New Materials for August 2009
Books | Collected Editions | Music Scores | Sound Recordings | Videos | Microforms | Theses
NEW BOOKS
Rare Matierals | Reference Collection | General Book Collection
Rare Materials
None received
Reference Books
None received
General Books
UniM Music 781.6291411 ALTE
UniM Music CD 6321
Alter, Andrew, 1960-
Dancing with devtas : drums, power and possession in the music of Garhwal, North India.
Aldershot, Hants, England ; Burlington, VT : Ashgate, c2008.
Series: SOAS musicology series
Contents: Notes on the Transliteration of Hindi and Garhwali Texts -- Key to Musical Transcriptions -- Pt. 1. Contextualizing the Study -- 1. Sounding the Drum: Power and Meaning in the Context of Performance -- 2. Dev Bhumi: Land of the Gods -- 3. Caste Groups and Instrumentalists -- 4. Performance Genres and Dance Practice -- 5. Musical Instruments in Garhwal -- 6. Dhol Sagar: The Ocean of Drumming -- Pt. 2. Analysis and Description of Musical Events: Musical Power in the Context of Performance -- 7. Drumming Associated with Pandavalila -- 8. Music in the Context of Wedding Celebrations -- 9. The Pawara of Kirthipal and Kunjepal -- App. 1. Otuwa Belena': Devanagari Text and Transliteration -- App. 2. Devanagari Text Excerpts with Translation from the Pawara of Kirthipal and Kunjepal -- App. 3. Aural Sources -- Discography of Selected Commercially Released Cassettes.
Summary: "Andrew Alter examines music and musical practice in Garhwal from an analytical perspective that explores the nexus between musical sounds and performance events. He provides insight into performance practice, vocal techniques, notions or repertoire classification, instruments, ensembles, performance venues, and dance practice." "Alter makes a significant contribution to the discipline of ethnomusicology through a detailed documentation of musical practice in the context of ritual events. The book offers a traditionally thorough historical-ethnographic study of a region with the aim of integrating the local field-based case studies of musical practices within the broader Garhwali context. The work contains invaluable oral data, which has been carefully transliterated as well as translated. Alter blends a carefully detailed analysis of drumming in conjunction with the complex ritual and social contexts of this sophisticated and semantically rich musical practice."--BOOK JACKET.
UniM Music 781.1 ARNO
Arnold, Daphne E.
Seventh grade theory (1971-72) study notes / prepared by Daphne E. Arnold and Mary J. McDonnell.
Sydney : Educational Division, Castle Music, 1971.
Contents: Handel, "All we like sheep' from "Messiah' (vocal score) - Wagner, Overture to "Die meistersinger' (for use with the scores)
Donation from Lynn Young
UniM Music 786.2
Bastien, James W.
Theory lessons. Level 2.
San Diego, CA : Kjos West, c1976.
Series:The Bastien piano library
Donation from Lynn Young.
UniM Music 780.89924 BOHL
Bohlman, Philip Vilas.
Jewish music and modernity.
New York, N.Y. : Oxford University Press, 2008.
Series: AMS studies in music
Contents: Prologue: Before Jewish Music -- Pt. I. Places of Jewish Music -- 1. The Jewish Village: Music at the Border of Myth and History -- 2. The People without Music History: Rediscovering Jewish Music in the Mediterranean -- 3. East and West -- Pt. II. Ontologies of Jewish Music -- 4. Inventing Jewish Music -- 5. Self-Reflecting-Self: Jewish Music Collecting in the Mirror of Modernity -- 6. Paths toward Utopia -- Pt. III. Beyond Jewish Music -- 7. Parables of the Metropole -- 8. Jewishness in Music: Mirrors of Selfness in Jewish Music -- 9. Staging Jewish Music -- Epilogue: After Jewish Music.
NOTES "Is there really such a thing as Jewish music? And how does it survive as a practice of worship and cultural expression even in the face of the many brutal aesthetic and political challenges of modernity? In Jewish Music and Modernity, Philip V. Bohlman imparts these questions with a new light that transforms the very historiography of Jewish culture in modernity." "Based on decades of fieldwork and archival study throughout the world, Bohlman intensively examines the many ways in which music has historically borne witness to the confrontation between modern Jews and the world around them. Weaving a historical narrative that spans from the end of the Middle Ages to the Holocaust, be moves through the vast confluence of musical styles and repertories. From the sacred to the secular, from folk to popular music, and in the many languages in which it was written and performed, he accounts for areas of Jewish music that have rarely been considered before. Jewish music, argues Bohlman, both survived in isolation and transformed the nations in which it lived. When Jews and Jewish musicians entered modernity, authenticity became an ideal to be supplanted by the reality of complex traditions. Klezmer music emerged in rural communities cohabited by Jews and Roma; Jewish cabaret resulted from the collaborations of migrant Jews and non-Jews to the nineteenth-century metropoles of Berlin and Budapest, Prague and Vienna; cantors and composers experimented with new sounds. The modernist impulse from Felix Mendelssohn to Gustav Pick to Arnold Schoenberg and beyond became possible because of the ways music juxtaposed aesthetic and cultural differences."--BOOK JACKET.
UniM Music 613.192 BREA
Breath in action : the art of breath in vocal and holistic practice / edited by Jane Boston and Rena Cook ; foreword by Cicely Berry.
