New Materials for October 2009
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NEW BOOKS
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Rare Materials
UniM Music RB TUCK 0308
[A due] [music] : [Trompetenmusik aus dem 17. und 18. Jahrhundert = trumpet
music of the 17th and 18th centuries / herausgegeben von Kurt Janetzky.].
[Leipzig] : [Deutscher Verlag für Musik], [between 1972 and 1981].
Photocopy.
Copy described wanting t.p.
Contents: Bicinium à 2 Trompetten -- Trompeten-Kanon à 2 / Adam Gumpelzhaimer -- 12
sonatae a due / Heinrich Ignaz Franz Biber -- Menuetto ; Allegro ; March ;
Allegro ; Fanfare ; Menuett ; Menuett / Arcangelo Corelli -- Andante-Allegro ;
Gigua ; Feldruf ; Marcia / Georg Friedrich Händel -- Presto (Imitatio continus)
; Bourrée / Johann Ernst Altenburg -- Zween Aufzug [for 2 trumpets and
kettledrum] / Nicolaus Hasse -- Capriccio [for 2 trumpets and continuo] / Johann
Jakob Löwe von Eisenbach.
UniM Music RB WHITE 0121
Akses, Necil Kâzä±m, 1908-1999.
Allegro feroce [music] : für Altsaxophon in Es (abwechselnd mit Klarinette in B)
und Klavier / Necil Kazim.
Wien ; Leipzig : Universal-Edition, c1932.
For alto saxophone (alternating with clarinet in B flat) and piano. A portion of
the vivace movement is played by the clarinet in B flat.
Duration: 2:15.
Contents: Moderato -- Vivace.
UniM Music RB TUCK 0324
Ammann, Benno, 1904-1986.
L'albero sonoro [music] : per corno in Fa e arpa / Bennon Ammann.
[1980?].
Cover title.
Photocopy of holograph.
UniM Music RB TUCK 0337
Amram, David.
Trio for tenor saxophone in B flat, horn in F and bassoon [music] / David Amram.
New York : C.F. Peters, c1965.
Caption title.
Duration: 14:00.
A biography of the composer is printed on the last page of each score.
UniM Music RB TUCK 0326
Aprahamian, Maia.
Batter my heart, three person'd God [music] : for french horn and organ, based
on the sonnet by John Donne / Maia Aprahamian.
1982.
Photocopies of holograph.
"Created for Barry Tuckwell and John Fenstermaker".
UniM Music RB TUCK 0323
Aprahamian, Maia.
[Batter my heart, three person'd God] [music] : [for french horn and organ,
based on the sonnet by John Donne] / [Maia Aprahamian].
[1982?].
Title supplied by cataloguer.
UniM Music RB TUCK 0327
Aprahamian, Maia.
Batter my heart, three personn'd God [music] : based on the sonnet by John Donne,
for horn and organ / Maia Aprahamian.
[1994?].
Computer typeset.
UniM Music RB TUCK 0328
Aprahamian, Maia.
Batter my heart, three personn'd God [music] : based on the sonnet by John Donne,
for horn and chamber orchestra / Maia Aprahamian.
[1994?].
Computer typeset.
UniM Music RB TUCK 0339
Bach, Johann Christian, 1735-1782.
Bläser-Sinfonien [music] : für zwei Klarinetten, zwei Hörner und Fagotte / Joh.
Christian Bach; [herausgegeben von Fritz Stein].
Leipzig : VEB Friedrich Hofmeister, c1958.
For 2 clarinets, 2 horns and 1 or 2 bassoons. Bassoons 1 and 2 appear on the
same part.
Cover title.
Contents: Heft 1. Sinfonien Nr. 1-3 -- Heft 2. Sinfonien Nr. 4-6.
UniM Music RB TUCK 0340
Bäck, Sven-Erik.
Decet [music] : for windquintet and string quintet (1972) / Sven-Erik Bäck.
Stockholm : AB Nordiska Musikförlaget/Edition Wilhelm Hansen, c1974.
For flute, oboe, clarinet, basson, horn in F, 2 violins, viola, cello, and
doublebass.
UniM Music RB TUCK 0325
Bielawa, Herbert.
Binaries [music] : for french horn and tape, 1981 / Herbert Bielawa.
1981.
Cover title.
Duration: 10:00.
UniM Music RB TUCK 0331
Boccherini, Luigi, 1743-1805.
Sextett Es-dur fur 2 Violinen, Corno in Es, Viola und 2 Violoncelli [music] =
Sextet E-flat major for 2 violins, corno in Eb, viola and 2 violoncellos, op. 42,
nr. 1 / Luigi Boccherini ; [edited by] Paul Bormann.
Hamburg : Hans Sikorski, c1954.
For 2 violins, horn in E flat, viola and 2 cellos.
Includes pref. in German and English by Paul Bormann.
UniM Music RB TUCK 0332
Boccherini, Luigi, 1743-1805.
Sextett, Es-Dur, für zwei Violinen, Viola, zwei Violoncelli und Waldhorn, op. 42
[music] / Luigi Boccherini ; herausgegeben von Kurt Janetzky.
Leipzig : Breitkopf & Härtel, 1974.
For horn, 2 violins, viola, 2 violoncellos.
UniM Music RB TUCK 0322
Brown, Philip, double bassist.
Simulacrum [music] : for horn (in F) and harp (1968) / Philip Brown.
1968.
Caption title.
Photocopy.
UniM Music RB TUCK 0297
Carr, Gordon, 1943-
Castle of dreams [music] : trio for horn, violin and piano / by Gordon Carr.
London : Broadbent & Dunn, c1993.
UniM Music RB TUCK 0341
Devienne, Francois, 1759-1803.
Ouverture für Blasinstrumente [music] / Francois Devienne ; für den Gebrauch im
Unterricht herausgegeben von Franz v. Glasenapp.
Leipzig : VEB Friedrich Hofmeister, c1954.
For 2 piccolos, 2 oboes, 2 clarinets, 2 bassoons, contrabassoon, 2 horns, 2
trumpets, trombone and timpani.
"Unter der Gesamleitung von Prof. Dr. Max Schneider und Prof. Alfred Hetshko" --
t.p.
UniM Music RB TUCK 0345
Dittersdorf, Karl Ditters von, 1739-1799.
Divertimento in B-dur für 2 Oboen, 2 Klarinetten und Fagott [music] =
Divertimento in B-major [sic] for 2 oboes, 2 clarinets and bassoon / Karl
Ditters v. Dittersdorf ; [herausgegeben und bearbeitet von] Johannes
Wojciechowski.
Hamburg : Musikverlag Hans Sikorski, c1954.
Cover title.
Publisher's no.: Ed. Nr. 294.
UniM Music RB TUCK 0342
Dittersdorf, Karl Ditters von, 1739-1799.
Drei Partiten für Bläser [music] / Karl Ditters von Dittersdorf ; herausgegeben
von Günter Rhau.
Wiesbaden : Breitkopf & Härtel, c1948.
Caption title.
For oboe (or violin) I & II, horn I & II (or violin III & viola), bassoon (or
violoncello). Includes separate parts for violin III and viola.
UniM Music RB TUCK 0330
Druschetzky, Georg, 1745-1819.
Cassazione in quintetto, F-Dur [music] : für Horn, Violine, 2 Violen und
Violoncello (1810) / Georg Druschetzky.
Wien : Doblinger, c1988.
UniM Music RB TUCK 0298
Dussek, Johann Ladislaus, 1760-1812.
Notturno concertante, op. 68 [music] : für Klavier, Violine und Horn (Viola)
oder Klavier und Violine = for piano, violin, and horn (viola) or piano and
violin = pour piano, violon et cor (alto) ou bien pour piano et violon / Jan
Ladislav Dussek ; herausgegeben von Christopher D.S. Field.
Kassel : Bärenreiter, c1972.
Includes preface in German, English and French.
UniM Music RB TUCK 0317
First book of brass ensembles [music] : for brass quartet or quintet / compiled
and edited by Elwyn Wienandt.
San Antonio, Tex. : Southern Music Co., c1979.
Contents: Prayer / Dimitri Bortniansky -- Vignon, Vignetta / Francesco da Milano -- Norse
air / Robert Schumann -- Prelude no. 20 (in C minor) / Frederic Chopin -- Chorus
(from Alceste) / Christoph W. Gluck -- Largo (from Xerxes) / G.F. Handel --
Heavens are telling / Ludwig van Beethoven -- Processional / Jacobus Gallus --
Three national airs -- Farewell of the shepherds (from L'enfance du Christ) /
Hector Berlioz.
UniM Music RB TUCK 0320
Handel, George Frideric, 1685-1759.
Ouverture (suite), for two clarinets (in B flat) and corno di caccia (horn in F)
(or two violins and viola) [music] / G.F. Handel ; [edited and arranged by Karl
Haas].
London : Schott, c1952.
Parts are for clarinet 1 in B flat (or violin 1), clarinet 2 in B flat (or violin 2),
horn in F, and viola.
"Original manuscript in the Fitzwilliam Museum at Cambridge" -- Cover verso.
"The parts are untransposed, but the clarinets were originally in D and the
corno di caccia also in D"-- Cover verso.
Includes introduction by the editor.
UniM Music RB TUCK 0346
Handel, George Frideric, 1685-1759.
Two arias [music] : for 2 oboes, 2 horns and bassoon / G.F. Händel.
London : Musica Rara, c1958.
Cover title.
Includes prefatory notes in English, French and German by Karl Haas.
"The manuscript of these works is preserved in the Royal Library of the British
Museum" -- cover verso.
UniM Music RB TUCK 0091
Haydn, Joseph, 1732-1809.
Concerto in D No. II for horn and strings. [music] / Joseph Haydn ; edited by
Heinz Herbert Steves.
[London] : [Hawkes & Son], c1954.
Cover title.
Parts for violin 1; violin 2; viola; cello & bass.
UniM Music RB TUCK 0088
Haydn, Joseph, 1732-1809.
Concerto no. 1 per il corno di caccia [music] / Joseph Haydn.
London : Hawkes & Son, c1954.
Caption title.
For horn, string orchestra and 2 oboes.
UniM Music RB TUCK 0090
Haydn, Joseph, 1732-1809.
Concerto no. 2 in D major for horn and orchestra [music] / Joseph Haydn ;
[edited by Heinz Herbert Steves].
[London] : Boosey & Hawkes, c1954.
Cover title.
UniM Music RB TUCK 0329
Haydn, Joseph, 1732-1809.
Sextet no. 14 in E flat for violin, viola, violoncello, oboe, horn and bassoon
[music] / J. Haydn ; edited [by] Kurt Janetzky.
London : Musica Rara, c1957.
Cover title.
Edited from ms. parts in the Municipal Library of Dresden (Sig. 1189).
UniM Music RB TUCK 0318
Heiden, Bernhard.
Variations for solo tuba & nine horns [music] / Bernhard Heiden.
New York : Associated Music Publishers, c1977.
UniM Music RB TUCK 0312
Husa, Karel, 1921-
Divertimento for brass quintet [music] / Karel Husa.
New York : Associated Music Publishers, c1974.
Arr. for 2 trumpets, horn, trombone, and tuba; originally for brass and
percussion.
Duration: 15:00.
Contents: Overture -- scherzo -- song -- Slovak dance.
UniM Music RB WHITE 0119
Jeanjean, Paul, 1874-1928.
Capriccioso [music] / Paul Jeanjean ; edited by F. Henry Klickmann.
