New Materials for July 2009
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NEW BOOKS
Rare Matierals | Reference Collection | General Book Collection
Rare Materials
UniM Music RB WHITE 0082
Bach, Johann Sebastian, 1685-1750.
6e sonate (flute et piano) [music] / J.S. Bach.
Paris : Alphonse Leduc, 1961, c1951.
1 score (8 p.) + 1 part (4 p.) 34 cm.
Caption title.
Arr. for E flat saxophone and piano by Marcel Mule originally for flute and continuo.
Repr. date appears in colophon.
UniM Music RB WHITE 0083
Bach, Johann Sebastian, 1685-1750.
Adagio (3e sonate, violon et piano) [music] / J.S. Bach.
Paris : Alphonse Leduc, 1962, c1951.
1 score (3 p.) + 1 part ([1] p.) 35 cm.
Arr. for E flat saxophone and piano by Marcel Mule originally for violin and harpsichord.
Caption title.
Repr. date appears in colophon.
UniM Music RB TUCK 0007
Bentzon, Niels Viggo, 1919-2000.
Sonata for French horn and piano [music] = Sonate für Waldhorn und Klavier / Niels Viggo Bentzon.
Kobenhavn : Wilhelm Hansen, c1950.
1 score (27 p.) + 1 part (6 p.) 31 cm.
UniM Music RB TUCK 0008
Bentzon, Niels Viggo, 1919-2000.
In the forest [music] : (suite for french horn solo)(F) opus 238 (-68) / N.V. Bentzon.
1968.
16 p. of music 34cm.
Dedicated to Barry Tuckwell -- cover.
Photocopy (reduced size) with ms.
Contents: I. At the pond -- II. Shadows -- III. Two birds on a branch -- IV. Twilight -- V. The fox is hunting -- VI. Verrufene Stelle [Haunted spot] -- VII. The frog -- VIII. Sunset
UniM Music RB WHITE 0071
Boccherini, Luigi, 1743-1805.
Adagio [music] / Boccherini.
Paris : Alphonse Leduc, c1939.
1 score (3 p.) + 1 part ([1] p.) 35 cm.
Arr. for B flat saxophone and piano by Marcel Mule originally for violoncello and string orchestra.
Caption title.
UniM Music RB WHITE 0072
Boccherini, Luigi, 1743-1805.
Adagio [music] / Boccherini.
Paris : Alphonse Leduc, c1937.
1 score (3 p.) + 1 part ([1] p.) 35 cm.
Arr. for E flat saxophone and piano by Marcel Mule originally for violoncello and string orchestra.
UniM Music RB WHITE 0075
Bonneau, Paul.
Caprice en forme de valse [music] : solo pour saxophone / Paul Bonneau.
Paris : Alphonse Leduc, 1958, c1950.
4 p. of music 35 cm.
A Marcel Mule -- caption.
Repr. date appears in colophon.
UniM Music RB WHITE 0087
Bonneau, Paul.
Pièce concertante [music] : dans l'esprit jazz : pour saxophone alto et orchestre / Paul Bonneau.
Paris : Alphonse Leduc, 1945, c1944.
1 score (27 p.) and 1 part (8 p.) 35 cm.
Reduction for alto saxophone and piano.
Caption title.
Repr. date appears in colophon.
A Monsieur Marcel Mule -- caption
UniM Music RB WHITE 0085
Brindel, Bernard, 1912-1997
Suite for E flat alto saxophone and piano [music] / Bernard Brindel.
New York : Maxwell Weaner, 1940.
1 score (19 p.) + 1 part (6 p.) 31 cm.
UniM Music RB WHITE 0086
Bruniau, Augustin.
Fantaisie variée [music] : solo for E flat alto saxophone with piano accompaniment / A. Bruniau.
New York : Alfred Music Co., c1940.
1 score (5 p.) + 1 part ([2 p.]) 31 cm.
UniM Music RB WHITE 0088
Bumcke, Gustav, 1876-1963
Zwei Quartette für vier Saxophone, op. 23 [music] / componirt von Gustav Bumcke.
Tempelhof-Berlin : Eisoldt & Rohkrämer, [1907]
6 parts (2 v.) 35 cm.
For saxophone quartet (SATBar or ATBarB).
Parts for each piece: soprano or alto (2 separate parts) alto or tenor (1 part) tenor or baritone (2 separate parts), and baritone or bass (1 part).
Contents: 1. Abendgang = Marche au soir -- 2. Klage = Plainte.
UniM Music RB STOCK 342
Busch, J. G.
Potpourri aus das Nachtlager von Granada [music] / J.G. Busch.
Offenbach a/M : bei Joh. André, [1869?]
2 parts 36 cm.
For 2 clarinets.
Based on selections from the opera by C. Kreutzer.
UniM Music RB WHITE 0090
Campra, André, 1660-1744.
Achille et Déidamie [music] : Gavotte des bergers / Campra.
Paris : Alphonse Leduc, c1937
1 score (3 p.) + 1 part ([1] p.) 35 cm.
Arr. for E flat saxophone and piano by Marcel Mule.
Caption title.
UniM Music RB WHITE 0089
Campra, André, 1660-1744.
Les fetes vénitiennes [music] : sérénade et bourrée / Campra.
Paris : Alphonse Leduc, c1937.
1 score (3 p.) + 1 part ([1] p.) 35 cm.
Arr. for E flat saxophone and piano by Marcel Mule.
Caption title.
UniM Music RB WHITE 0092
Casadesus, Francis, 1870-1954
Romance provencale et danse [music] : deux pièces pour saxophone alto en mi / Francis Casadesus transcrites par Marcel Mule.
Paris : Henry Lemoine, c1947.
1 score (11 p.) + 1 part (5 p.) 33 cm.
For saxophone and piano.
Also attributed to Robert M. Casadesus.
UniM Music RB WHITE 0094
Challan, René
Concerto pour saxophone alto et orchestre [music] / René Challan.
Paris : Alphonse Leduc, c1946.
1 score (38 p.) + 1 part (10 p.) 35 cm.
Arranged for alto saxophone and piano.
UniM Music RB WHITE 0093
Chopin, Frédéric, 1810-1849.
Deuxième nocturne [music] / Chopin
Paris : Alphonse Leduc, c1939.
1 score (3 p.) + 1 part (3 p.) 35 cm.
Arr. for E flat saxophone and piano by Marcel Mule originally for piano.
Caption title.
UniM Music RB WHITE 0095
Chopin, Frédéric, 1810-1849.
Sixième valse [music] / Chopin M. Mule.
Paris : Alphonse Leduc, c1939
1 score (3 p.) + 1 part (3 p.) 35 cm.
Arr. for E flat saxophone and piano by Marcel Mule originally for piano.
Caption title.
UniM Music RB WHITE 0096
Chopin, Frédéric, 1810-1849.
7e valse [music] / Chopin.
Paris : Alphonse Leduc, c1939.
1 score (3 p.) + 1 part ([1] p.) 35 cm.
Arr. for E flat saxophone and piano originally for piano.
Caption title.
UniM Music RB WHITE 0091
Chopin, Frédéric, 1810-1849.
XVe prélude [music] / Chopin.
Paris : Alphonse Leduc, c1937.
1 score (3 p.) + 1 part ([1] p.) 35 cm.
Arr. for E flat saxophone and piano by Marcel Mule originally for piano.
Caption title.
UniM Music RB WHITE 0098
Chopin, Frédéric, 1810-1849.
XVe prélude [music] / Chopin.
Paris : Alphonse Leduc, c1939.
1 score (3 p.) + 1 part ([1] p.) 35 cm.
Arr. for B flat saxophone and piano by Marcel Mule originally for piano.
Caption title.
UniM Music RB WHITE 0099
Coates, Eric, 1886-1957.
Saxo rhapsody [music] : for E flat alto saxophone and pianoforte / by Eric Coates.
London : Chappell & Co., c1936.
1 score (17 p.) + 1 part (4 p.) 31 cm.
Acc. arr. for piano originally for orchestra.
Duration: 11:00.
UniM Music RB WHITE 0100
Constant, Marius, 1925-2004
Musique de concert [music] : pour saxophone alto et orchestre / Marius Constant.
Paris : Alphonse Leduc, c1954.
1 score (15 p.) + 1 part (4 p.) 35 cm.
Reduction for alto saxophone and piano.
Duration: 9 min.
Contents: I. Toccata -- II. Aria -- III. Ostinato -- IV. Intermezzo -- V. Variazoni.
UniM Music RB WHITE 0102
Corelli, Arcangelo, 1653-1713.
Adagio [music] / Corelli.
Paris : Alphonse Leduc, c1939.
1 score (3 p.) + 1 part ([1] p.) 35 cm.
Arr. for E flat saxophone and piano by Marcel Mule.
UniM Music RB WHITE 0103
Corniot, René, 1901-
Eglogue et danse pastorale [music] : pour saxophone alto et piano / René Corniot.
Paris : Alphonse Leduc, c1946.
1 score (22 p.) + 1 part (8 p.) 35 cm.
Arr. for E flat saxophone and piano originally for saxophone and orcherstra.
Duration: 14 min.
A Marcel Mule -- caption.
UniM Music RB MS SUTH 33
Couperin, Francois, 1668-1733.
Air tendre [music] Air de diable / Couperin arr. for clarinet by M. Sutherland
[1935?]
1 ms score ([6] p.) + 2 parts 30 cm.
Holograph (of M. Sutherland).
In ink, with some alterations and performance indications in pencil.
One part for the Air tendre only, without key signature and inscribed (B Clarinet., arr. from original for 2 clavecins) the other part has the two airs and also La noble fierté (Sarabande) . The latter is marked with a red cross, and there is no indication that a piano accompaniment was ever written for it.
Probably written for a concert on October 16th 1935 by Isobel Carter, clarinet and Margaret Sutherland, piano.
UniM Music RB WHITE 0106
Couperin, Francois, 1668-1733.
Berceuse en rondeau [music] / Couperin.
Paris : Alphonse Leduc, c1939.
1 score (3 p.) + 1 part ([1] p.) 35 cm.
Arr. for B flat saxophone and piano by Marcel Mule.
Caption title.
UniM Music RB WHITE 0108
Couperin, Francois, 1668-1733.
Berceuse en rondeau [music] / Couperin.
Paris : Alphonse Leduc, c1937.
1 score (3 p.) + 1 part ([1] p.) 35 cm.
Arr. for E flat saxophone and piano by Marcel Mule.
Caption title.
UniM Music RB WHITE 0104
Couperin, Francois, 1668-1733.
Les jeunes seigneurs [music] / Couperin.
Paris : Alphonse Leduc, c1937.
1 score (3 p.) + 1 part ([1] p.) 35 cm.
Arr. for E flat saxophone and piano by Marcel Mule.
Caption title.
UniM Music RB WHITE 0105
Couperin, Francois, 1668-1733.
Les moissonneurs : rondeau [music] / Couperin.
Paris : Alphonse Leduc, c1937.
1 score (3 p.) + 1 part ([1] p.) 35 cm.
Arr. for E flat saxophone and piano by Marcel Mule.
Caption title.
UniM Music RB WHITE 0109
Couperin, Francois, 1668-1733.
Musette de Taverny [music] / Couperin.
Paris : Alphonse Leduc, c1937.