London ; Philadelphia : Jessica Kingsley, 2009.
Contents: Foreword / Cicely Berry -- Introduction / Jane Boston and Rena Cook -- Pt. I. Breath and the Body -- Introduction / Jane Boston and Rena Cook -- 1. Anatomy of Breathing / Yolanda Heman-Ackah -- 2. A Short History of Breath From Womb to Tomb / Stephanie Martin -- 3. Effects of Posture and Diaphragmatic Breath / April Pierrot -- 4. The Art of Breathing / Jessica Wolf -- Pt. II. Breath and the Mind -- Introduction / Jane Boston and Rena Cook -- 5. Breath and the Science of Feeling / Rebecca Cuthbertson-Lane -- 6. The Breathing Mind: The Feeling Voice / Joanna Weir Ouston -- 7. The Art of Breathing / Kristin Linklater -- Pt. III. Breath and Holistic Practice -- Introduction / Jane Boston and Rena Cook -- 8. Dahnjeon Breathing: Training Actors' Voices Through Korean P'ansori / Kristin Linklater -- 9. Transformative Breath: From Shamanism to Voice Practice / Marj McDaid -- 10. Qi Gong Breath / Michael Morgan -- 11. Integrated Movement Practices and the Breath / Debbie Green -- 12. Breath, Theatrical Authenticity, and the Healing Arts / Rena Cook -- Pt. IV. Breath and Performance -- Introduction / Jane Boston and Rena Cook -- 13. Transformation and the Actor: The Responsive Breath / David Carey -- 14. Breathing the Verse: An Examination of Breath in Contemporary Actor Training / Jane Boston -- 15. An Integration of Breath, Body and Mind / Lisa Wilson -- 16. Laban and Breath: The Embodied Actor / Katya Bloom -- 17. The Breath: Heart and Soul of the Self / Judylee Vivier.
UniM Music 782.421629633 BURN
UniM Music DVD 358
Burns, James (James M.)
Female voices from an Ewe dance-drumming community in Ghana : our music has become a divine spirit.
Farnham, England ; Burlington, VT : Ashgate, c2009.
Series: SOAS musicology series
Contents: List of Music Examples -- Conventions and Orthography -- Introduction. Our Music Has Become a Divine Spirit - Music and Identity in an African Town -- 1. Daughters of the Drum: The Social Environment of Female Artists in Dzodze -- 2. The Dance Space: Music Associations, Territories and Events -- 3. We are a Community Dance-drumming Group: The Dzigbordi Habobo of Dzodze -- 4. Doing it for Everyone to See: The Oral Artistry of Dzigbordi in Performance -- DVD Notes.
UniM Music 362.196852606 CREA
The creative therapies and eating disorders / [edited] by Stephanie L. Brooke.
Springfield, Ill. : Charles C. Thomas, c2008.
Contents: 1. Eating Disorders Across the World / Stephanie L. Brooke -- 2. Art Therapy Approaches to Working with People Who Have Eating Disorders / Donna J. Betts -- 3. Bringing "The World" into the Room: Art Therapy, Women and Eating Issues / Claire Edwards -- 4. Preserving the Self: Treating Eating Disordered Individuals Who Self-Injure with Art Therapy / Michelle L. Dean -- 5. The Body Outline Drawing Technique: Clinical Considerations for Eating Disordered Trauma Survivors / Julia Andersen -- 6. Creating New Worlds: Using Sandtray Therapy with Eating Disorders / Charles E. Myers and Kathryn N. Klinger -- 7. Healing Hunger Through Play: An Overview of Play Therapy Techniques for Counseling Children with Eating Disorders / Brian L. Bethel -- 8. Discovery and Recovery Through Music: An Overview of Music Therapy with Adults in Eating Disorder Treatment / Annie Heiderscheit -- 9. Music Therapy in the Treatment of Eating Disorders / Marah Bobilin -- 10. Culturally Competent Group Therapy with Latina Adolescents and Young Adults with Eating Disturbance: The Use of Poetry and Music / Geneva Reynaga-Abiko -- 11. Women, Food and Feelings: Drama Therapy with Women Who Have Eating Disorders / Sheila Rubin -- 12. The Sacred and the Profane Food: Ritual and Compulsion in Eating Disorders - Existential Drama Therapy with Adolescents and Their Families / Cosmin Gheorghe -- 13. Nourishing the Inner Child: The Sesame Approach of Drama and Movement Therapy with Teens Recovering from Disordered Eating / Priyadarshini Senroy -- 14. Talking to the Social Animal: An Evolutionary Approach to Working with Anorexic and Bulimic Clients / Shinta Hermanns -- 15. The Use of Spirituality as a Creative Therapeutic Modality in the Treatment of Eating Disorders / Amy Jerslid -- 16. Nourishing the Young Therapist: Action Supervision with Eating Disordered Clients Using the Therapeutic Spiral Model / Kate Hudgins -- 17. A Positive Ethical Approach to Using Creative Arts Therapies with Eating Disorders / Lisa D. Hinz.
UniM Music 781.644 BROW/ DANI
Danielsen, Anne.
Presence and pleasure : the funk grooves of James Brown and Parliament.
IMPRINT Middletown, Conn. : Wesleyan University Press, c2006.
Series: Music/culture.
Includes bibliographical references (p. 245-251) and index.