New York, N.Y. : Alfred, c1942.
Arr. for alto saxophone and piano. Originally for trumpet and piano.
Caption title.
UniM Music RB WHITE 0120
Jettel, Rudolf, 1903-1981.
Neue Saxophon-Studien [music] / Rudolf Jettel.
Leipzig : Friedrich Hofmeister, c1955.
For solo saxophone.
UniM Music RB TUCK 0299
Josephs, Wilfred, 1927-
Trio for horn, violin and piano, op. 76 [music] / Wilfred Josephs.
Sevenoaks, Kent : Novello, c1975.
Duration: ca. 18:00.
UniM Music RB WHITE 0117
Karg-Elert, Sigfrid, 1877-1933.
25 Capricen und Sonate für Saxophon solo, op. 153 [music] / Sigfrid Karg-Elert.
Frankfurt am Main : Wilhelm Zimmermann, c1965.
For solo saxophone.
Includes prefatory notes by the composer in German, English and French.
"The present 'Caprices' are intended, first and foremost, as a sort of higher
studies..." -- pref.
UniM Music RB WHITE 0118
Karg-Elert, Sigfrid, 1877-1933.
25 Capricen und Sonate für Saxophon solo, op. 153 [music] / Sigfrid Karg-Elert.
Leipzig : Wilhelm Zimmermann, c1929.
For solo saxophone.
Includes prefatory notes by the composer in German, English and French.
"The present 'Caprices' are intended, first and foremost, as a sort of higher
studies..." -- pref.
UniM Music RB TUCK 0300
Kauder, Hugo, 1888-1972.
Trio (1947) for piano, violin and horn [music] / Hugo Kauder.
Otto S. Kauder, c1973.
Originally published by Boosey & Hawkes in 1954.
Both parts are for "violin and horn".
UniM Music RB WHITE 0122
Kelkel, Manfred.
Rhapsodie pour saxophone en mi bémol et piano [music] / Manfred Kelkel.
Paris : Ricordi, c1961.
Acc. arr. for piano. Originally for saxophone and chamber orchestra.
Duration: 8:00.
UniM Music RB TUCK 0316
Locke, Matthew, 1621 or 2-1677.
Music for His Majesty's sackbuts and cornetts (1661) [music] / by Matthew Locke
; transcribed for woodwind or brass ensemble by Anthony Baines.
London : Oxford University Press, c1951.
Originally for two cornetts and alto, tenor and bass trombones ('sackbuts');
arr. for two B-flat trumpets (or cornets, or clarinets); trombone (or B-flat
clarinet or horn); trombone (or bassoon), and bass trombone (or bassoon).
Includes piano reduction for rehearsal purposes.
Cover title.
'The six pieces given here are those preserved in manuscript part-books in the
Fitzwilliam Museum, Cambridge, being there entitled "5-part things for the
cornetts"'-- t.p. verso.
Contents: Air -- Courante -- Allemande -- Courante -- Allemande -- Saraband.
UniM Music CD 5100
Lotti, Antonio, d. 1740.
Dixit a 5 voci con istromti. [music] / del Sigr. Antonio Lotti.
[17--].
For soloists and chorus (SSATB), 2 oboes, trumpet, strings (2 violas) and
continuo.
Caption title.
In A major, with key signature of 2 sharps.
Digital images in pdf format, stored on CD-ROM.
Reproduction of original in Sächsische Landesbibliothek--Staats- und
Universitätsbibliothek Dresden, ms. Mus. 2159-D-9.
Latin words.
UniM Music RB TUCK 0314
Maniet, René.
Trio no. 1 pour trompette, cor et trombone [music] / René Maniet.
Bruxelles : Editions J. Maurer c1958.
For trumpet, horn and trombone.
Reproduced from holograph.
UniM Music RB TUCK 0301
Mannino, Franco, 1924-2005.
Improvvisazione per violino, corno e pianoforte, op. 57 [music] / Franco
Mannino.
Milano : Ricordi, c1971.
For violin, horn, and piano.
Duration: ca. 6:00.
UniM Music RB TUCK 0302
McCabe, John, 1939-
Dance-movements [music] : for horn, violin & piano (1967) / John McCabe.
London : Novello, c1972.
Duration: ca. 20:00.
UniM Music RB TUCK 0100
Mozart, Wolfgang Amadeus, 1756-1791.
Concerto for solo horn (in E) [music] : K.Anh. 98a / Mozart.
[198-?].
Caption title -- score.
Parts are autograph (some are photocopies).
Fragment only (91 bars).
UniM Music RB TUCK 0097
Mozart, Wolfgang Amadeus, 1756-1791.
Concerto no 1 (K. 412) [music] / W.A. Mozart ; arr Tuckwell.
[198-?].
Caption title.
Ms. in Barry Tuckwell's hand.
UniM Music RB TUCK 0099
Mozart, Wolfgang Amadeus, 1756-1791.
Concerto No. 1 (K412) for horn [music] : Rondo / W.A. Mozart ; arr. Barry
Tuckwell.
[198-?].
Caption title -- parts.
Score and parts are computer typeset.
Photocopies.
UniM Music RB TUCK 0094
Mozart, Wolfgang Amadeus, 1756-1791.
Fragment in E flat [music] : K. 370B / Mozart ; Tuckwell.
[between 1960 and 1999].
Caption title (score).
Copies of autograph score and parts (copyist unknown).
UniM Music RB TUCK 0096
Mozart, Wolfgang Amadeus, 1756-1791.
Fragment K 514 [music] / Mozart / Tuckwell.
[198-?].
Caption title.
Ms. in Barry Tuckwell's hand.
Photocopy.
Arrangement by Tuckwell for horn and piano.
UniM Music RB TUCK 0095
Mozart, Wolfgang Amadeus, 1756-1791.
Horn-Konzert Nr. 1 : D dur = D major = Ré majeur: KV 412 / Mozart.
Leipzig : Breitkopf & Härtel, [19--].
Cover title.
UniM Music RB TUCK 0101
Mozart, Wolfgang Amadeus, 1756-1791.
Horn-Konzert Nr. 2 [music] : Es dur = E flat major = Mi flat majeur, K.V. 417 /
Mozart.
Leipzig : Breitkopf & Härtel, [ca. 1920].
Cover title.
UniM Music RB TUCK 0102
Mozart, Wolfgang Amadeus, 1756-1791.
Horn-Konzert Nr. 2 [music] : Es dur = E flat major = Mi flat majeur, K.V. 417 /
Mozart.
Leipzig : Breitkopf & Härtel, [ca. 1900].
Cover title.
UniM Music RB TUCK 0104
Mozart, Wolfgang Amadeus, 1756-1791.
Horn-Konzert Nr. 2 [music] : Es dur = E flat major = Mi flat majeur, K.V. 417 /
Mozart.
Leipzig : Breitkopf & Härtel, [19--].
Cover title.
UniM Music RB TUCK 0105
Mozart, Wolfgang Amadeus, 1756-1791.
Horn-Konzert Nr. 3 [music] : Es dur = E flat major = Mi flat majeur, K V 447 / Mozart.
Wiesbaden: Breitkopf & Härtel, c1965.
Cover title.
UniM Music RB TUCK 0106
Mozart, Wolfgang Amadeus, 1756-1791.
Horn-Konzert Nr. 3 [music] : Es dur = E flat major = Mi flat majeur, KV 447 / Mozart.
Leipzig : Breitkopf & Härtel, [19--].
Cover title.
UniM Music RB TUCK 0107
Mozart, Wolfgang Amadeus, 1756-1791.
Horn-Konzert Nr. 4 [music] : Es dur = E flat major = Mi flat majeur, KV 495 / Mozart.
Wiesbaden: Breitkopf & Härtel, [19--].
Cover title.
UniM Music RB TUCK 0108
Mozart, Wolfgang Amadeus, 1756-1791.
Konzert Es-Dur für Horn und Orchester [music] : KV 495 / Wolfgang Amadeus
Mozart.
Leipzig : Breitkopf & Härtel, [19--].
Cover title.
UniM Music RB TUCK 0098
Mozart, Wolfgang Amadeus, 1756-1791.
Konzert für Horn und Orchester Nr. 1, D-dur, KV 412 [music] / Wolfgang Amadeus
Mozart.
Wiesbaden : Breitkopf & Härtel, c1964.
Caption title.
UniM Music RB TUCK 0103
Mozart, Wolfgang Amadeus, 1756-1791.
Konzert no. 2 für Horn und Orchester [music] : KV 417 / W.A. Mozart.
Wiesbaden : Breitkopf & Härtel, [19--].
Caption title.
Photocopy lacking cover and t.p.
UniM Music RB TUCK 0092
Mozart, Wolfgang Amadeus, 1756-1791.
Konzert-Rondo [music] : in Es-Dur, K.V. 371 / Mozart ; arr: Barry Tuckwell.
[between 1990 and 1999?].
Caption title.
Autograph score (copyist unknown).
UniM Music RB TUCK 0093
Mozart, Wolfgang Amadeus, 1756-1791.
Konzert-Rondo [music] : in Es-Dur, K.V. 371 / Mozart ; arr. Tuckwell.
[between 1990 and 1999?].
Caption title (oboe 1 part).
Copies of autograph parts (copyist unknown).
UniM Music RB TUCK 0334
Mozart, Wolfgang Amadeus, 1756-1791.
Quintett in Es für Klavier, Oboe, Klarinette, Horn und Fagott [music] = E flat,
for piano, oboe, clarinet, horn and bassoon, KV 452 / Wolfgang Amadeus Mozart ;
herausgegeben von Hellmut Federhofer.
Kassel : Bärenreiter, c1958.
Pref. in German and English.
Duration: ca. 22:00.
UniM Music RB TUCK 0307
Priuli, Giovanni, d. 1626.
Canzone secunda à 6 [music] / G. Priuli ; arr. Rolf Smedvig.
West Stockbridge, MA : Arts, Inc., 1993.
Caption title.
UniM Music RB TUCK 0311
Rossi, Salamone, 1570?-ca. 1630.
Psalm 92 [music] : for brass ensemble (12 parts) / Salomone Rossi ; transcribed
by Samuel Adler.
New York : G. Schirmer, c1974.
Arr. for 3 trumpets, 5 horns, 3 trombones, and tuba; originally for chorus (8
parts).
This arrangement may be used to accompany the choral ed. published by G.
Schirmer.
UniM Music RB TUCK 0306
Smyth, Ethel, 1858-1944.
Concerto for violin, horn and orchestra [music] / by Ethel Smyth ; arranged by
the composer as trio for violin, horn [or viola or violoncello] and pianoforte.
London : J. Curwen, c1928.
Includes alternative parts for viola and violoncello.
UniM Music RB TUCK 0087
Telemann, Georg Philipp, 1681-1767.
Concerto D-Dur für Horn und Orchester [music] / Georg Philipp Telemann ;
herausgegeben von Edmond Leloir.
Locarno : Edizioni Pegasus, [c1964].
Caption title.
"Pegasus-Orchester-Archiv" -- Cover page, viola part.
Parts are for violin 1 or oboe; violin 2; viola ; basso.
UniM Music RB TUCK 0085
Telemann, Georg Philipp, 1681-1767.
Concerto D-Dur für Horn und Orchester [music] = Concerto D major for horn and
orchestra = Concerto ré majeur pour cor et orchestre / Georg Philipp Telemann ;
herausgegeben von Edmond Leloir ; generalbassaussetzung von Helmut Majewski.