1 score (3 p.) + 1 part ([1] p.) 35 cm.
Arr. for E flat saxophone and piano by Marcel Mule.
Caption title.
UniM Music RB WHITE 0110
Creston, Paul, 1906-1985
Sonata, opus 19, for E flat alto saxophone, with piano accompaniment [music] / Paul Creston.
New York, N.Y. : Alec Templeton, 1954.
1 score (35 p.) + 1 part (11 p.) 31 cm.
UniM Music RB WHITE 0111
Cripps, Henry.
Rondinello [music] : for E flat alto saxophone or flute with piano accompaniment / Henry Cripps.
Sydney : Boosey & Hawkes, c1947.
1 score (7 p.) + 1 part (2 p.) 28 cm.
Cover title.
UniM Music RB TUCK 0014
Dankworth, John.
Things [music] / original score by John Dankworth, Barry Tuckwell.
[1955-1970?]
1 score (27 p.) + 9 parts 36 cm.
Cover title.
Transposed score -- caption title.
Ms paper for score has David Lindup printed at foot of each page. Lindup may have made the ensemble arrangement.
Composed for Barry Tuckwell.
Duration: ca. 4:10
UniM Music RB WHITE 0116
Debussy, Claude, 1862-1918.
En bateau [music] : extrait de la 'Petite suite' / Claude Debussy ; transcription pour saxophone alto en Mi et piano par Roger Branga.
Paris : Durand, c1931.
1 score (7 p.) + 1 part (3 p.) 35 cm.
Caption title.
UniM Music RB WHITE 0115
Debussy, Claude, 1862-1918.
La plus que lente [music] / Claude Debussy transcription pour saxophone alto en mi et piano par Jules Viard.
Paris : Durand, c1931.
1 score (7 p.) + 1 part (3 p.) 35 cm.
Arr. for E flat saxophone and piano by Jules Viard originally for piano solo.
Caption title.
UniM Music RB WHITE 0113
Debussy, Claude, 1862-1918.
Rapsodie pour orchestre et saxophone [music] / Claude Debussy.
Paris : Durand, 1932, c1919.
1 score (15 p.) + 1 part (3 p.) 35 cm.
Réduction pour saxophone et piano -- Caption.
Repr. date appears in colophon.
A Madame élise Hall, Présidente de l'Orchestral Club de Boston.
UniM Music RB TUCK 0005
Farkas, Philip.
The art of French horn playing [music] : a treatise on the problems and techniques of French horn playing ... / by Philip Farkas
Chicago : C.F. Summy, c1956.
95 p. : ill., music 31 cm.
UniM Music RB STOCK 353
Fromm-Michaels, Ilse, 1888-1986.
Stimmungen eines Fauns [music] : für Klarinette solo, op. 11 / Isle Fromm-Michaels
Cöln : Tischer & Jagenberg, [192?]
2 p. of music 32 cm.
Caption title.
Contents: Klage -- Schalkslaune -- Schwermut.
UniM Music RB STOCK 352
Fromm-Michaels, Ilse, 1888-1986
Musica Larga [music] : für Klarinette und Streichquartett = for clarinet and string quartet / Ilse Fromm-Michaels.
Hamburg : Musikverlag Hans Sikorski, c1958.
1 miniature score (8 p.) + 5 parts 31 cm.
Edition Sikorski Nr. 517 .
UniM Music RB STOCK 343
Gilson, Paul, 1865-1942.
Trio pour hautbois, clarinette et piano [music] / Paul Gilson.
Bruxelles : Cranz, [19--]
1 score (23 p.) + 2 parts 31 cm.
Edition Cranz, no. 644.
UniM Music RB WHITE 0101
Glaser, Werner Wolf.
Variations on a gavotte by Corelli [music] / arranged by Glaser - Rascher.
London : Chappell & Co., c1937.
1 score (7 p.) + 1 part (4 p.) : ill., port. 31 cm.
Caption title.
Not the variations by Tartini on the same theme.
UniM Music RB MS SUTH 34
Haydn, Joseph, 1732-1809.
Arietta con variazioni [music] / Haydn arr. M. Sutherland, clarinet (B) and piano.
[1947?]
1 ms score ([9] p.) + 1 ms. part ([3] p.) 30 cm.
Holograph (of M. Sutherland).
In ink, with some alterations and performance indications in pencil.
Probably written for a concert in Geelong on March 26th 1947 by Isobel Carter, clarinet and Margaret Sutherland, piano. A programme for this concert is inserted.
UniM Music RB TUCK 0010
James, Ifor.
Windmills [music] : for horn and piano, with alternative parts for B flat or C instruments / Ifor James.
Eastwood, Essex : B. Ramsey New York, NY : Agent for USA, A. Broude, c1980.
1 score (3 p.) + 3 parts 30 cm.
Cover title.
UniM Music RB STOCK 354
Kroepsch, Fr.
Fantasie äber das Trinklied Im tiefen Keller [music] / v. Fritz Kröpsch.
1900.
6 ms. parts 35 cm.
Clarinet solo part signed Albert Walter, Musicker, Bad Muskau o/L, 27 Oktober 1900.
String parts signed H. Stöckigt Clarinettist.
UniM Music RB TUCK 0015
Koechlin, Charles, 1867-1950.
Poème pour cor et orchestre [music] : (d'après la Sonate cor et piano) / Ch. Koechlin.
[1918-1927?]
1 score (93 p.) + 1 part (11 p.) 32 cm.
Caption title (score)
Horn part, previously owned by Georges Caraël, is holograph.
UniM Music RB STOCK 347
Mozart, Wolfgang Amadeus, 1756-1791.
Titus-Arie [music] : per Oboe et Clarinetto Solo / v. W. Mozart [arr.] Prof. Hugo Stöckigt.
[191-?]
11 ms. parts 34 cm.
Arrangement of the aria Parto! ma tu ben mio for oboe and clarinet solo with small orchestra. The oboe takes the vocal line.
UniM Music RB STOCK 348
Mozart, Wolfgang Amadeus, 1756-1791.
Aria aus La Clemenza di Tito, Parto! ma tu ben mio [music] = Wohl denn! doch dann, Geliebte : für eine Singstimme mit Pianofortebegleitung und Klarinette in B flat / Mozart arrang. von Oscar W. Street.
Leipzig : Breitkopf & Härtel, c1904.
3 p. of music 34 cm.
Clarinet obbligato part only.
UniM Music RB TUCK 0004
Musgrave, Thea
The golden echo (1) [music] : for horn and tape / Thea Musgrave.
London : Novello, c1987.
1 score (20 p.) 28 cm. + 1 rehearsal record
Reel-to-reel tape obtainable on hire, must be used in performance.
UniM Music RB TUCK 0009
Pritchard, Paul, 1953-
Dreamtime [music] : for solo horn, strings and harp / Paul Pritchard.
[London?]: Between the Ears Music, c1991.
1 score (8 p.) 28 cm.
For Barry on his 60th Birthday. -- caption
Dedicated to Barry Tuckwell.
UniM Music RB TUCK 0001
Schuller, Gunther.
Five pieces for five horns [music] : (1952) / Gunther Schuller.
Firenze : Aldo Bruzzichelli, c1965.
1 miniature score (16 p.) + 5 parts 22 cm.
Cover title.
Duration: ca. 11:30.
UniM Music RB TUCK 0013
Schumann, Clara, 1819-1896.
Sechs Lieder op. 13 [music] / by Clara Schumann arranged for horn in F by Shelley Showers.
Cherry Hill, NJ: S. Showers, c2003.
1 score (22 p.) + 1 part (7 p.) 28 cm.
UniM Music RB STOCK 351
Spohr, Louis, 1784-1859.
Erstes Concert für Clarinette [music] : mit Orchester Begleitung / von Louis Spohr op: 26.
1885.
1 score (86 p.) 32 cm.
Copy made Budapest, January 1885 by [Hierich?]
Paginated in pencil in another hand.
UniM Music RB STOCK 349
Stamitz, Karl, 1745-1801.
Quartett in Es dur, op. 8, Nr. 4 [music] : für Klarinette (oder Oboe), Violine, Viola und Violoncell / Karl Stamitz herausgegeben von Hjalmar von Dameck.
Leipzig : Breitkopf & Härtel, [19--?]
5 parts 34 cm.
Caption title.
UniM Music RB MS SUTH 32
Sutherland, Margaret, 1897-1984.
Two lyrics [music] : for clarinet solo / M. Sutherland.
[not later than 1935?]
1 folded leaf of ms. music 32 cm.
Holograph.
Below no. 1, at the bottom left of the page, is a brief sketch [for piano?] in ink and pencil. Below no. 2, at the bottom right of the page, a rectangle approx. 11 x 5 cm. has been excised.
When received by the library this leaf was inserted in the holograph of Sutherland's arrangements of two airs by F. Couperin, which were performed by her and Isobel Carter on 16 October 1935.
UniM Music RB STOCK 346
Weber, Carl Maria von, 1786-1826.
Concertino für Klarinette, op. 26 [music] / C.M. v. Weber.
Leipzig : Breitkopf & Härtel, [1894?]
1 part (4 p.) 34 cm.
Caption title.
UniM Music RB STOCK 344
Weber, Carl Maria von, 1786-1826.
Erstes Koncert für Klarinette, op. 73 [music] / C.M. v. Weber.
Leipzig : Breitkopf & Härtel, [188-?]
1 part (8 p.) 32 cm.
Caption title.
UniM Music RB STOCK 345
Weber, Carl Maria von, 1786-1826.
Erstes Koncert für Klarinette, op. 73 [music] / C.M. v. Weber.
Leipzig : Breitkopf & Härtel, [1894?]
1 part (8 p.) 34 cm.
Caption title.
UniM Music RB STOCK 356
Weber, Carl Maria von, 1786-1826.
Quintetto pour clarinette, deux violins, alto & violoncello, op. 34 [music] / composée & dédiee a son ami Henry Bärmann, premier clarinette de sa majeste le roi de Bavière, par Charles Maria de Weber nouvellement corrigé par Carl Bärmann.
Berlin : Adolphe Martin Schlesinger, [187-?]
5 parts 34 cm.
Cover title from Violino I.
Pl. nos.: S. 183, S. 5589 A. (clarinet part).
Lithographed.
UniM Music RB STOCK 350
Weber, Carl Maria von, 1786-1826
Fantasie aus der Oper [Der] Freischätz [music] : für Clarinetto-Solo / v. C.M. v. Weber [für Orchester] arr. v. Reinhardt.
1911.
19 ms. parts 35 cm.
Arranger may be the Swiss patron and clarinettist Werner Reinhart
Parts copied by Hugo Stöckigt.
Solo clarinet part signed and annotated Flensburg (Stadttheater) den 29. April 1911.
UniM Music RB STOCK 355
Weber, Carl Maria von, 1786-1826.
Quintetto arrangé pour la clarinette et pianoforte, op. 34 [music] / composé par Charles Maria de Weber.
Berlin : chez Ad. Mt. Schlesinger, [183-?]
1 score (24 p.) + 1 part (10 p.) 33 cm.
Advertisement at foot of title lists works published up to the early 1830s.
Engraved.
Reference Books
UniM Music REF 016.78242168 CLIF
Clifton, Keith E., 1967-
Recent American art song : a guide / Keith E. Clifton.