Table of contents only: http://www.loc.gov/catdir/toc/ecip0611/2006010987.html
UniM Music 780.72 DORR
Dorricott, I. J. (Ian J.)
In tune with music. Book 1, Teacher's manual / Ian Dorricott, Bernice Allan / 2nd ed.
Sydney : McGraw-Hill, 1992.
To accompany: In tune with music. Book 1. 2nd ed, 1992.
Louise Hanson-Dyer Music Library copy donated by Lynn Young.
UniM Music 781.66 EXPR
Expression in pop-rock music : critical and analytical essays / edited by Walter Everett / 2nd ed.
New York : Routledge, 2008.
Previous ed.: Expression in pop-rock music : a collection of critical and analytical essays. c2000.
Contents: The musical world(s?) of Frank Zappa : some observations of his crossover pieces / Jonathan W. Bernard -- Frank Zappa's The black page : a case of musical conceptual continuity / James Borders -- Analytic methodologies for rock music : harmonic and voice-leading strategies in Tori Amos's Crucify / Lori Burns -- Jazz-rock? rock-jazz? : stylistic crossover in late-1970s American progressive rock / John Covach -- Pitch down the middle / Walter Everett -- Music, contexts, and meaning in U2 / Susan Fast -- From L'étranger to Killing an Arab : representing the other in a Cure song / Ellie M. Hisama -- The imagination of pop-rock criticism / Nadine Hubbs -- Trapped within the wheels : flow and repetition, modernism and tradition in Stevie Wonder's Living for the city / Tim Hughes -- Fumbling towards ecstasy : voice leading, tonal structure, and the theme of self-realization in the music of Sarah McLachlan / Timothy Koozin -- Country-pop formulae and craft : Shania Twain's crossover appeal / Jocelyn R. Neal -- Large-scale strategy and compositional design in the early music of Genesis / Mark Spicer -- Rock and roll rhapsody : pop epics of the 1970s / Albin Zak.
UniM Music 780.92 MARI/ FISC
Fischer, Christine, 1970-
Instrumentierte Visionen weiblicher Macht : Maria Antonia Walpurgis' Werke als Bühne politischer Selbstinszenierung.
Kassel ; New York : Bärenreiter, c2007.
Series: Schweizer Beiträge zur Musikforschung ; Bd. 7
UniM Music 782.421660922 BEAT/ GOUL
Gould, Jonathan, 1951-
Can't buy me love : the Beatles, Britain, and America.
New York : Harmony Books, c2007.
Includes bibliographical references (p. [607]-636) and index.
UniM Music 372.87049 HARR
UniM Music CD 10547
Harris, Maureen, 1956-
Music and the young mind : enhancing brain development and engaging learning.
Lanham : Rowman & Littlefield Education, c2009.
Contents: Foreword / Susan Kenney -- 1. Brain Research and How Children Learn -- 2. Biology and Music-Tapping the Global Rhythm -- 3. Healing -- 4. Gifted Children -- 5. Teacher Training -- 6. Appropriate Curricula -- 7. Multicultural Integration -- 8. A Year's Music Curriculum -- 9. Lesson Plans of Basic Concepts -- 10. Resource Guide -- 11. Let's Get Starred -- 12. Tomorrow's World -- Appendix A. Songs Listed Alphabetically -- Appendix B. Action Songs -- Appendix C. Tracks on CDs by Lesson Plan.
"Published in partnership with MENC: The National Association for Music Education."
UniM Music 780.8994323 HARR
UniM Music CD 6322
Harris, Rachel (Rachel A.)
The making of a musical canon in Chinese Central Asia : the Uyghur Twelve Muqam.
Aldershot, Hampshire, England ; Burlington, VT : Ashgate, c2008.
Series: SOAS musicology series
Contents: 1. An overview of Uyghur music -- 2. A short history of the canon -- 3. Abdulla Majnun : Muqam expert -- 4. Negotiating the canon -- 5. Situating the Twelve Muqam -- 6. The impact of canonisation -- App. Notes on the accompanying CD.
Summary: "This book traces the formation of the Twelve Muqam, a set of musical suites linked to the Uyghurs, who are one of China's minority nationalities, and culturally Central Asian Muslims." "The book draws on Uyghur and Chinese language publications; interviews with musicians and musicologists; field, archive and commercial recordings, and aims towards an understanding of the Twelve Muqam as musical repertoire, juxtaposed with an understanding of the Twelve Muqam as a field of discourse. The book brings together several years' work in this field, but its core arises from a research project under the auspices of the AHRC Centre for Music Performance and Dance."--BOOK JACKET.
UniM Music 781.1 HINR
Hinrichsen, Ruby J.
Approach to theory : second grade standard.
Melbourne : Allan & Co., c1946.
Notes: "Every book in this series is suitable for A.M.E.B. exams in Australia ..."
Donation from Lynn Young.
UniM Music 787.87092 HODG
Hodgkinson, Will.
Guitar man.
Cambridge, MA : Da Capo Press, 2007.
UniM Music 781.2076 HOLLA v.1
Holland, Dulcie, 1913-2000.
Practice your theory : 10 theory test papers.
Melbourne : Allans Publishing, c1986-1987.
Contents: v. 1. Grade 1 -- v. 2. Grade 2 -- v.3. Grade 3 -- v.4. Grade 4 -- v.5. Grade 5 -- v.6. Grade 6 -- v.7. Grade 7.