Locarno : Edizioni Pegasus, c1964.
Preface in German and French.
UniM Music RB TUCK 0086
Telemann, Georg Philipp, 1681-1767.
Concerto D-Dur für Horn und Orchester [music] = Concerto D major for horn and
orchestra = Concerto ré majeur pour cor et orchestre / Georg Philipp Telemann ;
herausgegeben von Edmond Leloir.
Locarno : Edizioni Pegasus, [1964?].
Unfigured bass line has not been realised.
UniM Music RB TUCK 0303
Ullrich, Hermann, b. 1888.
Trio-Phantasie [music] : für Violine, Horn und Klavier, op. 20 / Hermann
Ullrich.
Wien : Verlag Doblinger, c1964.
For piano, horn and violin.
UniM Music RB TUCK 0305
Wood, Hugh.
Horn trio, op. 29 [music] / Hugh Wood.
London : Chester Music, c1989.
Caption title.
For piano, horn in F and violin.
Publisher's bound photocopy of holograph.
Reference Books
UniM Music REF 361.7632025 DIRE
Asia Pacific InfoServ Pty Ltd.
Directory of music foundations.
Sydney : Asia Pacific InfoServ, 2009-
UniM Music REF 016.7862071 COME
Comeau, Gilles.
Piano pedagogy : a research and information guide / Gilles Comeau ; contributors, Nisreen Jardaneh ... [et al.].
New York : Routledge, 2009.
Series: Routledge music bibliographies
Includes bibliographical references and indexes.
Contents: Pt. I. Access Points for Research in Piano Pedagogy -- 1. Indexes and Databases -- 2. Bibliographies -- Pt. II. Sources of Information for Research and Learning -- 3. Encyclopedias and Dictionaries -- 4. Journals and Magazines -- 5. Dissertations and Theses -- 6. Tests and Measurements -- 7. Monographs.
UniM Music REF 070.579409433 EMME v.1
Emmerig, Thomas.
Regensburger Verlagsbuchhandlungen als Musikverlage (1750-1850).
Tutzing : Schneider, 2000.
Series: Quellen und Abhandlungen zur Geschichte des Musikverlagswesens, Bd. 1
Includes bibliographical references (p. 279-283) and index.
UniM Music REF 070.57940943 EMME v.3
Emmerig, Thomas.
Regensburger Verlagsbuchhandlungen als Musikverlage (1850-1950).
Tutzing : Hans Schneider, 2007.
Series: Quellen und Abhandlungen zur Geschichte des Musikverlagswesens, Bd. 3
Includes bibliographical references (p. 362-368) and register.
UniM Music REF 782.10268 GLUC/ CAST
Gluck & Monteverdi opera libretti : international phonetic alphabet transcriptions, word for word translations, notes on the French and Italian transcriptions / by Nico Castel ; assisted and edited by Marcie Stapp ; illustrations by Eugene Green ; foreword by James Conlon.
Geneseo, N.Y. : Leyerle, c2008.
Contents: Orfeo ed Euridice -- Alceste -- Iphigénie en Aulide -- Iphigénie en Tauride -- L'Orfeo -- Il ritorno d'Ulisse in patria -- L'incoronazione di Poppea -- Index.
UniM Music REF 782.10268 ITAL
Italian verismo opera libretti : in two volumes / with International Phonetic Alphabet transcriptions and word for word translations, including a guide to the I.P.A. and notes on Italian phonetics by Nico Castel ; edited by Scott Jackson Wiley ; foreword by Plácido Domingo.
Geneseo, N.Y. : Leyerle, c2000-
Includes bibliographical references and index.
UniM Music REF 782.10268 LIBR v.1
Libretti of Russian operas : with international phonetic alphabet transcriptions and word-for-word translations, including a guide to the IPA and Russian lyric diction / by Anton Belov ; edited by Ann Brash and Valeria Konstantinovskaya ; foreword by Nico Castel.
Mt. Morris, N.Y. : Leyerle, c2004-
UniM Music REF 782.10268 WAGN
Wagner, Richard, 1813-1883.
Three Wagner opera libretti / with International Phonetic Alphabet transcriptions, word by word translations including a guide to the German I.P.A., and notes on the German transcriptions by Nico Castel ; edited by Marcie Stapp ; ill by Eugene Green ; foreword by Thomas Stewart..
Geneseo, N.Y. : Leyerle, c2006.
General Books
UniM Music 780.92 WAGN/ BARK
Barker, John W.
Wagner and Venice.
Rochester, NY : University of Rochester Press, 2008.
Series: Eastman studies in music.
Contents: Pt. 1. Richard Wagner Absorbs Venice -- 1. The First Encounter -- 2. From Visit to Vacation -- 3. From Residence to Mortality -- 4. Venice in Wagner's Eyes -- Pt. 2. From Visit to Vacation -- 5. Watching -- 6. Mourning -- 7. Remembering: A German for the Germans -- 8. Remembering: An Italian for the Italians -- Pt. 3. The "Ring" Comes to Venice -- 9. Italy, Venice, and "Wagnerism" -- 10. The "Wandering Wagnerians" -- 11. Today the Fenice, Tomorrow all Italy -- 12. Venetian Assessments -- Pt. 4. Wagner and Venice Amalgamate -- 13. Memory and Commemoration -- 14. Surviving Significance -- 15. Addenda -- 1. Wagner and Titian's Assumption -- 2. A Scandal Debunked: Carrie Pringle -- 3. Life After Wagner -- 4. Verdi on Wagner's Death and His Music -- 5. Wagner's "Blue Grotto" in Venice and His "Luxury" Addictions -- 6. What Made Wagner Laugh? -- 7. Diagnoses and Autopsies -- 8. Four Short Accounts of Wagner's Death -- 9. Wagner's Last Words -- 10. Luigi Trevisan -- 11. Angelo Neumann and Wagner's Anti-Semitism -- 12. Wagner and America -- 13. The Wandering Wagnerians Beyond Neumann -- 14. Norlenghi on Neumann's Musicians -- 15. Norlenghi's Further Thoughts on Wagner.
Summary:"In Wagner and Venice, John Barker examines the connections between the great composer and the great city. The author traces patterns of Wagner's visits to Venice during his lifetime, considers what the city came to mean to Wagner, and investigates the details surrounding his death. Barker also examines how Venice viewed Wagner, by analyzing the landmark presentation of Wagner's Ring cycle two months after the composer's death, and by considering Venice's subsequent extensive Wagner celebrations and commemorations." "Throughout the volume, biographical detail from new and previously unavailable sources provides readers with a fresh interpretation of this seminal figure."--BOOK JACKET.
UniM Music 782.109033 CAMB
The Cambridge companion to eighteenth-century opera / edited by Anthony R. DelDonna and Pierpaolo Polzonetti.
New York : Cambridge University Press, 2009.
Contents: The making of opera. Opera as process / Pierpaolo Polzonetti ; Aria as drama / James Webster ; Ensembles and finales / Caryl Clark ; Metastasio : the dramaturgy of eighteenth-century heroic opera / Francesco Cotticelli and Paologiovanni Maione ; Roles and acting / Gianni Cicali ; Ballet / Rebecca Harris-Warrick ; Orchestra and voice in eighteenth-century Italian opera / John Spitzer ; To look again (at Don Giovanni) / Alessandra Campana -- National styles and genres. Genre and form in French opera / David Charlton ; Genre and form in German opera / Estelle Joubert ; Opera in eighteenth-century England : English opera, masques, ballad operas / Michael Burden ; Opera in Naples / Anthony R. DelDonna ; Portugal and Brazil / Manuel Carlos de Brito ; Opera, genre, and context in Spain and its American colonies / Louise Stein and Jose Maximo Leza.
UniM Music 782.120922 GILB/ CAMB
The Cambridge companion to Gilbert and Sullivan / edited by David Eden and Meinhard Saremba.
Cambridge, UK ; New York : Cambridge University Press, 2009.
Series: Cambridge companions to music
Contents: Pt. I. Background -- 1. Savoy opera and its discontents: the theatrical background to a quarrel / David Eden -- 2. Identity crisis and the search for English opera: the Savoy Theatre in the 1890s / William Parry -- 3. Resituating Gilbert and Sullivan: the musical and aesthetic context / Benedict Taylor -- 4. 'We sing as one individual'? Popular misconceptions of 'Gilbert and Sullivan' / Meinhard Satemba -- Pt. II. Focus -- 5. The operas in context: stylistic elements - the Savoy and beyond / Richard Silverman -- 6. The librettos in context: Gilbert's 'fables in song' / Horst Dolvers -- 7. 'This particularly rapid, unintelligible patter': patter songs and the word-music relationship / Laura Kasson Fiss -- 8. Standing still and moving forward: The Mikado, Haddon Hall and concepts of time in the Savoy operas / Michael Beckerman -- 9. Musical contexts I: motives and methods in Sullivan's allusions / James Brooks Kuykendall -- 10. Musical contexts II: characterisation and emotion in the Savoy operas / Martin T. Yates -- Pt. III. Reception -- 11. Topsy-Turvy: a personal journey / Mike Leigh -- 12. Amateur tenors and choruses in public: the amateur scene / Ian Bradley -- 13. Champions and aficionados: amateur and listener experiences of the Savoy operas in performance / Stephanie Pitts -- 14. 'How great thy charm, thy sway how excellent!' Tracing Gilbert and Sullivan's legacy in the American musical / Raymond Knapp -- 15. 'See how the Fates their gifts allot': the reception of productions and translations in continental Europe / Jana Polianovskaia -- Pt. IV. In to the twenty-first century -- 16. Adventures in musical detection: scholarship, editions, productions and the future of the Savoy operas / David Russell Hulme -- Appendix 1. Who wrote the overtures? -- Appendix 2. Stage and choral works by Arthur Sullivan and W. S. Gilbert -- Appendix 3. Modern editions of works by Arthur Sullivan and W. S. Gilbert -- Appendix 4. Sullivan's archetypes of English opera.
UniM Music 780.941109032 DEFI
Defining strains : the musical life of Scots in the seventeenth century / James Porter (ed.).
Oxford : Peter Lang, c2007.
Series: Studies in the history and culture of Scotland, v.2.
Contents: Defining strains: tradition, invention, genre and context in musical life / James Porter -- The musical sources / Warwick Edwards -- 'For kissing for clapping for loving, for proveing': performance practice and modern interpretaion of the lute repertoire / Rob Mackillop -- Keyboard music in Scotland: genre, gender, context / David J. Smith -- French music in the collection of the Earls of Panmure / Patrick Cadell -- The acquisition of the French and Italian music in the Panmure Collection: the role of David Nairne / Edward Corp -- 'Musicall Humors': the life and music of Captain Tobias Hume, gentleman / Michael Rossi -- Highland harpers and their patrone / Colm Ó Baoill -- Who got a kiss of the King's hand? the growth of a tradition / Roderick Cannon -- Two Irish harpers in Scotland / Colm Ó Baoill -- The first and last blast of the trumpet: ceremonial music in seventeenth-century Scotland / Alexander McGrattan -- Forbes' "Cantus, Songs and Fancies" revisited / Anne Dhu McLucas -- "Blessed spirits, sing with me!": psalm-singing in context and practice / James Porter.
UniM Music 782.0092 BEMB/ FONT
Fontijn, Claire Anne, 1960-
Desperate measures : the life and music of Antonia Padoani Bembo.
