi-Strauss in Paris, and his friendships with West African street vendors in New York City accompany philosophical reflections on love, memory, power, courage, health, and illness." "Graced with Stoller's trademark humor and narrative elegance, The Power of the Between is both the story of a distinguished career and a profound meditation on coming to terms with the impermanence of all things."--BOOK JACKET.
UniM Music 782.1092 VIVA/ STRO v.1-2
Strohm, Reinhard.
The operas of Antonio Vivaldi.
Firenze : L.S. Olschki, 2008.
Series: Studi di musica veneta. Quaderni vivaldiani ; 13
Studi di musica veneta. Quaderni vivaldiani ; 13.
Notes At head of title: Fondazione Giorgio Cini, Istituto italiano Antonio Vivaldi.
Bibliography Includes bibliographical references, glossary and index.
UniM Music 782.42162893 TRAG
Tragaki, Dafni.
Rebetiko worlds.
Newcastle : Cambridge Scholars, 2007.
UniM Music 780.92 SEVE/ WATE
Waters, Robert (Robert Francis)
Déodat de Séverac : musical identity in fin de siècle France.
Aldershot, Hampshire, England ; Burlington, VT : Ashgate, c2008.
Contents: Pt. I. Introduction, biography, and regionalist philosophy -- 1. Introduction -- 2. Biography -- 3. Le Regionalisme -- Pt. II. Compositions from the Paris years, 1896-1909 -- 4. Severac, Christianity, and organ music -- 5. Songs -- 6. Opera : Le Coeur du Moulin (The heart of the mill) -- 7. Piano music -- 8. Unpublished, unfinished, lost, and recently published works -- Pt. III. Catalan music, 1910-1921 -- 9. Catalan regionalism : politics and music -- 10. Severac's Catalan works -- 11. Conclusion -- App. Selective compilation of Severac's work list.
Summary: "Deodat de Severac (1872-1921) is best known for his piano music but his compositions included orchestral and vocal works, including opera, cantata and incidental music. Robert Waters provides a much-needed study of the life and works of Severac, focusing on the composer's regionalist philosophy. the book will appeal to those specializing in French music, European ethnic musics, piano music and French music history."--BOOK JACKET.
UniM Music 782.4216409 WLAS
Wlaschin, Ken.
The silent cinema in song, 1896-1929 : an illustrated history and catalog of songs inspired by the movies and stars, with a list of recordings.
Jefferson, N.C. : McFarland & Co., c2009.
Summary: "Musical accompaniment was an important feature of the early moviegoing experience. The quality of a musical score could easily make or break silent films, and the songs sometimes became more popular than the films. At the same time, interestingly, the silent cinema became itself a major subject in popular music, inspiring a flood of songs about the films, the stars and the experience of going to the movies. Today, few of these songs are remembered." "This study begins the documentation of the lost history of songs of the silent cinema. Part One, "Movies and Moviegoing," chronologically lists and describes songs about movies and moviegoing created between 1896 and 1929. Part Two, "Movie Personalities and Their Films," provides a brief biography of each person and a description of the songs created about them and for their films. Part Three, "Recordings," reviews the recordings of these songs and specifies their availability on 78, LP, CD, DVD and the Internet today."--BOOK JACKET.
UniM Music 300.72 WOME
Women fielding danger : negotiating ethnographic identities in field research / edited by Martha K. Huggins and Marie-Louise Glebbeek.
Lanham, Md. : Rowman & Littlefield Publishers, c2009.