UniM Music 784.162957 HOWA
UniM Music CD 6323 v.1
Howard, Keith, 1956-
Korean kayagum sanjo : a traditional instrumental genre / Keith Howard, Chaesuk Lee, and Nicholas Casswell.
Aldershot, Hampshire, England ; Burlington, VT : Ashgate, c2008.
Series: SOAS musicology series
Contents: 1. The genre : kayagum sanjo -- 2. The instrument : kayagum -- 3. My musical life and sanjo : Chaesuk Lee -- 4. Analysis 1 : mode, rhythm and regional identity -- 5. Analysis 2 : a Deleuzian approach -- 6. Kim Chukp'a's sanjo : notation.
NOTES "This volume explores, records, notates and documents the Kim Chukp'a school of kayagum sanjo. It is the result of collaboration between Chaesuk Lee, the ethnomusicologist Keith Howard and the composer and musicologist Nicholas Casswell. Two audio CDs accompany the book, one featuring Lee playing Kim's complete sanjo, and the second, a 'bonus' CD of a second sanjo for the six-stringed zither, komun'go, played by Kim Sunok."--BOOK JACKET.
UniM Music 781.62951 JONE
UniM Music CD 359
Jones, Stephen, 1953-
Ritual and music of north China : Shaanbei.
Farnham, England ; Burlington, VT : Ashgate, c2009.
Series: SOAS musicology series
Contents: Map. The Yulin region of Shaanbei -- 1. Shaanbei society and its musics -- 2. The tradition -- 3. The Yan'an period -- 4. The bards after Liberation -- 5. The reform era -- 6. Chuishou before Maoism -- 7. Chuishou under Mao -- 8. The early reform era -- 9. Modernization and the 'big band' -- 10. Chuishou around 2000 -- 11. Chuishou in action -- 12. Musics of Yulin city.
Summary: "This second volume of Stephen Jones's work on ritual and musical life in north China, again with an accompanying DVD, gives an impression of music-making in daily life in the poor mountainous region of Shaanbei, northwest China. It conveys some of the diverse musical activities there around 2000, from the barrage of pop music blaring from speakers in the bustling county-towns to the life-cycle and calendrical ceremonies of poor mountain villages. Based on the practice of grass-roots music-making in daily life, not merely on official images, the main theme is the painful maintenance of ritual and its music under Maoism, its revival with the market reforms of the 1980s, and its modification under the assaults of TV, pop music, and migration since the 1990s." "The publication will appeal to ethnomusicologists, anthropologists, and all those interested in modern Chinese history and society."--BOOK JACKET.
UniM Music 780.7099451 JOSH
Joshi, Vijaya.
To make music with my hands and heart : a history of music at the Methodist Ladies' College.
[Kew, Vic. : Methodist Ladies' College, c1995]
Donation from Lynn Young.
UniM Music 781.1 LOVE
Lovelock, William, 1899-1986.
Test your theory : ten theory papers with working notes.
Melbourne : Allans Music (Australia), 1971.
Series: Imperial edition ; no. 1096
Notes: At head of title: Third grade.
Donation from Lynn Young.
UniM Music 782.1092 MELB/ MCFA
McFadzean, Moya.
Melba.
Lillydale, Vic. : Lillydale Museum : Shire of Lillydale, 1993.
Donation from Lynn Young.
UniM Music 780.904 MODE
The modernist legacy : essays on new music / edited by Björn Heile.
Farnham : Ashgate, c2009.
Contents: New music, social debates and the aesthetics of critical modernism. Modernism's moment of plenitude / Andrew Timms ; Fields of rubble : on the poetics of music after the postmodern / John Croft ; Spectralism, politics and the post-industrial imagination / Eric Drott ; The scream in avant-garde music : the new left and the rediscovery of the body / Beate Kutschke ; Verbal discourse as aesthetic arbitrator in contemporary music / Ian Pace ; Weltmusik and the globalization of new music / Björn Heile -- Aspects of compositional poetics. Temps perdu : Aldo Clementi and the eclipse of music as praxis / David Osmond-Smith ; Feldman - Beckett - Johns : patterning, memory and subjectivity / Catherine Laws ; Brian Ferneyhough, postmodern modernist / Lois Fitch ; The electroacoustic music of Henri Poussseur and the open form / John Dack ; Self-portrait with Boulez and Machaut (and Ligeti is there as well) : Harrison Birtwistle's Hoquetus petrus / Mark Delaere ; Local polymetric structures in Elliott Carter's 90+ for piano (1994) / Ève Poudrier.
UniM Music 782.421542 MORC
Morcom, Anna.
Hindi film songs and the cinema.
Aldershot, Hampshire, England ; Burlington, VT : Ashgate, c2007.
Series: SOAS musicology series
Contents: 1. The Cinematic Study of Hindi Film Songs -- 2. The Production Process of Hindi Film Songs -- 3. The Musical Style of Hindi Film Songs -- 4. Music, Narrative and Meaning in Hindi Films -- 5. The Commercial Life of Hindi Film Songs -- 6. The Audience Reception of Hindi Film Songs in and beyond the Parent Film.