Oxford ; New York : Oxford University Press, 2006.
Summary: "One of the most fascinating figures of seventeenth century music, composer and singer Antonia Padoani Bembo (c. 1640-c. 1720) was active in both Venice and Paris. Her work provides a unique cross-cultural window into the rich musical cultures of these cities, yet owing to her clandestine existence in France, for almost three centuries Bembo's life was shrouded in mystery. In this biography, Claire Fontijn unveils the story of a remarkable woman who moved in the musical, literary, and artistic circles of these European cultural centers." "Expertly engaging with musicology, history, and gender studies, Claire Fontijn tells the story of a brave and daring woman while providing a valuable key to a long-hidden treasure trove of music."--BOOK JACKET.
UniM Music 780.92 BART/ FOSL
Fosler-Lussier, Danielle, 1969-
Music divided : Bartók's legacy in cold war culture.
Berkeley : University of California Press, c2007.
Series: California studies in 20th-century music, 7
Contents: 1. Bartok's concerto for orchestra and the demise of Hungary's "Third Road" -- 2. A compromised composer : Bartok's music and Western Europe's fresh start -- 3. "Bartok is ours" : the Voice of America and Hungarian control over Bartok's legacy -- 4. Bartok and his publics : defining the "modern classic" -- 5. Beyond the folk song; or, what was Hungarian socialist realist music? -- 6. The "Bartok question" and the politics of dissent : the case of Andras Mihaly -- Epilogue East : Bartok's difficult truths and the Hungarian revolution of 1956 -- Epilogue West : Bartok's legacy and George Rochberg's postmodernity -- App. 1. Compositions by Bartok broadcast on Hungarian radio, 18 September to 1 October 1950.
Summary: "Music Divided explores how political pressures affected musical life on both sides of the iron curtain during the early years of the cold war. In this groundbreaking study, Danielle Fosler-Lussier illuminates the pervasive political anxieties of the day through particular attention to artistic, music-theoretical, and propagandistic responses to the music of Hungary's most renowned twentieth-century composer, Bela Bartok. She shows how a tense period of political transition plagued Bartok's music and imperiled those who took a stand on its aesthetic value in the emerging socialist state. Her fascinating investigation of Bartok's reception outside of Hungary demonstrates that Western composers, too, formulated their ideas about musical style under the influence of ever-escalating cold war tensions."--BOOK JACKET.
UniM Music 780.92 MYSL/ FREE
Freeman, Daniel E.
Josef Myslivecek, "Il boemo" : the man and his music.
Sterling Heights, Mich. : Harmonie Park Press, 2009.
Series: Detroit monographs in musicology/Studies in music, no.54.
UniM Music 303.48208915 GANT
Ganter, Regina.
Mixed relations : Asian-Aboriginal contact in North Australia / Regina Ganter ; with contributions from Julia Martinez and Gary Lee.
Crawley, W.A. : University of Western Australia Press, c2006.
Contents: 1. Trepang: Australia's Asian Connection -- 2. Deep Histories: Indonesians and Aborigines -- 3. pearling: All Kind of Nation -- 4. Aboriginal Protection, Asian Exclusion -- 5. Ethnic Policy and Practice in Darwin -- 6. The Polyethnic North -- 7. The Decline of the Polyethnic North -- 8. Mixed History and Indigenous Identity.
NOTES This is a Mixed Relations view of Australian history that breaks the bounds of narrow domesticity. The author looks at the interactions of indigenous people with Japanese, Chinese, Filipinos, Malays and Afghans.
UniM Music 781.17 GOEH
Goehr, Lydia.
Elective affinities : musical essays on the history of aesthetic theory.
New York : Columbia University Press, c2008.
Series: Columbia themes in philosophy, social criticism, and the arts.
Contents: 1. Doppelbewegung: The Musical Movement of Philosophy and the Philosophical Movement of Music -- 2. The "Ode to Joy": Music and Musicality in Tragic Culture -- 3. For the Birds/Against the Birds: Modernist Narratives on the End of Art -- 4. Explosive Experiments and the Fragility of the Experimental -- 5. The Pastness of the Work: Albert Speer and the Monumentalism of Intentional Ruins -- 6. The Musicality of Violence: On the Art and Politics of Displacement -- 7. Film as Visual Music: Duplication, Dissonance, and Displacement -- 8. Amerikamude/Europamude: The Actuality of American Opera.
Summary: "In this new book, Lydia Goehr focuses on the history of elective affinities between philosophy and music from German classicism, romanticism, and idealism to the modernist aesthetic theory of Theodor W. Adorno and Arthur C. Danto. Aesthetic theory, she argues, depends on a dynamic philosophy of history centered on tendencies, yearnings, needs, and potentialities. With this in mind, she recasts the theses of Adorno and Danto regarding the death or end of philosophy, art, music, and human experience as arguments for continuation and survival. Elective Affinities tracks the migration of aesthetic and critical theory from Germany to the United States following the catastrophic period of the twentieth century marked by the Second World War."--BOOK JACKET.
UniM Music 786.7 HUGI
Hugill, Andrew.
The digital musician.
New York : Routledge, 2008.
Contents: 1. New technologies, new musicians -- 2. Aural awareness -- 3. Understanding sound -- 4. Organising sound -- 5. Creating music -- 6. Performing -- 7. Cultural context -- 8. Critical engagement -- 9. The digital musician -- 10. Projects and performance repertoire.
Summary: "The aim of The Digital Musician is to explore what it means to be a musician in the digital age. It examines musical skills, cultural awareness and artistic identity, through the prism of recent technological innovations. New technologies, and especially the new digital technologies, mean that anyone can produce music without musical training. The Digital Musician asks why make music? what music to make? and how do we know what is good? The answers involve developing a personal aesthetic, an awareness of the context for one's work, and certain musical and technical abilities." "Designed to function as a complete and stand-alone text, it includes the enhancement of using a MOO (Multi-user domain, Object-Orientated), which is a virtual world capable of supporting multimedia."--BOOK JACKET.
UniM Music 781.7409 LIPS
Lipsitz, George.
Footsteps in the dark : the hidden histories of popular music.
Minneapolis : University of Minnesota Press, c2007.
Contents: Introduction : the long fetch of history; or, why music matters -- 1. Pop starts : the hidden history of digital capitalism -- 2. Crossing over : the hidden history of diaspora -- 3. Banda : the hidden history of greater Mexico -- 4. Jazz : the hidden history of nationalist multiculturalism -- 5. Weeds in a vacant lot : the hidden history of urban renewal -- 6. Merengue : the hidden history of Dominican migration -- 7. The hip hop hearings : the hidden history of deindustrialization -- 8. Masquerades and mixtures : the hidden history of passing -- 9. Salsa : the hidden history of colonialism -- 10. Techno : the hidden history of automation -- Epilogue : long waves after 9/11.
UniM Music 780.92 CHAR/ MANU
Les manuscrits autographes de Marc-Antoine Charpentier / textes réunis par Catherine Cessac.
Wavre : Mardaga, c2007.
Series: Études du Centre de musique baroque de Versailles.
Series: Collection Musique, musicologie.
Proceedings of a colloquium on the autograph manuscripts of Charpentier, held at Versailles in fall 2004.
Includes bibliographical references and indexes.
UniM Music 781.263 MCAL
McAlpine, Fiona.
Tonal consciousness and the medieval West.
Bern ; New York : Peter Lang, c2008.
Series: Varia musicologica, 10
Includes bibliographical references (p. 449-468) and index.
UniM Music f 784.1909 MONT
Montagu, Jeremy.
Origins and development of musical instruments.
Lanham, Md. : The Scarecrow Press, 2007.
Contents: 1. Origins -- Interlude A: Instruments of Protection -- 2. Drums -- Interlude B: Musicians -- 3. Flutes and Recorders -- Interlude C: The Medieval Renaissance and the First Industrial Revolution -- 4. Reeds -- Interlude D: The Ideal Accompaniment -- 5. "Brass" Instruments: Trumpets and Horns -- Interlude E: The Second Industrial Revolution -- 6. String Instruments -- Interlude F: Messengers -- 7. Pipe Organs -- Interlude G: Symbiosis -- 8. Electrophones -- Interlude H: Newly Created, Recognized, or Discovered Instruments -- Afterword: Archaeology and Other -ologies.
Summary: "Origins and Development of Musical Instruments details the creation, use, and development of musical instruments from the Old Stone Age to the present. Musical instruments - from the simplest whistles to the most complex organs, from conch trumpets to sousaphones, from archers' and musical bows to violins and pianos, the most basic straw reeds to modern MIDI systems, and pairs of stones struck together to synthesizers - are all described by instrument collector and expert Jeremy Montagu. Montagu speculates on how these instruments originated and relates how they moved from one culture to another through history, all the while evolving into today's modern instruments." "Each chapter is devoted to a different type of instrument. Intervals and additional sections enhance the text with information on musicians, the Medieval Renaissance, the ideal accompaniment, archaeology, symbiotic and newly created instruments, classification of instruments, scales and music, and some of the problems of acoustics. This comprehensive volume is illustrated with more than 120 photos capturing several hundred instruments from all over the world, many of them from the author's own collection of more than 2,500 instruments. A copious bibliography, index, and maps complete this priceless resource."--BOOK JACKET.
UniM Music 128.4 NANC
Nancy, Jean-Luc.
Listening / Jean-Luc Nancy ; translated by Charlotte Mandell.
New York : Fordham University Press, c2007.
"The two final essays, "How music listens to itself" and "March in spirit in our ranks," have been added by the author for the English-language edition"--T.p. verso.
Includes bibliographical references (p. 69-85).
UniM Music 780.9548 PESC
Pesch, Ludwig.
The Oxford illustrated companion to South Indian classical music / 2nd ed.
New Delhi : Oxford University Press, 2009.
Includes bibliographical references (p. [335]-365)
UniM Music 780.92 PROK/ SERG
Sergey Prokofiev and his world / edited by Simon Morrison.
Princeton : Princeton University Press, c2008.
Contents: Pt. I. Documents -- "Look after your son's talents" : the literary notebook of Mariya Prokofieva -- The Krzhizhanovksy-Prokofiev collaboration on Eugene Onegin, 1936 (a lesser-known casualty of the Pushkin Death Jubilee) -- Prokofiev and Atovmyan : correspondence, 1933-1952 -- Prokofiev's immortalization -- Pt. II. Essays -- "I came too soon" : Prokofiev's early career in America / Stephen D. Press -- Lieutenant Kizhe : new media, new means / Kevin Bartig -- Observations on Prokofiev's sketchbooks / Mark Aranovsky -- Prokofiev on the Los Angeles Limited / Elizabeth Bergman -- Between two aesthetics : the revision of Pilnyak's Mahogany and Prokofiev's Fourth Symphony / Marina Frolova-Walker -- After Prokofiev / Peter J. Schmelz -- Beyond death and evil : Prokofiev's spirituality and Christian Science / Leon Botstein.
"Published in conjunction with the Bard Music Festival"--P. facing t.p.
UniM Music 780.92 BART/ SCHN
Schneider, David E., 1963-
Bartók, Hungary, and the renewal of tradition : case studies in the intersection of modernity and nationality.
Berkeley : Univesity of California Press, c2006.