Lanham, Md. : Scarecrow Press, 2008.
Summary: "Recent American Art Song: A Guide is devoted to songs with English texts by American composers written for solo voice and piano. The book focuses exclusively on art song since 1980, a substantial period largely ignored by scholars. This is the first study to examine this repertory in detail, and many of the songs and composers are covered in print for the first time." "Keith E. Clifton has examined approximately one thousand songs by nearly two hundred composers; Many songs employ musical idioms well beyond traditional classical styles, including jazz, musical theater, rap, and rock and roll, and several songs blur the boundaries between recital and stage works. Organized alphabetically by composer, entries contain complete biographical and bibliographical information, with major works and links to print resources and composer websites when available. In addition, Clifton provides detailed information on the vocal range, musical style, and appropriate voice type for individual songs. The book concludes with a full discography and bibliography, as well as indexes listing the works by poet, song cycle, title, voice type, and level of difficulty."--BOOK JACKET.
General Books
UniM Music 615.85154 AUST
Austin, Diane (Diane S.)
The theory and practice of vocal psychotherapy : songs of the self.
London ; Philadelphia : Jessica Kingsley Publishers, 2008.
Bibliography Includes bibliographical references (p. 214-217) and indexes.
UniM Music 781.66 BANN
Bannister, Matthew.
White boys, white noise : masculinities and 1980s indie guitar rock.
Published Aldershot, Hants ; Burlington, VT : Ashgate, c2006.
Series: Ashgate popular and folk music series.
Contents: Introduction : White boys-- -- Reviewing theories and representations of masculinities -- Powerless power : masculine intellectualism and aesthetics -- What does it mean to be alternative : indie guitar rock as a genre -- The singer or the song : homosociality, genre, and gender -- Someone controls electric guitar : indie and technologies -- What will I do if she dies? : music, misery, and masculinities -- Conclusion : --white noise.
Summary: "Matthew Bannister makes an in-depth examination of indie guitar rock in the 1980s as the culturally and historically specific production of white men. Through textual analysis of musical and critical discourses, Bannister provides the first book-length study of masculinity and ethnicity within the context of indie guitar music within US, UK and New Zealand 'scenes'."
"Drawing on his own experience as an indie musician, Bannister surveys a range of indie artists, including The Smiths, The Jesus and Mary Chain, My Bloody Valentine and The Go-Betweens; from the US, R.E.M., The Replacements, Dinosaur Jr, Husker Du, Nirvana and hardcore; and from NZ, Flying Nun acts, including The Chills, The Clean, the Verlaines, Chris Knox, Bailter Space, and The Bats, demonstrating broad continuities between these apparently disparate scenes, in terms of gender, aesthetic theory and approaches to popular musical history. The result is a book which raises some important questions about how gender is studied in popular culture and the degree to which alternative cultures can critique dominant representations of gender."--BOOK JACKET.
UniM Music 782.111 BELL
Bell, John, 1964-
Music theory for musical theatre / John Bell and Steven R. Chicurel.
Lanham, Md. : Scarecrow Press, 2008.
Contents: Pt. 1. Rudiments of Music -- Pt. 2. Essays in Music Analysis -- Pt. 3. Workbook -- App. Permissions.
Summary: "Music Theory for Musical Theatre is designed to demystify music theory and analysis and make it more accessible to musical theatre students. It aims to equip them with a basic skill set to apply directly to the art form. John Bell and Steven R. Chicurel explore how musical theatre composers use basic principles of music theory to illuminate characters and tell stories, helping students understand the form, structure, and dramatic power of musical theatre repertoire."--BOOK JACKET.
UniM Music 781.542 BUHL
Buhler, James, 1964-
Hearing the movies : music and sound in film history / James Buhler, David Neumeyer, Rob Deemer.
New York : Oxford University Press, 2010.
Contents: Ch. 1. The Sound Track and Narrative -- Ch. 2. The Musicality of the Sound Track: Concepts and Terminology -- Ch. 3. Music, Sound, and the Space of Narrative: Concepts and Terminology -- Ch. 4. Music, Sound, and Time -- Interlude. Writing About Film Sound: Analysis and Description -- Ch. 5. Music in Film Form -- Ch. 6. Music in Main-Title and End-Credit Sequences -- Ch. 7. Music in Performance and Montage Scenes -- Ch. 8. Film Style and the Sound Track -- Ch. 9. Music in Character and Action Scenes -- Interlude. Writing About Film Music: Interpretation -- Ch. 10. Music and Sound in the Silent Era (1895-1929) -- Ch. 11. The Transition to Sound Film (1926-1932) -- Ch. 12. Music and the Sound Track in the Classical Studio Era -- Ch. 13. The Stereo Sound Track and the Post-Classical Era (1950-1975) -- Ch. 14. The New Hollywood, Dolby Stereo, and the Emergence of Sound Design (1975-2000) -- Ch. 15. Music and Film Sound Today.
UniM Music 782.1092 BRECHT/ CALI
Calico, Joy Haslam, 1965-
Brecht at the opera.
Berkeley : University of California Press, c2008.
Series: California studies in 20th-century music ; 9
Contents: 1. Lehrstuck, Opera, and the New Audience Contract of the Epic Theater -- 2. The Operatic Roots of Gestus in 'The Mother' and 'Round Heads and Pointed Heads' -- 3. Fragments of Opera in American Exile -- 4. 'Lucullus': Opera and National Identity -- 5. Brecht's Legacy for Opera: Estrangement and the Canon.
Notes: "An Ahmanson Foundation book in the humanities"--Jacket flap.
Bibliography: Includes bibliographical references (p. 233-262) and index.
Summary: "Brecht at the Opera takes a systematic look at the German playwright's lifelong ambivalent engagement with opera. An ardent opera lover in his youth, Brecht later denounced the genre as decadent and irrelevant to modern society, even as he continued to work on opera projects throughout his career. In this book, Joy H. Calico argues that Brecht's simultaneous work on opera and Lehrstucke in the 1920s generated a new concept of audience experience that would come to define epic theater, and that his revisions to the theory of Gestus in the mid-1930s are reminiscent of nineteenth-century opera performance practices of mimesis. Calico further considers Brecht's concept of estrangement as the dominant aesthetic in today's Regieoper, or radical productions of canonical operas. This highly original study demonstrates the myriad ways in which opera shaped Brecht's most influential theories about theater and the works he created for the stage."--BOOK JACKET.
UniM Music 780.92 CACC/ CUSI
UniM Music CD 10553
Cusick, Suzanne G.
Francesca Caccini at the Medici court : music and the circulation of power / Suzanne G. Cusick ; with a foreword by Catharine R. Stimpson.
Chicago : University of Chicago Press, 2009.
Series: Women in culture and society
Contents: Foreword / Catharine R. Stimpson -- Excerpts from Francesca Caccini's Compositions on the Accompanying CD -- 1. Figliuola del celebratissimo Giulio Romano -- 2. "To win the girl"; or, Francesca as Object of Desire -- 3. Power, Desire, and Women among Themselves -- 4. Musica to the Granducato -- 5. Who Was This Woman? -- 6. Voice Lessons: Introducing the Primo libro delle musiche -- 7. Being, Doing, and Allegories of Voice -- 8. After Arianna -- 9. La liberazione di Ruggiero amid the Politics of Regency -- 10. Performance, Musical Design, and Politics in La liberazione di Ruggiero -- 11. Cataclysms of Widowhood -- 12. Afterlives -- App. A. Francesca Caccini's Known Performances and Compositions -- App. B. Letters of Francesca Caccini (1610-1641) -- App. C. Cristoforo Bronzini, Della dignita e nobilta dellc donne, I-Fn, Magl, VIII, 1525/1, 54 77.
UniM Music 786.4092 SCAR/ DOME
Domenico Scarlatti en Espana : actas de los symposia FIMTE 2006-2007 / editora: Luisa Morales = Domenico Saraltti in Spain : proceedings of FIMTE symposia 2006-2007 / edited by Luisa Morales.
Almeria, Spain : LEAL, c2009.
Series: FIMTE series. Studies in Spanish keyboard music = Estudio de música de telca Espanola ; 2.
Bibliography Includes bibliographical references and index.
Language notes In Spanish and English.
UniM Music CD 6319
UniM Music F 787.8716296 EYRE
Eyre, Banning.
Africa : your passport to a new world of music.
Van Nuys, CA : Alfred, c2002.
Series: Guitar atlas series
Notes Accompanying CD contains audio examples.
"National Guitar Workshop book."
UniM Music 782.42168092 SCHUM/ FINS
Finson, Jon W.
Robert Schumann : the book of songs.
Cambridge, Mass. : Harvard University Press, 2007.
Contents: Pt. I. Schumann's early songs and the Lieder of his first maturity -- Introduction: Schumann's criticism and early Lieder -- 1. Songs of marriage -- 2. Irony and the Heine cycles -- 3. Cycles of wandering -- 4. Romances, ballads, and the Via Media -- 5. Lyrical schemes: collections of earlier Lieder und Gesange -- Pt. II. Schumann's later songs -- 6. The advent of the "new style" and the later cycles -- 7. Poets in review during the later years -- 8. Collections in the new style -- Epilogue: reception of the late style.
UniM Music 780.943841 CHOP/ GOLD
Goldberg, Halina, 1961-
Music in Chopin's Warsaw.
New York : Oxford University Press, 2008.
Contents: Ch. 1. Historical and Cultural Background -- Ch. 2. Instrument Production -- Ch. 3. Music Publishing -- Ch. 4. Musical Education -- Ch. 5. Salons: Background and Intellectual Trends -- Ch. 6. Music in Salons -- Ch. 7. Musical Theater -- Ch. 8. Concert Life.
Summary: "Music in Chopin's Warsaw examines the rich musical environment of Fryderyk Chopin's youth - largely unknown to the English-speaking world - and places Chopin's early works in the context of this milieu. Halina Goldberg provides a historiographic perspective that allows a new and better understanding of Poland's cultural and musical circumstances. Chopin's Warsaw emerges as a vibrant European city that was home to an Opera house, various smaller theaters, one of the earliest modern conservatories in Europe, several societies that organized concerts, musically active churches, spirited salon life, music publishers and bookstores, instrument builders, and for a short time even a weekly paper devoted to music." "Warsaw was aware of and in tune with the most recent European styles and fashions in music, but it was also the cradle of a vernacular musical language that was initiated by the generation of Polish composers before Chopin and which found its full realization in his work. Had Chopin been born a decade earlier or a decade later, Goldberg argues, the capital - devastated by warfare and stripped of all cultural institutions - could not have provided support for his talent. The young composer would have been compelled to seek musical education abroad and thus would have been deprived of the specifically Polish experience so central to his musical style."--BOOK JACKET.
UniM Music 793.3195982 GROE
UniM Music CD 6318
Groenendael, Victoria M. Clara van.
Jaranan : the horse dance and trance in East Java / Victoria M. Clara van Groenendael ; translated by Maria J.L. van Yperen.
Leiden : KITLV Press, 2008.
Series: Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde ; 252
Notes: Accompanying CD contains audio examples.
Bibliography Includes bibliographical references (p. [273]-284) and index.
Language notes English with some Javanese; translated from the original Dutch.