Contents: Introduction. Similarities among Differences / Martha K. Huggins and Marie-Louise Glebbeek -- Pt. I. Gender's Front Stage: Insiders and Outsiders -- 1. Fixing and Negotiating Identities in the Field: The Case of Lebanese Shiites / Roschanack Shaery-Eisenlohr -- 2. Studying Environmental Rights and Land Usage: Undergraduate Researcher Gets "Gendered In" / Kat Rito -- 3. Globalizing Feminist Research / Jennifer Bickham Mendez -- 4. Veiling the "Dangers" of Colliding Borders: Tourism and Gender in Zanzibar / Angela Demovic -- Pt. II. Danger and "Safe Spaces" -- 5. Gendered Observations: Activism, Advocacy, and the Academy / Victoria Sanford -- 6. Human Rights in East Timor: Advocacy and Ethics in the Field / Lynn Frederiksson -- 7. Securing "Safe Spaces": Field Diplomacy in Albania and Kosovo / Stephanie Schwandner-Sievers -- Pt. III. Negotiating Research Identities -- 8. Negotiating the Field in Rural India: Location, Organization, and Identity Salience / Managala Subramaniam -- 9. Perils of Witnessing and Ambivalence of Writing: Whiteness, Sexuality, and Violence in Rio de Janeiro Shantytowns / Donna M. Goldstein -- 10. Power, Safety, and Ethics in Cross-Gendered Research with Violent Men / Lois Presser -- 11. Negotiating the Muddiness of Grassroots Field Research: Managing Identity and Data in Rural El Salvador / Jocelyn Viterna -- Pt. IV. Ethics and Secrecy -- 12. Secrecy and Trust in the Affective Field: Conducting Fieldwork in Burma / Monique Skidmore -- 13. The Veiled Feminist Ethnographer: Fieldwork among Women of India's Hindu Right / Meera Sehgal -- 14. Studying Violent Male Institutions: Cross-Gender Dynamics in Police Research - Secrecy and Danger in Brazil and Guatemala / Martha K. Huggins and Marie-Louise Glebbeek.
Summary: "In a compelling exploration of an oft-hidden aspect of qualitative field research, Women Fielding Danger shows how identity performances can facilitate or block field research outcomes. The book asks questions that are crucial for all women engaged in field research. Do researchers enter their field site with a totally neutral identity? Can a researcher's own identity be at odds with how interviewees see her? Could a researcher be of the "wrong" gender, sexuality, nationality, or religion for those being studied? Must some of a researcher's identities be subsumed in certain research settings? How much identity disguise is possible before a researcher violates research ethics or loses herself? Together, these questions inform the book's themes of the centrality of gender, social and political danger, the negotiation of identities, and on-site ethics." "Focusing on ethnographic research across a wide range of disciplines and world regions, this deeply informed book presents practical "to-dos" and technical research strategies. In addition, it offers unique illustrations of how the political, geographic, and organizational realities of field sites shape identity negotiations and research outcomes. Understanding these dynamics, the authors show, is key to surviving the ethnographic field."--BOOK JACKET.
COLLECTED EDITIONS
UniM Music CE 780.81 BYRD v.17
Byrd, William, 1542 or 3-1623.
Consort Music : The Byrd edition [music] / general editor, Philip Brett.
London : Stainer & Bell ; New York : American agents, Galaxy Music Corp., c1976-
Notes: The keyboard music published in Musica Britannica, v. 27-28; Consort songs for voice and viols and Consort music published in The collected works of William Byrd, v. 15 and 17.
Contents: v. 1. Cantiones sacrae (1575) -- v. 2. Cantiones sacrae I (1589) -- v. 3. Cantiones sacrae II (1591) -- v. 4. The Masses -- v. 5. Gradualia I. The Marian Masses -- v. 6a. Gradualia I. All Saints and Corpus Christi -- v. 6b. Gradualia I. Other feasts and devotions -- v. 7a. Gradualia II (1607). Christmas to Easter -- v. 7b. Gradualia II (1607). Ascension, Pentecost, and the Feasts of Saints Peter and Paul -- v. 8. Latin motets I : from manuscript sources -- v. 9. Latin motets II : from manuscript sources -- v. 10a. The English services -- v. 10b. The English services II: The great service -- v. 11. The English anthems -- v.12. Psalmes, sonets and songs (1588) -- v.13 Songs of sundrie natures -- v. 14. Psalmes, songs, and sonnets (1611) -- v. 15. Consort songs for voice and viols -- v. 16. Madrigals, songs, and canons -- v. 17. Consort music.
