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Composer, A. A. [OR Writer, B. B.] (Year of copyright). Title of song OR work [Recorded by C. C. Artist if different from writer or composer]. On Title of album [Medium of recording: CD, Record, Cassette, etc.]. Location: Label. (Date of recording if different from copyright date).
Nicks, S.Name(s) of composer(s) (1977).Date of copyright (in brackets) DreamsTitle of song [Recorded by Fleetwood Mac].Recorded by (in square brackets) On RumoursTitle of album (italicized) [CD].Medium (in square brackets) Burbank, CA:Location WB Records.Label
Vine, C.Name(s) of composer(s) (1996).Date of copyright (in brackets) 5 bagatellesTitle of song [Recorded by I. Munro].Recorded by (in square brackets) On Mere bagatelles.Title of album (italicized) [CD].Medium (in square brackets) Melbourne, Australia:Location Tall Poppies.Label
Example of re-recording by artist other than composer with different recording date:
Goodenough, J. B.Name(s) of composer(s) (1982).Date of copyright (in brackets) Tails and trottersTitle of song [Recorded by G. Bok, A. Mayo, & E. Trickett].Recorded by (in square brackets) On And so will we yetTitle of album (italicized) [CD].Medium (in square brackets) Sharon, CT:Location Folk-Legacy Records.Label(1990)Date of rerecording
The original performance was altered by Rimsky-Korskov (Mussogorsky, 1994).
OR
As illustrated by Mussorgsky (1994), the original performance emphasised . . . .
Re-recording by an artist other than composer with a different recording date:
. . . "Tails and Trotters" (Goodenough, 1982, track 5).
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