UniM Music 780.71073 GUST
Gustafson, Ruth Iana
Race and curriculum : music in childhood education.
New York : Palgrave Macmillan, 2009.
Contents: 1. Fabricating the Future Citizen: The Ballads of a Nation -- 2. The Child as Charmed Victim: Early Vocal Instruction and the Social Distinctions Conferred by Disease -- 3. Making Daily Life Sublime: Verse and Rhythm "Never to Abase or Degrade" -- 4. Bacchanalian Chaos, Degenerate Hymns, Public Music Instruction, and the Discursive Fabrication of Whiteness -- 5. Ranking the Listener, Disciplining the Audience -- 6. Goodbye Darwin: Music Appreciation and Musical Publics -- 7. Reason, Ventriloquism, and National Music Memory Contests -- 8. The Listening Body and the Power of the Good Ear -- 9. Aural Icons and Social Outcasts: Beethoven, Lincoln, and "His Master's Voice" -- 10. Rethinking Participatory Limits: From Music Standards to Hip-Hop.
UniM Music 781.66 HEAV
Heavy metal music in Britain / edited by Gerd Bayer.
Farnham, England ; Burlington, VT : Ashgate, c2009.
Series: Ashgate popular and folk music series
Contents: Introduction. Doing cultural studies with earplugs / Gerd Bayer -- Part I. Metal commodities. The empowering masculinity of British heavy metal / Deena Weinstein -- Metal goes 'pop' : the explosion of heavy metal into the mainstream / Benjamin Earl -- The brutal truth : Grindcore as the extreme realism of British heavy metal / Liam Dee -- Part 2. The literary and mythological heritage. Demons, devils and witches : the occult in heavy metal music / Helen Farley -- Images of human-wrought despair and destruction : social critique in British apocalyptic and dystopian metal / Laura Wiebe Taylor -- From Achilles to Alexander : the classical world and the world of metal / Iain Campbell -- Elements of the gothic in heavy metal : a match made in Hell / Bryan A. Bardi-- Part 3. Heavy metal societies. The unmaking of the English working class : deindustrialization, reification, and the origins of heavy metal / Ryan M. Moore -- No class? : class and class politics in British heavy metal / Magnus Nilsson -- Rocking the nation : one global audience, one flag? / Gerd Bayer.
UniM Music 782.421660922 HOLM
Holm-Hudson, Kevin.
Genesis and The lamb lies down on Broadway.
Aldershot, England ; Burlington, VT : Ashgate, c2008.
Series: Ashgate popular and folk music series
Contents: "It's the last great adventure left to mankind" : situating The lamb -- "There's something solid forming in the air" : recording The lamb -- "Counting out time" : The lamb, song by song -- "The lamb seems right out of place" : in the press and on tour -- "It" : interpreting The lamb -- "And the light dies down on Broadway" : Genesis and Gabriel after The lamb, and The lamb after Genesis.
Summary: "In 1974 the British progressive rock group Genesis released their double concept album The Lamb Lies Down on Broadway." "Kevin Holm-Hudson analyses The Lamb within the context of Genesis's recorded output, within the progressive rock genre as a whole, and within the context of social and political changes of the mid 1970s. The Lamb Lies Down on Broadway makes a particularly rich subject for detailed study, providing compelling intersections between the musical, textual and socioeconomic aspects of an album."--BOOK JACKET.
UniM Music 785.092 HOPK
Hopkins, John, 1927-
The point of the baton : memoir of a conductor / John Hopkins [with] William Cottam.
Parkville, Vic. : Lyrebird Press Australia, 2009.
Deposit copy from Lyrebird Press for the Louise Hanson-Dyer Music Library.
UniM Music 786.2092244 HOWA
Howat, Roy.
The art of French piano music : Debussy, Ravel, Fauré, Chabrier.
New Haven [Conn.] ; London : Yale University Press, c2009.
Contents: Pt. I. The exactitude of musical 'Impressionism' -- 1. Painting in sound -- 2. Painting in musical structure (1): Debussy's Preludes -- 3. Painting in musical structure (2): Ravel's Gaspard de la nuit -- 4. Shapes and forms -- 5. 'Reflets dans l'eau, Hokusai, Edgar Allan Poe and Leonardo of Pisa -- Pt. 2. Musical roots and antecedents -- 6. Chopin's legacy -- 7. "Musique adorable': a la decouverte d'Emmanuel Chabrier -- 8. Debussy and the Orient -- 9. The Exotic via Russia and Spain -- 10. The Clavecinistes -- 11. Romanticism -- Pt. 3. Fresh perspectives -- 12. Rhythmic games in Ravel -- 13. Rhythmic games in Chabrier -- 14. Repertoire discoveries -- Pt. 4. At the keyboard -- 15. What do we interpret? -- 16. Editions and what they can't quite tell us -- 17. Rhythm, tempo, dance and humour -- 18. A fresh look at Gabriel Faure -- 19. Orchestral thinking and the pedals -- 20. Body language and the piano -- 21. The composer as pianist -- Appendices -- 1. 'Facilement, facilement' : finding technical ease -- 2. Glosses on titles and musical allusions -- 3. Composers' surviving instruments and recordings -- 4. Brief summary or critical editions -- 5. Locations of musical manuscripts discussed.
UniM Music 782.1092 MOZA/ HUNT
Hunter, Mary Kathleen, 1951-
Mozart's operas : a companion.
New Haven, CT : Yale University Press, 2008.
Contents: 1. Introduction -- 2. The musical anatomy of Mozart's operas -- 3. Mozart and opera seria -- 4. Mozart and Singspiel -- 5. Mozart and opera buffa -- 6. A brief note on the unfinished and miscellaneous operas -- 7. Mozart's theaters -- 8. Mozart's social world -- 9. Mozart operas in production.
Summary: "This guide to Mozart's operas encompasses the full range of his most popular works - Figaro, Don Giovanni, Cosi, Magic Flute, Seraglio, Clemenza di Tito - as well as less known works like Mitridate and Il re pastore. Music historian Mary Hunter provides an introduction to each opera for any listener who has enjoyed a performance, either on the stage or in a video recording, and who wishes to understand the opera more fully." "The Companion includes a synopsis and commentary on each work, as well as background information on the three main genres in which Mozart wrote: opera seria, opera buffa and Singspiel. An essay on the 'anatomy' of a Mozart opera points out the musical conventions with which the composer worked and suggests nontechnical ways to think about his musical choices. The book also places modern productions of the operas in historical context and explores how modern directors, producers and conductors present Mozart's works today. Filled with factual information and interesting issues to ponder while watching a performance, this guide will appeal to newcomers and seasoned opera aficionados alike."--BOOK JACKET.
UniM Music 781.64 JOHN
Johnson, Bruce, 1943-
Dark side of the tune : popular music and violence / Bruce Johnson, Martin Cloonan.
Aldershot, England ; Burlington, VT : Ashgate, c2008.
Series: Ashgate popular and folk music series
Contents: Musical violence and popular music studies -- Context : the sound of music -- Music and violence in history -- Technologized sonority -- Music accompanying violence -- Music and incitement to violence -- Music and arousal to violence -- Music as violence -- Policy.
UniM Music 781.66117 JONE
Jones, Carys Wyn, 1978-
The rock canon : canonical values in the reception of rock albums.
Burlington, VT : Ashgate, c2008.
Series: Ashgate popular and folk music series
Contents: Defining the canon -- Aesthetic criteria and the work of art -- Canonical narratives, structure and the test of time -- The canonical values of rock -- Canonical discourse and the question of authority in rock -- The rock canon and the future of canons in our culture.
UniM Music F 782.42168092 REGE/ MERC
Mercier, Richard, 1949-
The songs of Max Reger : a guide and study / Richard Mercier, Donald Nold.
Lanham, Md. : Scarecrow Press, 2008.
Contents: Ch. 1. Reger and the Lied -- Ch. 2. Ten Youthful Songs -- Ch. 3. Twenty-Six Songs without Opus Numbers -- Ch. 4. Six Songs Opus 4 -- Ch. 5. Five Songs Opus 8 -- Ch. 6. Five Songs Opus 12 -- Ch. 7. Song for Bass Opus 14b -- Ch. 8. Ten Songs Opus 15 -- Ch. 9. Four Songs Opus 23 -- Ch. 10. Six Songs Opus 31 -- Ch. 11. Six Songs Opus 35 -- Ch. 12. Five Songs Opus 37 -- Ch. 13. Eight Songs Opus 43 -- Ch. 14. Seven Songs Opus 48 -- Ch. 15. Twelve Songs Opus 51 -- Ch. 16. Fifteen Songs Opus 55 -- Ch. 17. Sixteen Songs Opus 62 -- Ch. 18. Twelve Songs Opus 66 -- Ch. 19. Six Songs Opus 68 -- Ch. 20. Seventeen Songs Opus 70 -- Ch. 21. Eighteen Songs Opus 75 -- Ch. 22. Sixty Songs Opus 76 -- Ch. 23. Eight Songs Opus 79c -- Ch. 24. Four Songs Opus 88 -- Ch. 25. Four Songs Opus 97 -- Ch. 26. Five Songs Opus 98 -- Ch. 27. Six Songs Opus 104 -- Ch. 28. Five Children's Songs Opus 142 -- App. A. Songs Arranged by Poet -- App. B. Alphabetical Song List with Range, Gender and Difficulty.
Summary "This volume presents in detail the prolific vocal repertoire of late-Romantic German composer Max Reger. With many musical examples, Richard Mercier and Donald Nold present a survey of Reger's entire lifetime of song. The text also provides the original German poem, word-for-word English translation of the German text, International Phonetic Alphabet (IPA) symbols for the German pronunciation, and a prose version of the poetic text in English for better appreciation of the piece."--BOOK JACKET.
UniM Music 786.2092 MIRO
Mirosznyk, Anatolij
Muzyka i dolya.
Kiev : Muzychna Ukraina, 2008.
Donated by the author, Anatolij Mirosznyk.
UniM Music 780.904 MODE
The modernist legacy : essays on new music / edited by Björn Heile.
Farnham : Ashgate, c2009.
Contents: New music, social debates and the aesthetics of critical modernism. Modernism's moment of plenitude / Andrew Timms ; Fields of rubble : on the poetics of music after the postmodern / John Croft ; Spectralism, politics and the post-industrial imagination / Eric Drott ; The scream in avant-garde music : the new left and the rediscovery of the body / Beate Kutschke ; Verbal discourse as aesthetic arbitrator in contemporary music / Ian Pace ; Weltmusik and the globalization of new music / Björn Heile -- Aspects of compositional poetics. Temps perdu : Aldo Clementi and the eclipse of music as praxis / David Osmond-Smith ; Feldman - Beckett - Johns : patterning, memory and subjectivity / Catherine Laws ; Brian Ferneyhough, postmodern modernist / Lois Fitch ; The electroacoustic music of Henri Poussseur and the open form / John Dack ; Self-portrait with Boulez and Machaut (and Ligeti is there as well) : Harrison Birtwistle's Hoquetus petrus / Mark Delaere ; Local polymetric structures in Elliott Carter's 90+ for piano (1994) / Ève Poudrier.
UniM Music 615.85154 MUSI
Music : promoting health and creating community in healthcare contexts / edited by Jane Edwards.