Summary: "Since their beginnings in the 1930s, Hindi films and film songs nave dominated popular culture in South Asia and the diaspora. Anna Morcom examines the subject from the perspectives of ethnomusicology, popular music studies, film music studies and South Asian studies. The unique findings of this book illustrate that the primary context of Hindi film songs is not just the culture and society of South Asia, but also the world created by their parent films and Hindi cinema in general. Morcom argues that film song as a musical style and as a commercial and social phenomenon does not make sense unless the cinematic context is taken, into account. The relationship of film songs and films is explored at the levels of production, musical style, commercial life and audience reception."--BOOK JACKET.
UniM Music 780.92 PROK/ MORR
Morrison, Simon Alexander, 1964-
The people's artist : Prokofiev's Soviet years.
Oxford New York : Oxford University Press, 2009.
Contents: Introduction. Moscow's Celebrity Composer -- 1. Plans Gone Awry, 1935-1938 -- 2. Seeking the Formula, 1938-1939 -- 3. The Pushkin Centennial -- 4. War and Evacuation, 1940-1943 -- 5. The Eisenstein Films -- 6. The Forefront of Soviet Music, 1944-1947 -- 7. 1948 -- 8. Affirmation, 1949-1953 -- App. A. The Original Scenario of Romeo and Juliet -- App. B. The Tonya Cue Sheet.
Summary: "Sergey Prokofiev was one of the twentieth century's greatest composers - and one of its greatest mysteries. In 1918, he escaped a Russia engulfed in revolution, eventually settling in Paris. Then, in 1936, he surprisingly returned to the increasingly brutal Soviet Union. There he seemed to disappear, the details of his life and work filtered by a security apparatus that kept Prokofiev - and his legacy - under careful guard." "Until now. In The People's Artist, Simon Morrison draws on groundbreaking research to illuminate the life of this major composer, offering profound new insight into the master's work. Morrison was the first scholar to gain access to the composer's sealed files in the Russian State Archives, where he uncovered a wealth of previously unknown scores, unexpurgated speeches and writings, correspondence, and unopened journals and diaries." "The story he found in these hoarded documents is one of lofty hopes and disillusionment, of personal and creative upheavals. Prokofiev seemed to thrive on uncertainty during his Paris years, stashing scores in suitcases and drafting librettos and scenarios on hotel letterhead. He stunned his fellow emigres by returning at a time when the All-Union Committee on Arts Affairs took command of all musical activities. At first, Stalin's regime treated him as a celebrity, but Morrison details how the bureaucratic machine ground him down with corrections and censorship (forcing rewrites of such major works as Romeo and Juliet and War and Peace), until it finally censured him in 1948, ending his career and breaking his health. Along the way, the author deftly analyzes Prokofiev's music in light of these archival discoveries." "In The People's Artist, Morrison combines groundbreaking research with astute musical analysis to create a stark new image of a great composer."--BOOK JACKET.
UniM Music 781.0903 MUSI
Music and mathematics in late medieval and early modern Europe / edited by Philippe Vendrix.
Turnhout : Brepols, c2008.
Series: Collection "Epitome musical"
Notes Text in English, French, Italian and Dutch.
Contents: Music and model in the Renaissance / Philippe Vendrix -- Ratios and music in the late middle ages: a preliminary survey / Oscar Joao Abdounur -- Music, mathematics, and the rejection of pansemioticism in the Renaissance / Dorit Tanay & Raz Chen-Morris -- Qu'entend-on par "nombre sourd?" / Brigitte Van Wymeersch -- Music, mathematics, and aesthetics: the case of the visual arts in the Renaissance / Ann E. Moyer -- Le passioni e i numeri / Brenno Boccadoro -- Corpo sonoro, geometria e temperamienti. Zarlino e la crisi del fondamento numerico della music / Guido Mambella -- Applications of mathematic and geometry in Galilei's Dialogo of 1581 / Claude V. Palisca -- Simon Stevin and the calculation of equal temperament / Rudolf Rasch -- Il rinascimento dopo il rinascimento: scientia musicae e musica scientia nella musica di Juan Carmuel Lobkowitz / Daniele Sabaino -- Tempérament mésotonique et représentation.
UniM Music 781.66 PROG
Progressive rock reconsidered / edited by Kevin Holm-Hudson.
New York : Routledge, c2002.
Includes bibliographical references and index.
Summary: Progressive or art rock was one of the most important trends in rock and roll during the early and mid-'70s. Groups like Genesis, Yes, Procol Harum, and Pink Floyd broke new ground by taking classical composition techniques and structures and wedding them with the power and drive of rock. Yet, by the end of the decade, the punk backlash had pretty much ended prog-rock's reign as rock's leading style. Today, scholars of rock and popular culture have returned to these musical groups and their achievements with new recognition of the musical sophistication they brought to rock and roll. In this book, the glory days of progressive rock are relived in a series of insightful essays about the key bands, songwriters, and songs that made prog-rock such an innovative style. For fans-both old and new-this collection sheds new light on an important trend in rock and roll with repercussions still being felt among today's artists. Progressive Rock Reconsidered promises to be a landmark work on this important era in rock's history.
UniM Music 781.66082 RAHA
Raha, Maria.
Cinderella's big score : women of the punk and indie underground.
Emeryville, CA : Seal Press, c2005.
Includes discography (p. 263-280), bibliographical references (p. 302-323), and index.