UniM Music CE UniM Music CE 782.5297 TROP
UniM Music CE 780.944 PUBL t. 27
Catholic Church.
Tropaire séquentiaire prosaire prosulaire de Moissac [music] : (troisième quart du XIe siècle) Manuscrit Paris, Bibliothèque nationale de France, n.a.l. 1871 / èdition, introduction et index par Marie-Noël Colette ; analyse de l'écriture et de la décoration par Marie-Thérèse Gousset.
Paris : Société Françcaise de Musicologie, 2006.
Series: Publications de la Société françcaise de musicologie. Première série ; t. 27.
UniM Music CE 780.9411 MUS v.4
Clerk, John, Sir, 1676-1755.
Five cantatas [music] / by Sir John Clerk of Penicuik ; edited by Kenneth Elliott / 2nd rev. ed..
Glasgow : Musica Scotica Trust, 2008.
Series: Musica Scotica ; 4
Notes: Solo cantatas edited from the Clerk Papers in the National Archives of Scotland, Edinburgh (shelfmark: GD18).
Mostly for soprano, 2 violins and continuo. Third work includes a part for viola.
Continuo parts are realized for keyboard instrument.
Pref. includes historical and editorial notes. Critical commentary follows score.
Bibliography: Includes bibliographical references (p. xliv-li).
Contents: Dic mihi, saeve puer -- Eheu! quam diris hominis -- Miserere mei (Psalm 51) -- Odo di mesto intorno -- Leo Scotiae irritatus.
Language notes Latin or Italian words, also printed as text with English translation: p. lvii-lxiii.
UniM Music CE 780.81 NIEL 3/3
Nielsen, Carl, 1865-1931
Cantatas 3 : Vaerker = Works / Carl Nielsen ; udgivet af Carl Nielsen Udgaven, Det Kongelige Bibliotek.
Copenhagen : W. Hansen, c1998-
Contents: Serie I. Scenemusik : v. 1-3. Maskarade -- v. 4-5. Saul og David -- v.6 Skuespilmusik 1 -- v.7 Musik til Holger Drachmanns Hr. Oluf han rider v. 8. Aladdin eller den Forunderlige Lampe -- v.9. Skuespilmusik 2 -- Serie II. Instrumentalmusik : v. 1. Synfoni no. 1-6 -- v. 7-8. Orchestral works -- v.9. Koncerter -- v.10. Chamber Music, 1-- v.11. Kammermusik no.2 -- v.12. Piano and organ works -- Serie III. Vokalmusik : v. 1. Cantatas 1. v. 2. Cantatas 2. v. 3. Cantatas 3.
UniM Music CE 780.9033 RECE v.78
Hänsel, Peter, 1770-1831.
Three string quartets, opus 5 / Peter Hänsel ; edited by Mark Alan Leach.
Middleton, Wis. : A-R Editions, c2008.
Series: Recent researches in the music of the Classical Era ; v. 78.
Notes Includes biographical notes, editorial methods, and critical report.
Bibliography Includes bibliographical references.
Contents: No. 1 in A major -- No. 2 in E-flat major -- No. 3 in D major.
UniM Music CE 780.9032 RECE v.152
Ruggieri, Giovanni Maria.
Two settings of the Gloria / Giovanni Maria Ruggieri ; edited by Jasmin Melissa Cameron.
Middleton, Wis. : A-R Editions, c2008.
Series: Recent researches in the music of the Baroque Era ; v. 152.
Notes The 1st work for solo voices, two choruses (each SATB), and chamber orchestra; 2nd work for solo voices, chorus (SATB) and chamber orchestra.
Includes introd. and critical report.