Newcastle : Cambridge Scholars Pub., 2007.
Bibliography Includes bibliographical references and index.
Contents: Foreword : Music at the heart of things / Professor Micheál Ó Súilleabháin -- Introduction / Jane Edwards -- Ch.1 Music therapy inspired transient ward communities in oncology / Clare O'Callaghan -- Ch.2 Developing music therapy programs in medical practice and healthcare communities / Joanne Loewy -- Ch.3 Integrating models of music into acute hospitals : an Irish perspective / Hilary Moss -- Ch.4 Psychological and physical benefits of participation in vocal performance / Betty Bailey and Jane Davidson -- Ch.5 Health musicking as cultural inclusion / Kari Batt-Rawden, Susan Trythall and Tia DeNora -- Ch.6 Context, culture and risk: towards an understanding of the impact of music in health care settings / Norma Daykin -- Ch.7 Using multiple methods in music therapy health care research: reflections on using mutiple methods in a research project about receptive music therapy with cancer survivors / Lars Ole Bonde -- Ch.8 Focussing on outcomes: undertaking the music therapy research journey in medical settings / Wendy L. Magee -- Ch.9 Participation, mutuality, resistance: intercultural music therapy in a post-war region / Susanne Metzner and Constanze Burger -- Ch.10 Music therapy: promoting healthy mother-infant relations in the vulnerable refugee and asylum seeker community / Jane Edwards, Maeve Scahill and Helen Phelan -- Ch.11 Developing communicative relationship s in music therapy with people who have moderate to severe dementia / Alison Ledger -- Antecedents of contemporary uses for music in healthcare contexts: The 1890s to the 1940s / Jane Edwards.
UniM Music 615.85154083 MUSI
Music therapy with children and their families / edited by Amelia Oldfield and Claire Flower ; foreword by Vince Hesketh.
London ; Philadelphia : Jessica Kingsley Pub., 2008.
Contents: Foreword / Vince Hesketh -- Introduction / Kay Sobey -- Ch. 1. Working in Partnership and Supporting Parents: Music Therapy for Pre-school Children and their Parents at a Child Development Centre / Amelia Oldfield -- Ch. 2. Back to Basics: Community-based Music Therapy for Vulnerable Young Children and their Parents / Tiffany Drake -- Ch. 3. Music Therapy Groups for Families with a Learning-disabled Toddler: Bridging Some Gaps / Helen Loth -- Ch. 4. Autism and the Family: Group Music Therapy with Mothers and Children / Rachel Bull -- Ch. 5. 'Who is the Therapy For?': Involving a Parent or Carer in their Child's Music Therapy / Jasenka Horvat and Nicky O'Neill -- Ch. 6. Music Therapy with Traumatised Children and their Families in Mainstream Primary Schools: A Case Study with a Six-Year-Old Girl and her Mother / Sarah Howden -- Ch. 7. It's a Family Affair: Music Therapy for Children and Families at a Psychiatric Unit / Emma Davies -- Ch. 8. Music Therapy after Adoption: The Role of Family Music Therapy in Developing Secure Attachment in Adopted Children / Colette E. Salkeld -- Ch. 9. A Piece of the Puzzle: Music Therapy with Looked-after Teenagers and their Carers / Joy Hasler -- Ch. 10. Living with Dying: Reflections on Family Music Therapy with Children near the End of Life / Claire Flower.
Summary: "In the past, music therapy with children typically took place in special schools without the family being present. More recently, music therapy has become a widespread practice, and this book reflects the variety of settings within which music therapists are now working with children together with their families." "The contributors are music therapists with experience of working with children and their families in a range of different environments, such as schools, hospices, psychiatric units, child development centres and in the community. They describe their approaches to family work with client groups including children with autism, learning-disabled toddlers, adopted children and looked-after teenagers. Their experiences demonstrate that involving the family in a child's music therapy can be beneficial for everyone, and that it is possible to address relationship issues within the family as part of the treatment." "This book will provide useful insight into the growing area of music therapy with children and their families, and will be of interest to therapy professionals and students, as well as other medical and teaching professionals who work with families."--BOOK JACKET.
UniM Music 781.170944 MUSI
Musique, esthétique et société au XIXe siècle : liber amicorum Joël-Marie Fauquet / textes réunis par Damien Colas, Florence Gétreau, Malou Haine.
Wavre : Mardaga, c2007.
Series: Collection "Musique-musicologie"
Bibliography Includes bibliographical references, discography, and index.
UniM Music 306.48420944 PASL
Pasler, Jann.
Composing the citizen : music as public utility in Third Republic France .
Berkeley : University of California Press, 2009.
Contents: Introduction. Paris: A Walking Tour -- Pt. 1. Forming Public Spirit and Useful Citizens -- 1. Use, the Useful, and Public Utility: A Theory of Musical Value -- 2. Reinscribing the Revolutionary Legacy -- Pt. 2. Shaping Judgment and National Taste -- 3. Music as Political Culture: From Active Listening to Active Citizenship -- 4. Regenerating National Pride: Musical Progress and International Glory -- Pt. 3. Instituting Republican Culture -- 5. Imagining a New Nation through Music: New Traditions, New History -- 6. An Ideology of Diversity, Eclecticism, and Pleasure -- 7. Musical Hybridity and the Challenges of Colonialism -- 8. Useful Distractions and Economic Liberalism in the Belle Epoque -- Pt. 4. Shifting Notions of Utility: Between the Nation and the Self -- 9. Music as Resistance and an Emerging Avant-garde -- 10. The Symbolic Utility of Music at the 1889 Universal Exhibition -- 11. New Alliances and New Music -- 12. The Dynamics of Identity and the Struggle for Distinction -- Coda -- Appendix A. Important Political and Musical Events in the Early Third Republic -- Appendix B. References in Menestrel to Performances of French Operas Abroad, 1872-1888 -- Appendix C. Selected Publications on Revolutionary Music after 1870.
UniM Music 780.71 REIM
Reimer, Bennett.
Seeking the significance of music education : essays and reflections.
Lanham, Md. : Rowman & Littlefield Education, c2009.
Contents: Pt. I. Our Values as a School Subject -- Pt. IA. Generating Core Values -- 1. What Music CANNOT Do -- 2. Essential and Nonessential Characteristics of Aesthetic Education -- 3. The Experience of Profundity in Music -- 4. Should There Be a Universal Philosophy of Music Education? -- 5. Once More with Feeling: Reconciling Discrepant Accounts of Musical Affect -- Pt. IB. Core Values in Larger Contexts -- 6. Selfness and Otherness in Experiencing Music of Foreign Cultures -- 7. Gender, Feminism, and Aesthetic Education: Discourses of Inclusion and Empowerment -- 8. Research and Justification in Arts Education: An Ill-Fated Romance -- 9. Roots of Inequity and Injustice: The Challenges for Music Education -- 10. Artistic Creativity, Ethics, and the Authentic Self -- Pt. II. Achieving Our Values -- Pt. IIA. What and How to Teach -- 11. Choosing Art for Education: Criteria for Quality -- 12. What Is Performing with Understanding? -- 13. Merely Listening -- 14. Philosophy in the School Music Program -- Pt. IIB. Educating Our Teachers -- 15. An Agenda for Music Teacher Education, Parts I and II -- 16. Avoiding Extremes of Theory and Practice in Music Teacher Education -- 17. Toward a Research-Based Foundation for Doctoral Programs in Music Education -- Pt. IIC. The Role of Research -- 18. Toward a More Scientific Approach to Music Education Research -- 19. Qualitative Research and the Post-Positivist Mind -- 20. New Brain Research on Emotion and Feeling: Dramatic Implications for Music Education -- Pt. III. Preserving and Enhancing Our Viability -- Pt. IIIA. Our Values in Service of Our Future -- 21. Is Musical Performance Worth Saving? -- 22. Musical Disenchantment and Reenchantment: The Challenges for Music Education -- 23. Music Education for Cultural Empowerment -- 24. The Way It Will Be.
Notes "Published in partnership with MENC, The National Association for Music Education."
Bibliography Includes bibliographical references.
Summary: "Noted music educator Bennett Reimer has selected 24 of his previously published articles from a variety of professional journals spanning the past 50 years. During that time, he's tackled generating core values for the field of music education; the core in larger societal and educational contexts; what to teach and how to teach it effectively; how we need to educate our teachers; the role of research in our profession; and how to improve our future status."--Provided by publisher.
UniM Music 615.85154 ROBB
Robbins, Clive.
A journey into creative music therapy.
Gilsum, N.H. : Barcelona Pub., 2005.
Series: Nordoff-Robbins music therapy monograph series ; v. 4
Bibliography Includes bibliographical references (p. 113-119)
Contents: Acknowledgements. Preamble: Music and Musicing, Self and the World. Early Assimilations: Influences and Effects of Music from Childhood Onward. Sunfield Children7F 19s Homes, Anthroposophy and Rudolf Steiner: Laying the Groundwork for Creative Music Therapy. The Time, the Place, and the People: Herbert Geuter and Paul Nordoff Arrive on the Scene. Pif-Paf-Poltrie and the Fusing of the Team: the Beginnings of Group Music Therapy, the Roles of Composition. Creative Empiricism: The Beginnings of Individual Music Therapy. Finding My Place in the Healing Heart of Creative Musicing. The Fact-Finding European-Scandinavian Tour and Learning More about Curative Education: Determining Future Directions.
Founding Creative Music Therapy in the United States: Important Pilot Projects. Under Kansas Skies. The Return to Pennsylvania: Important New Opportunities, Further Advances. Completing the Founding of Creative Music Therapy Toward the Profession of Music Therapy: The Challenges of Sharing and Communicating, Seeking Informed Colleagueship and Common Ground. The Widening Dissemination I: With Paul in Scandinavia and Europe. Connections Forming with Germany, England, and Australia. Hopeful News from the USA. Enter the Music Child. Change and Transition. The Dividing Team. Australia and New Zealand. Medical Necessities. Amazing England: Westminster Abbey, the World of Rock Music, and the Silver Clef Club7F 14The Key to the Future. Reaching the Music Child within the Deaf Child. Connections Forming with New York University. Healing at Herdecke. Development and Diversity on the Move: Herdecke Plays a Further Role. The NYSSD Curriculum Development Program Nears Completion. A New Dimensions of Joy.
The Widening Dissemination II: With Carol in the USA. Closer Ties with NAMT. Texan Experiences. Productive Adventures in Australia. Links between Sunfield and NYU. Two Meetings with Hep Geuter. The Retreat at Phoenicia. Creation and Love: Emmanuel's Contribution. The Call to Return: Establishing the Nordoff-Robbins Center for Music Therapy at New York University. The First Years. Continuing On. Fundamental Changes in Music Therapy, USA. The Turn toward Asia. Unfinished Modulation: Intimations of Homo Musicus. Audrey in Music Therapy. Audrey: Coda. Appendix.
COLLECTED EDITIONS
UniM Music CE 780.81 BACH III/9.15
Bach, Carl Philipp Emanuel, 1714-1788.
Keyboard concertos from manuscript sources XV : The complete works / Carl Philipp Emanuel Bach ; [general editors, Darrell M. Berg, Ulrich Leisinger, Peter Wollny].