Contents: America in the 1970s -- Britain in the 1970s -- The 1980s -- The 1990s -- The late 1990s-early 2000s.
Summary: "Cinderella's Big Score celebrates the contributions of punk's oft-overlooked female artists, explores the latent - and not so latent - sexism of indie rock (so often thought of as the hallowed ground of progressive movements), and tells the story of how these women created spaces for themselves in a limited or exclusionary environment. The indie music world is littered with females who have not only withstood the racket of punk's intolerance, but have twisted our societal notions of femininity into knots."--BOOK JACKET.
UniM Music 616.891654 SUPE
Supervision of music therapy : a theoretical and practical handbook / edited by Helen Odell-Miller and Eleanor Richards.
London ; New York : Routledge, 2009.
Series: Supervision in the arts therapies
Contents: Introduction / Helen Odell-Miller and Eleanor Richards -- 1. The history and background of supervision in music therapy / Helen Odell-Miller -- 2. Whose handicap? Issues arising in the supervision of trainee music therapists in their first experience of working with adults with learning disabilities / Eleanor Richards -- 3. Music therapy supervision with students and professionals: the use of music and analysis of countertransference experiences in the triadic field / Inge Nygaard Pedersen -- 4. Two's company, three's a crowd: hatred of triangulation in music therapy, and its supervision in a forensic setting / John Glyn -- 5. Getting better: some thoughts on the growth of the therapist / David John -- 6. Music therapy supervision with trainees in adult psychiatry / Helen Odell-Miller and Nicolas Krueckeberg -- 7. Supervision in context: a balancing act / Sandra Brown -- 8. Supervision of music therapists working with children in schools / Amelia Oldfield -- 9. Turbulence at the boundary / Alison Davies and Ann Sloboda -- 10. Supervision of PhD doctoral research / Tony Wigram.
UniM Music 781.1 TEXT
Text-book of the rudiments and theory of music. Grade IV (advanced junior).
London : Trinity College of Music [19--?]
Donation from Lynn Young.
UniM Music 781.11 UHLI
Uhlig, Sylka.
Authentic voices, authentic singing : a multicultural approach to vocal music therapy.
Gilsum, NH : Barcelona, 2006.
UniM Music 783.2421592 WESH
We shall overcome! : songs of the Southern freedom movement / compiled by Guy and Candie Carawan for the Student Non-Violent Coordinationg Committee.
[New York] : Oak Publications, [1963]
Notes: Song-book.
Music Library copy donated by Coral Crook.
UniM Music 791.456 WILL
Williams, Kevin.
Why I (still) want my MTV : music video and aesthetic communication.
Cresskill, N.J. : Hampton Press, c2003.
Series: Hampton Press communication series. Critical bodies.
Contents: Ch. 1. Introduction -- Ch. 2. History and Style -- Ch. 3. Intersections -- Ch. 4. The Flow of the Floe -- Ch. 5. Style -- Ch. 6. The Persistance of Vision -- Ch. 7. Realism and Hyperreality -- Ch. 8. Aesthetics, Aisthesis, and Synesthesia -- Ch. 9. The Reversibility of Expression and Perception -- Ch. 10. From Logos to Echos.
Summary: "Rather than providing another interpretation of the meaning of the music video, the author seeks instead to provide an explication of music video that is more concerned with what can be called their presentational value and ability to bring to expression, through technology, a cultural vision of human perceptual experience. Music video, it is argued, does not merely present itself,but makes present important aspects of communicative experience, embodiment, technology, and the world."--BOOK JACKET.
COLLECTED EDITIONS
UniM Music CE 780.81 ARRI v.1-3
UniM Music CD 5099 v.1-3
Arriaga, Juan Crisóstomo de, 1806-1826.
Obra completa [music] = Complete works / Ed. 200 aniversario.
Bilbao : Fundación Vizcaína Aguirre, c2006.
Notes: "This edition corresponds exactly to the original Works as composed by Arriaga; therefore the music herein reproduced is in public domain"--T.p. verso.
Introductory material in English and Spanish.
CD-ROMs contain the vocal and instrumental parts, along with electronic reproductions of the music contained in the printed materials, all in PDF file format.
Notes: Electronic version of resource in PDF file format also available via the Internet: http://www.arriagaobrascompletas.com
Contents: v. 1, Música instrumental = Instrumental music. Romanza (para piano) = Romance (for piano) -- Tres estudios o caprichos (para piano) = Three studies or caprices (for piano) -- Nada y mucho : divertimento (para tres violines) = Nada y mucho : divertimento (for three violins) -- Teme variado, op. 17 (para cuarteto de cuerda) = Theme with variations op. 17 (for string quartet) -- Variaciones sobre el tema de la Húngara : op. 22 (para violín y bajo) = Variations on "La Húngara" : op. 22 (for violin and bass) -- Variaciones sobre el tema de la Húngara : op. 23 (para cuarteto de cuerda) = Variations on "La Húngara" : op. 23 (for string quartet) -- Tres cuartetos para cuerda = Three string quartets. No 1 (en re menor) ; No 2 (en la mayor) ; No 3 (en mi bemol mayor) --
Contents: v. 2, Música orquestal = Orchestral music. Obertura en fa menor, op. 1 = Overture, in F minor, op. 1 -- Obertura, op. 20 = Overture, op. 20 -- Los esclavos felices. Obertura = The happy slaves. Overture -- Sinfonía en re mayor = Symphony in D major -- Marcha militar : para banda = Military march : for band --
Contents: v. 3, Obra lírica = Lyric works. Stabat Mater : para dos tenores, bajo y orquesta = for two tenors, bass, and orchestra -- O salutaris hostia : para dos tenores, bajo y orquesta = for two tenors, bass and orchestra -- Aria de Médée : para soprano and orchestra = Médée's Aria : for soprano and orchestra -- Dúo "Ma tante Aurore" : para tenor, bajo y orquesta = "Ma tante Aurore" duet : for tenor, bass and orchestra -- Oedipe á Colone : para tenor y orquesta = for tenor and orchestra -- Herminie : cantate (para soprano y orquesta) = cantate (for soprano and orchestra) -- Agar dans le désert : para soprano, tenor, y orquesta = for soprano, tenor and orchestra -- Ya luce : op. 3 (para coro y orquesta) = op. 3 (for choir and orchestra) -- Cántabros nobles : op. 4 (para tenor y bajo) = op. 4 (for tenor and bass) -- Canon d'Henneville : para cuatro voces, fragmento = for four voices, fragment.