Bibliography Includes bibliographical references.
Contents: Gloria in D, RV Anh. 23 -- Gloria in G, RV Anh. 24.
UniM Music CE 780.81 VERD I/7
Verdi, Giuseppe, 1813-1901.
Giovanna D'Arco : The works of Giuseppe Verdi [music] / editorial board, Philip Gossett, general editor ... [et al.] = Le opere di Giuseppe Verdi / comitato di redazione, Philip Gossett, direttore responsabile ... [et al.]
[Chicago : University of Chicago Press ; Milano : Ricordi, 1983-<2008 >, c1987-
Contents: Ser. 1. Operas: v. 7. Giovanna D'Arco ; v. 8. Alzira ; v. 10. Macbeth ; v. 11. I Masnadieri ; v. 13. Il Corsaro -- v. 15. Luisa Miller ; v. 16. Stiffelio ; v. 17. Rigoletto ; v. 18a. Il Trovatore ; v. 19. La Traviata -- Ser. 2. Songs -- Ser. 3. Sacred music -- Ser. 4. Cantatas and hymns -- Ser. 5. Chamber music -- Ser. 6. Juvenilia.
MUSIC SCORES
None received
SOUND RECORDINGS
None received
World Music discs
None received
VIDEO RECORDINGS
UniM Music DVD 339
Aboriginal dances [videorecording]
Canberra, A.C.T. : Australian Institute of Aboriginal Studies; [Clayton, Vic.] : Dept. of Music, Monash University, 1969.
Series : Groote Eylandt 8.3
Credits : Director, Alice Moyle.
Summary :Tribal dances performed by Aborigines from Groote Eylandt and Rose River.
UniM Music DVD 344
Developing skills through music [videorecording]
Published Parkville, Vic. : Centre for the Study of Higher Education : Faculty of Music, University of Melbourne, c1985.
Notes : "Produced by the Centre for the Study of Higher Education for the Faculty of Music, University of Melbourne, and the Children's Cottages (Kew), Mental Retardation Services, Health Commission of Victoria".
Credits : Pauline Walden, music therapist, Denise Erdonmez, narrator.
Summary : Music's non-verbal characteristics make it a useful therapy in elementary schools and for the intellectally handicapped. Groups participate in folk dancing, singing or playing instruments, depending on the kind of motor, linguistic or social skill being developed.
UniM Music DVD 333
Families in crisis [videorecording]
[Australia] : Trans Media Productions, [198-?]
Summary : A family therapy program at Redbank, Sydney. Two families are shown over several sessions: Rachel's family and David's family.
UniM Music DVD 345
Five Brolga dances [videorecording].
Canberra, A.C.T. : Australian Institute of Aboriginal Studies, 1969.
Series : Groote Eylandt ; 8.4
Credits : Director, Alice Moyle.
UniM Music DVD 336
Horizon : the pathway from madness.
Published [London?] : BBC, 1976.
Summary : Through the eyes of Richard Carey, who has twice had a schizophrenic breakdown, the film shows what it is like to suffer from an "invisible" disease in a society where few concessions are made for this kind of disorder.
UniM Music DVD 335
Interchange [videorecording]
Published [S.l. : s.n., 1970]
Summary : A group of music students use music and rhythm to establish human contact with a group of mentally retarded children and adults.
UniM Music DVD 332 v.1-2
A Matter of chance [videorecording]
Sydney : ABC, 1981.
Credits : Executive producer, Bruce Buchanan ; Presenter, Anne Deveson.
Summary : A series of programs on the plight and aspirations of the disabled and the three teaching methods used for the education of the intellectually handicapped. The programs look at the education of handicapped children in Australia and examine a number of special education programs which have been successful in developing the potentials of intellectually handicapped children. The series also considers the question of whether education for handicapped children should be integrated with the normal school system.
UniM Music DVD 342
Music activities for eye/hand co-ordination : parts 1 & 2.