Los Altos, Calif. : Packard Humanities Institute, 2005-
Issued in cooperation with the Bach-Archiv Leipzig, the Sächsische Akademie der Wissenschaften zu Leipzig, and Harvard University.
Contents: Ser. I. Keyboard music / general editor, Darrell M. Berg
UniM Music CE 780.81 BACH IV/6.1
Bach, Carl Philipp Emanuel, 1714-1788.
Passion according to St.Luke (1771) : The complete works / Carl Philipp Emanuel Bach ; [general editors, Darrell M. Berg, Ulrich Leisinger, Peter Wollny].
Los Altos, Calif. : Packard Humanities Institute, 2005-
Issued in cooperation with the Bach-Archiv Leipzig, the Sächsische Akademie der Wissenschaften zu Leipzig, and Harvard University.
Contents: Ser. I. Keyboard music / general editor, Darrell M. Berg
UniM Music CE 780.9434 DENK Bd.31
Burgmüller, Norbert, 1810-1836.
Sämtliche Lieder : Duo für Klarinette und Klavier : Ständchen für Klarinette, Viola und Gitarre / Norbert Burgmüller ; herausgegeben von Klaus Martin Kopitz.
Köln : Dohr, 2008.
Series: Denkmäler rheinischer Musik, Bd. 31
Contents: Sechs Gesänge von Uhland, Goethe, Heine und Platen : op. 3 -- Fünf deutsche Lieder : op. 6 -- Fünf Gesänge, op. 10 -- Fünf Lieder, op. 12 -- Frühlingslied : ohne op. -- Morgenlied : ohne op. -- Duo für Klarinette und Klavier, op. 15 -- Ständchen für Klarinette, Viola und Gitarre, ohne op. -- Ständchen für Viola, Violoncello und Gitarre, ohne op. (Fragment).
UniM Music CE 780.941 MUSI v.88
Croft, William, 1678-1727.
Complete chamber music / William Croft ; edited by H. Diack Johnstone.
London : Stainer and Bell, 2009.
Series: Musica Britannica, v.88
Notes Includes unrealized figured bass.
"Published for the Musica Britannica Trust."
Pref. in English, French, and German; introd. and critical report in English.
Bibliography Includes bibliographical references.
Contents: Sonatas for violin and continuo. No. 1 in A major ; No. 2 in B minor ; No. 3 in G minor -- Sonatas for two recorders. No. 1 in C minor ; No. 2 in F major ; No. 3 in G major ; No. 4 in B flat major ; No. 5 in D minor ; No. 6 in G minor -- Sonatas for two violins and continuo. (No. 1) in E minor ; (No. 2) in F major ; (No. 3) in B flat major ; (No. 4) in B minor -- Sonatas in five parts. In E major for four violins and continuo ; In F major for two recorders, two violins, and continuo.
UniM Music CE 786.5 DAND
Dandrieu, Jean François, 1682-1738.
Premier livre de pièces d'orgue / Jean-François Dandrieu ; collection publiée sous la direction de Jean Saint-Arroman.
Courlay, France : Editions J.M. Fuzeau, [2000], c1994.
Series: Fac-similé Jean-Marc Fuzeau.
Musique française classique de 1650 à 1800 83.
Reprint. Originally published posth. : Paris : Mr. Corrette, 1739.
Pref. in French, with English and German translations.
UniM Music CE 780.81 ELGA v.37
Elgar, Edward, 1857-1934.
Music for violin / editor, Clive Brown.
Rickmansworth, Herts : Elgar Society Edition, c2007.
Series: Elgar complete edition ; v. 37. Series V, Instrumental music
Notes: Sources and critical commentary follow each work.
Contents: Works for violin and piano: Reminiscences ; Romance op. 1 ; Allegretto on a theme of five notes G-E-D-G-E ; Une idylle : esquisse facile : op. 4 no. 1 ; Pastourelle op. 4 no. 2 ; Virelai : op. 4 no. 3 ; Gavotte : original ; Gavotte : edition de salon ; Salut d'amour : op. 12, in E ; Salut d'amour : op. 12, in D ; Mot d'amour : op. 13 no. 1 ; Mot d'amour : op. 13 no. 1 : revised edition ; Bizarrerie : op. 13 no. 2 ; La capricieuse : op. 17 ; Very easy melodious exercises in the first position : op. 22 ; Chanson de nuit : op. 15 no. 1 ; Chanson de matin : op. 15 no. 2 ; Sérénade lyrique ; May song ; Mazurka op. 10 no. 1 ; Offertoire : andante religioso ; Canto popolare : from In the South ; Carissima ; Sospiri : op. 70 ; Rosemary ; Sonata op. 82 -- Arrangements for violin and piano: Petite reine : berceuse / par Victor Béraud (G.F. Blackbourne) ; Kreutzer studies : nos. 2, 8, and 13.
Works for solo violin. Studies: Study no. 1 (Adagio in C major) ; Study no. 2 (Allegro in C major) ; Study in A major ; Study in D minor ; Études caractéristiques : poul [i.e. pour] violon seul, op. 24 -- Works for solo violin. Exercises: Arpeggios ; Two exercises (for the 3rd and 4th fingers) ; Two exercises (for position changing) ; Exercise (in the 7th position) ; Four scale exercises (for position changing with the 1st and 4th fingers) ; Exercise (for 1st finger in 2nd position) ; Four exercises in A flat (for ascending and descending on the G string)
Appendix : sketches and unfinished works: Caprice for solo violin in A major ; Chordal passage for solo violin, "E to A" ; Piece for violin and piano in G major ; Piece for violin and piano in B flat major ; Piece for violin and piano in G minor ; Piece for (?solo) violin in E minor ; Piece for violin and piano in C minor ; Gavotte for violin (?and piano) ; Piece for (?solo) violin in D minor ; Caprice for solo violin in B minor ; Allegro for (?solo) violin in A minor ; Gavotte for (?solo) violin in A minor ; Allegro for (?solo) violin in G minor ; Piece for violin (?and piano) in E minor ; Sonata 1o for violin and piano in C major ; (?Sonata) for violin and piano in B flat major ; Piece in G minor ; "Hungarian" : for violin and piano in C major ; "Fantasie" for violin and piano in A major/minor ; Study for solo violin, for the 3rd and 4th fingers ; Piece for violin and piano in D major ; Étude caprice : for solo violin in D minor ; Piece for violin and piano in G minor ; Piece for violin and piano in A minor ; Polonaise for violin and piano in F major ; Polonaise for violin and piano in D minor ; Fantasia on Irish airs : in E minor ; Piece for violin and piano in E major ; Sonata for violin and piano in D minor. Allegro in D minor ; Adagio in B flat major ; Fragment for violin and piano in F major ; "Easy" pieces : for violin and piano. In A major 4/4 ; In A major 3/4 ; In E minor 4/4.
UniM Music CE 780.81 HOFF
Hoffmann, E. T. A. (Ernst Theodor Amadeus), 1776-1822.
Der Trank der Unsterblichkeit : Oper in 4 Akten, [1808] / Ernst Theodor Hoffmann ; Libretto: Reichsgraf von Soden ; Faksimile-Ausgabe herausgegeben von Peter P. Pachl.
Berlin : Ries & Erler, c2009.
Facsimile of the autograph score (shelfmark Mus. ms. autogr. Hoffmann, E.T.5, Akz. Nr. M 1176) preserved in the Deutsche Staatsbibliothek, Berlin.
Preface in German.
UniM Music CE 786.4 LEBE
Lebègue, Nicolas, 1631-1702.
Pièces de clavecin : premier livre : (1677) / Nicolas-Antoine Lebègue ; collection publiée sous la direction de Jean Saint-Arroman.
Courlay, France : Editions J.M. Fuzeau, 2001, c1995.
Series: Fac-similé Jean-Marc Fuzeau.
Musique française classique de 1650 à 1800 87.
Notes: Suites for harpsichord or other keyboard instrument.
Reprint. Originally published : Paris : Mr. Baillon, 1677.
Pref. in French, with English and German translations.
UniM Music CE 780.945 INST I/5/V
Monteverdi, Claudio, 1567-1643.
Madrigali a 5 voci : libro quarto / Claudio Monteverdi ; edizione critica di Elena Ferrari Barassi.
Cremona : Fondazione Claudio Monteverdi, 1974.
Series: Instituta et monumenta. Serie 1, Monumenta ; v. 5, t. 5.
Opera omnia / Claudio Monteverdi ; v. 5
Facsimile of the 1603 ed. (p. 69-90), with transcription in modern notation on p. 93-195.
Italian words also printed as text, with commentary, on p. 61-65.
Historical and critical notes in Italian.
Bibliography Includes bibliographical references (p. 35-37; discography: p. 38-43).
Notes: No. 582 of 750 numbered copies.
UniM Music CE 780.7 CLAS : v.22
Rainbow, Bernarr.
Four centuries of music teaching manuals, 1518-1932 / Bernarr Rainbow ; with an introduction by Gordon Cox..
Woodbridge : Boydell Press, 2009.
Series: Classic texts in music education ; 22.
Originally published in a limited edition of six copies as: Some notable music manuals: forty representative texts, 1518-1932: Newbury: Severinus Press, 1992.
UniM Music CE 780.81 SHOS v.65
Shostakovich, Dmitrii Dmitrievich, 1906-1975.
The Limpid Stream, op.39 : comedy ballet in 3 acts, 4 scenes : Novoe sobranie sochinenii [music] = New collected works.
Moskva : DSCH, 2000-<2009>
Contents: Series I. Symphonies (v. 1-30) -- Series II. Orchestral compositions -- Series III. Instrumental concertos -- Series IV. Compositions for the stage -- Series V. Suites from operas and ballets -- Series VI. Compositions for choir and orchestra -- Series VII. Unaccompanied choral compositions. Arrangements of Russian folk songs -- Series VIII. Compositions for solo voice(s) with orchestra -- Series IX. Chamber compositions for voice -- Series X. Chamber instrumental ensembles -- Series XI. Instrumental sonatas (apart from piano) -- Series XII. Piano compositions -- Series XIII. Incidental music -- Series XIV. Film music -- Series XV. Instrumentations of works by other composers.
MUSIC SCORES
UniM Music GGB TAN.1
Tänze für Flöte (Violine, Mandoline) und Gitarre [music] / Anton Diabelli, Franz Schubert bearbeitet und herausgegeben von Walter Götze.
Berlin : Apollo-Verlag Paul Lincke, [19--?]
1 score (24 p.) 30 cm.
Contents: 20 Länder nach beliebten österreichischen, Volksliedern / Anton Diabelli -- 20 Tänze / Franz Schubert.
UniM Music HA A5943 DAi.1
Angulo, Manuel, 1966-
Daimon [music] : flauta y sonidos electroacústicos / Manuel Angulo.
Madrid : Mundimúsica, 1988.
1 score (22 p.) cm.
For flute and electonics.
UniM Music GF B116 DUC.1
Bach, Carl Philipp Emanuel, 1714-1788
Duet for two clarinets [music] / Bach, C.P.E. [edited by Robert] McGinnis.
New York City : international Music, c1955.
1 score (4 p.) 31 cm.
Pl. no.: 1851.
UniM Music GF B117 SiX2.1
Bach, Johann Christian, 1735-1782.
Six duets for two violins [music] / J.C. Bach [edited by W.] Friedrich.