Series: California studies in 20th-century music, 5
Contents: 1. Tradition rejected : Bartok's polemics and the nineteenth-century Hungarian musical inheritance -- 2. Tradition maintained : nationalism, Verbunkos, Kossuth, and the Rhapsody, Op. 1 -- 3. Tradition transformed : "the night's music" and the pastoral roots of a modern style -- 4. Tradition challenged : confronting Stravinsky -- 5. Tradition transcribed : the Rhapsody for Volin No. 1, the politics of folk-music research, and the artifice of authenticity -- 6. Tradition restored : the violin concerto, Verbunkos, and Hungary on the eve of World War II.
Summary: "It is well known that Bela Bartok had an extraordinary ability to synthesize Western art music with the folk music of Eastern Europe. What this study makes clear is that, contrary to much prevailing thought about the great twentieth-century Hungarian composer, Bartok was also strongly influenced by the art-music traditions of his native country. Drawing from a wide array of material, including contemporary reviews and little-known Hungarian documents, David Schneider presents a new approach to Bartok that acknowledges the composer's debt to a variety of Hungarian music traditions as well as to influential contemporaries such as Igor Stravinsky. Considering representative works from each decade - from Bartok's graduation from the Music Academy in 1903 to his departure for the United States in 1940 - Schneider reads the composer's artistic output as both a continuation and a profound transformation of the very national tradition that Bartok repeatedly rejected in public. By clarifying why Bartok felt compelled to obscure his ties to the past and by illuminating what that past actually was, Schneider dispels myths about Bartok's relationship to nineteenth-century traditions and at the same time provides a new perspective on the relationship between nationalism and modernism in early twentieth-century music."--BOOK JACKET.
UniM Music 780.92 BIZE/ STRI
Stricker, Rémy.
Georges Bizet, 1838-1875.
[Paris] : Gallimard, c1999.
Series: N.R.F. biographies
Includes bibliographical references (p. [362]-369) and index.
UniM Music 784.1872092 VIVA/ TALB
Talbot, Michael.
Vivaldi and fugue.
Firenze : Olschki, 2009.
Series: Studi di musica veneta. Quaderni vivaldiani, 15
At head of title: Fondazione Giorgio Cini, Istituto Italiano Antonio Vivaldi, Venezia.
UniM Music 782.1092 WAGN Bd.17
Wagner, Richard, 1813-1883.
Sämtliche Briefe / Hrsg. im Auftrage des Richard-Wagner-Familien-Archivs Bayreuth von Gertrud Strobel und Werner Wolf.
Leipzig : Deutscher Verlag für Musik VEB, 1967-<2008 >
Notes: Vol. 4-5 herausgegeben im Auftrage der Richard-Wagner-Stiftung Bayreuth von Gertrud Strobel und Werner Wolf; v. 6-<8 > herausgegeben im Auftrage der Richard-Wagner-Stiftung Bayreuth von Hans-Joachim Bauer und Johannes Forner.
Contents: Bd. 1. Briefe der Jahre 1830-1842 -- Bd. 2. Briefe der Jahre 1842-1849 -- Bd. 3. Briefe der Jahre 1849-1851 -- Bd. 4. Briefe der Jahre 1851-1852 -- Bd. 5. September 1852-Januar 1854 -- Bd. 6. Januar 1854-Februar 1855 -- Bd. 7. März 1855-März 1856 -- Bd. 8. April 1856-Juli 1857 -- Bd. 10. 17 August 1858-31 Marz 1859 -- Bd. 11. 1 April-31 Dezember 1859 --Bd. 13. Briefe des Jahres 1861 -- Bd. 14. Briefe des Jahre 1862 -- Bd. 15. Briefe des Jahres 1863 -- Bd. 16. Briefe des Jahres 1864 -- Bd. 17. Briefe des Jahres 1865 -- Bd. 18. Briefe des Jahres 1866.
UniM Music 783.007 WATE
Waterman, Roma.
The handbook for working singers.
[London] : Schirmer Trade Books, c2006.
UniM Music 782.1092 WAGN/ WEBB
Webb, Susan S.
Variants in Wagner's vocal lines : the "Ring" operas.
Geneseo, NY : Leyerle, c2005, c2000.
Includes bibliographical references (p. 466) and indexes.
Contents: Preface -- Format for the variant page -- Variants by opera with commentary. Das Rheingold ; Die Walküre ; Siegfried ; Götterdämmerung -- Variants by role -- Index by line of text.
UniM Music 781.690954 WEID
Weidman, Amanda J., 1970-
Singing the classical, voicing the modern : the postcolonial politics of music in South India.
Durham : Duke University Press, 2006.
Contents: 1. Gone native? : travels of the violin in South India -- 2. From the palace to the street : staging "classical" music -- 3. Gender and the politics of voice -- 4. Can the subaltern sing? : music, language, and the politics of voice -- 5. A writing lesson : musicology and the birth of the composer -- 6. Fantastic fidelities -- Afterword : modernity and the voice.
UniM Music 782.421690955 WRIG
Wright, Owen.
Touraj Kiaras and Persian classical music : an analytical perspective.
Burlington, VT : Ashgate, c2008.
Series: SOAS musicology series
Accompanying CD contains audio examples.
Summary: "In this book Owen Wright analyses a single recording of classical Persian music made by Touraj Kiaras, a distinguished singer, accompanied by four noted instrumentalists. The format of the recording is typical of a public concert performance, and thus includes instrumental compositions as well as a central exploration of vocal repertoire and technique. The analysis identifies salient structural features, whether of the individual components or of the whole, in a way accessible to the western reader, but it also takes account of the analytical metalanguage used in Persian scholarship, and includes consideration of the relationship between music and poetry. It is important to note that it is also guided by the perceptions of the performer, whose input and responses to questions have significantly influenced the enterprise.
To avoid the dryly impersonal, the analysis is also framed by an introduction which combines a biographical sketch of Touraj Kiaras with a survey of the twentieth-century evolution of Persian classical music and of the position of the vocal repertoire within it, and by an epilogue which examines further the ideological basis of prevalent attitudes to music, and seeks to explore the validity of the analytical enterprise within this context." "Owen Wright is Research Professor of Musicology of the Middle East in the Department of Music at the School of Oriental and African Studies, University of London, UK."--BOOK JACKET.
UniM Music 784.2184092 STRA/ YOUM
Youmans, Charles Dowell, 1964-
Richard Strauss's orchestral music and the German intellectual tradition : the philosophical roots of musical modernism.
Bloomington : Indiana University Press, c2005.
Contents: Prologue : intellectual history and artistic production : the case of Richard Strauss -- Pt. I. The private intellectual context of Strauss's early career -- 1. "The conversion" : Strauss and Wagnerism -- 2. Music and the "denial of the will" : Schopenhauer in Strauss's life and work -- 3. Strauss's Nietzsche -- 4. Goethe and the development of Strauss's worldview -- Pt. II. Orchestral composition as philosophical critique -- 5. The first cycle of tone poems : genesis of a critical musical technique -- 6. Eulenspiegel, Zarathustra, Quixote, Strauss : crystallization of a persona -- 7. Absolute music, twentieth-century aesthetics, and the symphonies of Richard Strauss.
Summary: "Richard Strauss's Orchestral Music and the German Intellectual Tradition breaks new ground in Straussian studies. Charles Youmans provides an investigation of Strauss's private intellectual life and its impact on the brilliant music he created during the formation of his worldview. The composer's works have traditionally been viewed as a product of High German Romanticism, yet Youmans demonstrates that Strauss's entire body of orchestral music can be read as a history of his struggle with specific intellectual-historical concerns."--BOOK JACKET.
COLLECTED EDITIONS
UniM Music CE 780.01 WISS v.92
Bailey, Terence.
Chants of the Ambrosian offertory : the antiphons "after the Gospel" and the offerendae.
Ottawa, Canada : Institute Of Mediaeval Music, c2009.
Series: Wissenschaftliche Abhandlungen ; Bd. 92 = Musicological studies, v. 92.
Contents: Introduction -- The liturgical fuction of the antiphons 'after the Gospel' and the offerendae -- The authentic antiphonae post evangelium -- The general nature, performance and distribution of the antiphonae post evangelium -- Analysis of the assignments I: The antiphons 'post evangelium' of the Temporale -- Analysis of the assignments II: The antiphons 'post evangelium' of the Sanctorale -- The authentic offerendae -- The anture and distribution of the offerendae -- Analysis of the assignments III: The offerendae of the Temporale -- Analysis fo the assignments IV: The offerendae of the Sanctorale -- Ofference, offertoria, versus, communia : some generalities and conclusions -- Appendices.
UniM Music CE 780.81 HAYD XXV/9
Haydn, Joseph, 1732-1809
L'Isola Disabitata : Werke [music] / Joseph Haydn ; herausgegeben vom Joseph Haydn-Institut, Köln, unter der Leitung von Jens Peter Larsen.
München : G. Henle, [1958]-<2009 >
Contents: Reihe 1. Symphonien. Bd. <1, 3-5a, 6-8, 12-13, 16-18 > -- Reihe 2. Concertante -- Reihe 3. [Konzerte für Streichinstrumente] Bd. 1-3 -- Reihe 4. Die Sieben letzten Worte unseres Erlösers am Kreuze (Orchesterfassung) -- Reihe 5. Tänze und Märsche -- Reihe 6. Concerti mit Orgelleiern -- Reihe 7. Notturni mit Orgelleiern -- Reihe 8. [Divertimenti für vier bis elf Instrumente] Bd. <1-2 > -- Reihe 11. Streichtrios. Bd. <1-2 > -- Reihe 12. Streichquartette. Bd. <1-3, 5 > -- Reihe 13. Werke mit Baryton -- Reihe 14. Barytontrios. Bd. 1-5 -- Reihe 15. Konzerte für Klavier (Cembalo) und für Orgel. Bd. <2 > -- Reihe 16. Concertini und divertimenti -- Reihe 17. Klaviertrios. Bd. 1-3 -- Reihe 18. Klaviersonaten. Bd. 1-3 -- Reihe 21. Stucke für das Laufwerk (Flötenuhrstücke) -- Reihe 22. Kirchenmusik. Bd. <1 > -- Reihe 23. Messen. Bd. <1a-b, 2-5 > -- Reihe 24. [Kleinere Kirchenmusikwerke] Bd. 1-3 -- Reihe 25. [Opern] Bd. <1-5, 6,1, 6,2, 7,1-3, 8-13 > -- Reihe 27. [Kantaten] Bd. <1-2 > -- Reihe 28. [Oratorien] Bd. 1-2 -- Reihe 29. [Einstimmige Gesänge] Bd. 1-2 -- Reihe 30. Mehrstimmige Gesänge -- Reihe 31. Kanons -- Reihe 32. Volksliedbearbeitungen. Bd. <1-2 >
UniM Music CE 780.9434 DENK Bd.34
Neefe, Christian Gottlob, 1748-1798.
Concerto pour le clavecin / Christian Gottlob Neefe ; herausgegeben von Inge Forst unter Mitarbeit von Günther Massenkeil.
Köln : Verlag Dohr, 2009.
Series: Denkmäler rheinischer Musik / Arbeitsgemeinschaft für rheinische Musikgeschichte e.V., Band 34
UniM Music CE 780.9033 RECE v.79
Reichardt, Johann Friedrich, 1752-1814.
Claudine von Villa Bella : a setting of Johann Wolfgang Goethe's Singspiel in three acts / Johann Friedrich Reichardt ; edited by Robert Meikle and David Hill.
Middleton, Wis. : A-R Editions, c2009.
Series: Recent researches in the music of the Classical Era, v.79.