UniM Music CE 782.509031 CANZ
Canzoni nove con alcune secelte de vari libri di canto : Rom, 1510 / mit Kommentar von Martin Kirnbauer.
Stuttgart : Cornetto, c2009.
Series: Faksimile-Edition Rara ; 59
Reprint from the exemplar at the Universitätsbibliothek Basel (kk II 32).
UniM Music CE 780.81 HAND II/33
Handel, George Frideric, 1685-1759.
Alcina : opera in tre atti, HWV 34 : Hallische Händel-Ausgabe [music] : kritische Gesamtausgabe / herausgegeben von der Georg-Friedrich-Händel-Gesellschaft.
Kassel : Bärenreiter, 1955-<2002 >
Contents: Ser. 1. Oratorien und grossen Kantaten
UniM Music CE 780.81 HAND II/12
Handel, George Frideric, 1685-1759.
Ottono : opera in tre atti, HWV 15 : Hallische Händel-Ausgabe [music] : kritische Gesamtausgabe / herausgegeben von der Georg-Friedrich-Händel-Gesellschaft.
Kassel : Bärenreiter, 1955-<2002 >
Contents: Ser. 1. Oratorien und grossen Kantaten
UniM Music CE 780.81 HAND I/29
Handel, George Frideric, 1685-1759.
Theodora : oratorio in three parts, HWV 68 : Hallische Händel-Ausgabe [music] : kritische Gesamtausgabe / herausgegeben von der Georg-Friedrich-Händel-Gesellschaft.
Kassel : Bärenreiter, 1955-<2002 >
Contents: Ser. 1. Oratorien und grossen Kantaten
UniM Music CE 782.27 KOPP
Kopp, Anton Ernst, fl. 18th cent.
Melodeyen einiger alten und neuen Lieder, so theils schon in andern Gesang-Büchern zu finden, theils aufs neue verfertiget sind.
Stuttgart : Cornetto, 2009.
Series: Faksimile-Edition Ulm ; 40
Reprint of the edition: Ulm : Daniel Bartholomäi, 1717.
UniM Music CE 787.8309031 LAUT
Lautenbuch : Leiden 1615 / [compiled and/or copied by] Joachim van den Hove ; Kommentar: Ralf Jarchow.
Glinde, Germany : Jarchow Verlag, c2006.
"Faksimile nach der Lautenhandschrift in der Staatsbibliothek Berlin, Preussischer Kulturbesitz, Signatur: Mus. ms. autogr. Hove 1."
UniM Music CE 780.81 SCHO IV/A/9/2
Schoenberg, Arnold, 1874-1951.
Werke für Streichorchester II : Sämtliche Werke / Arnold Schönberg ; herausgegeben von Josef Rufer, in Zusammenarbeit mit Richard Hoffmann ... [et al.] unter dem Patronat der Akademie der Künste, Berlin.
Mainz : B. Schott's Söhne ; Wien : Universal Edition, 1966-<2008 >
Contents: Abt. 1. Lieder und Kanons -- Abt. 2. Klavier- und Orgelmusik --Abt. 3. Bühnenwerke -- Abt. 4. Orchesterwerke -- Abt. 5. Chorwerke , ; Reihe B, Bd. 18 , T. 1-3; Bd. 19 > -- Abt. 6. Kammermusik -- Abt. 7. Bearbeitungen --Abt. 8. Supplemente .
UniM Music CE 780.81 SHOS v.38
Shostakovich, Dmitrii Dmitrievich, 1906-1975.
Kontsert no. 1 dlia fortepiano s orkestrom, soch. 35 / [Dmitrii Shostakovich] ; obshchaia redaktsiia i poiasnitelnaia statia Manashira IAkubova.
Moskva : Izd-vo "DSCH," 2009.
SERIES Novoe sobranie sochinenii / Dmitrii Shostakovich. Seriia III, Instrumentalnye kontserty ; t. 38 = New collected works / Dmitri Shostakovich. IIIrd series, Instrumental concertos ; 38th v.
Historical and critical notes in Russian and English; composed 1933.
UniM Music CE 780.81 SHOS v.40
Shostakovich, Dmitrii Dmitrievich, 1906-1975.