New York : international Music Co., [1948-]
1 score (2 v.) 31 cm.
UniM Music GF B118 BAC.1
Bach, Johann Sebastian, 1685-1750.
Bach literature [music] / arranged as clarinet duets by C.C. Cori.
New York, N.Y. : David Gornston, c1964.
1 score (16 p.) 31 cm.
Part of the ... David Gornston course of study --Cover.
Cover title.
Contents: March -- Little prelude no. 3 -- Excerpt from the notebook of Anna Magdalena Bach -- Prelude -- Gavotte -- Goldberg variations. Variation no. 5 -- Rondeau -- Duetto -- Minuet -- Fugue in two voices.
UniM Music GF B118 CLA.1
Bach, Johann Sebastian, 1685-1750.
Clarinet duet arrangements of the famous Bach inventions [music] / by Peter A. Luisetti.
New York, N.Y. : D. Gornston, c1936.
1 score (16 p.) 31 cm.
Cover title.
Contains BWV 785, 784, 779, 775, 782, 776, 781 and 772.
UniM Music GF B118 FiF.1
Bach, Johann Sebastian, 1685-1750.
Fifteen two-part inventions [music] / J.S. Bach adapted for saxophone duet by Larry Teal.
Bryn Mawr, Penn. : T. Presser, c1969.
1 score (35 p.) 31 cm.
For 2 E flat alto saxophones or 1 E flat alto and 1 B flat tenor saxophone.
Originally for harpsichord.
Pl. no.: T. Presser: 414-41081.
UniM Music GF B118 FOB.1
Bach, Johann Sebastian, 1685-1750.
Four Bach works [music] : for alto recorder and guitar / edited by Bernard Hopkins.
San Lorenzo, Calif: Musica Sacra et Profana, c1974.
1 score (11 p.) 31 cm.
'Arioso' originally for harpsichord and orchestra.
'Bist du bei mir' originally for harpsichord.
'Herzlich thut mich verlangen' originally for chorus and orchestra.
'Adagio' originally for organ.
Caption title.
Contents: Arioso -- Bist du bei mir -- Herzlich thut mich verlangen -- Adagio.
UniM Music GF B118 FOV.1
Bach, Johann Sebastian, 1685-1750.
Four duets for violin and cello [music] / Bach, J.S. [transcribed by J.] Stutschewsky.
New York City : international Music Co., [1947]
1 score (13 p.) 31 cm.
UniM Music GF B292 EiG.1
Bartók, Béla, 1881-1945.
18 Duos aus 44 Duos für 2 Violinen, für 2 Violincelli [music] = 18 duos from 44 Duos für 2 Violinen for 2 violoncelli / Béla Bartók bearbeitet von Walter Kurz.
[Wien] : Universal Edition New York : Boosey & Hawkes, [1960]
1 score (15 p.) 31 cm.
UniM Music GF B293 DUE.1
Bartos, Josef, b. 1887.
Ctyri duetta [music] : pro dvoje housle / Josef Bartos upravil Bedrich Voldán.
Praha : Hudebni matice Umelecké besedy, 1949.
2 parts 31 cm.
For 2 violins.
Contents: Studentské -- intimni -- Jarni -- Junácké.
UniM Music E B415 ROR.1
Beethoven, Ludwig van, 1770-1827.
Due romanze [music] : per violino e pianoforte / Ludwig van Beethoven Marco Anzoletti.
Milano : Ricordi, 1951.
1 score (11 p.) + 1 part 32 cm.
Acc. arr. for piano.
Caption title.
Contents: No. 1, op. 40 -- No. 2, op. 50.
UniM Music GF B415 DUM.1
Beethoven, Ludwig van, 1770-1827.
Duett mit zwei obligaten Augengläsern [music] : Sonatensatz für Viola und Violoncello / L. van Beethoven [edited by Fritz Stein]
[London?] : Edition Peters, [1952], c1939.
1 score (10 p.) 31 cm.
Caption title.
Notes in German, English and French.
UniM Music GF B415 FiR.1
Beethoven, Ludwig van, 1770-1827.
First duo for clarinet and bassoon [music] : (with alternate instruments) / Beethoven.
New York : E. B. Marks Music, [19--]
1 score (6 p.) + 2 parts 31 cm.
Cover title.
Pl. no.: 12577-14.
UniM Music GF B415 DUV.1
Beethoven, Ludwig van, 1770-1827.
3 duos für Clarinette und Fagott [music] / von L. van Beethoven für Violine und Violoncello, übertragen von Friedr. Hermann.
Leipzig : C.F. Peters, [19--?]
2 parts 31 cm.
Of doubtful authenticity --New Grove.
Contents: No. 1, C major -- No. 2, F major -- No. 3, B flat major.
Publisher's no.: Edition Peters No. 2523.
UniM Music GF B4847 KOM.1
Berbiguier, T. (Tranquille), 1782-1838.
Drei konzertante Flötenduos [music] = Three duos for flutes, op. 22 / Benoit Tranquille Berbiguier.
Hamburg : N. Simrock, 1960.
2 parts 31 cm.
UniM Music GF B511 DUL.1
Bériot, Ch. de (Charles), 1802-1870.
3 duos concertants pour 2 violons, op. 57 [music] / par Ch. de Beriot revidiert und bezeichnet von M. Dello.
Braunschweig : H. Litolff,, [19--?]
2 parts 31 cm.
UniM Music GF B683 TWO.1
Boismortier, Joseph Bodin de, 1689-1755.
Two sonatas in C major and G minor for two flutes [music] / Boismortier [edited by Kurt] Schlenger.
New York : international Music, [19--]
1 score (9 p.) 31 cm.
Pl. no.: 1580.
Contents: Op. 6, no. 2 -- Op. 1, no. 2.
UniM Music Q B813 SY3.1
Brahms, Johannes, 1833-1897.
Sinfonie Nr. 3, F-Dur, op. 90 [music] / Johannes Brahms.
Wiesbaden : Breitkopf & Härtel, [1993]
1 score (86 p.) 31 cm.
Duration: ca. 36:00.
UniM Music GF B8396 FiF1.1
Brepsant, E.
Fifteen duets for two clarinets [music] / E. Brepsant.
Boston, Mass. : Cundy-Bettoney, [19--?]
1 score (3 v.) 31 cm.
Contents: v. 1. Nos. 1-6.
UniM Music J B8623 SO12.1
Brivio, sigr (Giuseppe Ferdinando), ca. 1700-ca. 1758.
Xii. sonates en trio [music] : pour les flutes traversieres, violons, ou haubois, avec la basse, livre premier / del Signor Brévio.
Paris : H. Lemoine, c1913.
1 score (5 p.) + 2 parts 36 cm.
Reprint. First published: Le Clerc, [1730?].
UniM Music GF C693 SU.1
Coleridge-Taylor, Samuel, 1875-1912.
Suite de pièces [music] : pour violon et orgue ou violon et piano, op. 3 / par S. Coleridge-Taylor.
Mayence : B. Schott's Söhne, [189-?]
1 score (9 p.) + 1 part (4 p.) 34 cm.
For violin and organ.
Contents: Pastorale -- Cavatina -- Barcarolle -- Contemplation.
UniM Music GF C797 DUE.1
Corelli, Arcangelo, 1653-1713.
Fünf Duette für zwei Flöten [music] : op. 5, Nr. 7-11 nach einer Ausgabe von 1740 = Five duets for two flutes, op. 5, nos. 7-11, after an edition of 1740 / Arcangelo Corelli herausgegeben von Gerhard Braun.
Wien : Universal Edition, c1996.
1 score (25 p.) 31 cm.
Originally for violin and continuo arr. for two flutes.
Preface in English, French, and German.
UniM Music GF C856 SU1.1
Couperin, Francois, 1668-1733.
Suite i for two like instruments [music] : for two violins, flutes, oboes, or clarinets / Couperin edited by Sydney Beck.
New York : Mercury Music Corp., c1946.
1 score (8 p.) 31 cm.
Version A. Cover title
Contents: Prélude -- Air -- Sarabande -- Chaconne légère.
UniM Music GF D155 SOFH.1
Damase, Jean Michel, 1928-
Sonate pour flute et harpe [music] / Jean-Michel Damase.
Paris : H. Lemoine, c1964.
1 score (41 p.) + 1 part (9 p.) 32 cm.
Duration: 18:00.
UniM Music GF D155 SOCH.1
Damase, Jean Michel, 1928-
Sonate pour clarinette et harpe [music] / Jean-Michel Damase.
Paris : Editions Henry Lemoine Bryn Mawr, Pa. : Agents exclusifs pour la vente, USA, T. Presser, c1984.
1 score (40 p.) + 1 part (11 p.) 31 cm.
UniM Music GF D174 DU11.1
Dancla, Charles, 1817-1907.
Duos faciles et progressifs pour deux violons [music] / par Charles Dancla.
Leipzig : C.F. Peters, [189-?]
2 parts (11 v. each) 30 cm.
Each cahier paged seperately.
Contents: Cah. 1. op. 23 -- Cah. 2. op. 32 -- Cah. 3. op. 60 -- Cah. 4. op. 24 -- Cah. 5. op. 33 -- Cah. 6. op. 61 -- Cah. 7. op. 15 -- Cah. 8. op. 34 -- Cah. 9. op. 62 -- Cah. 10. op. 25 -- Cah. 11. op. 35.
UniM Music GGB D536 SEH1.1
Diabelli, Anton, 1781-1858.
Sehr leichte stücke [music] : für gitarre und klavier = Pièces très faciles / Anton Diabelli bearbeitet und herausgegeben von Georg Meier.
Mainz : B. Schott's Sohne, [19--]
1 score (4 v.) + 1 part (4 v.) 31 cm.
For guitar and piano.
Publisher's no.: 30909, 30910, 30911, 30912.
UniM Music A D6345 MUZ.1
Dobrowolski, Andrzej, 1921-1990.
Muzyka na tasme magnetofonowa i fortepian solo = Music for magnetic tape and piano solo = Musik für Tonband und Klavier solo / Andrzej Dobrowolski.
Kraków : Polskie Wydawn. Muzyczne Warszawa : Studio Eksperimentalne PR [i.e. Polskiego Radia] Celle : Moeck Verlag, c1973.
1 score (22 p.) 31 cm. + 1 sound disc (analog, 45 rpm, stereo. 7 in.)
Diagrammatic and conventional notation.
Pref. in Polish, English and German.
Duration: 11 min.
UniM Music GF D725 DUO.1
Dotzauer, J. J. F. (Justus Johann Friedrich), 1783-1860.
Duos [music] : für zwei Violoncelli, Opus 15 / Justus Johann Friedrich Dotzauer herausgegeben von Bernhard Weigart.
Mainz : B. Schott's Söhne, cop. 1970.
UniM Music GF D816 CAP.1
Dubois, Pierre Max, 1930-
Six caprices pour deux saxophones (soit 2 soprani, ou 2 alti, ou 2 ténors) ou 2 clarinettes égales [music] / Pierre-Max Dubois.
Paris : A. Leduc, c1968.
1 score (17 p.) 34 cm.
Cover title.
Duration: 15:00.
Contents: Prelude -- Fugue -- impression -- Perpetuum mobile -- Scherzando -- Théme varie.