[Adelaide] : S.A. Education Dept., [198-?]
Credits : Music therapist, Marie Reynolds.
Summary : A program of musical activities for children to assist the development of eye and hand co-ordination.
UniM Music DVD 341
The music child [videorecording]
Published [S.l.] : David Parry Productions, [c1976]
Contents : Part 1. Individual therapy -- Part 2. Group therapy.
Summary : Examines the music therapy approach developed by Paul Nordoff and Clive Robbins. Illustrates how music therapy can form a bridge of communication between therapists and children who are autistic, severely retarded, and emotionally disturbed.
UniM Music DVD 338
Music in speech therapy [videorecording]
[Melbourne?] : s.n., [198-?]
Credits : Jim Ogden, A. McCleland.
Summary : A film showing children receiving speech therapy with a music therapy component, at Blackburn Special Services Centre, Melbourne.
UniM Music DVD 331 v.1-3
Music therapy [videorecording]
Published [S.l. : s.n., 197-?]
Contents : Part 1. Piff paff -- Part 2. Jerico -- Part 3. Discussion.
Summary : Music therapy and the mentally handicapped child.
UniM Music DVD 340
Music therapy [videorecording]
Published [S.l. : s.n., 198-?]
Contents : Daniel : Oaklynn Special School, Mayville Ave., Auckland, with Gendle Solloway -- Fitzgerald Centre Auckland, with Betty Toomey.
Summary : The music therapy programmes at Oaklynn Special School, and Fitzgerald Centre, Auckland.
UniM Music DVD 334
Music therapy : a concept.
[Belfast : Queen's University, 1984]
Credits : Music therapist, Veronica Cosgriff.
Summary : A programme on the concept, history and application of music therapy.
UniM Music DVD 337
Music therapy : a programme with Denise Erdonmez.
Published [Sydney?] : ABC-TV, [1978]
Credits : Producer, Christopher Muir.
Summary : Denise Erdonmez and others are interviewed about the application of music therapy in a large Melbourne psychiatric hospital.
UniM Music DVD 343
A Song for Michael : a music therapy session.
Published [Parkville, Vic. : University of Melbourne, 1985].
Credits : Executive director, Florence Tyson.
Summary : A condensation of an actual music therapy session held at the Music Therapy Center in New York. Demonstrates how music is used to develop language in a multiply handicapped boy of 14.
UniM Music DVD 348
Vivaldi, Antonio, 1678-1741.
The four seasons [videorecording] / by Antonio Vivaldi ; directed by Tony Sutcliffe.
West Long Branch, N.J. : Kultur, [2006]
Performers: Il Giardino armonico ; Giovanni Antonini, conductor.
Notes Originally produced in 1994.
Summary: A visualization of Vivaldi's concerto, shot in Venice, to illustrate the city's changing moods throughout the year.
MICROFORMS
UniM Music MIC/o 1149
Borwick, Douglas Bruce, 1952-
Peter Maxwell Davies' Antechrist [microform] : an analysis.
Ann Arbor, University Microfilms, 1980.
Thesis (Ph.D.)--Eastman School of Music, 1979.
Bibliography Includes bibliography: leaf 52.
UniM Music MIC/o 1151
Brandon, Stephen Paul, 1944-
The tuba [microform] : its use in selected orchestral compositions of Stravinsky, Prokofiev, and Shostakovich.
Ann Arbor, Mich. : Xerox University Microfilms, [19--]
Thesis (doctoral)--Catholic University of America, 1974.
Series: Music studies ; no. 12
Music studies (Catholic University of America) ; no. 12.
Bibliography Bibliography: p. 111-113.
UniM Music MIC/o 1152
Jenny, Jack David, 1951-
Elliott Carter, the manipulation of musical time ; Matrix, structure for orchestra.
Ann Arbor, University Microfilms, 1979.
Thesis (D. Mus. A.)--Ohio State University, 1979.