Kontsert no. 2 dlia fortepiano s orkestrom, soch. 102 / Dmitrii Shostakovich ; obshchaia redaktsiia i poiasnitelnaia statia Manashira IAkubova.
Moskva : Izd-vo "DSCH," 2009.
Series: Novoe sobranie sochinenii / Dmitrii Shostakovich. Seriia III, Instrumentalnye kontserty ; t. 40 = New collected works / Dmitri Shostakovich. IIIrd series, Instrumental concertos ; 40th v.
NOTES Composed 1957.
NOTES Includes historical and critical notes in Russian (Cyrillic text) and English (p. [132]-143).
UniM Music CE 780.81 SHOS v.10
Shostakovich, Dmitrii Dmitrievich, 1906-1975.
Simfonia no 10, soch. 93 / [Dmitrii Shostakovich] ; obshchaia redaktsiia i poiasnitelnaia statia Manashira IAkubova.
Moskva : Izd-vo "DSCH," 2009.
Series: Novoe sobranie sochinenii / Dmitrii Shostakovich ; t. 10. Seriia I, Simfonii = New collected works / Dmitri Shostakovich ; 10th v. Ist series, Symphonies
Historical and critical notes in Russian and English.
UniM Music CE 780.81 TELE v.46
Telemann, Georg Philipp, 1681-1767.
Der Misslungene Brautwechsel ofer Richardus I., König von England, TVWV 22:8 : Musikalische Werke / [music] Georg Philipp Telemann ; herausgegeben im Auftrag der Gesellschaft für Musikforschung.
Kassel : Bärenreiter, [1950]-
Contents: Bd. 1. Zwölf methodische Sonaten -- Bd. 2-5. Harmonische Gottesdienst -- Bd. 6-8. Kammermusik ohne Generalbass -- Bd. 9. Sechs Suiten für Querflöte, Violine und Basso continuo -- Bd. 10. Sechs ausgewählte Ouvertüren -- Bd. 11. Sechs Konzerte für Querflöte mit konzertierendem Cembalo oder Querflöte mit konzertierendem Cembalo und Violoncello oder Querflöte, Violine und Violoncello oder Querflöte, Violine und Generalbass -- Bd. 12-14. Tafelmusik -- Bd. 15. Lukaspassion -- Bd. 16. Frankfurter Festmusiken zur Geburt eines kaiserlichen Prinzen, 1716, I, Kirchenmusik "auf Christenheit! Begehet ein Freudenfest -- Bd.17. Frankfurter Festmusiken, 1716, II, Serenata "Deutschland grünt und blüht im Friede"-- Bd. 18-19. Zwölf Pariser Quartette -- Bd. 20. Geduldige Socrates -- Bd. 21. Neumodische Liebhaber Damon -- Bd. 22. Donnerode ; Das befreite Israel -- Bd. 23. Zwölf Violinkonzerte -- Bd. 24. Pyrmonter Kurwoche ; Corellisierende Sonaten -- Bd. 25. Sechs Quartette oder Trios für zwei Querflöten (oder zwei Violinen) und zwei Violoncelli (oder zwei Fagotte) mit Generalbass -- Bd. 26. Konzerte für mehrere Instrumente -- Bd.27. Musik zum Kinvivium der Hamburger Bürgerkapitäne, 1730, Oratorio und Serenata -- Bd.28. Konzerte und Sonaten vür 2 Violinen, Viola und Basso continuo -- Bd.29. Johannespassion, 1745 "Ein Lämmlein geht und trägt die Schuld" -- Bd. 30. Die Hirten bei der Krippe zu Bethlehem, geistliche Kantate nach den Worten von Karl Wilhelm von Ramler-- Bd.31. Der tod Jesu, Oratorium nach Worten von Karl Wilhelm Ramler, TVWV 5:6 Betrachtung der neunten stuntde am todestage Jesu, Oratorium nach Worten von Joachim Johann Daniel Zimmermann, TVWV 5:5-- Bd.32. Die Auferstehung und Himmelfahrt Jesu -- Bd.35. Musiken zu Kircheneinweihungen -- Bd. 33. Seliges Erwägen, Passionsoratorium in Neun Betrachtungen, TWV 5:2-- Bd.36. Fruhe Kirchenmusiken -- Bd.37. Die lasttragende Liebe oder Emma und Eginhard, Singspiel in drei Akten nach einem Libretto von Christoph Gottlieb Wend -- Bd.38. Miriways, Singspiel in drei Akten nach einem libretto von Johann Samuel Müller -- Bd.39. Geistliches Singen und Spielen -- Bd.42. Sieg der Schonheit, Singspiel in drei Akten (Hamburg 1722), TVWV 21:10 -- Bd.43. Flavius Bertaridus, König der Longobarden -- Bd.45. 71. Psalm "Deus, Judicium tuum Regi da" grand motet (Paris 1738), TVWV 7:7 -- Bd.49. Unsterblicher Nachruhm Friedrich Augusts Serenata auf den Tod Augusts des Starken nach dem Libretto von Joachim Johann Daniel Zimmermann, TVWV 4:7.
MUSIC SCORES
None received
SOUND RECORDINGS
None received
World Music discs
None received
VIDEO RECORDINGS
None received
MICROFORMS
None received
THESES / SPECIAL STUDIES
None received