UniM Music E E41 CHA.1
Elgar, Edward, 1857-1934.
Chanson de matin [music] : pour violon et piano, op. 15, no. 2 / composée par Edward Elgar.
London : Novello, 1899.
1 score (4 p.) + 1 part (3 p.) 31 cm.
UniM Music GF i288 SHO.1
Illing, Robert, 1917-
Four short pieces [music] : on melodies associated with metrical versions of Psalm XXiii for flute and oboe / [Robert illing]
Sydney : Ri, 1988.
1 score (11 p.) 30 cm.
UniM Music GG L387 VEN.1
Lauro, Antonio.
Two venezuelan pieces for guitar [music] / Augustin [i.e. Antonio] Lauro edited and fingered by Sophocles Papas.
Washington : Columbia Music, c1966.
5 p. of music 31 cm.
Contents: Valse criolo -- Pavana.
UniM Music GG L4301 CO2.1
Lázaro, José.
Concierto no. 2 para guitarra y orquesta de cuerda [music] / José Lázaro reducción para piano.
Madrid : Editorial Alpuerto, c1986.
1 score (31 p.) + 1 part (14 p.) 31 cm.
UniM Music GG L4301 SON2-9
Lázaro, José.
Sonatinas para guitarra [music] / Jose Lazaro.
Madrid : Editorial Alpuerto, [1987]
9 v. of music 31 cm.
Contents: v. 1. Nos. 1-10 -- v. 2. Nos. 11-15 -- v. 3. Nos. 16-20 -- v. 4. Nos. 21-25 -- v. 5. Nos. 26-30 -- v. 6. Nos. 31-35 -- v. 7. Nos. 36-40 -- v. 8. Nos. 41-45 -- v. 9. Nos. 46-50.
UniM Music GG L4301 SO4.1
Lázaro, José.
Sonata no. 4 para guitarra [music] : Homenaje a J. Turina / José Lázaro.
Madrid : Editorial Alpuerto, 1983.
25 p. of music 30 cm.
UniM Music GG L4642 SU.1
Le Cocq, Francois.
Suite in La minore [music] : per chitarra / Francois Le Cocq [revisione di] Paolo Paolini e Leo Brouwer.
Milano : Ricordi, c1991.
18 p. of music 31 cm.
For guitar.
UniM Music GG L579 TRE.1
León, Argeliers.
Tres canciones lentas [music] / Argeliers León digitación Jesus Ortega.
La Habana : Editora Musical de Cuba Ediciones Musicales Fondo del Guitarrista, 1988, c1982.
5 p. of music 30 cm.
For guitar.
UniM Music GG L6155 PRE.1
Lerich, Pierre, 1937-
Prélude et fugue, alla antiqua [music] : pour guitare / P. Lerich.
Nice : G. Delrieu, c1968.
3 p. of music 31 cm.
Cover title.
UniM Music A L774 VAi.1
Liszt, Franz, 1811-1886.
Valse-impromptu [music] : pour piano / par Francois Liszt edition instructive par Xaver Scharwenka.
Leipzig : C.F. Peters, [189-?]
15 p. of music 33 cm.
UniM Music GF R171 DUE.1
Rameau, Jean-Philippe, 1683-1764.
Duette für 2 Flöten nach Werken von J.-Ph. Rameau [music] = Duets for two flutes after J.-Ph. Rameau / Michel Blavet herausgegeben von Marianne Betz.
Wien : Universal Edition, c1990.
1 score (21 p.) 31 cm.
From Blavet's Trois recueils de pièces, petits airs, brunettes, menuets.
The present edition is based not only on the text of the Trois Recueils ... (Paris 1744 - approx. 1751) but also on the complete edition of the works of Jean-Philippe Rameau (Oeuvres Complètes, Publiés sous la Direction de C. Saint-Saëns, Durand, Paris 1895-1924) and, in the case of the opera Zoroastre, the edition in Chefs-D'Oeuvres Classiques de l'Opéra francais (vol. 36, New York 1971). --Pref.
UniM Music UniM Music Score T877 SU3.1
Tchaikovsky, Peter.
Suite No. 3 in G major : [Noten] op. 55 / Peter Tchaikovsky.
New York : Belwin Mills, [1975].
222 S.
[Nachdr. der Gesamtausgabe Moskau 1940].
SOUND RECORDINGS
UniM Music CD 10539
Handel, George Frideric, 1685-1759.
12 solo sonatas, op. 1 [sound recording] / Handel.
[United States] : Harmonia Mundi USA, p2009.
2 sound discs : digital 4 3/4 in.
Program notes in English with French and German translations, and biographical notes on performers in English (31 p.) inserted in container.
Contents: Flute sonata in E minor, HWV 359 op. 1 no. 1 -- Recorder sonata in G minor, HWV 360 op. 1 no. 2 -- Violin sonata in A major, HWV 361 op. 1 no. 3 -- Recorder sonata in A minor, HWV 362 op. 1 no. 3 -- Flute sonata in G major, HWV 363b op. 1 no. 5 -- Oboe sonata in G minor, HWV 364a op. 1 no. 6 -- Recorder sonata in C major, HWV 365 op. 1 no. 7 -- Oboe sonata in C minor, HWV 366 op. 1 no. 8 -- Flute sonata in B minor, HWV 367b op. 1 no. 9 -- Violin sonata in G minor, HWV 368 op. 1 no. 10 -- Recorder sonata in F major, HWV 369, op. 1 no. 11 -- Violin sonata in F major, HWV 370 op. 1 no. 10 (Roger) -- Oboe sonata in F major (manuscript) 'hautb: solo del Sr. Hendel' -- Violin sonata in E major, HWV 373 op. 1 no. 12 (Roger).
Performers: The Academy of Ancient Music Richard Egarr, harpsichord.
UniM Music CD 10542
Monteverdi, Claudio, 1567-1643.
The second book of madrigals [sound recording] = Il secondo libro dei madrigali = La deuxième livre de madrigaux / Monteverdi.
London : Capriole, p1993.
Contents: Non si levava ancor l'alba novella E dicea l'una sospirando allora -- Bevea Fillide mis -- Dolcissimi legami -- Non giacinti o narcisi -- Intorno a due vermiglie e vaghe labra -- Non sono in queste rive -- Tutte le bocche belle -- Donna, nel mio ritorno -- Quell'ombra esser vorrei -- S'andasse Amor a caccia Mentr'io mirava fiso Ecco mormorar l'one Dolcemente dormiva la mia Clori Se tu mi lassi, perfida, tuo danno -- La bocca onde l'asprissime parole -- Crudel, perché mi fuggi -- Questo specchio ti dono -- Non m'è grave il morire -- Ti spontò l'ali, Amor, la donna mia -- Cantai un tempo, e, se fu dolce il canto.
Performers: Consort Ars Musica, Raffaello Monterosso, director.
UniM Music CD 10538
Shostakovich, Dmitrii Dmitrievich, 1906-1975.
Cello concerto no. 2 [sound recording] / Shostakovich. Cello symphony / Britten.
Perivale [England] : Signum Records, p2008.
Performers: Jamie Walton, cello Philharmonia Orchestra Alexander Briger, conductor.
Recorded at Henry Wood Hall, London, 1 & 2 March 2008.
UniM Music CD 10541
Sibelius, Jean, 1865-1957.
The Sibelius edition. 8, Orchestral works [sound recording]
Akersberga, Sweden : BIS, [2009]
Contents: CD 1. Overture in E major, JS145 -- Scène de ballet, JS163 -- Karelia, JS115.
CD 2. Karelia overture, op.10 -- Karelia Suite, op.11 -- Impromptu for string orchestra (1893, arr. 1894) -- Presto for string orchestra (1889–90, arr. 1894) -- Press Celebrations Music, JS137.
CD 3. Menuetto, JS127 -- Coronation March (1896) -- Porilaisten marssi = March of the Pori Regiment, JS152 -- Overture in A minor, JS144 -- Romance in C major for string orchestra, op.42 -- Cortège, JS54 -- Pan and Echo, op. 53 -- Grevinnans konterfej, JS88 -- Violin concerto in D minor, op.47 (1903-04, rev.1905, published version).
CD 4. Rakastava, op.14 -- Suite for orchestra (1914). Fragments -- Serenades for violin and orchestra. No.1 in D major, op. 69a No. 2 in G minor, op. 69b -- Serious melodies, op.77, for violin and orchestra. Cantique Devotion -- Humoresques for violin and orchestra. No.1 in D minor, op. 87 No.1 No.2 in D major, op.87 No.2 No.3 in G minor, op.89a No.4 in G minor, op.89b No. 5 in E flat major, op. 89c No. 6 in G minor, op. 89d -- Promootiomarssi = Academic March, JS155 -- Jääkärien marssi = March of the Finnish Jäger Battalion, op. 91a.
CD 5. Pieces for orchestra, op. 96. Valse lyrique (1919, orch. 1920) Autrefois (1919, rev. 1920) Valse chevaleresque (1921-22) -- Suite mignonne for two flutes and string orchestra, op. 98a Petite scène Polka Épilogue -- Suite champetre for string orchestra, op. 98b. Pièce caractéristique Mélodie élégiaque Danse -- Suite caractéristique for harp and string orchestra, op.100 -- Morceau romantique, JS135a -- Suite for violin and string orchestra, JS185. Country scenery Serenade, Evening in Spring In the summer -- Andante festivo, JS34b -- Processional, op.113, no.6.
CD 6. Karelia, JS115 (Alternative Versions). Tableaux 7 Tableaux 8 -- Impromptu for string orchestra (1893, preliminary version) -- Violin concerto in D minor, Op.47 (1903-04, original version) -- Rakastava, op.14 (1894/1911, Paris version). Lover Beloved Good evening...Good night -- Serious melodies, op. 77, for violoncello and orchestra. Cantique Devotion -- Humoresque no.1 in D minor, op. 87 no.1 (Original version).
Performers: Jaakko Kuusisto, violin Dong-Suk Kang, violin Leonidas Kavakos, violin Marko Ylönen, violoncello Lahti Symphony Orchestra Osmo Vänskä, conductor Jaakko Kuusisto, conductor Göteborgs Symfoniker, Neeme Järvi, conductor.
Program notes in English, Finnish, German, French and Japanese.
World Music discs
None received
VIDEO RECORDINGS
UniM Music DVD 357
Walsh, Linda, oboist.
Oboe reed making [videorecording].
[Newcastle, NSW] : Linda Walsh, 2008.
Summary: A comprehensive guide to European style reed making for beginners and advanced performers, produced in 2008 by Linda Walsh, an experienced professional oboist and teacher using top quality digital video. Featuring tips from international oboists: Nicholas Daniel, François Leleux, Louise Pellerin, David Walter, Christian Schmitt, Nick Deutsch, Sébastien Giot, and technical experts: Udo Heng and Dimiter Jordanov. Includes extra videos on American Reeds (Martin Schuring from Arizona State University explains why they are diffierent to European reeds), Cor Anglais reeds (with Bram Nolf, Cor Anglais soloist of the Belgian National Orchestra) ; Oboe d'amore reeds (Construction and measurements) and How to sharpen a reed knife (for double hollow ground and bevel-edge knives)
MICROFORMS
None received
THESES / SPECIAL STUDIES
None received