Words also printed as text with English translation on p. xiii-lxi.
MUSIC SCORES
UniM Music Score GF PIE.1
13 pièces classiques [music] : pour 2 hautbois ou 1 hautbois et 1 cor anglais /
arrangement de Gérard Perreau.
Paris : Gérard Billaudot, c1985.
Cover title.
Contents: Tempo di minuetto / Handel -- Rondo / Couperin -- Menuet / Lully -- Serenade /
Haydn -- Musette Bach -- Gavotte / Grétry -- Romance / Dalayrac -- Courante /
Handel -- Menuet / Boccherini -- La matinée / Dussek -- Pastorale / Handel --
L'hirondelle / Daquin -- La ramage / Dandrieu.
UniM Music Score P B118 CBR3.1
Bach, Johann Sebastian, 1685-1750.
Brandenburg concerto no. 3 [music] : G major = G-Dur = Sol majeur, BWV 1048 /
Johann Sebastian Bach ; edited by Karin Stöckl, in collaboration with Gabriele
Beinhorn.
London ; New York : Ernst Eulenburg Ltd., [199-?], c1984.
For strings and continuo.
Preface in English and German; "Einzelanmerkungen" in German.
UniM Music Score P B118 CBR5.8
Bach, Johann Sebastian, 1685-1750.
Brandenburg concerto no. 5 [music] : D major = D-Dur = Re majeur : BWV 1050 /
Johann Sebastian Bach ; edited by Karin Stöckl in collaboration with Martin
Steinebrunner.
London : Ernst Eulenburg, c1988.
Pref. in English and German.
Primary source of this edition is the autograph score in The Deutsche
Staatsbibliothek, East Berlin, Sign. Am. B. 78. The fifth concerto is on folios
58r-77v of the volume.
Publisher's no.: Edition Eulenburg No. 282.
UniM Music Score P B118 SOUE.1
Bach, Johann Sebastian, 1685-1750.
Six sonatas and partitas, BWV 1001-1006 [music] / Johann Sebastian Bach ;
transcribed, arranged and embellished for clavicembalo by Winsome Evans ; music
typesetting by Johannes Gebauer.
Berlin : ERP Musikverlag, 2007.
Arr. for harpsichord. Originally for violin solo.
Includes facsimile of the 1720 autograph of the original works for violin.
Preface and editorial notes in English.
Accompanying CDs published by Celestial Harmonies.
Contents: Sonata 1 in G minor : BWV 1001 -- Partita in B minor : BWV 1002 -- Sonata 2 in A
minor : BWV 1003 -- Partita 2 in D minor : BWV 2004 -- Sonata 3 in C major : BWV
1005 -- Partita 3 in F major : BWV 1006 -- Facsimile of Sei solo a violino
senza basso accompagnato. Libro primo da Joh. Seb. Bach. ao. 1720.
UniM Music Score C T830 GAR.1
The Gartan mother's lullaby [music] : and The heather glen / arranged for two
pianos (four hands) by Joan Trimble.
London : Boosey & Co. ; New York : sole selling agent, Boosey & Hawkes, c1949.
"From 'Herbert Hughes' collection of Irish country songs', vol. 1"--Caption, p.
3.
UniM Music Score HB G561 NIG.1
Glinka, Mikhail Ivanovich, 1804-1857.
The nightingale [music] : variations on a romance by Alexandre Alyabyev for oboe
and piano / Mikhail Glinka ; arranged by Julian Yu ; Variation IV added by
Julian Yu.
[Japan] : Zen-On Music, 2008.
UniM Music Score Q G561 NIG.1
Glinka, Mikhail Ivanovich, 1804-1857.
The nightingale [music] : variations on a romance by Alexandre Alyabyev for oboe
and strings / Mikhail Glinka ; arranged by Julian Yu ; Variation IV added by
Julian Yu.
[Japan] : Zen-On Music, 2008.
UniM Music Score GG G869 SED.1
Gris, Miguel Ángel, 1965-
Sedecrem [music] : 1997, a mi mujer / Miguel Ángel Gris.
Códoba : Festival Internacional de la Guitarra de Códoba, 1997.
For guitar.
UniM Music Score H236 WA.6
Handel, George Frideric, 1685-1759.
The musick for the royal fireworks [music] : for orchestra = Feuerwerksmusik /
George Frideric Handel ; edited by Roger Fiske.
London ; New York : E. Eulenburg, 1979.
Duration: ca. 20:00.
Pref. in English and German.
UniM Music Score HC H3378 JAZ.1
Hartzell, Doug.
Ten jazz duos and solos [music] : B flat book / Doug Hartzell.
Delaware Water Gap, Pa. : Shawnee Press, c1974.
Caption title.
With chord symbols.
With performance notes.
Publisher's no.: Shawnee Press: LD 155.
Contents: Jumpin' jaunt (solo) -- Minor point (solo) -- Bluesers, weepers (solo) --
Funky monkeys (duet) -- Split-level (duet) -- Swingin' in seven (duet) -- Tri-
level (duet or trio) -- Rock pile (duet) -- Short ballad for short chicks (duet)
-- The livin' end (solo).
UniM Music Score GF H352 SOE.1
Hasquenoph, Pierre.
Sonata espressa [music] : pour clarinette et basson / Pierre Hasquenoph.
Paris : Éditions Max Eschig, c1967.
For clarinet and bassoon.
Cover title.
Pl. no.: M.E. 7661.
UniM Music Score GF H415 SEC.1
Haydn, Joseph, 1732-1809.
Sechs Sonaten, für zwei Violinen [music] : Hoboken VI: G 1 / Joseph Haydn ;
herausgegeben von Adolf Hoffmann.
Mainz : B. Schott's Söhne ; New York : Schott, c1953.
Publisher's no.: Edition Schott 4163.
First published as his op. 6; listed in Hoboken's catalogue as H. VI: G1, A1, B1,
D2, Es1, & F1.
UniM Music Score J H415 SOF.1
Haydn, Joseph, 1732-1809.
Sonate in F-Dur [music] : für Violine solo und Viola / Joseph Haydn ;
herausgegeben und bearbeitet von Gerhard Zatschek ; Ausgaben Violine,
Violoncello und Klavier bzw. Cembalo.
Wien : Doblinger, [c1957].
Cover title.
Arr. for violin, violoncello and piano.
Includes cadenza by Gerhard Zatschek.
UniM Music Score GF L2182 BAR.1
Lamb, John David, 1935-
Six barefoot dances [music] : for two alto saxophones / John David Lamb.
New York : McGinnis & Marx Music Publishers c1971.
Cover title.
From the repertory of Sigurd Rascher.
UniM Music Score GF D337 TRI.1
Lange, Jaap de, 1921-
Triptychon [music] : op. 6 : drei letzte Duos für zwei Flöten = three last duets
for two flutes / Jaap de Lange.
Wien : Universal Edition, c1994.
"[The third movement] ... is a transcription of the fifth section of Brahms'
German Requiem, originally scored for soprano solo, chorus and orchestra"--P.
15.
Commentary in German, English, and French.
Contents: 1. Begegnung -- 2. Gruss -- 3. Trost.
UniM Music Score GF L493 SO3.1
Lefèvre, Jean-Xavier, 1763-1829.
Sonate III pour clarinette et basse [music] : op. XII / Xavier Lefèvre ;
réalisation de la basse par Eugène Borrel.
Genève : Editions du Siècle Musical, [1951?].
Cover title.
Notes in French, German and English by Georges Migot.
UniM Music Score GF L6723 TWO.1
Lewin, Gordon.
Two of a kind [music] : for two clarinets / Gordon Lewin.
London : Boosey & Hawkes, c1953.
Caption title.
Pl. no.: 17277.
UniM Music Score GF M475 PET1.1
Mazas, F. (Féréol), 1782-1849.
12 petits duos pour deux violons, op. 70 [music] / par F. Mazas ; revus et
doigtés par Friedr. Hermann.
Leipzig : C.F. Peters, [189-?].
Edition Peters no. 2521a--b.
Cover title: Duette für 2 Violinen, Opus 70.
UniM Music Score GF M475 DU1.1
Mazas, F. (Féréol), 1782-1849.
Six duos pour deux violons, op. 40 [music] / par F. Mazas ; revus et doigtéd par
Fr. Hermann.
Leipzig : C.F. Peters, [192-?].
UniM Music Score GF M869 SIX.1
Morosco, Victor.
Six contemporary etudes for saxophone in duet form [music] / Victor Morosco.
[U.S.] : Artisan Music Press, [c1974].
UniM Music Score GF M939 KEG.1
Mozart, Wolfgang Amadeus, 1756-1791.
Die Kegelduette [music] : für zwei Klarinetten gleicher Stimmung oder andere
Melodie-Instrumente / W.A. Mozart ; eingerichtet von Willy Schneider.
Wolfenbüttel : Möseler, [c1961].
Arranged for two clarinets.
At head of title: Werkreihe für Blasmusik.
UniM Music Score GF M939 SCH.1
Mozart, Wolfgang Amadeus, 1756-1791.
Scherzo-duetto [music] : 1787, postumo. / di Mozart.
Padova : Guglielmo Zanibon, [19--].
Caption title.
For 2 violins, or 2 oboes or 2 clarinets.
Attributed to Mozart, but a spurious work.
"Edizioni Zanibon"--Cover.
Two parts printed in 1 sheet. The 2nd violin plays upside-down.
UniM Music Score P M939 SER.2
Mozart, Wolfgang Amadeus, 1756-1791.
Serenade [music] : for 2 horns, 2 oboes, 2 clarinets and 2 bassoons, C minor, K
388 = für 2 Hörner, 2 Oboen, 2 Klarinetten und 2 Fagotte, c-Moll = Ut minor /
Wolfgang Amadeus Mozart.
London : Ernst Eulenburg, [200-?].
UniM Music Score Q M989 GRE.1
Mussorgsky, Modest Petrovich, 1839-1881.
The great gate of Kiev [music] : from Pictures at an exhibition : for seventeen
players or chamber orchestra (new version 2007) / Modest Mussorgsky ; arranged
by Julian Yu.
[Japan] : Zen-On Music, 2008.
UniM Music Score J P393 GRA.1
Pelz, William.
Graduation waltz [music] : duet for B flat clarinets with piano accompaniment / by
William Pelz.
New York : Pro Art Pub., c1962.
Each clarinet part contains the music for both clarinets printed back to back.
UniM Music Score GF P727 SON.1
Pleyel, Ignaz, 1757-1831.
6 sonatinas, op. 48 [music] : deux violons / par Ignatz Joseph Pleyel ;
nouvellement revues doigtées et arrangées par Fr. Hermann.
London : Augener , [189-?].
Arranged for two violins.
UniM Music Score C S3573 TWI.1
Schnecker, P. A. (Peter August), 1850-1903.
A twilight idyl [music] / P.A. Schnecker ; arr. by H.D. Hewitt.
London : F. Harris, 1913.
Arr. for piano, 6 hands.
Caption title.
UniM Music Score C S384 SER.1
Schubert, Franz, 1797-1828.
Serenade [music] / Schubert ; [arranged for piano by] Liszt ; arranged for two
pianos by Elsie Horne.
London : Chappell, c1943.
UniM Music Score XGF S6854 NOC.1
Soler, Josep.
Noche oscura [music] : für Orgel und Percussion / Josep Soler.
Frankfurt : Zimmermann, c1971.
Duration: 7:00.