Bibliography Includes bibliographical references (leaf 19).
UniM Music MIC/o 1147
Kidd, Robert Lee, 1940-
The construction and validation of a scale of trombone performance skills.
Ann Arbor, University Microfilms, 1975.
Thesis notes Thesis--University of Illinois at Urbana-Champaign.
Bibliography "Selected bibliography": leaves 97-105.
UniM Music MIC/o 1148
Kielian-Gilbert, Marianne Catherine.
Pitch-class function, centricity, and symmetry as transposition relations in two works of Stravinsky.
Ann Arbor, University Microfilms, 1981.
Thesis (Ph. D.)--University of Michigan, 1981.
Bibliography Includes bibliographical references (leaves 265-270).
UniM Music MIC/o 1156
Lund, Darrell Roy, 1932-
A comparative study of three therapeutic techniques in the modification of anxiety behavior in instrumental music performance.
Ann Arbor, University Microfilms, 1972.
Thesis (Ph. D.)--University of Utah, 1972.
Notes Microfilm copy (positive) of typescript.
Collation of the original, as determined from the film: xi, 10.
UniM Music MIC/o 1150
Montgomery, William, 1934-
The life and works of Francois Devienne, 1759-1803.
Ann Arbor, University Microfilms, 1975.
Thesis--Catholic University of America.
Bibliography Includes bibliographical references (leaves 684-700).
UniM Music MIC/o 1155
Murray, Edward Michael.
New approaches to the analysis of Webern.
Ann Arbor, University Microfilms, 1979.
Thesis (Ph. D.)--Yale University, 1979.
Bibliography Includes bibliographical references (leaves 122-123).
UniM Music MIC/o 1153
Paulding, James E., 1935-
Paul Hindemith (1895-1963) [microform] : a study of his life and works.
Ann Arbor, University Microfilms, 1974.
Thesis (Ph. D.)--University of Iowa, 1974.
Bibliography Bibliography: leaves 482-485.
UniM Music MIC/o 1153
Snitkin, Harvey Roy.
The effects of reed type and player on the listener's ability to discriminate differences in oboe tone quality.
[Storrs, Conn.] The author, 1975.
Thesis (Ph. D.)--University of Connecticut, 1976.
Bibliography Includes bibliographical references (leaves 81-88).
UniM Music MIC/o 1154
Straus, Joseph Nathan.
A theory of harmony and voice leading in the music of Igor Stravinsky.
Ann Arbor, University Microfilms, 1981.
Thesis (Ph. D.)--Yale, 1981.
Bibliography Includes bibliographical references (leaves 287-288).
THESES / SPECIAL STUDIES
Lyons, Anthony
Folio of Compositions.
- The Surge, the sounds, the pull - for orchestra
- Varo sketches : The Lovers ; Revelation and the clockmaker - for violin, cello, piano, turntable, sampler
- Two works: In a close orbit ; When stars fall - for guitar
- Three Ohms - CD track
- Five - CD track
TH-230
UniM Music CD-ROM 5093
Martin, Ruth Lee.
The dark corner : a study of the dynamic dialectic between women composers and the Australian orchestral milieu.
Canberra: Australian National University, [200-?]
Thesis (Ph.D.)--Australian National University, 2000.
Physical description 1 CD-ROM + 1 sound disc (CD).
Notes Text in PDF format.
Contains the orchestral composition Gair Na Mara by Ruth Florence Lee Martin.
UniM Music MIC/f 282
Mawer, Brian.
Nigel Butterley's Sometimes with one I love and Watershore [microform].
Thesis (B.A. Hons.)--University of Sydney, 1977.
Contents: v. 1. Text -- v. 2. Primary materials.
Roberts, Melina Sunshine.
A mixed methods content analysis of song lyrics composed by bereaved pre-adolescent children during individual music therapy.
Thesis (M.Music)-- University of Melbourne, 2008.
TH-299