Publishers no.: ZM 1865.
UniM Music Score GF S762 DU3.1
Spohr, Louis, 1784-1859.
Duos for two violins [music] : op. 3 / Louis Spohr ; edited by Ferdinand David ;
revised by Louis Svećenski.
New York : G. Schirmer, c1919.
UniM Music Score XHA S781 FL1.1
Stahmer, Klaus.
Flipper music I [music] / Klaus Hinrich Stahmer.
München : Edition Modern, c1981.
For woodwind instrument and electronic tape.
Composed 1980.
Includes performance instructions in German.
Duration: 5:40.
Pl. no.: M2215E.
UniM Music Score C S912 ROW.1
Strauss, Richard, 1864-1949.
Der Rosenkavalier [music] : comedy for music in three acts, op. 59 : concert
waltz for two pianos / music by Richard Strauss ; arranged by Otto Singer.
London ; New York : Boosey & Hawkes, c1943.
UniM Music Score ML TAN.1
UniM Music CD 6324
Tango voices [music] : songs from the soul of Buenos Aires & beyond : a collection of celebrated tangos from around the world : annotated and illustrated with complete translations / compiled and edited by Donald Cohen ; music arranged for voice and guitar.
London ; New York : Wise Publications ; Bury St Edmunds, Suffolk : Exclusive distributors, Music Sales Ltd., c2007.
Principally tangos from Buenos Aires; includes melodies with guitar chords and diagrams.
Words also printed as text with English translation following each song.
Melody lines with guitar chord symbols.
Accompanying CD contains recordings of each song, performed by the original artists.
Includes extensive historical and biographical information precedes each song in English.
Includes bibliography and lists of internet sites, tango venues in Buenos Aires and tango museums and institutions in English.
Contents: Mi Buenos Aires querido (Carlos Gardel) -- La cumparsita (Nelly Omar) -- Malena (Anibel Troilo) -- El bazar de los juguetes (Alberto Podestá) -- Yira, yira (Ada Falcón) -- Vuelvo al sur (Astor Piazzolla) -- Sombras, nada más (Libertad Lamarque) -- Senores, yo soy del centro (Angel D'Agostino) -- Se slavo el pibe (Ricardo Tanturi) -- Mi noche triste (C. Gardel) -- Yo no sé que me han hecho tus ojos (Francisco Canaro) -- Viejo coche (Rosita Quiroga) -- Acompanada y sola (Maria Grana) -- Cascabelito (Osvaldo Pugliese) -- El choclo (Susana Rinaldi) -- A media luz (Hector Varela) -- Caminito (C. Gardel) -- Mesanichta (D. Philippopoulos, D. Evstratiou -- Scrivimi (Mario Mariotti) -- Le plus beau tango du monde (Alibert, Gaby Sims) -- Oh, Donna Clara (Palast Orchester) -- Satumaa (Neo Rustikale Tango-Orchester) -- Papirosn (Zully Goldfarb) -- Tatjana (Pjotr Leschenko) -- Ana el owerka (Lili Boniche) -- Hon ghen : (Jalousie) (Khanh Ly).
UniM Music Score C T239 IMP.1
Taylor, Colin, 1881-1973.
Three impromptus [music] : for two pianos / by Colin Taylor.
London : Alfred Lengnick & Co., c1938.
Pl. no.: A.L. &Co. Ltd.3403a.
Cover title.
Contents: Popinjay -- Lyric -- Summer is a-cumin in.
UniM Music Score Q T877 SEA.1
Tchaikovsky, Peter Ilich, 1840-1893.
Two pieces from the Seasons [music] : for chamber orchestra / Peter Tchaikovsky
; arranged by Julian Yu.
[Japan] : Zen-On Music, 2008.
Contents: June, barcarolle -- October, Autumn song.
UniM Music Score GF T268 SUS.1-2
Telemann, Georg Philipp, 1681-1767.
Excerpts from suite in A minor [music] : saxophone duet / G. Telemann ;
transcribed by R. Christian Dishinger.
Lebanon, Ind. : Studio P/R, [c1977].
Cover title.
Grade 3.
UniM Music Score C T830 BUT.1-3
Trimble, Joan, 1915-
Buttermilk Point [music] : reel, for two pianos, four hands / Joan Trimble.
London : Winthrop Rogers, [c1939].
Caption title.
Pl. no.: H.15009.
UniM Music Score C T830 GRE.1-4
Trimble, Joan, 1915-
The green bough [music] : for two pianos, four hands / Joan Trimble.
London : Boosey & Hawkes, c1951.
UniM Music Score C T830 HUM.1-2
Trimble, Joan, 1915-
The humours of Carrick [music] : hop jig for two pianos / Joan Trimble.
London : Winthrop Rogers, c1938.
Caption title.
Pl. no.: H.14920.
UniM Music Score C T830 SON.1-2
Trimble, Joan, 1915-
Sonatina for two pianos, four hands [music] / Joan Trimble.
London : Boosey & Hawkes, [c1941].
UniM Music Score C T949 CAP.1-2
Turner, Olive.
Cap and bells [music] : humoresque / Olive Turner.
London : Oxford University Press, [1937].
For two pianos.
UniM Music Score GF V799 DC29.1
Viotti, Giovanni Battista, 1755-1824.
3 duos concertants, opus 29, for two cellos [music] / Viotti ; [edited by Carl]
Schroeder.
New York : International Music, [19--].
UniM Music Score GF V799 DC35.1
Viotti, Giovanni Battista, 1755-1824.
3 duos concertants [music] : pour 2 violons, op. 35 / de J.B. Viotti ; nouvelle
edition revue par A. Schulz.
Braunschweig : H. Litolff, [19--?].
UniM Music Score GF V799 COL4.1
Viotti, Giovanni Battista, 1755-1824.
Collection de tous les duos concertans pour deux violons [music] / par J.B.
Viotti ; revus par Friedrich Hermann.
Leipzig : C.F. Peters, [1890?].
Caption title of v. 4: Trois duos.
Description based on: Cahier IV.
Publisher's no.: Edition Peters no. 1087d. (v, 4).
Heft IV. Trois duos, op. 19, liv. 1.
UniM Music Score GF V799 DU2-3
Viotti, Giovanni Battista, 1755-1824.
Duets for two violins [music] / Giovanni Battista Viotti ; edited by Leopold
Lichtenberg.
New York : G. Schirmer, c1900.
Pl. no.: 14892a-b (v. 2) ;14893a-b (v. 3).
Contents: Book 1. Three duets, op. 29 -- Book 2. Six duets, op. 20 -- Book 3. Three duets,
op. 9.
UniM Music Score GF W453 CM.1
GF W453 CM.2.
Wells, David, 1927-
Country miniatures [music] : suite for two violins / by David Wells.
London : Boosey & Hawkes, c1964.
Pl. no.: B. & H.19258.
SOUND RECORDINGS
UniM Music Score P B118 SOUE.1.
UniM Music CD 10594
Bach, Johann Sebastian, 1685-1750.
Six sonatas and partitas, BWV 1001-1006 [music] / Johann Sebastian Bach ;
transcribed, arranged and embellished for clavicembalo by Winsome Evans ; music
typesetting by Johannes Gebauer.
Berlin : ERP Musikverlag, 2007.
Arr. for harpsichord. Originally for violin solo.
Includes facsimile of the 1720 autograph of the original works for violin.
Preface and editorial notes in English.
Accompanying CDs published by Celestial Harmonies.
Contents: Sonata 1 in G minor : BWV 1001 -- Partita in B minor : BWV 1002 -- Sonata 2 in A
minor : BWV 1003 -- Partita 2 in D minor : BWV 2004 -- Sonata 3 in C major : BWV
1005 -- Partita 3 in F major : BWV 1006 -- Facsimile of Sei solo a violino
senza basso accompagnato. Libro primo da Joh. Seb. Bach. ao. 1720.
UniM Music CD 10588
Cole, Amanda.
Saudade [sound recording] : a Portuguese songbook / Amanda Cole.
New Zealand : Ode Records, 2009.
Performers: Amanda Cole, mezzo-soprano ; Sandra Crawshaw, piano.
Contents: Meu quadrante and Cantares. Quadra de anto ; Provérbio de salomao ; Cantiga de embalar ; Quatrain ; Cantar d'amigo ; Dizeres de povo ; Trova Chrisfal ; Anáthema ; A ribeirinha / Cláudio Carneyro -- Cancoes do sol poente. Cancao da fiandeira ; Embalando o menino ; Modas da serra ; A primeira romania ; A manha de serracao ; O natal do Céu ; A senhora dos remédios ; Cantigas do lenco / António Fragoso -- Cancoes perdidas. Soneto de Avila ; Soror Mariana ; Lope de Vega / Ivo Cruz -- Cancoes profanas. Magoas de anto / Ivo Cruz -- O seu soneto: Era uma Vez ; Margarida: Cancao portugueza ; Perco-me por Ela: Pastoral / Augusto de Oliveira Machado -- Opus 10. Pastoral ; Amores, amores ; A estrela ; Othos negros ; Lavadeira e Cacador / Jose Viana da Mota -- Cancoes sentimentais. Em Coimbra ha estrada ; Ando-me ouvindo, a sorrir ; Cantares dos buzios ; Esta palavra saudade / Ivo Cruz.
UniM Music CD 10590
Ensemble devotio moderna.
Loff unde ere-musik auf dem Kloster Medingen [sound recording] / Ensemble
devotio moderna.
Kassell, Germany : Klassic Center Kassell, 2008.
"Musik der Heidekloster - Music from the convents on the Luneburg Heath".
Lyrics in Latin with German and English translations in insert.
Notes in insert in German with English translations by Ulrike Volkhardt,
Wolfgang Brandis, Ulrike Hascher-Burger.
Contents: Lobpreis (Glorification): Exultet iam angelica turba (2:32) -- Exultandi et
letandi tempus est (5:54) -- Te decet laus, te decet ymnus (0:40) -- Gloria
laus et honor tibi sit (2:42) -- O beata trinitas / Tibi laus, tibi gloria (2:
45) -- David psalmista (2:11) -- Passion: Crucifixum in carne (0:55) --
Auferstehung (Resurrection): Cristus resurrexit (1:20) -- Laudes Salvatori /
Crist is upstande (7:24) -- Glaube (Belief): In obscuro nascitur illustrator
solis (1:44) -- Maria (Mary): Sancta Maria heyliger vrowe (0:29) -- Regina celi
letare (1:18) -- Gaude virgo mater Cristi (1:47) -- Gaude dei genitrix (0:57) -
- Gebet (Prayer): Lumen ad revelacionem (2:27) -- Per omnia secula seculorum /
Oremus pro invicem (1:16).
Performers: Ensemble devotio moderna: Eva Filler / Nicoline Hake / Stefanie Lombert / Ute
Schulze, soprano soloists; Petra Mauersberger, alto soloist; Ulrike Volkhardt,
recorder, portative; Irmelin Heiseke, vielle; Johanna Seitz, harp; Elisabeth
Seitz, psaltery; Ulrich Wedermeier, luite. Schola: Ute Schulze, cantrix; Nadine
Dilger, Eva Filler, Stefanie Lombert, Petra Mauersberger, Svetlana Smertin,
Katrin Tietjen; Ulrike Volkhardt, Director.
Recorded September 2008 in Isenhagen Convent.
UniM Music CD 10583
Phinot, Dominique, ca. 1510-ca. 1555.
Missa Si bona suscepimus [sound recording] ; Lamentations ; Magnificat ; Motets
/ Dominique Phinot.
London : Hyperion, p2009.
Program notes, including notes on the composer, by Roger Jacob and Stephen Rice
in English, French, and German; biographical notes on the performers in English;
and lyrics in original Latin, with English translations, in container insert.
Contents: Si bona suscepimus / Claudin de Sermisy -- Pater peccavi ; Missa Si bona
suscepimus ; Tanto tempore ; Iam non dicam vos servos ; O sacrum convivium ;
Incipit oratio Jeremiae prophetae ; Magnificat octavi toni ; Confitebor tibi,
Domine / Dominique Phinot.
Performers: The Brabant Ensemble ; Stephen Rice, director.
Recorded in the Chapel of Harcourt Hill campus, Oxford Brookes University on
Aug. 29-31, 2008.
Sung in Latin.
UniM Music CD 10587
Piazzolla, Astor.
Adiós Nonino [sound recording] / Astor Piazzolla.
[France] : Le chant du monde, p2005.
The 1st work originally for bandoneon and instrumental ensemble, acc. arr. for
orchestra; the 2nd work a concerto for bandoneon and guitar with string
orchestra; 3rd work for flute and guitar.
"Live au Festival internationale de guitare"--Container.
Reissue. Originally released in 1992 under title Tango (EPM musique: 982452).
Program notes in French with English translation (15 p. : ports.) inserted in
container.
Contents: Adiós Nonino -- Hommage à Liège -- Histoire du tango. Bordel 1900 ; Café 1930 ;
Night-club (1960) ; Concert [i.e. Concert d'aujourd'hui] 1990.
Performers: Astor Piazzolla, bandoneon (1st-2nd works) ; Cacho Tirao, Guy Lukowski, guitars
(2nd-3rd works, respectively) ; Marc Grauwels, flute (3rd work) ; Orchestre
philharmonique de Liège, Leo Brouwer, conductor (1st-2nd works).
UniM Music CD 9286-9290
Reinhardt, Django, 1910-1953, Performer.
Django Reinhardt plays Django Reinhardt [sound recording] / Django Reinhardt.
[France] : Le chant du monde, p2007.
Contents: CD 1, 1935-1938. Djangology -- Ultrafox -- Oriental shuffle -- Are you in the
mood? -- Swing guitars -- Sweet chorus -- Tears -- Mystery Pacific --
Improvisation no. 1 -- Parfum -- Eddie's blues -- Daphné -- Fiddle blues --
Bricktop -- Speevy -- Minor swing -- Swinging with Django -- Paramount stomp --
Boléro -- My serenade -- Christmas swing -- Stephen's blues -- Souvenirs --
Black and wihte -- Stompin' at Decca -- Nocturne.
CD 2. 1938-1942. Appel indirect (Appel direct) -- Improvisation no. 2 --
Hungaria -- Swing 39 -- Twelfth year -- Stockholm -- Echoes of Spain -- Naguine
-- H.C.Q. Strut -- Tears -- Rythme futur -- Blues en mineur -- Swing 41 --
Nuages -- Vendredi 13 -- Mabel -- Swing de Paris -- Oiseaux des Iles -- Dinette
-- Crépuscule -- Swing -- Nymphéas -- Féerie -- Belleville -- Lentement
Mademoiselle.
CD 3. 1942-1947. Blues en mineur -- Place de Brouckère -- Django rag -- Douce
ambiance -- Manoir de mes rêves -- Cavalerie -- Fleur d'ennui -- Blues clair --
Improvisation no. 3 -- Oubli -- Gaiement -- Blues d'autrefois -- Artillerie
lourde -- Manoir des mes reves -- Improvisation no. 6 -- Django's tiger --
Love's melody -- Belleville -- Swingtime in Springtime -- A blues riff - R vingt
-six -- BLues -- MInor blues -- Porto cabello -- Duke and Dukie --Babil (bi
bop).
CD 4.1947. Del salle -- Blues for Barclay -- Folie à Amphion -- Vette -- Swing -
- Django's blues -- Swing guitars -- Babik -- This kind of friend -- Nuages --
Blue clair -- Minor spring -- Swing 39 -- Django's dream -- Féerie -- Sweet
chorus -- Swing dynamique -- Moppin' the bride -- Mano -- Gipsy with a song --
Peche a la mouche -- Belleville -- Mélogie au crépuscule -- Stop -- Place de
Brouckère -- Improvisation no. 5 (47) -- Diminishing.
CD 5. 1948-1953. MIke -- Festival -- Fantaisie -- Just for fun -- Djangology --
Daphné -- Improvisation no. 4 -- Artillerie lourde -- Bricktop -- Swing guitars
-- Webster -- Micro = Mike -- Place de Brouckère -- Boogie-woogie -- Double
whisky -- Impromptu -- Vamp -- Fleche d'or -- Troublant boléro -- Nuits de Saint
-Germain-des-Prés -- Anouman -- D.R. Blues -- Blues for Ike -- Manoir de mes
reves -- Deccaphonie -- Nuages.
Performers: Django Reinhardt, guitar ; with other musicians.
Recorded between 1935 and 1953.
UniM Music CD 10593.
Sax Allemande (Musical group).
Ein Kagel-Schubert-Projekt [sound recording].
Germany : Farao Classics, p2008.
The Kagel excerpts from incidental music, originally with unspecified
instrumentation; the Schubert originally for string trio.
Individual movements of the Kagel and Schubert works intermingled.
Contents: Der mündliche Verrat : Suite für Saxophontrio / Mauricio Kagel -- Streichtrio B-
Dur Nr. 1, D471 ; Streichtrio B-Dur Nr. 2b, D581 / Franz Schubert.
Performers: Sax Allemande (Frank Schüssler, soprano saxophone; Arend Hastedt, alto
saxophone; Markus Maier, baritone saxophone).
Recorded at Farao Studios, May 2008.
UniM Music CD 9291
Smith, Jimmy, Performer.
Further adventures of Jimmy and Wes [sound recording] / Jimmy Smith and Wes
Montgomery.
New York, N.Y. : Verve Records, p1993.
Contents: King of the road (4:10) -- Maybe September (6:23) -- OGD (aka Road Song) (6:06)
-- Call me (3:11) -- Milestones (4:10) -- Mellow mood (8:41) -- 'Round midnight
(7:19).
Original LP issue: Verve V6-8766.
Performers: Jimmy Smith, organ; Wes Montgomery, guitar; Ray Barretto, percussion; Grady Tate,
drums; and other instrumentalists.
Recorded September 21 and 28, 1966 in New York.
UniM Music CD 10591
Tchaikovsky, Peter Ilich, 1840-1893.
Songs [sound recording] / Tchaikovsky.
London : Helios, [2009].
Originally issued in 1992 as Hyperion: CDA66617.
Program notes in English, German and French, and texts (Romanized) with English
translations in container.
Contents: Last night was so bright : op. 60, no. 1 (2:29) -- To forget so soon : 1870 (2:
44) -- The nightingale : op. 60, no. 4 (3:10) -- It was in the early spring :
op. 38, no. 2 (2:01) -- Amid the din of the ball : op. 38, no. 3 (2:14) -- The
fearful minute : op. 28, no. 6 (3:19) -- Do not believe, my friend : op. 6, no.
1 (3:38) -- The cuckoo : op. 54, no. 8 (2:10) -- Was I not a little blade of
grass? : op. 47, no. 7 (5:43) -- Cradle song : op. 16, no. 1 (4:08) -- Behind
the window : op. 60, no. 10 (1:38) -- Serenade : op. 63, no. 6 (3:08) -- The
canary : op. 25, no. 4 (3:15) -- Not a word, O my friend : op. 6, no. 2 (2:30) -
- Lullaby in a storm : op. 54, no. 10 (2:14) -- Spring : op. 54, no. 9 (1:58) --
Why did I dream of you? : op. 28, no. 3 (2:50) -- None but the lonely heart :
op. 6, no. 6 (3:05) -- Does the day reign : op. 47, no. 6 (3:28) -- If only I
had known : op. 47, no. 1 (4:17) -- Why? : op. 6, no. 5 (2:57).
Performers: Joan Rodgers, soprano ; Roger Vignoles, piano.
Recorded May 8-10, 1992.
Sung in Russian.
UniM Music CD 9292
Towner, Ralph.
City of eyes [sound recording] / Ralph Towner.
München : ECM, p1989.
Additional no.: ECM 1388.
Jazz ensembles.
Contents: Jamaica stopover (4:11) -- Cascades (6:47) --- Les douzilles (6:10) -- City of
eyes (4:11) -- Sipping the past (2:31) -- Far cry (4:23) -- Janet (3:21) --
Sustained release (5:03) -- Tundra (4:40) -- Blue gown (5:36).
Performers: Ralph Towner, guitar, piano, synthesizer ; Markus Stockhausen, trumpet,
fluegelhorn ; Paul McCandless, oboe, English horn ; Gary Peacock, bass ; Jerry
Granelli, drums.
Recorded at Rainbow Studio, Oslo, November 1988.
World Music discs
UniM Music CD 6324
ML TAN.1.
Tango voices [music] : songs from the soul of Buenos Aires & beyond : a
collection of celebrated tangos from around the world : annotated and
illustrated with complete translations / compiled and edited by Donald Cohen ;
music arranged for voice and guitar.
London ; New York : Wise Publications ; Bury St Edmunds, Suffolk : Exclusive
distributors, Music Sales Ltd., c2007.
Principally tangos from Buenos Aires; includes melodies with guitar chords and
diagrams.
Words also printed as text with English translation following each song.
Melody lines with guitar chord symbols.
Accompanying CD contains recordings of each song, performed by the original
artists.
Includes extensive historical and biographical information precedes each song in
English.
Includes bibliography and lists of internet sites, tango venues in Buenos Aires
and tango museums and institutions in English.
Contents: Mi Buenos Aires querido (Carlos Gardel) -- La cumparsita (Nelly Omar) -- Malena
(Anibel Troilo) -- El bazar de los juguetes (Alberto Podestá) -- Yira, yira (Ada
Falcon) -- Vuelvo al sur (Astor Piazzolla) -- Sombras, nada más (Libertad
Lamarque) -- Senores, yo soy del centro (Angel D'Agostino) -- Se slavo el pibe
(Ricardo Tanturi) -- Mi noche triste (C. Gardel) -- Yo no sé que me han hecho
tus ojos (Francisco Canaro) -- Viejo coche (Rosita Quiroga) -- Acompanda y sola
(Maria Grana) -- Cascabelito (Osvaldo Pugliese) -- El choclo (Susana Rinaldi) --
A media luz (Hector Varela) -- Caminito (C. Gardel) -- Mesanichta (D.
Philippopoulos, D. Evstratiou -- Scrivimi (Mario Mariotti) -- Le plus beau tango
du monde (Alibert, Gaby Sims) -- Oh, Donna Clara (Palast Orchester) -- Satumaa
(Neo Rustikale Tango-Orchester) -- Papirosn (Zully Goldfarb) -- Tatjana (Pjotr
Leschenko) -- Ana el owerka (Lili Boniche) -- Hon ghen : (Jalousie) (Khanh Ly).
Primarily Spanish words; selections in Greek, Italian, French, German, Finnish,
Yiddish, Russian, Algerian and Vietnamese.
VIDEO RECORDINGS
None received
MICROFORMS
None received
THESES / SPECIAL STUDIES
None received